[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1065698:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":1280},false,[6,7],"N. McLaren","McLaren","Norman McLaren, CC, CQ (11 April 1914 – 27 January 1987) was a Scottish-born Canadian animator and film director known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. His awards included an Oscar for the Best Documentary in 1952 for Neighbours, a Silver Bear for best short documentary at the 1956 Berlin International Film Festival Rythmetic and a 1969 BAFTA Award for Best Animated Film for Pas de deux.","1914-04-11","1987-02-27",2,null,1065698,"nm0572235","Directing","Norman McLaren","Stirling, Stirlingshire, Scotland",0.6005,"\u002FrD180RxxIcxdCZbI2X5sfSb4lT.jpg",{"cast":21,"crew":257},[22,36,43,50,57,64,72,79,87,98,108,122,131,143,154,164,174,190,199,210,218,226,238,246],{"adult":4,"backdrop_path":12,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":34,"order":32,"media_type":35},[24,25],99,16,1091444,"Painting with Light","en","The third thematic mini documentary about revolutionary filmmaker Norman McLaren.",0.6219,"2006-01-01",0,"","63f979b784f249007bef07c9","movie",{"adult":4,"backdrop_path":12,"genre_ids":37,"id":38,"title":39,"original_language":28,"original_title":39,"overview":40,"popularity":41,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":42,"order":32,"media_type":35},[25],1091455,"Blurr Test","Compilation of McLaren's Blurr technique.",1.055,"63f985befb52990079e1b037",{"adult":4,"backdrop_path":12,"genre_ids":44,"id":45,"title":46,"original_language":28,"original_title":46,"overview":47,"popularity":48,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":49,"order":32,"media_type":35},[24,25],1091414,"Beginnings","The first thematic mini documentary about revolutionary filmmaker Norman McLaren.",1.0351,"63f96bf496e30b00be59372c",{"adult":4,"backdrop_path":12,"genre_ids":51,"id":52,"title":53,"original_language":28,"original_title":53,"overview":54,"popularity":55,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":56,"order":32,"media_type":35},[24,25],1091419,"McLaren and Space","The second thematic mini documentary about revolutionary filmmaker Norman McLaren.",0.6604,"63f96d74344a8e00e6cd5696",{"adult":4,"backdrop_path":12,"genre_ids":58,"id":59,"title":60,"original_language":28,"original_title":60,"overview":61,"popularity":62,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":63,"order":32,"media_type":35},[24,25],1091727,"The Art of Motion","The fourth thematic mini documentary about revolutionary filmmaker Norman McLaren.",0.7052,"63fa567c57176f0085441183",{"adult":4,"backdrop_path":12,"genre_ids":65,"id":66,"title":67,"original_language":28,"original_title":67,"overview":68,"popularity":69,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":70,"credit_id":71,"order":32,"media_type":35},[25,24],1091784,"Tanguy Landscape Test","Featuring a voiceover. 1944 test inspired by surrealist painter Yves Tanguy, an improvised moving growing landscape in a surrealistic manner.",0.9089,"Narrator (voice)","63fa65d557176f00bcbf9e9f",{"adult":4,"backdrop_path":12,"genre_ids":73,"id":74,"title":75,"original_language":28,"original_title":75,"overview":76,"popularity":77,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":78,"order":32,"media_type":35},[24,25],1091738,"Birdlings","This 1967 footage shows McLaren at a computer with Evelyn Lambart, Rene Pardo and two other technicians, followed by the animation test some call Birdlings. McLaren found computers still too primitive for his needs and continued to explored the optical printer in Pas De Deux, Synchromy and Narcissus. Silent film.",0.8587,"63fa5b09cf62cd0085c54b67",{"adult":4,"backdrop_path":12,"genre_ids":80,"id":81,"title":82,"original_language":28,"original_title":82,"overview":83,"popularity":84,"poster_path":12,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":85,"order":86,"media_type":35},[24,25],1091757,"Evelyn Lambart","The fifth thematic mini documentary about revolutionary filmmaker Norman McLaren; this time with a focus on his collaborator Evelyn Lambart.",1.1241,"63fa602484f249008db028f4",1,{"adult":4,"backdrop_path":12,"genre_ids":88,"id":89,"title":90,"original_language":28,"original_title":90,"overview":91,"popularity":92,"poster_path":12,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":95,"character":96,"credit_id":97,"order":32,"media_type":35},[24],81542,"Creative Process: Norman McLaren","Norman McLaren was a cinematic genius who made films without cameras, and music without instruments. He produced sixty films in a stunning range of styles and techniques, collecting over 200 international awards, and world recognition. In Creative Process, director Donald McWilliams demystifies the process of artistic creation. Drawing on McLaren's private film vaults, a gold mine of experimental footage and uncompleted films, McWilliams explores McLaren's methods, including his celebrated \"pixillation\" technique, and his daring forays into animated surrealism.",1.1879,"1990-01-01",6.7,6,"Self (archive footage)","52fe481a9251416c910806ab",{"adult":4,"backdrop_path":12,"genre_ids":99,"id":100,"title":101,"original_language":28,"original_title":101,"overview":102,"popularity":103,"poster_path":12,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":95,"character":106,"credit_id":107,"order":32,"media_type":35},[24,25],214948,"New York Lightboard Record","New Yorkers watch as Norman McLaren's animated promotional film for Canadian tourism plays on the giant pixelboard overlooking Times Square. The caption below the board reads: \"Canada... Wonderful World At Your Doorstep\". McLaren himself is a member of the crowd.",0.6129,"1961-01-01",5.5,"Self - Seen with Man in