[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1082851:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":889},false,[6],"Gregory Markopoulos","Gregory J. Markopoulos (March 12, 1928 - November 12, 1992) was an American experimental filmmaker. Born in Toledo, Ohio to Greek immigrant parents, Markopoulos began making 8 mm films at an early age. He attended USC Film School in the late 1940s, and went on to become a co-founder — with Jonas Mekas, Shirley Clarke, Stan Brakhage and others — of the New American Cinema movement. He was as well a contributor to Film Culture magazine, and an instructor at the Art Institute of Chicago.\n\nIn 1967, he and his partner Robert Beavers left the United States for permanent residence in Europe. Once ensconced in self-imposed exile, Markopoulos withdrew his films from circulation, refused any interviews, and insisted that a chapter about him be removed from the second edition of Visionary Film, P. Adams Sitney's seminal study of American avant-garde cinema. While he continued to make films, his work went largely unseen for almost 30 years.","1928-03-12","1992-11-12",2,null,1082851,"nm0548592","Directing","Gregory J. Markopoulos","Toledo, Ohio",0.551,"\u002FpCWfEPKeEA1mP7IEd9kkU6W48M4.jpg",{"cast":20,"crew":258},[21,31,47,60,72,82,92,106,119,130,140,152,162,173,183,191,200,213,222,232,242,249],{"adult":4,"backdrop_path":11,"id":22,"title":23,"original_language":24,"original_title":25,"overview":26,"poster_path":27,"character":28,"credit_id":29,"order":10,"media_type":30},1074819,"Of Blood, of Pleasure and of Death","fr","Du sang, de la volupté et de la mort","The trilogy 'Of Blood, of Pleasure and of Death' (1947-1948), which began with Psyche (1947), the first film, produced by Gregory Markopoulos in 16mm, based on an unfinished novel by Pierre Louÿs, is completed with Lysis and Charmides, both based on Platonic dialogues. Addressing themes of homosexuality, these three films illustrate a symbolic use of colour and composition. (Centre Pompidou)","\u002FxI7GwGGb1YJMDJq9eRyoFLIHqWg.jpg","The Wanderer","63c58f8cad59b500831c9833","movie",{"adult":4,"backdrop_path":32,"genre_ids":33,"id":35,"title":36,"original_language":37,"original_title":36,"overview":38,"popularity":39,"poster_path":40,"release_date":41,"softcore":4,"video":4,"vote_average":42,"vote_count":43,"character":44,"credit_id":45,"order":46,"media_type":30},"\u002F8gICVmjnZ84jivHdQI491LWC5sa.jpg",[34],99,306208,"The Hedge Theater","en","Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.",0.5998,"\u002Fh8T8R5vGZAfkKfU30WrpVITntvW.jpg","2002-11-17",6.5,10,"Himself","54750bd1c3a36856310003a5",1,{"adult":4,"backdrop_path":48,"genre_ids":49,"id":50,"title":51,"original_language":52,"original_title":51,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":46,"character":58,"credit_id":59,"order":46,"media_type":30},"\u002F2vGOFtoJHlmg6qwKe5Mz34D8R4J.jpg",[34],308693,"Early Monthly Segments","xx","Filmed when Beavers was 18–19, this self-portrait depicts him and Gregory J. Markopoulos in their Swiss apartment. A diary of domestic life, it transforms everyday objects and intimate details into a charged meditation on love, memory, and desire.",0.5945,"\u002F9YDGRYMHXgseSqW14f820pQIEkx.jpg","2003-09-09",8,"","54832e6bc3a3684afd0036e6",{"adult":4,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":37,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":46,"character":58,"credit_id":70,"order":71,"media_type":30},"\u002Fw8yT9HVNGvMeODjiHmIgUWkt9fI.jpg",[34],423746,"The Painting","Beavers intercuts scenes of traffic in Bern with details from the 15th-century altarpiece The Martyrdom of St. Hippolytus. In its revised form, the film gains a psychodramatic intensity, juxtaposing Markopoulos in shafts of light with a torn self-portrait and recurring shots of a shattered windowpane.",0.6978,"\u002Fyu6XvAEpjk6zScUs6jA2DWht3QW.jpg","1972-01-01",7,"5817f3f192514137500000bd",0,{"adult":4,"backdrop_path":73,"genre_ids":74,"id":75,"title":76,"original_language":37,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":58,"credit_id":81,"order":46,"media_type":30},"\u002F2o7FKwA9clnaSvzp9jfo2sWe9mm.jpg",[34],423756,"Winged