[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1088239:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":1332},false,[6],"Reynaldo Mazzei","Humberto Duarte Mauro (30 April 1897 – 5 October 1983) was a Brazilian film director. He is often considered the greatest director of early Brazilian cinema.\n\nMauro's second feature film Thesouro Perdido (Lost Treasure) won the Brazilian \"Film of the Year\" award in 1927. Later that year, Phebo Sul America Film was reorganized into Phebo Brasil Film. The first film released under the new Phebo was Braza Dormida (Sleeping Ember). Braza Dormida was a boxoffice success and furthered Mauro's career as one of Brazil's leading directors.\n\nIn July 1929, Mauro's final film for Phebo Brasil Film, Sangue Mineiro (Blood of Minas Gerais), was shown in Cataguases. In 1930, the film was given a nationwide release. The film was critically and popularly acclaimed. This was the first film in which Mauro worked with Carmen Santos who would star in many of Mauro's later films.\n\nPhebo Brasil Film did not have the resources to continue to produce films. Adhemar Gonzaga offered Mauro a directing job for Cinédia, which was centered in Rio de Janeiro. Gonzaga had started to shoot Lábios sem Beijos (Lips Without Kisses) which starred Carmen Santos. However, Carmen became pregnant was unable to finish production. Gonzaga handed the project over to Mauro, who both directed and photograpghed the film, in March 1930. Mauro decided to make the film silent even though sound was available. He wanted to explore the possibilities of silent film. Upon release in 1930, the film won the Jornal do Brasil film of the year award. Mauro acted as cinematographer for Cinédia's second film Muhler (Woman).\n\nMauro began shooting Ganga Bruta in September 1931. The film was not completed until 1933 due to cast replacements. The film was silent with synchronized sound recorded on Vitaphone discs added later. The film received little acclaim until two decades after its release.\n\nMauro co-directed his first talking film with Adhemar Gonzaga. A Voz do Carnaval (The Voice of Carnival) was a musical. Afterwards, Mauro left Cinédia for Brasil Vita Filme in 1934. He directed two feature films and several documentaries for Brasil Vita Filme.\n\nIn 1936, Mauro joined the Instituto de Nacional do Cinema Educativo (INCE), which was then the government office for educational and propaganda films. Mauro shot hundreds of documentaries when he was working in INCE, and he also shot his last three movies: Descobrimento do Brasil (The Discovery of Brazil), Argila (Clay), and O Canto da Saudade (The Song of Yearning). His final film was Carro de Bois (Ox Cart), a documentary, in 1974.\n\nDescription above from the Wikipedia article Humberto Mauro, full list of contributors on Wikipedia.","1897-04-30","1983-11-05",2,null,1088239,"nm0561230","Directing","Humberto Mauro","Volta Grande, Minas Gerais, Brazil",0.9759,"\u002FlPgeWkbKid3n7xVPCNbQCIfipiY.jpg",{"cast":20,"crew":225},[21,40,52,64,73,84,97,108,121,133,143,155,163,173,182,190,200,212],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":28,"title":29,"original_language":30,"original_title":29,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":37,"credit_id":38,"order":10,"media_type":39},"\u002F6XLaDbYNkUAhDuQPFzASsSO7jmi.jpg",[24,25,26,27],10402,10749,18,12,194698,"O Canto da Saudade","pt","Coronel Januário's goddaughter, Maria Fausta, is having a secret affair with João do Carmo. While her godfather is engaged in his political campaign for mayor of the city, the couple disappears. Galdino, an accordionist who is secretly in love with her, goes looking for them.",1.1704,"\u002F26vv8z4dhnehD1KoeCkJI50guDm.jpg","1952-08-18",7,1,"Januário","52fe4cf29251416c911057e7","movie",{"adult":4,"backdrop_path":11,"genre_ids":41,"id":42,"title":43,"original_language":30,"original_title":44,"overview":45,"popularity":46,"poster_path":11,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"character":50,"credit_id":51,"order":36,"media_type":39},[27,26],194719,"National Treasure","Tesouro Perdido","A group of bandits look for a treasure