Hat","52fe4dedc3a368484e2051f5",{"adult":4,"backdrop_path":109,"genre_ids":110,"id":112,"title":113,"original_language":28,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":4,"video":4,"vote_average":118,"vote_count":119,"character":120,"credit_id":121,"order":32,"media_type":35},"\u002Fuo2vMeyyIlFNqkrXMI1QZoxSknu.jpg",[25,111],35,245062,"Opening Speech","Norman McLaren attempts to give the opening speech for the first Montreal International Film Festival, but his microphone won't cooperate.",1.4104,"\u002F5b3O7uYtygP2o44OvuOL4UnnvCR.jpg","1969-01-02",7,13,"Self","52fe4efcc3a36847f82b54eb",{"adult":4,"backdrop_path":12,"genre_ids":123,"id":124,"title":125,"original_language":28,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":120,"credit_id":130,"order":32,"media_type":35},[24],1031278,"War and Peace","This documentary short illustrates the thematic role of war in the works of filmmaker Norman McLaren, from his traumatic experiences in the Spanish Civil War to the Korean conflict, which inspired him to make Neighbours.",0.8634,"\u002F7CBmTjbPJwxhzQojLpEltAApJg0.jpg","2005-01-01","633abb7942d837007d5b76f5",{"adult":4,"backdrop_path":132,"genre_ids":133,"id":134,"title":135,"original_language":28,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":141,"character":120,"credit_id":142,"order":32,"media_type":35},"\u002FmX1dS6hDEYe7SRJn88OuTNGt9Ro.jpg",[25,24],177078,"Pen Point Percussion","A documentary showing Norman McLaren working on the hand-drawn sound process he uses for his short film, Loops.",0.6601,"\u002FbFpvf1gztV01Bj0MmU0bUy8t3j4.jpg","1951-03-01",6.1,9,"554f53d8925141402a006f42",{"adult":4,"backdrop_path":12,"genre_ids":144,"id":145,"title":146,"original_language":28,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"character":33,"credit_id":153,"order":11,"media_type":35},[24,25],340003,"Pinscreen","Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.",1.288,"\u002FA03dCK39Mgvd1owEhPc5Y6OFx2u.jpg","1973-05-12",6.2,5,"5552b35392514149920001e1",{"adult":4,"backdrop_path":12,"genre_ids":155,"id":156,"title":157,"original_language":28,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":162,"vote_count":11,"character":120,"credit_id":163,"order":32,"media_type":35},[],339998,"McLaren on McLaren","An opening address, a tribute and highlights of a long and productive career--McLaren on McLaren is Norman McLaren on camera. The occasion is the opening of a prestigious festival in Arnhem, the Netherlands, in November, 1983, marking the tenth anniversary of Holland Animation. The renowned animator pays homage to those who merged their arts with his, and to the National Film Board, which gave him forty-two years of artistic freedom.",0.6484,"\u002FbbbQTlzmcrfP393MMngEWPX8EMW.jpg","1983-05-13",6.5,"5552a14e9251411487001271",{"adult":4,"backdrop_path":12,"genre_ids":165,"id":166,"title":167,"original_language":28,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":86,"character":120,"credit_id":173,"order":32,"media_type":35},[24],340000,"The Eye Hears, the Ear Sees","The Eye Hears, the Ear Sees is a 1970 documentary exploring the career of Norman McLaren, a Scots-Canadian animator known for his pioneering work in experimental animation, using innovative techniques to blend visual art with sound design.",1.6197,"\u002FyIGM8bn1bWoBilZUTI73nShRul3.jpg","1970-05-12",8,"5552a3bcc3a36834e100622d",{"adult":4,"backdrop_path":175,"genre_ids":176,"id":180,"title":181,"original_language":28,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":186,"vote_count":86,"character":187,"credit_id":188,"order":189,"media_type":35},"\u002FfoClorbLg4VSdVMKRAAblYwopyJ.jpg",[177,178,24,179],10402,9648,10770,1325714,"Daedalus","\"Fly too high and you will burn, go too low and you won't breathe.\" A 7 day vlog during the summer of 2023, a story of dreamers and drowners.",1.1381,"\u002F8flBdt8sGfPsEbMCvF5rdkqqihS.jpg","2024-07-17",10,"sampled part of Pas De Deux by Norman McLaren","66b1efdccfa436ae07a134f8",24,{"adult":4,"backdrop_path":12,"genre_ids":191,"id":192,"title":193,"original_language":194,"original_title":193,"overview":33,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":95,"vote_count":86,"character":120,"credit_id":198,"order":32,"media_type":35},[24],450918,"Cinéastes de notre temps : Norman McLaren","fr",1.3679,"\u002FcUtTJH3RmJQhkE2BHkJ1yQxCvuR.jpg","1972-07-26","58e6a4cfc3a36872ee047c47",{"adult":4,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":28,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":105,"vote_count":208,"character":33,"credit_id":209,"order":32,"media_type":35},"\u002FbZsCmBGg3X98ftF709zAqSbNEx1.jpg",[25],211017,"Mosaic","A man sets a ping-pong ball into motion and it becomes fruitful and multiplies.",1.2405,"\u002FgDdTAfU9qjgFaXyZ0lVxLDT80H6.jpg","1965-07-29",11,"59f6b870c3a3682e4c028561",{"adult":4,"backdrop_path":12,"genre_ids":211,"id":212,"title":213,"original_language":28,"original_title":213,"overview":214,"popularity":215,"poster_path":12,"release_date":216,"softcore":4,"video":4,"vote_average":95,"vote_count":86,"character":33,"credit_id":217,"order":86,"media_type":35},[111],245064,"On the Farm","Stop-motion, pixillation and other trick photography methods are used to depict situations on a farm.",0.6551,"2003-01-14","5cabec2092514169a2fed945",{"adult":4,"backdrop_path":12,"genre_ids":219,"id":220,"title":221,"original_language":28,"original_title":221,"overview":222,"popularity":223,"poster_path":12,"release_date":224,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":225,"order":32,"media_type":35},[],816175,"Norman McLaren and Claude Jutra Safer Sex Short","So is this what the kids of today are into? Well, as long as it’s