Dialogue","An early exploration of intimacy and perception, the film portrays the body’s beauty and sexuality as animated by the soul. Through dissolving and vanishing images, Beavers creates a sensuous interplay of touch, memory, and after-image, leaving an imprint on both eye and mind.",0.5628,"\u002F1s1RW96MQWibgPDEYGvkgghEIYf.jpg","1967-12-30","5817fa8a9251413d6500026b",{"adult":4,"backdrop_path":11,"genre_ids":83,"id":84,"title":85,"original_language":37,"original_title":85,"overview":86,"popularity":87,"poster_path":11,"release_date":88,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":89,"credit_id":90,"order":91,"media_type":30},[],437599,"Heads","Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.",1.9213,"1969-12-19","Self","588b9e00c3a36859e90382b3",12,{"adult":4,"backdrop_path":93,"genre_ids":94,"id":97,"title":98,"original_language":37,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":80,"softcore":4,"video":4,"vote_average":102,"vote_count":69,"character":103,"credit_id":104,"order":105,"media_type":30},"\u002FrXNKP22AjrTvShf7ij5gp74ttSB.jpg",[95,96],18,14,263585,"The Illiac Passion","Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the \"forest.\" There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York \"underground scene\" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.",1.0765,"\u002FhBgQO21ZowmZSxsqF13EjEt0b1s.jpg",4.3,"Narrator \u002F The Filmmaker","59c965789251415b2407c115",24,{"adult":4,"backdrop_path":107,"genre_ids":108,"id":109,"title":110,"original_language":37,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":115,"vote_count":116,"character":117,"credit_id":118,"order":71,"media_type":30},"\u002FsA51zMKmhY0qh6h9Lh5lO2TYrdh.jpg",[95],263408,"Swain","Swain is inspired by Nathaniel Hawthorne’s Fanshawe, features a dreamlike narrative of a young man’s ritualized rejection of heterosexuality, as a mysterious woman in white gossamer pursues him through a ruined landscape.",0.6533,"\u002FitYYFrwXTRGviYpetbGl5LYRZZ8.jpg","1950-12-31",6.8,5,"the protagonist, Swain","59ca996bc3a368770e0007c3",{"adult":4,"backdrop_path":120,"genre_ids":121,"id":122,"title":123,"original_language":37,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":57,"vote_count":46,"character":128,"credit_id":129,"order":71,"media_type":30},"\u002FmNepwGdrzAwLRaDHHOQYWa7iCpw.jpg",[95],294065,"The Dead Ones","Markopoulos’ first attempt at making a 35mm feature film, clearly inspired by the cinema of Jean Cocteau, was left unfinished and the materials were lost for many years.",0.6923,"\u002Ft9iEMgvRkQNplBqs9uOapgOivTA.jpg","1967-01-17","Paul","59caa3b8c3a368777b0013e1",{"adult":4,"backdrop_path":11,"genre_ids":131,"id":132,"title":133,"original_language":37,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":43,"vote_count":46,"character":138,"credit_id":139,"order":71,"media_type":30},[95,96],423665,"A Christmas Carol","Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.",0.7401,"\u002FyZgLtVwqKOxQ81M6gYD8CgQpNJ.jpg","1940-01-01","Ebenezer Scrooge","59cac2159251412bed0038f3",{"adult":4,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":37,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":69,"vote_count":149,"character":89,"credit_id":150,"order":151,"media_type":30},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[34],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.548,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06",4,"59d9b7e4c3a368623e03730d",33,{"adult":4,"backdrop_path":153,"genre_ids":154,"id":155,"title":156,"original_language":37,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":69,"vote_count":10,"character":58,"credit_id":161,"order":69,"media_type":30},"\u002FsmixWQdWESSJDDwRZtl7MTntorW.jpg",[],490418,"Dionysus","In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine, Willard Maas, Gregory Markopoulos, Marie Menken, Lloyd