map.",1.2624,"1927-08-13",6.3,3,"Manuel Faca","52fe4cf39251416c9110596b",{"adult":4,"backdrop_path":11,"genre_ids":53,"id":55,"title":56,"original_language":30,"original_title":56,"overview":57,"popularity":58,"poster_path":11,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"character":61,"credit_id":62,"order":63,"media_type":39},[54],99,256183,"Castelar e Nelson Dantas no País dos Generais","",1.2972,"2008-01-24",0,"Himself (archive footage)","53032bbfc3a3680a3f55543f",6,{"adult":4,"backdrop_path":11,"genre_ids":65,"id":66,"title":67,"original_language":30,"original_title":67,"overview":57,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"character":71,"credit_id":72,"order":36,"media_type":39},[54],1040488,"Flagrantes da Vida Rural: Fazendas Clássicas",1.4547,"\u002FcPh36fSuAqxklGPTKxvz6whK071.jpg","1977-01-01","Self (uncredited)","63599f131108a8007e753c05",{"adult":4,"backdrop_path":74,"genre_ids":75,"id":76,"title":77,"original_language":30,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":10,"character":57,"credit_id":83,"order":60,"media_type":39},"\u002F2pe7yvDuW2G5qI8PziW05DyWbGz.jpg",[54],328648,"Mauro, Humberto","Documentary about Humberto Mauro, his work and its importance.",0.6001,"\u002FpB7aUKjvB4WrgeO5a24NJjDLFZq.jpg","1975-04-15",6.5,"54f670a7c3a368351d00050e",{"adult":4,"backdrop_path":85,"genre_ids":86,"id":87,"title":88,"original_language":30,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":36,"character":95,"credit_id":96,"order":49,"media_type":39},"\u002FeEQRKBC4tX5BUVfc0ewv2UIacBs.jpg",[26],329618,"Memories of Helen","Memória de Helena","Couple whose marriage is at stake delve into the past, with the help of a diary and some home movies. In these movies, Helena, the woman's suicidal friend, has an important role.",0.7584,"\u002F4ZF0k1NkgFtTLykxqtYbEMF0qep.jpg","1969-11-19",10,"Tio Mário","54fd468dc3a3684711004478",{"adult":4,"backdrop_path":11,"genre_ids":98,"id":99,"title":100,"original_language":30,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":36,"character":57,"credit_id":106,"order":107,"media_type":39},[24,25],341868,"A Noiva da Cidade","When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.",1.1288,"\u002F3kyd6xJRA5v4EMjkycML2wKoYtX.jpg","1978-05-26",8,"55640d4b92514151c300359b",26,{"adult":4,"backdrop_path":109,"genre_ids":110,"id":111,"title":112,"original_language":30,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":49,"character":118,"credit_id":119,"order":120,"media_type":39},"\u002FvbuUOowsPq4KDmuXNdJ7LX1VPlk.jpg",[26],165982,"Sangue Mineiro","In the beginning of the Twentieth Century, in Belo Horizonte, the industrial Sampaio lives in a manor house with his stepdaughter Carmen, who has a sort of engagement with Roberto...",1.149,"\u002FdpBmjblGZPeasNtTLwe0IkYw1vZ.jpg","1929-07-01",7.3,"Servant","567ffad7c3a3684be300d76f",9,{"adult":4,"backdrop_path":122,"genre_ids":123,"id":124,"title":125,"original_language":30,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":120,"vote_count":10,"character":131,"credit_id":132,"order":120,"media_type":39},"\u002F9yVIRZwVGaCihp6Za4jyyzVUElN.jpg",[26,25],376896,"Woman","Mulher","Carmen, a poor and beautiful woman, lives in a shantytown in Rio de Janeiro. All men desire her, including her stepfather, but she only has eyes for her boyfriend, Milton. After being expelled from home, she finds out her lover is married. Unhappy with her life, she finds a place in a boarding house and tries to find a job, with no success. Tired and starving, she ends up passing out in the street, being helped by a passer-by, who leaves her at writer Flávio Martins's house, a man torn between the proposal of an arranged marriage, an old flame, and the new guest.",1.4399,"\u002FhwrXU0U4CvZnWdjXXKBFJtx6Pb6.jpg","1931-10-12","Padrasto","56eeef7b9251415d06001b7f",{"adult":4,"backdrop_path":11,"genre_ids":134,"id":135,"title":136,"original_language":30,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"character":141,"credit_id":142,"order":60,"media_type":39},[54],448895,"Entrevista de Humberto Mauro a David Neves e Alex Viany","Celebrating his 80th birthday, pioneer Brazilian filmmaker Humberto Mauro talks about