safe.",1.0156,"1985-01-01","606eae960816c7002a745120",{"adult":4,"backdrop_path":227,"genre_ids":228,"id":229,"title":230,"original_language":28,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":236,"character":96,"credit_id":237,"order":11,"media_type":35},"\u002F7RRMQojFgDUpkd8y1wyWKrntHFh.jpg",[24],359710,"Grierson","A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.",1.2561,"\u002Ffw3IXabfi3jxR6H0MT3yOCjaQMM.jpg","1973-09-13",7.3,3,"684fd54c1516e3e64b344cd0",{"adult":4,"backdrop_path":12,"genre_ids":239,"id":240,"title":241,"original_language":28,"original_title":241,"overview":242,"popularity":243,"poster_path":12,"release_date":244,"softcore":4,"video":4,"vote_average":186,"vote_count":86,"character":120,"credit_id":245,"order":11,"media_type":35},[24],1575090,"Tour en l'air","For all who enjoy ballet, this English-language film presents an insight into the dance that only dancers ordinarily see. It is an engaging film portrait of the famous Canadian husband-and-wife team, Anna Marie and David Holmes. We see their busy lives as international dance stars, their private interests and, above all, their dedication to the absolute refinement of ballet movement.",1.1523,"1973-01-01","690b0890ed025a428df6cdc3",{"adult":4,"backdrop_path":12,"genre_ids":247,"id":248,"title":249,"original_language":28,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":255,"credit_id":256,"order":86,"media_type":35},[24,25],870211,"Jacques Drouin: In Relief","Jacques Drouin en relief","This documentary is a portrait of the animator of Le Paysagiste, from his childhood in Eastern Quebec to his career at the NFB. Trained at the École des beaux-arts de Montréal and the University of California at Los Angeles (UCLA), Drouin became in some ways the heir to Alexandre Alexeïeff when he began working with the Alexeïeff-Parker pinhole screen in 1974.  Recounting his relationship with the filmmaker and inventor, coming back with lucidity and precision on the whole of his own filmography, Jacques Drouin delivers here a precious testimony on creation. Enriched with numerous excerpts and unpublished images from the filmmaker's personal archives, Jacques Drouin en relief is both the adventure of a lifetime and a valuable lesson in cinema.",1.0891,"\u002FeMBIEMj5roBgdpznQGjm9OXWPDA.jpg","2009-01-01","Archive Footage","698096fb5b097494a31bde63",[258,268,277,289,294,306,317,332,344,347,350,362,373,382,394,404,414,426,439,442,452,463,471,474,484,487,496,499,502,512,523,532,541,544,547,556,567,577,586,596,603,612,622,625,633,642,650,658,667,675,686,694,703,712,722,731,739,747,756,764,772,778,785,793,804,812,821,831,842,845,848,851,854,862,865,873,882,890,899,908,913,916,924,927,930,933,936,940,943,946,949,952,955,958,961,964,967,970,973,976,983,991,998,1005,1008,1015,1023,1030,1033,1041,1049,1052,1059,1062,1065,1068,1074,1080,1088,1095,1104,1112,1121,1131,1139,1142,1145,1148,1151,1154,1157,1160,1163,1166,1169,1172,1175,1178,1181,1184,1187,1190,1193,1196,1199,1202,1206,1215,1218,1227,1236,1244,1253,1262,1270,1277],{"adult":4,"backdrop_path":12,"genre_ids":259,"id":260,"title":261,"original_language":28,"original_title":261,"overview":262,"popularity":263,"poster_path":12,"release_date":264,"softcore":4,"video":4,"vote_average":186,"vote_count":86,"credit_id":265,"department":266,"job":267,"media_type":35},[24],252185,"A Job in a Million","A Cockney lad trains to be a messenger boy.",0.9088,"1937-01-23","604e4818ae2811006bd35c81","Editing","Editor",{"adult":4,"backdrop_path":12,"genre_ids":269,"id":270,"title":271,"original_language":28,"original_title":271,"overview":272,"popularity":273,"poster_path":12,"release_date":274,"softcore":4,"video":4,"vote_average":95,"vote_count":86,"credit_id":275,"department":15,"job":276,"media_type":35},[25],944556,"Dots and Loops","An hand drawn animation merged from two originally separate films. (The films were originally drawn in 1940)",0.6497,"1948-01-01","621d02bd12aabc006cff6b68","Director",{"adult":4,"backdrop_path":278,"genre_ids":279,"id":280,"title":281,"original_language":28,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":151,"vote_count":141,"credit_id":286,"department":287,"job":288,"media_type":35},"\u002Fg3kTVECM41ogGzcg39yks2XB8Fw.jpg",[25,177],249052,"Spheres","This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.",0.8106,"\u002F9EVuVOMZRGVnRT6VBxDOEioHCdn.jpg","1969-01-01","623f63e081a7fc008c9e363a","Production","Producer",{"adult":4,"backdrop_path":278,"genre_ids":290,"id":280,"title":281,"original_language":28,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":151,"vote_count":141,"credit_id":291,"department":292,"job":293,"media_type":35},[25,177],"623f63d95a9915004838c014","Visual Effects","Animation",{"adult":4,"backdrop_path":295,"genre_ids":296,"id":297,"title":298,"original_language":28,"original_title":298,"overview":299,"popularity":300,"poster_path":301,"release_date":302,"softcore":4,"video":4,"vote_average":303,"vote_count":304,"credit_id":305,"department":15,"job":276,"media_type":35},"\u002F8njK3UwACBY1JxdQY0O3ySdpdGb.jpg",[111,25],51406,"Neighbours","In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.",1.0334,"\u002FdwYAnFU6GFAFwnYAIscE5KVWqVr.jpg","1952-01-01",7.5,133,"52fe47f2c3a36847f8150a25",{"adult":4,"backdrop_path":307,"genre_ids":308,"id":309,"title":310,"original_language":28,"original_title":310,"overview":311,"popularity":312,"poster_path":313,"release_date":314,"softcore":4,"video":4,"vote_average":151,"vote_count":315,"credit_id":316,"department":15,"job":276,"media_type":35},"\u002Fiy4GQxbcuNtgoptgm1vYVJxukcq.jpg",[25],104398,"Dots","An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.",0.9693,"\u002FisMonuYGbpcIxti2Mh1RzM9QuNF.jpg","1940-01-01",47,"52fe4a33c3a36847f81c096f",{"adult":4,"backdrop_path":318,"genre_ids":319,"id":322,"title":323,"original_language":324,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":330,"vote_count":141,"credit_id":331,"department":15,"job":276,"media_type":35},"\u002FlfRH9YlEehQ55b11RX1aQG1NNsI.jpg",[320,25,111,321],10751,14,143198,"Christmas Cracker","xx","Caprice de Noël","Three separate sequences related to Christmas, animated in different styles: cutout animation of children dancing in the snow to \"Jingle Bells,\" stop-motion animation of toys come to life, and cel animation of a man who seeks the ideal star to top his Christmas tree.",0.7724,"\u002FvIJI7ePjiH56H8u1PGoAim6QMkA.jpg","1963-01-01",7.1,"52fe4b009251416c750f50d1",{"adult":4,"backdrop_path":333,"genre_ids":334,"id":335,"title":336,"original_language":28,"original_title":336,"overview":337,"popularity":338,"poster_path":339,"release_date":340,"softcore":4,"video":4,"vote_average":341,"vote_count":342,"credit_id":343,"department":287,"job":288,"media_type":35},"\u002FtGd2k68yU7aaT4nsDWZwFIyFYoe.jpg",[25,177],127817,"Blinkity Blank","A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.",1.0752,"\u002FmtoUa9I894PKMcv0aDPbHIltzhG.jpg","1955-04-25",6.4,53,"52fe4b09c3a368484e1742e9",{"adult":4,"backdrop_path":333,"genre_ids":345,"id":335,"title":336,"original_language":28,"original_title":336,"overview":337,"popularity":338,"poster_path":339,"release_date":340,"softcore":4,"video":4,"vote_average":341,"vote_count":342,"credit_id":346,"department":292,"job":293,"media_type":35},[25,177],"52fe4b09c3a368484e1742f5",{"adult":4,"backdrop_path":333,"genre_ids":348,"id":335,"title":336,"original_language":28,"original_title":336,"overview":337,"popularity":338,"poster_path":339,"release_date":340,"softcore":4,"video":4,"vote_average":341,"vote_count":342,"credit_id":349,"department":15,"job":276,"media_type":35},[25,177],"52fe4b09c3a368484e1742e3",{"adult":4,"backdrop_path":12,"genre_ids":351,"id":352,"title":353,"original_language":28,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":360,"credit_id":361,"department":15,"job":276,"media_type":35},[177,25],145337,"Rock the Boat","C'est l'aviron","One of a series of French-Canadian folk songs, this film was illustrated by Norman McLaren for the Chants populaires series. White gouache drawings on black cards were photographed with overlapping ‘zooms’ to suggest the forward movement of a canoe along rivers and lakes. This film appears in Chants populaires no. 5 and in Chants populaires no. 6.",0.7408,"\u002FaB2qvWFNrJssRdtNa0nq4g03GQD.jpg","1944-12-31",5.7,23,"52fe4b589251416c750ffe85",{"adult":4,"backdrop_path":363,"genre_ids":364,"id":365,"title":366,"original_language":28,"original_title":366,"overview":367,"popularity":368,"poster_path":369,"release_date":370,"softcore":4,"video":4,"vote_average":118,"vote_count":371,"credit_id":372,"department":15,"job":276,"media_type":35},"\u002FAr3QgNWk702YRBKpDZPcOUQ4UUh.jpg",[25,177],128679,"Begone Dull Care","In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.",1.0005,"\u002FnTufcjJmLZa22XVrjDLMDELH2Uc.jpg","1949-10-01",77,"52fe4b26c3a368484e17a71f",{"adult":4,"backdrop_path":374,"genre_ids":375,"id":376,"title":377,"original_language":28,"original_title":377,"overview":378,"popularity":379,"poster_path":12,"release_date":380,"softcore":4,"video":4,"vote_average":359,"vote_count":360,"credit_id":381,"department":15,"job":276,"media_type":35},"\u002Fb38CQniNfHxbXfR3ho00jMKeXLx.jpg",[177,25],146362,"La poulette grise","An experimental short film of images and music made by Norman McLaren.",0.6203,"1947-12-31","52fe4b7e9251416c75104959",{"adult":4,"backdrop_path":383,"genre_ids":384,"id":385,"title":386,"original_language":28,"original_title":386,"overview":387,"popularity":388,"poster_path":389,"release_date":390,"softcore":4,"video":4,"vote_average":391,"vote_count":392,"credit_id":393,"department":15,"job":276,"media_type":35},"\u002FoLYltHTFgIxT8sgp9gFa9MBNVYY.jpg",[111,25,321],148176,"A Chairy Tale","An ordinary-looking chair refuses to be sat upon.",0.875,"\u002FuHP7rrb0tAvEX0qwyQBNG2c6NBE.jpg","1957-09-18",6.8,39,"52fe4bc29251416c7510d0f1",{"adult":4,"backdrop_path":12,"genre_ids":395,"id":396,"title":397,"original_language":28,"original_title":397,"overview":398,"popularity":399,"poster_path":400,"release_date":401,"softcore":4,"video":4,"vote_average":140,"vote_count":402,"credit_id":403,"department":15,"job":276,"media_type":35},[25],152999,"Loops","An experimental film in which both sound and visuals were created entirely by McLaren drawing directly upon the film with ordinary pen and ink. The titles are in eight languages. Rereleased with multilingual titles in 1949.",0.9413,"\u002FlGft7ZWjGyyWesZPxPp8jYIgAIj.jpg","1940-12-31",29,"52fe4b369251416c910d34fd",{"adult":4,"backdrop_path":405,"genre_ids":406,"id":407,"title":408,"original_language":28,"original_title":408,"overview":409,"popularity":410,"poster_path":411,"release_date":412,"softcore":4,"video":4,"vote_average":140,"vote_count":189,"credit_id":413,"department":15,"job":276,"media_type":35},"\u002F8XrvesGCtA5l5Z3cl882GQJGuTi.jpg",[25],132038,"Boogie-Doodle","An animation film, made without the use of a camera, in which \"boogie\" played by Albert Ammons and \"doodle\" drawn by Norman McLaren combine to make a rhythmic, brightly colored film experiment. The main title is in eight languages.",0.7813,"\u002Fsbf8ut9juDzonhtxUyJM0MW4eKb.jpg","1941-12-21","52fe4b85c3a368484e18d043",{"adult":4,"backdrop_path":415,"genre_ids":416,"id":418,"title":419,"original_language":194,"original_title":419,"overview":420,"popularity":421,"poster_path":422,"release_date":423,"softcore":4,"video":4,"vote_average":94,"vote_count":424,"credit_id":425,"department":15,"job":276,"media_type":35},"\u002F2xJ19ASoAuOZNxfDiIZyP390Pjj.jpg",[177,417],18,129303,"Pas de Deux","Two ballet dancers perform a dance enhanced with surreal after-image visuals.",0.8295,"\u002FnPNSahF0q6xiovqr5dSxDSfd4bj.jpg","1968-10-01",74,"52fe4b38c3a368484e17dce1",{"adult":4,"backdrop_path":427,"genre_ids":428,"id":429,"title":430,"original_language":194,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":436,"vote_count":437,"credit_id":438,"department":15,"job":276,"media_type":35},"\u002FmScpxIU8UKPD1NI683tmSKEaVOX.jpg",[25,177],162755,"Blackbird","Le