Williams and William Wood as the Chorus of Cameras. The film's score was by Teiji Ito.",0.8495,"\u002F4TngCcHfGJ2u7fFaaFYwoklnXcV.jpg","1964-12-21","5a22ed3ec3a3680b880bc774",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":37,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":96,"character":44,"credit_id":172,"order":46,"media_type":30},"\u002FiMTod009PdlPAm6jP1Xb6I2LBwk.jpg",[34],104901,"From the Notebook of...","Shot in Florence, the film draws on Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s creative process to explore parallels between Renaissance space and the moving image. Beavers employs rapid pans and tilts along the city’s facades, interspersed with glimpses of his own face, linking camera movement to the filmmaker’s investigative gaze. The work marks a turning point in his practice, foregrounding presence and perception as central to his method. (Note: The film was re-edited and re-released in 1999.)",0.8284,"\u002FliLwMNX9KSoY20Ooe8GVfvGKYMA.jpg","1972-02-11",6.3,"5a5e0f3192514119db00b7ef",{"adult":4,"backdrop_path":11,"genre_ids":174,"id":175,"title":176,"original_language":37,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":181,"credit_id":182,"order":71,"media_type":30},[],423678,"Political Portraits","Dedicated to Dieter Meier. voice-over by Gregory Markopoulos, reading an excerpt in English translation of Paul Valéry’s L’Homme et la nuit (Man and the Night).",0.825,"\u002Fbe3vEIJKNfAG54r5SQtwKN3Dpp3.jpg","1969-01-01","Narrator (voice)","5a5f7d5cc3a36877d1004069",{"adult":4,"backdrop_path":11,"genre_ids":184,"id":185,"title":186,"original_language":37,"original_title":186,"overview":187,"popularity":188,"poster_path":11,"release_date":189,"softcore":4,"video":4,"vote_average":57,"vote_count":46,"character":181,"credit_id":190,"order":71,"media_type":30},[],431726,"The Death of Hemingway (An Obituary Fantasy)","Shot in thirty-two hours at the abandoned Baybridge Theater in Brooklyn, in cinemascope and Eastman color. The film was based on the one-act play of the same name by George Christopoulos, who also commissioned it.",0.5517,"1965-09-04","5a79c8000e0a26597f027f13",{"adult":4,"backdrop_path":11,"genre_ids":192,"id":193,"title":194,"original_language":37,"original_title":194,"overview":195,"popularity":196,"poster_path":11,"release_date":197,"softcore":4,"video":4,"vote_average":198,"vote_count":10,"character":89,"credit_id":199,"order":116,"media_type":30},[34],280073,"Award Presentation to Andy Warhol","In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.",0.922,"1964-12-07",7.5,"5dcd6fefcc277c0017e2eb8a",{"adult":4,"backdrop_path":201,"genre_ids":202,"id":203,"title":204,"original_language":37,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":209,"vote_count":210,"character":89,"credit_id":211,"order":212,"media_type":30},"\u002Fl6pEbeeAD2spisee51dP2SN7VZP.jpg",[34],105583,"Diaries, Notes, and Sketches","Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.",1.9485,"\u002F3iyvGft8nwGJFX62H5RawllN6Gp.jpg","1968-03-01",7.3,32,"5e898f3ad55c3d001a530165",39,{"adult":4,"backdrop_path":11,"genre_ids":214,"id":215,"title":216,"original_language":52,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":58,"credit_id":221,"order":71,"media_type":30},[],423755,"Spiracle","Portrait studies of Mrs. Hodges, Gail Beavers (the filmmaker’s sister) and Gregory J. Markopoulos.",0.5956,"\u002FngntiYMLqML7o0oFif7NbIf6oeC.jpg","1967-12-29","608cbf892495ab0029d77446",{"adult":4,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":37,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":115,"vote_count":149,"character":58,"credit_id":231,"order":46,"media_type":30},"\u002F8LIqOKYhKurPEAMe5oiq0uaTnaM.jpg",[34],296791,"Sotiros","Distilled in 1996 from an earlier 50-minute trilogy, this film was shot in Greece and Austria and structured around two recurring intertitles, “He said” and “he said.” Each introduces delicate studies of light and place—hotel interiors, cafés, hillsides, storefronts, and street life—framed in parallel