his life, work, and the project \"A Noiva da Cidade\".",1.4562,"\u002F3GQeKCdgmxRjE88NZKrhIohwiWz.jpg","1977-04-30","Ele mesmo","58d664efc3a368123403cc17",{"adult":4,"backdrop_path":144,"genre_ids":145,"id":147,"title":148,"original_language":30,"original_title":148,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":94,"vote_count":10,"character":153,"credit_id":154,"order":10,"media_type":39},"\u002FmlNjDCDdHWF8fvBQFjBPu5bnw6P.jpg",[54,146],36,508962,"Mulheres de Cinema","Documentary on famous Brazilian actresses, female directors and the role of women in Brazilian film history.",0.7807,"\u002Fi9O0lriLHJBe5FMbYlseljMyZsS.jpg","1978-06-06","Self","5a9ae201925141286d020efe",{"adult":4,"backdrop_path":11,"genre_ids":156,"id":157,"title":158,"original_language":30,"original_title":158,"overview":57,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":82,"vote_count":10,"character":141,"credit_id":162,"order":60,"media_type":39},[54],543006,"Humberto Mauro: Eu Coração Dou Bom",1.108,"\u002FsqxNSUT0qZoJpumXksoCsYMMPpe.jpg","1979-01-01","5b7797d4c3a36860db0089e9",{"adult":4,"backdrop_path":164,"genre_ids":165,"id":166,"title":15,"original_language":30,"original_title":15,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":63,"vote_count":10,"character":171,"credit_id":172,"order":60,"media_type":39},"\u002Fy6uOZAybqQ3fii0USdSMrIVGDPW.jpg",[54],539193,"A documentary-tribute to the filmmaker Humberto Mauro considered the pioneer of Brazilian and Latin American cinema, directed by his grandnephew, André Di Mauro.",1.7633,"\u002FA68DHFbNyDOrm1yNMLwxtyBtFbz.jpg","2018-08-24","Ele mesmo (arquivo)","5b73c4770e0a267ef11c9f5d",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":15,"original_language":30,"original_title":15,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":105,"vote_count":36,"character":153,"credit_id":181,"order":60,"media_type":39},"\u002F8du8UeafnGgdqGOtQMdAVzV4ztc.jpg",[54],542596,"A short documentary on the film works directed by Brazilian pioneer Humberto Mauro. With an extensive career that began in the silent era and then moved to the talkies, Mauro was recognized as one of the most important Brazilian filmmakers of all time.",1.5188,"\u002FiqBVZMTRvVgc6w7egWWKu79QPY5.jpg","1970-01-01","5b74ba7c0e0a265c1f005563",{"adult":4,"backdrop_path":11,"genre_ids":183,"id":184,"title":185,"original_language":30,"original_title":185,"overview":57,"popularity":186,"poster_path":187,"release_date":188,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"character":153,"credit_id":189,"order":60,"media_type":39},[54],1392703,"Chegada de Humberto Mauro de Veneza",0.8435,"\u002FjnFVGd9Q5xWe3RIzgqNwtmLYCdK.jpg","1938-01-01","674359d7cbe7b00e3b610bf3",{"adult":4,"backdrop_path":11,"genre_ids":191,"id":192,"title":193,"original_language":30,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"character":153,"credit_id":198,"order":199,"media_type":39},[54],609916,"Colagem","The new Brazilian cinematic movement (Cinema Novo) through films starring actors Antonio Pitanga and Luiza Maranhão.",2.9994,"\u002FzX59EClPxL8GBdxbnoUt6HgUTjw.jpg","1967-11-06","68553fd21b698150331c1123",5,{"adult":4,"backdrop_path":201,"genre_ids":202,"id":203,"title":204,"original_language":30,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":63,"vote_count":63,"character":210,"credit_id":211,"order":94,"media_type":39},"\u002Fo2RpwUnZyGRMJsnOTj6hruOTpgS.jpg",[26,25],188335,"Virgin Lips","Lábios Sem Beijos","Lelita, a rich young lady, is courted by Paulo, her cousin, but she starts to believe that he is also having an affair with her sister.",0.8581,"\u002F5gPfWc8Pa1PGVKFrcAwS74ryRov.jpg","1930-11-10","Namorado de D. Perpétua","689cbf34b8a9d066e48ebc67",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":30,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":222,"vote_count":26,"character":57,"credit_id":223,"order":224,"media_type":39},"\u002FcfJ73yZIQjrOw0zKFJdDoaN4RUV.jpg",[26],188346,"Rough Gang","Ganga Bruta","A man kills his wife on their wedding night, after discovering she had been unfaithful. After being acquitted, he moves to the country, where he becomes part of a love