merle","To the tune of a classic French-Canadian nonsense song,  surreal blackbird made of lines loses body parts and gets them back threefold.",1.1129,"\u002F8SkFnYpBBL411Iq6oc6lLSGYvSP.jpg","1958-12-01",6.3,21,"52fe4c5dc3a36847f822a82b",{"adult":4,"backdrop_path":12,"genre_ids":440,"id":352,"title":353,"original_language":28,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":360,"credit_id":441,"department":287,"job":288,"media_type":35},[177,25],"6283c559ad59b50066e957fb",{"adult":4,"backdrop_path":12,"genre_ids":443,"id":444,"title":445,"original_language":28,"original_title":445,"overview":446,"popularity":447,"poster_path":448,"release_date":449,"softcore":4,"video":4,"vote_average":450,"vote_count":236,"credit_id":451,"department":15,"job":276,"media_type":35},[24],209195,"Mony a Pickle","A brisk GPO Film Unit promo for the Post Office Savings Bank: pub talk and daydream vignettes tout penny-by-penny thrift, peaking in a playful Norman McLaren passage where household furniture springs to life—selling the idea that “many a little makes a lot.”",0.8961,"\u002F3B7237pcPYOodqmeVBGSzByGJLa.jpg","1938-01-01",5.3,"52fe4d5dc3a368484e1e53e5",{"adult":4,"backdrop_path":453,"genre_ids":454,"id":455,"title":456,"original_language":28,"original_title":456,"overview":457,"popularity":458,"poster_path":459,"release_date":460,"softcore":4,"video":4,"vote_average":461,"vote_count":172,"credit_id":462,"department":15,"job":276,"media_type":35},"\u002FeumHaUxXPno7bkIRTAN1MCAGtGt.jpg",[25],210126,"Mail Early for Christmas","In this pre-Christmas reminder to mail early, filmmaker Norman McLaren used an electric vibra-drill to engrave the images on black film, and included the occasional \"subliminal\" burst of lettering, which he hand-scratched on a few frames.",0.9993,"\u002F6YWFZRCrI4h6kIGBwEhVn5Yl1ew.jpg","1959-01-01",4.2,"52fe4d76c3a368484e1ea7b3",{"adult":4,"backdrop_path":12,"genre_ids":464,"id":465,"title":466,"original_language":28,"original_title":466,"overview":467,"popularity":468,"poster_path":12,"release_date":469,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":470,"department":15,"job":276,"media_type":35},[25],977384,"Snakes","Made during WWII",0.8097,"1943-04-23","6285791d0d5d85456268429b",{"adult":4,"backdrop_path":132,"genre_ids":472,"id":134,"title":135,"original_language":28,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":141,"credit_id":473,"department":15,"job":276,"media_type":35},[25,24],"52fe4d7dc3a36847f8263d2b",{"adult":4,"backdrop_path":475,"genre_ids":476,"id":477,"title":478,"original_language":28,"original_title":478,"overview":479,"popularity":480,"poster_path":481,"release_date":482,"softcore":4,"video":4,"vote_average":330,"vote_count":186,"credit_id":483,"department":15,"job":276,"media_type":35},"\u002FvnkPioyfvxQ80mNtY6fYmjXrsxW.jpg",[177],211021,"Ballet Adagio","A slow-motion study by Norman McLaren of the pas-de-deux adagio, one of the most exacting and difficult dances of classical ballet. A ballet originally choreographed by the Russian ballet master Asaf Messerer is performed for this film by the internationally known Canadian pair, David and Anna Marie Holmes, to the music of Albinoni’s Adagio. A film to heighten the aesthetic appreciation of classical ballet and to afford observation of the technique and mechanics of the adagio movements.",1.5066,"\u002Fr8AJrztiDRcUjIx8QTSBl2WGrWw.jpg","1972-07-29","52fe4d8bc3a368484e1ef149",{"adult":4,"backdrop_path":200,"genre_ids":485,"id":202,"title":203,"original_language":28,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":105,"vote_count":208,"credit_id":486,"department":15,"job":276,"media_type":35},[25],"52fe4d8bc3a368484e1ef12d",{"adult":4,"backdrop_path":12,"genre_ids":488,"id":489,"title":490,"original_language":28,"original_title":490,"overview":491,"popularity":492,"poster_path":12,"release_date":493,"softcore":4,"video":4,"vote_average":494,"vote_count":152,"credit_id":495,"department":266,"job":267,"media_type":35},[],319282,"Camera Makes Whoopee","Montage and animation in two Acts: the preparation for the Glasgow Arts School Ball; and the ball itself.",0.623,"1935-01-19",5.8,"60fb17b9960331004728f941",{"adult":4,"backdrop_path":12,"genre_ids":497,"id":100,"title":101,"original_language":28,"original_title":101,"overview":102,"popularity":103,"poster_path":12,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":95,"credit_id":498,"department":15,"job":276,"media_type":35},[24,25],"52fe4dedc3a368484e2051fb",{"adult":4,"backdrop_path":12,"genre_ids":500,"id":100,"title":101,"original_language":28,"original_title":101,"overview":102,"popularity":103,"poster_path":12,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":95,"credit_id":501,"department":287,"job":288,"media_type":35},[24,25],"52fe4dedc3a368484e205201",{"adult":4,"backdrop_path":503,"genre_ids":504,"id":505,"title":506,"original_language":28,"original_title":506,"overview":507,"popularity":508,"poster_path":509,"release_date":510,"softcore":4,"video":4,"vote_average":391,"vote_count":437,"credit_id":511,"department":15,"job":276,"media_type":35},"\u002FwbGVsGYVzVfVTdSa6ZF1ETJn9fs.jpg",[25],215061,"Synchromy","The film's soundtrack is an original musical composition produced with synthetic sound - through photographing unusual geometric shapes and running them through an optical sound head. The images are an artistic rendering of this soundtrack.",1.1617,"\u002F6PKYHJKMHZTx7WZm96hI8kq0MRr.jpg","1971-06-09","52fe4df2c3a368484e205e03",{"adult":4,"backdrop_path":513,"genre_ids":514,"id":516,"title":517,"original_language":28,"original_title":517,"overview":518,"popularity":519,"poster_path":520,"release_date":314,"softcore":4,"video":4,"vote_average":494,"vote_count":521,"credit_id":522,"department":15,"job":276,"media_type":35},"\u002FeK1QfIw2LSNXa3dgmbYmi3VUH3.jpg",[25,177,515],27,215221,"Spook