variations. The title invokes Apollo as savior and healer.",0.5867,"\u002Fz2zhGPhpT0Q7ExDT2ohmYOqgikJ.jpg","2000-02-05","673a8fcb9c16dafa06f9df2d",{"adult":4,"backdrop_path":11,"genre_ids":233,"id":234,"title":235,"original_language":236,"original_title":235,"overview":237,"popularity":238,"poster_path":11,"release_date":239,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":240,"credit_id":241,"order":46,"media_type":30},[34],1487714,"Due film-maker in giardino - Robert Beavers & Gregory J. Markopoulos","it","Short film shot in Rapallo, 1987.",0.6677,"2010-12-01","Self - director","6834305a440c078c6bb6b785",{"adult":4,"backdrop_path":243,"id":244,"title":245,"original_language":37,"original_title":245,"overview":246,"poster_path":247,"character":44,"credit_id":248,"order":46,"media_type":30},"\u002FlDbzqT6apgQUEeKzO6xq9fCkGPE.jpg",412482,"My Hand Outstretched to the Winged Distance and Sightless Measure","My Hand Outstretched to the Winged Distance and Sightless Measure is a film cycle by American avant-garde filmmaker Robert Beavers. It consists of eighteen films in three parts.","\u002FpvTvzhOmoLVyOEa7Z7VYdydGUM7.jpg","6a640a74fd6da2a47cf97e3e",{"adult":4,"backdrop_path":250,"genre_ids":251,"id":252,"title":245,"original_language":37,"original_title":245,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":44,"credit_id":257,"order":46,"media_type":30},"\u002F9cOP8VV6cC2Osway80cbMESFPOY.jpg",[34],1739076,"My Hand Outstretched to the Winged Distance and Sightless Measure is a film cycle by American avant-garde filmmaker Robert Beavers. It consists of eighteen films in three parts. The films were made from the late 1960s through the early 2000s in different European countries, particularly Greece, Switzerland, and Italy. Most of the works in the cycle are radically re-edited, condensed versions of the original films. The cycle premiered in its entirety in 2005.",1.4138,"\u002F2jzCJAhpAboaCX1DYODwbTj3YEF.jpg","2005-10-07","6a67f1ef4ea55a01fc0ffae1",[259,273,277,282,287,298,310,322,332,335,338,348,359,370,381,392,404,414,417,426,437,445,448,457,459,467,474,477,487,494,503,512,519,526,534,546,555,563,571,578,581,584,591,599,607,615,623,630,639,642,652,667,670,675,678,681,684,687,690,693,696,699,702,705,708,711,714,717,720,723,726,729,732,735,738,741,744,747,750,753,756,759,762,765,768,771,774,777,780,783,786,796,799,802,805,808,811,814,817,820,823,826,829,832,835,838,842,845,848,851,854,857,860,863,866,869,872,882],{"adult":4,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":37,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"credit_id":270,"department":271,"job":272,"media_type":30},"\u002FmQAdgmWmQSthmpZ3M1upfSULJpB.jpg",[95],126539,"Twice a Man","A reworking of the myth of Hippolytus, in which a chaste youth rejects the incestuous advances of his mother and is saved from death by a caring physician.",1.0194,"\u002FtZjFf1p4YGlviJ8Gsoh7RXUuyTZ.jpg","1963-06-15",5.6,16,"52fe4ae2c3a368484e16bf23","Crew","Cinematography",{"adult":4,"backdrop_path":260,"genre_ids":274,"id":262,"title":263,"original_language":37,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"credit_id":275,"department":14,"job":276,"media_type":30},[95],"52fe4ae2c3a368484e16bf17","Director",{"adult":4,"backdrop_path":260,"genre_ids":278,"id":262,"title":263,"original_language":37,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"credit_id":279,"department":280,"job":281,"media_type":30},[95],"52fe4ae2c3a368484e16bf1d","Production","Producer",{"adult":4,"backdrop_path":260,"genre_ids":283,"id":262,"title":263,"original_language":37,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"credit_id":284,"department":285,"job":286,"media_type":30},[95],"52fe4ae2c3a368484e16befd","Writing","Writer",{"adult":4,"backdrop_path":288,"genre_ids":289,"id":290,"title":291,"original_language":37,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":4,"video":4,"vote_average":268,"vote_count":296,"credit_id":297,"department":14,"job":276,"media_type":30},"\u002Fhu6IFQVjEiTjeiNMC0sFOLh7zNb.jpg",[34],152299,"Ming