triangle.",1.2492,"\u002F2l9PHB6iABdGDMCTJXsOKbRoAcU.jpg","1933-05-29",6.8,"68b6d2ebf7e44399ae3984ce",16,[226,236,245,261,273,276,288,291,302,305,308,311,319,327,335,344,353,362,372,380,390,400,409,417,429,442,446,457,460,468,478,486,489,494,499,502,511,515,518,521,531,538,542,545,548,551,561,569,572,575,578,586,594,601,604,612,619,629,632,635,638,647,651,659,662,665,674,682,685,691,700,703,712,719,722,731,738,745,748,758,767,776,785,788,797,805,813,821,829,836,845,854,862,871,881,889,897,904,913,922,931,936,939,948,951,954,957,960,969,978,984,992,995,1004,1007,1015,1018,1021,1032,1041,1046,1049,1052,1055,1058,1061,1064,1067,1075,1083,1091,1094,1097,1105,1108,1111,1119,1127,1135,1138,1141,1149,1157,1165,1172,1175,1178,1186,1189,1196,1199,1207,1210,1213,1221,1228,1235,1243,1250,1257,1264,1271,1278,1285,1288,1291,1298,1301,1304,1311,1318,1326,1329],{"adult":4,"backdrop_path":11,"genre_ids":227,"id":228,"title":229,"original_language":30,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":234,"department":14,"job":235,"media_type":39},[54],814932,"Cidade do Rio de Janeiro","Rio de Janeiro (1949)  Historical data of the city of Rio de Janeiro illustrated by general plans of the Capital. Guanabara Bay. Cargo ships docked and several vessels. Passengers disembark. Galeao Airport. Highway that gives access to the city. Public places of the Capital are highlighted. The Central do Brasil train station, ETC.",1.1536,"\u002FmtveWoVNClu4LGgNyAyb790dsaP.jpg","1949-01-01","606d200f7719d700788ea989","Director",{"adult":4,"backdrop_path":11,"genre_ids":237,"id":238,"title":239,"original_language":30,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":244,"department":14,"job":235,"media_type":39},[54],825846,"Congonhas do Campo","Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.",0.6937,"\u002Fq5te3G0Z5fTbvzBtPYzLHZAmTwP.jpg","1957-01-01","6090ecbf8d77c400574c5c99",{"adult":4,"backdrop_path":246,"genre_ids":247,"id":249,"title":250,"original_language":30,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":258,"department":259,"job":260,"media_type":39},"\u002FiUJAST64A5eiD3nTSY2dhKTIXQD.jpg",[248,27,146],35,105347,"How Tasty Was My Little Frenchman","Como Era Gostoso o Meu Francês","In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.",1.585,"\u002Fyls9gNguacmJa0UWnBD59u8pC4E.jpg","1971-06-01",6.1,45,"52fe4a4ac3a36847f81c5bf7","Writing","Dialogue",{"adult":4,"backdrop_path":262,"genre_ids":263,"id":264,"title":265,"original_language":30,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":271,"vote_count":63,"credit_id":272,"department":14,"job":235,"media_type":39},"\u002FmykXgmcnP8kYxeaZU4BzUUpSsEg.jpg",[26,25],194677,"Clay","Argila","In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other.",0.8366,"\u002FuYwN3ytvyYdBPEhFJiesDXtTau3.jpg","1942-05-28",5.8,"52fe4cf29251416c91105723",{"adult":4,"backdrop_path":22,"genre_ids":274,"id":28,"title":29,"original_language":30,"original_title":29,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"credit_id":275,"department":14,"job":235,"media_type":39},[24,25,26,27],"52fe4cf29251416c911057db",{"adult":4,"backdrop_path":277,"genre_ids":278,"id":279,"title":280,"original_language":30,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":286,"vote_count":35,"credit_id":287,"department":14,"job":235,"media_type":39},"\u002F8DvVmQXLy9BM6DdG6Hq5W9ei5pw.jpg",[26,25],194674,"Dormant Embers","Brasa Dormida","A young man from Rio who, down on his luck in the capital, takes a job as manager of a sugar mill in the country, where he finds love with the mill owner’s daughter. The former manager, who had been demoted for incompetence, becomes jealous and tries to sabotage the mill.",1.5353,"\u002FsQ4IE9oeNGCl4vyA7YLi2fndPxi.jpg","1928-10-26",6.9,"52fe4cf29251416c91105703",{"adult":4,"backdrop_path":11,"genre_ids":289,"id":42,"title":43,"original_language":30,"original_title":44,"overview":45,"popularity":46,"poster_path":11,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"credit_id":290,"department":14,"job":235,"media_type":39},[27,26],"52fe4cf39251416c91105963",{"adult":4,"backdrop_path":292,"genre_ids":293,"id":294,"title":295,"original_language":30,"original_title":296,"overview":297,"popularity":298,"poster_path":299,"release_date":300,"softcore":4,"video":4,"vote_average":117,"vote_count":63,"credit_id":301,"department":14,"job":235,"media_type":39},"\u002F9gPMlT2QDHJBchwkTRfOPt7cjyU.jpg",[146],194710,"The