Sport","It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.",1.3857,"\u002FicoQUnW0dj6w2hMhvcqa4QZJvLn.jpg",25,"52fe4df6c3a368484e206dcf",{"adult":4,"backdrop_path":12,"genre_ids":524,"id":525,"title":526,"original_language":28,"original_title":526,"overview":527,"popularity":528,"poster_path":12,"release_date":529,"softcore":4,"video":4,"vote_average":530,"vote_count":321,"credit_id":531,"department":15,"job":276,"media_type":35},[25,111],251122,"Rythmetic","On a blue background, a series of numbers (1 to 5) begin to appear, forming simple arithmetic equations that create a pattern. Numbers and symbols move as the pattern grows, to a soundtrack of simple beats.",0.4879,"1956-01-19",5.4,"52fe4e099251416c91124667",{"adult":4,"backdrop_path":12,"genre_ids":533,"id":534,"title":535,"original_language":28,"original_title":535,"overview":536,"popularity":537,"poster_path":538,"release_date":302,"softcore":4,"video":4,"vote_average":151,"vote_count":539,"credit_id":540,"department":15,"job":276,"media_type":35},[321,25],223243,"A Phantasy","An animated film drawn entirely in pastels. Various fantastical plant-like things \"grow\" from the ground, eventually launching five spheres. The spheres drift in space while changing shapes and come back down to another setting, which eventually becomes more fantastical and symbolic than the opening one. The soundtrack has a jazz slant, with an ensemble of four saxophones and synthetic sound (i.e. sound created by drawing directly on the soundtrack).",0.8586,"\u002F6v6QaVpxJFEunhdZcQj4vCPLcUG.jpg",19,"52fe4e0c9251416c75149b8f",{"adult":4,"backdrop_path":109,"genre_ids":542,"id":112,"title":113,"original_language":28,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":4,"video":4,"vote_average":118,"vote_count":119,"credit_id":543,"department":15,"job":276,"media_type":35},[25,111],"52fe4efcc3a36847f82b54e7",{"adult":4,"backdrop_path":12,"genre_ids":545,"id":212,"title":213,"original_language":28,"original_title":213,"overview":214,"popularity":215,"poster_path":12,"release_date":216,"softcore":4,"video":4,"vote_average":95,"vote_count":86,"credit_id":546,"department":15,"job":276,"media_type":35},[111],"52fe4efcc3a36847f82b54f5",{"adult":4,"backdrop_path":12,"genre_ids":548,"id":549,"title":550,"original_language":194,"original_title":551,"overview":552,"popularity":553,"poster_path":12,"release_date":554,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"credit_id":555,"department":15,"job":276,"media_type":35},[25],245965,"Up There in the Mountains","Là-haut sur ces montagnes","In Là-haut sur ces montagnes, Mclaren used for the first time a chain-of-mixes (chiaroscuro) on a pastel-drawn landscape. The idea for such a technique had been planted by seeing Alexandre Alexeïeff’s Night on Bare Mountain in the late thirties.",0.8245,"1946-01-01","52fe4f0dc3a36847f82ba0b3",{"adult":4,"backdrop_path":12,"genre_ids":557,"id":559,"title":560,"original_language":28,"original_title":560,"overview":561,"popularity":562,"poster_path":12,"release_date":563,"softcore":4,"video":4,"vote_average":172,"vote_count":86,"credit_id":564,"department":565,"job":566,"media_type":35},[24,558],10752,984795,"Defence of Madrid","This cinematic travelogue consists of three parts. In the first part, texts and small maps are our guides through Madrid in 1936. We see pictures of daily life against the background of the fascist shillings. A sad portrait of destroyed houses, the search for survivors under the rubble, and children's corpses in small wooden coffins. Central to the second part is the defence of liberty. Images from the front alternate with fragments of the besieged city. The last part deals with the aid given to and still needed by the town; an appeal is made to give money for medicines. This film breathes an unfaltering belief in a favourable close: unconditional victory. At the time, the film was a great success and yielded a lot of money for medical aid to Spain.",0.76,"1936-12-01","629e50d6caa50837e467106e","Crew","Cinematography",{"adult":4,"backdrop_path":568,"genre_ids":569,"id":570,"title":571,"original_language":28,"original_title":571,"overview":572,"popularity":573,"poster_path":574,"release_date":575,"softcore":4,"video":4,"vote_average":105,"vote_count":25,"credit_id":576,"department":15,"job":276,"media_type":35},"\u002F6CA4MNzLzmBfCh0A3Hgas2Crng.jpg",[177,25],246213,"Fiddle De-Dee","A film fantasy of dancing music and dancing color. Listen to the Mocking Bird played by an oldtime fiddler, brilliant patterns ripple, flow, flicker and blend. A Norman McLaren painting on film, translates sound into sight.",0.627,"\u002Fz0eLOEcBr3GZ2zhCfcyVTSva0P2.jpg","1947-09-03","52fe4f11c3a36847f82bb159",{"adult":4,"backdrop_path":12,"genre_ids":578,"id":579,"title":580,"original_language":28,"original_title":580,"overview":581,"popularity":582,"poster_path":583,"release_date":584,"softcore":4,"video":4,"vote_average":436,"vote_count":539,"credit_id":585,"department":15,"job":276,"media_type":35},[25,177],246648,"Canon","Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon \"Frere Jacques\" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third and most elaborate sequence shows a human going through several strange gesticulations. Through multiple printing we realize that the man, as in the previous sequences, is part of a visual canon and is making the gestures to himself. As we hear variations on the canonic theme so too do we witness visual variations: a woman and cat enters the canon. To show the musical technique of inversion, the image of the man is printed upside down.",1.0088,"\u002F3r7KRIC1Zyo5KUotnZREhxp1FSW.jpg","1964-08-06","52fe4f18c3a36847f82bd3e3",{"adult":4,"backdrop_path":587,"genre_ids":588,"id":589,"title":590,"original_language":28,"original_title":590,"overview":591,"popularity":592,"poster_path":593,"release_date":594,"softcore":4,"video":4,"vote_average":341,"vote_count":321,"credit_id":595,"department":15,"job":276,"media_type":35},"\u002FhSx8kjxsUrEvPR6i6TvJXM92zq6.jpg",[25],247437,"Hen