Green","This portrait of the filmmaker's apartment, painted in the color of the title, was made a few months before his departure from New York. It is dedicated to the filmmaker Stan Brakhage and was shot without a scenario and edited entirely in the camera.",0.5003,"\u002FkjOGTEpa3uUNAE0wmqajkakEnbr.jpg","1966-11-23",21,"52fe4b1d9251416c910d050d",{"adult":4,"backdrop_path":299,"genre_ids":300,"id":302,"title":303,"original_language":37,"original_title":303,"overview":304,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":308,"vote_count":43,"credit_id":309,"department":14,"job":276,"media_type":30},"\u002FjSMxqcWZuRU1mGyQaSNajN0POeW.jpg",[301],10749,189111,"Christmas U.S.A.","Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?",0.6587,"\u002Fom9MufOh3ueLAI2S423SnwndJbf.jpg","1949-12-31",5.9,"52fe4d509251416c751371eb",{"adult":4,"backdrop_path":311,"genre_ids":312,"id":313,"title":314,"original_language":37,"original_title":314,"overview":315,"popularity":316,"poster_path":317,"release_date":318,"softcore":4,"video":4,"vote_average":319,"vote_count":320,"credit_id":321,"department":14,"job":276,"media_type":30},"\u002Fj9Qfrz3iCHJHFTMPLIjaSfJ7tHA.jpg",[],186578,"Sorrows","Set to music by Beethoven, this lyrical portrait moves from a chilled and misty exterior to the crystalline interior of the Swiss chateau that King Ludwig II built for Wagner.",0.525,"\u002Fwi4Fu7TTorPa4Niy2HY2s77XKl2.jpg","1969-12-31",7.9,9,"52fe4d009251416c7512c9a3",{"adult":4,"backdrop_path":323,"genre_ids":324,"id":325,"title":326,"original_language":37,"original_title":326,"overview":327,"popularity":328,"poster_path":329,"release_date":330,"softcore":4,"video":4,"vote_average":43,"vote_count":46,"credit_id":331,"department":14,"job":276,"media_type":30},"\u002FjujPMca78HK9mUDwMzaHIJ1m0bl.jpg",[34],230420,"Galaxie","In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests.  Preserved by the Academy Film Archive in 2001.",0.9865,"\u002F2hIp8flG7JjevHJ3YmEYowhfNP3.jpg","1966-09-03","52fe4dd6c3a36847f8270769",{"adult":4,"backdrop_path":107,"genre_ids":333,"id":109,"title":110,"original_language":37,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":115,"vote_count":116,"credit_id":334,"department":14,"job":276,"media_type":30},[95],"53421d5f0e0a2679bf00317d",{"adult":4,"backdrop_path":93,"genre_ids":336,"id":97,"title":98,"original_language":37,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":80,"softcore":4,"video":4,"vote_average":102,"vote_count":69,"credit_id":337,"department":14,"job":276,"media_type":30},[95,96],"534367170e0a2679bf004e1f",{"adult":4,"backdrop_path":339,"genre_ids":340,"id":341,"title":342,"original_language":52,"original_title":342,"overview":343,"popularity":344,"poster_path":345,"release_date":346,"softcore":4,"video":4,"vote_average":57,"vote_count":149,"credit_id":347,"department":14,"job":276,"media_type":30},"\u002FyXLoSsOggRiHXmNnkL5rpV9Om20.jpg",[34],263806,"Bliss","The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.",0.6089,"\u002FctbGBuZw7n811WMNXuauHr6wzxM.jpg","1967-06-02","5344d1840e0a267bcd0010c4",{"adult":4,"backdrop_path":349,"genre_ids":350,"id":351,"title":352,"original_language":37,"original_title":352,"overview":353,"popularity":354,"poster_path":355,"release_date":356,"softcore":4,"video":4,"vote_average":357,"vote_count":116,"credit_id":358,"department":14,"job":276,"media_type":30},"\u002F36ZjfgprfbI5EsVyDCTIf6IPTnm.jpg",[95,301],293521,"Psyche","Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern",0.5747,"\u002FwevFeG3fqHg5346eZiFHdhRZPKh.jpg","1948-05-29",7.2,"541b0145c3a368383c000110",{"adult":4,"backdrop_path":360,"genre_ids":361,"id":362,"title":363,"original_language":37,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":368,"vote_count":149,"credit_id":369,"department":14,"job":276,"media_type":30},"\u002FpYLsop6VsI3DRO73n8oisFQU2Bp.jpg",[95],293525,"Lysis","Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.",0.6728,"\u002FfNLI6WUpmVHOF6RFVFKYgNTLA37.jpg","1949-06-20",6.2,"541b0b2c0e0a261c9b0002ef",{"adult":4,"backdrop_path":371,"genre_ids":372,"id":373,"title":374,"original_language":37,"original_title":374,"overview":375,"popularity":376,"poster_path":377,"release_date":378,"softcore":4,"video":4,"vote_average":379,"vote_count":116,"credit_id":380,"department":14,"job":276,"media_type":30},"\u002FeXXGb52Ss8m6QqpiMKFkBNutNZ8.jpg",[95],293514,"Himself