Discovery of Brazil","O Descobrimento do Brasil","O Descobrimento do Brasil (The Discovery of Brazil) is an impressive historical epic recreating Álvares Cabral’s voyage to the New World in 1500, with a score especially written by the renowned composer, Heitor Villa-Lobos. One of the earliest examples of Brazilian cinema, this film depicts the perilous journey of Pedro Álvares Cabral’s armada from Portugal to Brazil. Though somewhat rudimentary compared to other films of the period, The Discovery of Brazil distinguishes itself with its scenes of indigenous people and Portuguese explorers on the beach, and in the imaginative lighting on board the ship. 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But, as they returned without pity, they began to call for an auction of the furniture and objects of art that garrison their \"garconiére\", last vestige of the passage of opulence. The great idea would be to install a cabaret in the favela for tourists in search of new sensations and also for the inhabitants of the city. On the hill, one of the boys experiences the greatest surprise: he found there, living among the humble, teaching to read to the children, Rosinha, an enchanted little princess, queen of the hill.",1.2648,"\u002Fl5b2lD9ZeZG3ftD88e70JcB84x.jpg","1935-03-02","58b838ac925141273a00a5a6",{"adult":4,"backdrop_path":620,"genre_ids":630,"id":622,"title":623,"original_language":30,"original_title":623,"overview":624,"popularity":625,"poster_path":626,"release_date":627,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":631,"department":259,"job":445,"media_type":39},[26,24],"58b838b5c3a36835a300a47d",{"adult":4,"backdrop_path":620,"genre_ids":633,"id":622,"title":623,"original_language":30,"original_title":623,"overview":624,"popularity":625,"poster_path":626,"release_date":627,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":634,"department":455,"job":456,"media_type":39},[26,24],"58b838d5925141276c00a642",{"adult":4,"backdrop_path":430,"genre_ids":636,"id":432,"title":433,"original_language":30,"original_title":434,"overview":435,"popularity":436,"poster_path":437,"release_date":438,"softcore":4,"video":4,"vote_average":439,"vote_count":440,"credit_id":637,"department":259,"job":445,"media_type":39},[54],"58c7164292514179f70012ed",{"adult":4,"backdrop_path":11,"genre_ids":639,"id":641,"title":642,"original_language":30,"original_title":642,"overview":643,"popularity":644,"poster_path":645,"release_date":466,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":646,"department":14,"job":235,"media_type":39},[427,640,224],10751,448810,"O Dragãozinho Manso - Jonjoca","After the great fight, Saint George, instead of killing the dragon, decides to take him home and teach him how to be nice. 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The dance movements alternate with images of swans in the water.",1.1921,"\u002FnXoJHyuCaraTMro3pqN9CAxE8ZA.jpg","1936-01-01","642dbf9958361b00b4c01894",{"adult":4,"backdrop_path":11,"genre_ids":732,"id":733,"title":734,"original_language":30,"original_title":734,"overview":57,"popularity":735,"poster_path":736,"release_date":466,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":737,"department":14,"job":235,"media_type":39},[54],1109277,"Henrique Oswald",1.171,"\u002Fm6aITwKwmHEoFRAIfGo6I8OHp1z.jpg","642dc06f0d2f5300778d6cd4",{"adult":4,"backdrop_path":11,"genre_ids":739,"id":740,"title":741,"original_language":30,"original_title":741,"overview":57,"popularity":742,"poster_path":743,"release_date":476,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":744,"department":14,"job":235,"media_type":39},[54],1109891,"Abastecimento d'Água do Rio de Janeiro (História da