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The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained.  The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. 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A young, cheeky hospital maintenance worker named Oskar, with hair down to his shoulders and opinions that shatter Marty's safe, normal world into pieces, enters her lonely life. 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In a single day, contrary to the intentions and plans of her father, a typical German officer, Kristina's ideas and illusions about her parents' society and the security of home collapse, and the whole perversity and monstrosity of the German war and totalitarian mechanism emerges before her with tragic inexorability and the echo of the approaching end of the war. 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He invites her to the West and promises her roles in theater and film. She decides to seize the opportunity and flee. Together with a small group of people and her young son Jirka, she entrusts herself to a smuggler and embarks on a risky journey across the border. But something goes wrong. They are caught. Everything had been planned in advance. The smuggler himself is a member of the StB. 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