as Herself","The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.",0.7485,"\u002FfBjQcVHItjhtnTHjGmKMgBSazea.jpg","1967-01-25",3.6,"541af9450e0a260132001bd1",{"adult":4,"backdrop_path":382,"genre_ids":383,"id":384,"title":385,"original_language":37,"original_title":385,"overview":386,"popularity":387,"poster_path":388,"release_date":389,"softcore":4,"video":4,"vote_average":390,"vote_count":69,"credit_id":391,"department":14,"job":276,"media_type":30},"\u002FdL2Hvf23J3giPpVCZxXSQ61pBIs.jpg",[],293518,"Gammelion","Gammelion 1968, filmed at Il Castello Roccasinibalda in Rieti, Italy, is a major work in Markopoulos’s oeuvre, marking the transition into his late period and anticipating his epic final film, Eniaios 1947–91. Shot with only two rolls of film, the work extends seven minutes of footage to almost one hour of viewing time using hundreds of fades in and out. - Tate Modern",0.632,"\u002FbzF0DVZEm5oC4lmZHRWWAP1MvQd.jpg","1968-08-08",7.4,"541afef2c3a3683838000098",{"adult":4,"backdrop_path":393,"genre_ids":394,"id":395,"title":396,"original_language":37,"original_title":396,"overview":397,"popularity":398,"poster_path":399,"release_date":400,"softcore":4,"video":4,"vote_average":401,"vote_count":402,"credit_id":403,"department":14,"job":276,"media_type":30},"\u002F2YL9dOFC1CL8tmSXY1JnB7EhZet.jpg",[95],293526,"Charmides","Based on Plato's dialogue Charmides.",0.823,"\u002FdUIBZFaqruub27ejtYmGTNh4NeC.jpg","1949-06-25",6,3,"541b0e4b0e0a261c98000313",{"adult":4,"backdrop_path":405,"genre_ids":406,"id":407,"title":408,"original_language":37,"original_title":408,"overview":409,"popularity":410,"poster_path":411,"release_date":412,"softcore":4,"video":4,"vote_average":401,"vote_count":46,"credit_id":413,"department":14,"job":276,"media_type":30},"\u002FyKTwKigYNTSybtClAhe7qWsvpYf.jpg",[],294067,"Gilbert and George","A portrait of the British artists, two living sculptures, filmed in Paris on the occasion of their exhibition at the Sonnabend Gallery.",0.6358,"\u002F2a0Tms2wHdDsWBNs9xTz3JgmK4V.jpg","1975-01-01","541ec215c3a36879a000008e",{"adult":4,"backdrop_path":120,"genre_ids":415,"id":122,"title":123,"original_language":37,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":57,"vote_count":46,"credit_id":416,"department":14,"job":276,"media_type":30},[95],"541ec0a4c3a36879880000b1",{"adult":4,"backdrop_path":418,"genre_ids":419,"id":420,"title":421,"original_language":37,"original_title":421,"overview":422,"popularity":423,"poster_path":424,"release_date":378,"softcore":4,"video":4,"vote_average":69,"vote_count":10,"credit_id":425,"department":14,"job":276,"media_type":30},"\u002FhvsxIxPFTcagup24CFGKNRdzpAx.jpg",[],294063,"Through a Lens Brightly: Mark Turbyfill","The life of painter, dancer and poet Mark Turbyfill, seen in his 70th year, is evoked through Markopoulos’ unique form of cinematic portraiture.",0.7519,"\u002FuPZWAI1FDSa7gLBL5gzGgYYL6U2.jpg","541ebf890e0a2617a500005f",{"adult":4,"backdrop_path":427,"genre_ids":428,"id":430,"title":431,"original_language":37,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":320,"vote_count":46,"credit_id":436,"department":14,"job":276,"media_type":30},"\u002FwOl8ZAdGcO7UhzweAFZb0qVFrjh.jpg",[429,95],9648,334136,"The Mysteries","\"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding. In this lies the mystery. All else is irrelevant. That there are other sub-currents of equal power in The Mysteries goes without saying; and, those who are capable of the numerous visual visitations and annunciations which the film offers them will realize what is the Ultimate Mystery of my work.