Água)",0.935,"\u002F8gxRdpaFvje9NAFypPuKmLLavkO.jpg","642f8b9f95c0af01137074de",{"adult":4,"backdrop_path":11,"genre_ids":746,"id":99,"title":100,"original_language":30,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":36,"credit_id":747,"department":259,"job":514,"media_type":39},[24,25],"663a3a2594d8a8012b343b31",{"adult":4,"backdrop_path":11,"genre_ids":749,"id":750,"title":751,"original_language":30,"original_title":752,"overview":753,"popularity":754,"poster_path":755,"release_date":756,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":757,"department":14,"job":235,"media_type":39},[54],493231,"A Screw","Um Parafuso","A short documentary about a screw.",0.9148,"\u002FdufMfnsUspj8oHAZXznBrzLXevU.jpg","1936-08-07","5a36dde2925141547b054c86",{"adult":4,"backdrop_path":11,"genre_ids":759,"id":760,"title":761,"original_language":30,"original_title":762,"overview":763,"popularity":764,"poster_path":765,"release_date":388,"softcore":4,"video":4,"vote_average":105,"vote_count":36,"credit_id":766,"department":259,"job":514,"media_type":39},[146,26],499512,"Minas Conspiracy","Inconfidência Mineira","Reconstruction of the historical episode of the Inconfidência Mineira (Minas Conspiracy).",1.6164,"\u002FoxX8meHK35331lc1GBiT2xvAUlr.jpg","5a97515e92514128a0007403",{"adult":4,"backdrop_path":11,"genre_ids":768,"id":769,"title":770,"original_language":30,"original_title":770,"overview":771,"popularity":772,"poster_path":773,"release_date":774,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":775,"department":14,"job":235,"media_type":39},[26,54],513474,"O Segredo das Asas","A FAB officer makes a forced landing on the pasture of a countryside and arrives at a house, where he is greeted by Maria, a paralyzed lace maker. Without a phone so that he could report the accident to the Aeronautics School, the officer decides to tell everything about the School.",1.2635,"\u002Fxnv5u34nbbHE7DS4s4uorrTt05H.jpg","1945-01-22","5ab4760bc3a368618d0167b8",{"adult":4,"backdrop_path":11,"genre_ids":777,"id":778,"title":779,"original_language":30,"original_title":780,"overview":781,"popularity":782,"poster_path":783,"release_date":317,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":784,"department":14,"job":235,"media_type":39},[54],513580,"Orchids","Orquídeas","Short documentary about orchids.",1.9369,"\u002F7t5evP7WpSUPDeKxWFBSAK6vEdb.jpg","5ab55920925141484d002158",{"adult":4,"backdrop_path":11,"genre_ids":786,"id":778,"title":779,"original_language":30,"original_title":780,"overview":781,"popularity":782,"poster_path":783,"release_date":317,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":787,"department":497,"job":498,"media_type":39},[54],"5ab559289251414846002523",{"adult":4,"backdrop_path":11,"genre_ids":789,"id":790,"title":791,"original_language":30,"original_title":791,"overview":792,"popularity":793,"poster_path":794,"release_date":795,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":796,"department":14,"job":235,"media_type":39},[54],1305329,"O Papel","A brief history of paper and the stages of its production. An animation about the history of writing, the emergence of paper in ancient civilizations and the invention of printing, taking paper manufacturing to an industrial scale. Paper production in Brazil, with emphasis on the use of pine, eucalyptus and bamboo. At Companhia Mineira de Papéis, in Cataguases, the stages of paper making. Paper consumption and its production in tons in Brazil since 1939. Brazilian self-sufficiency and the use of paper in various activities.",1.3708,"\u002FjGJI4uUNsQT9UIpqOkPii4IwzGC.jpg","1962-04-13","666eee844cfc345a67a62eeb",{"adult":4,"backdrop_path":11,"genre_ids":798,"id":799,"title":800,"original_language":30,"original_title":800,"overview":801,"popularity":802,"poster_path":803,"release_date":351,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":804,"department":14,"job":235,"media_type":39},[54],1305340,"Biblioteca Demonstrativa Castro Alves: Uma Biblioteca Modêlo","Professor Hélio Gomes Machado gives a speech in favor of the library as an element of spiritual progress for a people. Description of a model library. The characteristics of the building, the functional furniture, the need for an auditorium, the classification of books, the binding and their checking. The description of works through cataloging based on the Vatican