[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1081524:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":410},false,[],"Frans Zwartjes (*Alkmaar, 5\u002F13\u002F1927–The Hague, 11\u002F18\u002F2017) was a film maker, musician, violin maker, artist and sculptor. In the late 1960's he became well known with films showing grotesquely dressed up actors involved in little power-mad sexual games. Hysterics and cruelty are his regular topics. Susan Sontag called Zwartjes \"the most important contemporary experimental film maker\". Zwartjes made over fifty films. Pentimento (1979), Living (1971) and Ín Extremo (1981) seem to be his best known films. Director Ruud Monster's documentary The Great Wizard portrays Zwartjes as a self-conscious artist who comments on the world in a farcical way. The film was partly shot at Zwartjes's home, while he was composing.","1927-05-13","2017-11-18",2,null,1081524,"nm0958975","Directing","Frans Zwartjes","Alkmaar, Netherlands",0.567,"\u002FajAuB9ADoBrabDNx9SwkUJZsCWL.jpg",{"cast":19,"crew":51},[20,36],{"adult":4,"backdrop_path":10,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"character":32,"credit_id":33,"order":34,"media_type":35},[22],99,292910,"The Great Magician","nl","De grote tovenaar","\"The Great Magician\" - A portrait of Frans Zwartjes (1927-2017), sometimes called 'the most important experimental filmmaker of his time' by the American essayist Susan Sontag.",0.958,"\u002Fg4IJNzgTIlJZl4kk84OwHyNqjH9.jpg","2006-09-14",5,"","5b2e4055c3a368531d003edb",0,"movie",{"adult":4,"backdrop_path":37,"genre_ids":38,"id":41,"title":42,"original_language":43,"original_title":42,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"character":32,"credit_id":50,"order":34,"media_type":35},"\u002FbL6Ka1UgEYovPUZ8nba2lvU8P1n.jpg",[39,40],18,10749,125604,"Living","xx","Frans Zwartjes and his wife explore their new home, and the sexual tension they've brought with them to it.",1.2298,"\u002FbBndYPcaae2gVJ0XQiJnbJsefsT.jpg","1971-01-01",6.9,16,"5c6983719251412a74fb8a9e",[52,64,69,74,79,89,98,101,111,120,133,144,153,163,172,182,190,198,203,207,217,220,231,240,243,251,259,266,273,280,283,286,289,298,303,306,309,320,323,326,335,342,345,354,357,360,367,370,377,383,386,389,392,397,400],{"adult":4,"backdrop_path":10,"genre_ids":53,"id":54,"title":55,"original_language":56,"original_title":55,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":9,"credit_id":62,"department":13,"job":63,"media_type":35},[39],808456,"It's Me","en","First full-length experimental feature by filmmaker Zwartjes about an actress, played by Willeke van Ammelrooy, who during the whole film, in continuously changing moods, is busy in her room. 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The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality.  Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. 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The filmmaker suggests a mysterious and complex space by using a ‘floating’ camera to film a number of crawling, creeping personages. 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A man and a woman watch another woman singing, predominantly in exciting black and white images.",1.19,"\u002FpAA4rAtmitukgyTLiRilXsMOBV0.jpg","1973-09-04","52fe4e90c3a36847f8298d2d",{"adult":4,"backdrop_path":173,"genre_ids":174,"id":175,"title":176,"original_language":25,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":107,"softcore":4,"video":4,"vote_average":180,"vote_count":61,"credit_id":181,"department":13,"job":63,"media_type":35},"\u002FnjSJ1m1WJlmmmdg91I3tVLl32lj.jpg",[39,40],239278,"Anamnesis","Film in three parts. A man and a woman, Trix Zwartjes and Lodewijk de Boer (Zwartjes’s regular actors) circle around each other in a house and outside at the water side. 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Moving Stills shows a series of photographs by Françoise de Nooijer, which are joined, by means of editing and colour effects, and turned into a moving picture. The erotic image gets an explosive charge. 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The performance, a parachute jump, is carried out by an artist (Perrenet) and his girlfriend during the opening of an exhibition. As spectators to the performance, which takes place in the artist’s studio, an art dealer and several friends have been invited. The art dealer enters first, followed by Armand, who looks at some paintings made by Zwartjes; they spout the usual ‘gallery nonsense’. The art dealer appears most interested in the girlfriend. ‘My latest creation’ is how Amand introduces her. 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