\"",0.6226,"\u002FeWKnPqBIUU2usDFpHzRFEp6t9L1.jpg","1968-01-01","551ecb18c3a3683a140036e9",{"adult":4,"backdrop_path":11,"genre_ids":438,"id":439,"title":440,"original_language":37,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":180,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":444,"department":285,"job":286,"media_type":30},[],365920,"Hulda Zumsteg","Woman sitting in a chair.",0.5194,"\u002Fmr3MU5Yh6yNnxyrzY9j7zGNy8Su.jpg","5632b5349251413b46006167",{"adult":4,"backdrop_path":11,"genre_ids":446,"id":439,"title":440,"original_language":37,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":180,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":447,"department":14,"job":276,"media_type":30},[],"5632b529c3a3681b52013936",{"adult":4,"backdrop_path":11,"genre_ids":449,"id":450,"title":451,"original_language":52,"original_title":451,"overview":452,"popularity":453,"poster_path":454,"release_date":455,"softcore":4,"video":4,"vote_average":69,"vote_count":46,"credit_id":456,"department":14,"job":276,"media_type":30},[34],389907,"Eniaios","An 80-hour film being printed and shown in cycles every four years at a remote location in Greece.",0.5079,"\u002F25YWuwSeyTipA3QRfTLRjLPYieM.jpg","1997-10-11","56f78b419251412cc0002c0e",{"adult":4,"backdrop_path":11,"id":22,"title":23,"original_language":24,"original_title":25,"overview":26,"poster_path":27,"credit_id":458,"department":14,"job":276,"media_type":30},"63c58efec9054f007a0ffdfc",{"adult":4,"backdrop_path":11,"genre_ids":460,"id":461,"title":462,"original_language":37,"original_title":462,"overview":463,"popularity":464,"poster_path":11,"release_date":465,"softcore":4,"video":4,"vote_average":320,"vote_count":46,"credit_id":466,"department":14,"job":276,"media_type":30},[],423685,"35, boulevard General Koenig","Edited but unprinted. 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Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).",1.0705,"1968-09-30","5817a5199251415c5e01f522",{"adult":4,"backdrop_path":11,"genre_ids":488,"id":489,"title":490,"original_language":37,"original_title":490,"overview":491,"popularity":492,"poster_path":11,"release_date":114,"softcore":4,"video":4,"vote_average":149,"vote_count":46,"credit_id":493,"department":14,"job":276,"media_type":30},[],423670,"Jackdaw","Jackdaw does not exist in this form; footage may have been incorporated into Flowers of Asphalt.",0.5097,"581791309251415ab801d1ff",{"adult":4,"backdrop_path":11,"genre_ids":495,"id":496,"title":497,"original_language":37,"original_title":497,"overview":498,"popularity":499,"poster_path":500,"release_date":501,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":502,"department":14,"job":276,"media_type":30},[],423680,"Moment","Filmed in London.  Preserved in Oesterreichishces Filmmuseum, Vienna.",0.5477,"\u002FoxReoqHo5u7W3QaelwZhs3eui0A.jpg","1970-01-01","58179e159251415c5e01f0c0",{"adult":4,"backdrop_path":11,"genre_ids":504,"id":505,"title":506,"original_language":37,"original_title":506,"overview":507,"popularity":508,"poster_path":509,"release_date":510,"softcore":4,"video":4,"vote_average":69,"vote_count":46,"credit_id":511,"department":14,"job":276,"media_type":30},[95],423673,"Flowers of Asphalt","Suggested music to be played during film : “Concerto Grosso” by Ludwig van Beethoven. With John Markopoulos, Maria Markopoulos, Andrew Markopoulos, Elaine Markopoulos and others. Filmed in Toledo, Ohio. ( This film contains footage from Jackdaw and Christmas U.S.A.  Preserved by Temenos, Zurich & New York.",0.5434,"\u002F8VqT6re4xApWX0e79uRGR4t2GRL.jpg","1951-01-01","58179303c3a368766901e9f4",{"adult":4,"backdrop_path":11,"genre_ids":513,"id":514,"title":515,"original_language":37,"original_title":515,"overview":516,"popularity":517,"poster_path":11,"release_date":68,"softcore":4,"video":4,"vote_average":57,"vote_count":46,"credit_id":518,"department":14,"job":276,"media_type":30},[],423688,"The Divine Damnation","The Damnation of Damien, edited in 1968, printed in 1972.