Library Code. The book card is typed and incorporated into the general catalogue. Then the books are organized on the shelf. Exchange between libraries, with books not requested by the public and duplicates. The reference section is essential, as its works are for consultation and not for loan. The children's section. Complete registration to use library services. The catalog that refers to decimal classification. Loan control. The reading room and consultants. Finally, the Castro Alves Library is considered a model to be adopted in the country.",1.0178,"\u002FcZZWUcnp9EEHs8Kub9J28lJhXQW.jpg","666ef3c74cfc345a67a62f47",{"adult":4,"backdrop_path":11,"genre_ids":806,"id":807,"title":808,"original_language":30,"original_title":808,"overview":809,"popularity":810,"poster_path":811,"release_date":415,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":812,"department":14,"job":235,"media_type":39},[54],1306385,"Belo Horizonte","A panel of the capital of Minas Gerais at the end of the 1950s. Aspects of its modern layout, the result of a pre-established urban plan, with its communication routes, squares and public buildings. Understanding the history of the city and its geographical location. Considerations on teaching, commerce and industry. Pampulha and residential neighborhoods.",2.2304,"\u002FsNQjzGXcPwOlNZi7WbMvlpru0k5.jpg","667216081d40f69fa5354127",{"adult":4,"backdrop_path":11,"genre_ids":814,"id":815,"title":816,"original_language":30,"original_title":816,"overview":817,"popularity":818,"poster_path":819,"release_date":233,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":820,"department":14,"job":235,"media_type":39},[54],1147883,"Cidade do Salvador","The historical places and geography of the city of Salvador.",0.7782,"\u002F7ZOfcpJZkmVW4MCSJNBRdHRsQzQ.jpg","64a406e3e9da6900ae2fad85",{"adult":4,"backdrop_path":11,"genre_ids":822,"id":823,"title":824,"original_language":30,"original_title":824,"overview":825,"popularity":826,"poster_path":827,"release_date":698,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":828,"department":14,"job":235,"media_type":39},[54],542281,"Euclydes da Cunha - 1866-1909","Biographical data of Euclides da Cunha.",1.4578,"\u002FxZD5Q1Tt4DPy87zlUb7hRa0XH9r.jpg","5b728c1b0e0a267ee519b154",{"adult":4,"backdrop_path":11,"genre_ids":830,"id":831,"title":832,"original_language":30,"original_title":832,"overview":57,"popularity":833,"poster_path":834,"release_date":317,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":835,"department":14,"job":235,"media_type":39},[54],546387,"Victória Régia: Horto Botânico do Museu Nacional",0.8674,"\u002FcXPnLiZ0MMfUQA75X4fk0r2Ihd8.jpg","5b8e0e710e0a261d7a0585a7",{"adult":4,"backdrop_path":837,"genre_ids":838,"id":839,"title":840,"original_language":30,"original_title":840,"overview":841,"popularity":842,"poster_path":843,"release_date":317,"softcore":4,"video":4,"vote_average":63,"vote_count":36,"credit_id":844,"department":14,"job":235,"media_type":39},"\u002FnZNTxrMEILPvxUAUe8Z4qprCZ2r.jpg",[54],546471,"Victória Régia","A short documentary about the Victoria Regia.",2.01,"\u002Fk8wnM5SqW6TovheY0Hsp9XiTsDr.jpg","5b8ea01c0e0a266499000613",{"adult":4,"backdrop_path":11,"genre_ids":846,"id":847,"title":848,"original_language":30,"original_title":848,"overview":849,"popularity":850,"poster_path":851,"release_date":852,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":853,"department":14,"job":235,"media_type":39},[54],556641,"Leopoldo Miguez","Biographical account of Leopoldo Miguéz with sung and illustrated fragments of some of his compositions.",1.2482,"\u002Fu5YqW9spXoZqZw3ajBy0AopbB2l.jpg","1946-10-03","5bd27070c3a3687428002d2e",{"adult":4,"backdrop_path":11,"genre_ids":855,"id":856,"title":857,"original_language":30,"original_title":857,"overview":858,"popularity":859,"poster_path":860,"release_date":398,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":861,"department":14,"job":235,"media_type":39},[54],1160952,"Barão do Rio Branco","Detailed description of the diplomatic and territorial conquests of José Maria Paranhos, the Baron of Rio Branco. 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