Hop","This joyful short animation features a dancing hen that transforms into an egg. The film was made without a camera by Norman McLaren, who drew directly onto 35 mm movie stock with ordinary pen and ink. Colour was added optically.",0.7938,"\u002F9WnxOcQAt14RmOE4qtCV5vFcMb9.jpg","1942-01-01","52fe4f25c3a36847f82c0a03",{"adult":4,"backdrop_path":12,"genre_ids":597,"id":598,"title":599,"original_language":28,"original_title":599,"overview":600,"popularity":601,"poster_path":12,"release_date":460,"softcore":4,"video":4,"vote_average":494,"vote_count":95,"credit_id":602,"department":15,"job":276,"media_type":35},[25],248717,"Serenal","A gay fantasia of patterned sound in which Norman McLaren salutes the West Indies, painting the spirit of fiesta on film to the lively beat of an island tune by Trinidad's Grand Curacaya Orchestra.",0.9072,"52fe4f37c3a36847f82c605d",{"adult":4,"backdrop_path":12,"genre_ids":604,"id":605,"title":606,"original_language":28,"original_title":606,"overview":607,"popularity":608,"poster_path":609,"release_date":610,"softcore":4,"video":4,"vote_average":140,"vote_count":141,"credit_id":611,"department":15,"job":276,"media_type":35},[25],248729,"Love on the Wing","Animation featuring dancing black and white shadows.",0.6677,"\u002FfpnoV6zizZZEID8t6AuyuLmYO59.jpg","1939-01-01","52fe4f37c3a36847f82c6095",{"adult":4,"backdrop_path":613,"genre_ids":614,"id":615,"title":616,"original_language":28,"original_title":616,"overview":617,"popularity":618,"poster_path":619,"release_date":554,"softcore":4,"video":4,"vote_average":620,"vote_count":172,"credit_id":621,"department":15,"job":276,"media_type":35},"\u002FprEEMLk4h7yNxszBvz5uogErWXD.jpg",[25],248771,"A Little Phantasy on a 19th-century Painting","Taking \"Isle of the Dead,\" a work by the Swiss symbolist painter Arnold Böcklin as his starting point, Norman McLaren creates a deeply disturbing surrealist dream.",0.9308,"\u002F6OCrth8xrvwoZeralqHZThQjVGM.jpg",6.9,"52fe4f38c3a36847f82c654d",{"adult":4,"backdrop_path":278,"genre_ids":623,"id":280,"title":281,"original_language":28,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":151,"vote_count":141,"credit_id":624,"department":15,"job":276,"media_type":35},[25,177],"52fe4f3cc3a36847f82c7693",{"adult":4,"backdrop_path":12,"genre_ids":626,"id":627,"title":628,"original_language":28,"original_title":628,"overview":629,"popularity":630,"poster_path":12,"release_date":554,"softcore":4,"video":4,"vote_average":631,"vote_count":118,"credit_id":632,"department":15,"job":276,"media_type":35},[25,177],249428,"Hoppity Pop","An animated film in which colored shapes dance to calliope music. The visuals were drawn by Norman McLaren directly upon the film with pen and ink. Simple forms dance about the screen to the discordant strains of an old-time circus calliope.",0.8845,4.1,"52fe4f43c3a36847f82c948f",{"adult":4,"backdrop_path":12,"genre_ids":634,"id":635,"title":636,"original_language":28,"original_title":636,"overview":637,"popularity":638,"poster_path":12,"release_date":639,"softcore":4,"video":4,"vote_average":530,"vote_count":640,"credit_id":641,"department":15,"job":276,"media_type":35},[25],218648,"Lines: Vertical","An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.",0.4578,"1960-01-01",12,"52fe4e51c3a368484e21a3b3",{"adult":4,"backdrop_path":12,"genre_ids":643,"id":644,"title":645,"original_language":28,"original_title":645,"overview":637,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":341,"vote_count":321,"credit_id":649,"department":15,"job":276,"media_type":35},[25,177],218658,"Lines: Horizontal",0.6059,"\u002FofanLb6c1cdrJ5yYfcf0636fdF4.jpg","1962-01-01","52fe4e52c3a368484e21a441",{"adult":4,"backdrop_path":12,"genre_ids":651,"id":652,"title":653,"original_language":28,"original_title":653,"overview":654,"popularity":655,"poster_path":12,"release_date":656,"softcore":4,"video":4,"vote_average":359,"vote_count":118,"credit_id":657,"department":15,"job":276,"media_type":35},[111,25],249666,"Two Bagatelles","Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours\u002FVoisins.",1.1764,"1953-01-01","52fe4f48c3a36847f82caa37",{"adult":4,"backdrop_path":12,"genre_ids":659,"id":660,"title":661,"original_language":28,"original_title":661,"overview":662,"popularity":663,"poster_path":664,"release_date":665,"softcore":4,"video":4,"vote_average":494,"vote_count":208,"credit_id":666,"department":15,"job":276,"media_type":35},[25,177],257552,"Alouette","This animated short co-animated by René Jodoin and Norman McLaren was produced for inclusion in the Let's All Sing Together sing-along series. It illustrates the popular song Alouette, gentille alouette. The technique used is single-frame animation of paper cutouts.",0.8373,"\u002Ffo3Eet4ckAOZWn4wkhmwr8qXAoN.jpg","1944-01-01","53120e359251411008002720",{"adult":4,"backdrop_path":12,"genre_ids":668,"id":669,"title":670,"original_language":28,"original_title":670,"overview":671,"popularity":672,"poster_path":12,"release_date":673,"softcore":4,"video":4,"vote_average":530,"vote_count":141,"credit_id":674,"department":15,"job":276,"media_type":35},[25],257544,"Mail Early","This publicity clip for Canada Post is Norman McLaren's first film for the NFB. For this animated short, McLaren drew symbols by pen onto clear 35 mm stock, which was then superimposed on a photographed painted background. Benny Goodman's rendition of Jingle Bells provides the accompaniment. (NFB)",1.3039,"1941-11-01","531209f1925141102a00257f",{"adult":4,"backdrop_path":676,"genre_ids":677,"id":678,"title":679,"original_language":28,"original_title":679,"overview":680,"popularity":681,"poster_path":682,"release_date":683,"softcore":4,"video":4,"vote_average":684,"vote_count":172,"credit_id":685,"department":15,"job":276,"media_type":35},"\u002Fm60mhrbOx9Vc9nYU8h8uqJNa9a7.jpg",[25],257547,"Dollar