\r Preserved by Anthology Film Archives, New York.",0.446,"5817a2fc9251415c5e01f3b2",{"adult":4,"backdrop_path":11,"genre_ids":520,"id":521,"title":522,"original_language":37,"original_title":522,"overview":523,"popularity":524,"poster_path":11,"release_date":501,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":525,"department":14,"job":276,"media_type":30},[],423684,"Alph","Edited but unprinted. Filmed in Paris.\r Original reversal film in Temenos Archive, Zurich.",0.4529,"58179ffd9251415cd101dd83",{"adult":4,"backdrop_path":11,"genre_ids":527,"id":528,"title":529,"original_language":37,"original_title":529,"overview":530,"popularity":531,"poster_path":11,"release_date":532,"softcore":4,"video":4,"vote_average":43,"vote_count":46,"credit_id":533,"department":14,"job":276,"media_type":30},[],423690,"Index – Hans Richter","Dedicated to Nigel Gosling. Voice-over with Hans Richter reading a Dada text. Filmed in Locarno.\r Oesterreichisches Filmmuseum, Vienna",0.4663,"1973-11-14","5817a4099251415a7f01e052",{"adult":4,"backdrop_path":535,"genre_ids":536,"id":538,"title":539,"original_language":540,"original_title":539,"overview":541,"popularity":542,"poster_path":543,"release_date":544,"softcore":4,"video":4,"vote_average":115,"vote_count":116,"credit_id":545,"department":285,"job":286,"media_type":30},"\u002FlZ06anpgCBUQKnN4EmsHjs7gtBI.jpg",[537,95],36,423675,"Serenity","el","Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.",0.8472,"\u002FgtTZcCTOilAYeB6PH4iZB9R1Ocz.jpg","1961-06-25","581796f9c3a368767e01c6f8",{"adult":4,"backdrop_path":547,"genre_ids":548,"id":549,"title":550,"original_language":37,"original_title":550,"overview":551,"popularity":552,"poster_path":553,"release_date":180,"softcore":4,"video":4,"vote_average":401,"vote_count":46,"credit_id":554,"department":14,"job":276,"media_type":30},"\u002FwGsslASFMxQ1ReWadTpojzQooQ7.jpg",[34],423679,"The Olympian","Portrait of novelist Alberto Moravia filmed in Rome.",0.532,"\u002F5exK3hGWafnz4quFn73HB8Kt7s6.jpg","58179d0c9251415c5e01f029",{"adult":4,"backdrop_path":11,"genre_ids":556,"id":557,"title":558,"original_language":37,"original_title":558,"overview":559,"popularity":560,"poster_path":561,"release_date":501,"softcore":4,"video":4,"vote_average":69,"vote_count":46,"credit_id":562,"department":14,"job":276,"media_type":30},[],423683,"Genius","Based upon the theme of Faust, with the characters portrayed serving as representatives of the crises of their time. A triple portrait of three important figures in the art world: British artist David Hockney, Argentine surrealist painter Leonor Fini, and German-French art dealer Daniel-Henry Kahnweiler.",0.6647,"\u002FrJLdPghTwDqNRVtXSGTwmYFB5wY.jpg","58179f8a9251415a7f01ddfb",{"adult":4,"backdrop_path":11,"genre_ids":564,"id":565,"title":566,"original_language":37,"original_title":566,"overview":567,"popularity":568,"poster_path":11,"release_date":569,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":570,"department":14,"job":276,"media_type":30},[],423689,"Heracles","Edited but unprinted. 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Preserved in Anthology Film Archives, New York.",0.4174,"58179ec6c3a368767e01cc6b",{"adult":4,"backdrop_path":11,"genre_ids":592,"id":593,"title":594,"original_language":37,"original_title":594,"overview":595,"popularity":596,"poster_path":11,"release_date":597,"softcore":4,"video":4,"vote_average":57,"vote_count":46,"credit_id":598,"department":14,"job":276,"media_type":30},[301,95],335637,"Eldora","The dreamlike Eldora describes love’s fragmenting effects on the consciousness of an adolescent girl.",0.5228,"1953-01-01","581794bac3a368766901eb3c",{"adult":4,"backdrop_path":11,"genre_ids":600,"id":601,"title":602,"original_language":37,"original_title":602,"overview":603,"popularity":604,"poster_path":605,"release_date":569,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":606,"department":14,"job":276,"media_type":30},[],423763,"Hagiographia II","The entire film was rephotographed and edited into Eniaios Cycle V. 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