Dance","This wartime publicity trailer by Norman McLaren focuses on wartime inflation and the role of price control. Single-frame animation is used with pen drawings made directly on 35mm film stock. Music is by Louis Applebaum, a leading composer and advocate for the arts in Canada.",0.9341,"\u002FcE0BURdC6xD1x6xnNtiKgWr3Nxz.jpg","1943-01-01",5.2,"53120aea9251410ffc0025e9",{"adult":4,"backdrop_path":12,"genre_ids":687,"id":688,"title":689,"original_language":28,"original_title":689,"overview":690,"popularity":691,"poster_path":692,"release_date":665,"softcore":4,"video":4,"vote_average":162,"vote_count":640,"credit_id":693,"department":15,"job":276,"media_type":35},[25,558],257548,"Keep Your Mouth Shut","This animated short from Norman McLaren features a human skull cautioning Canadians to “keep their mouths shut” in an effort to end gossiping during World War II.",0.8174,"\u002FdzsfHEtETDWCVtVsmAn09mmFhTU.jpg","53120b6192514110350025b9",{"adult":4,"backdrop_path":12,"genre_ids":695,"id":696,"title":697,"original_language":28,"original_title":697,"overview":698,"popularity":699,"poster_path":700,"release_date":701,"softcore":4,"video":4,"vote_average":118,"vote_count":236,"credit_id":702,"department":15,"job":276,"media_type":35},[25,177],257551,"Chants populaires nº 5","Alexandre Alexeïeff illustrated the song \"Et moi je m'enfouiyais\" (En passant) using the pinscreen technique. Norman McLaren illustrated \"C'est l'aviron\" using drawings on a fixed background, with the characters pasted in as they were drawn.",1.0098,"\u002FxBOfzmJIjEnE6NFB0uK7Y1V20nZ.jpg","1943-08-05","53120d849251410fe60025f8",{"adult":4,"backdrop_path":12,"genre_ids":704,"id":705,"title":706,"original_language":28,"original_title":706,"overview":707,"popularity":708,"poster_path":709,"release_date":710,"softcore":4,"video":4,"vote_average":152,"vote_count":118,"credit_id":711,"department":15,"job":276,"media_type":35},[25,558],257543,"V for Victory","This animated short by Norman McLaren is a publicity message for a war bond campaign. Symbols, a stick man and lettering are drawn directly on 35mm film stock and synchronized with a brass band rendition of Sousa's march \"The Thunderer.\"",0.7257,"\u002F2wpYrUMX8Xy8eGXz1CgV7Gcjkcc.jpg","1941-04-10","5312097292514110350025a2",{"adult":4,"backdrop_path":12,"genre_ids":713,"id":714,"title":715,"original_language":28,"original_title":715,"overview":716,"popularity":717,"poster_path":718,"release_date":719,"softcore":4,"video":4,"vote_average":720,"vote_count":119,"credit_id":721,"department":15,"job":276,"media_type":35},[177,25],236224,"Stars and Stripes","An abstract animation by Norman McLaren, who was born in Scotland in 1914. His interest in filmmaking began early in life after he became acquainted with works by the great Russian filmmakers Eisenstein and Pudovkin and the German animator Oskar Fischinger.",0.6086,"\u002F2V6V3QU2vFHhbCaPtKsXCBZRMYs.jpg","1939-11-13",5.9,"52fe4e57c3a36847f828ae37",{"adult":4,"backdrop_path":12,"genre_ids":723,"id":724,"title":725,"original_language":28,"original_title":725,"overview":726,"popularity":727,"poster_path":728,"release_date":610,"softcore":4,"video":4,"vote_average":105,"vote_count":729,"credit_id":730,"department":15,"job":276,"media_type":35},[25],257542,"The Obedient Flame","Advertising cartoon showing advantages of using gas supply and gas cookers.",0.587,"\u002FfaLbnm1V0w9ibkmi70igoqy3yY4.jpg",4,"531208b0925141102a00256f",{"adult":4,"backdrop_path":12,"genre_ids":732,"id":733,"title":734,"original_language":28,"original_title":734,"overview":735,"popularity":736,"poster_path":737,"release_date":460,"softcore":4,"video":4,"vote_average":151,"vote_count":208,"credit_id":738,"department":15,"job":276,"media_type":35},[25,177],257553,"Short and Suite","A color cocktail by Norman McLaren and Evelyn Lambart, translating into moving patterns of color and light the moods of music written for a jazz ensemble by Eldon Rathburn. Inscribed and colored directly on film.",0.5054,"\u002FmNdK8kHfr5q4VvTnGoid3IaAdtw.jpg","53120ebe92514110130026b4",{"adult":4,"backdrop_path":12,"genre_ids":740,"id":741,"title":742,"original_language":28,"original_title":742,"overview":743,"popularity":744,"poster_path":12,"release_date":745,"softcore":4,"video":4,"vote_average":105,"vote_count":729,"credit_id":746,"department":15,"job":276,"media_type":35},[25,24],257555,"Animated Motion: Part 1","The first part of this series by Norman McLaren deals only with tempo. It starts by showing the disc travelling in one move (1\u002F24 of a second) from A to B, and progressively demonstrates slower and slower tempos.",0.7908,"1976-01-01","53120fe2c3a36829e2002bd6",{"adult":4,"backdrop_path":748,"genre_ids":749,"id":750,"title":751,"original_language":28,"original_title":751,"overview":752,"popularity":753,"poster_path":754,"release_date":594,"softcore":4,"video":4,"vote_average":359,"vote_count":95,"credit_id":755,"department":15,"job":276,"media_type":35},"\u002FxhHycEsXTZuFlziRuujC6RVXmX.jpg",[25,558],257546,"5 for 4","This animated short by Norman McLaren serves as a wartime savings campaign. Symbolic figures, drawn directly on 35mm film stock, move and dance against a simple painted background. The score is \"Pinetop's Boogie Woogie,\" by Albert Ammons.",0.795,"\u002FBIAZBQTWlmEqrBeDjUM6XsMAFX.jpg","53120a759251410fe60025c2",{"adult":4,"backdrop_path":757,"genre_ids":758,"id":759,"title":760,"original_language":28,"original_title":760,"overview":761,"popularity":762,"poster_path":12,"release_date":719,"softcore":4,"video":4,"vote_average":341,"vote_count":640,"credit_id":763,"department":15,"job":276,"media_type":35},"\u002Frc5zwpsIclWiYnkAnxTGBVf6Rmg.jpg",[25],236222,"Scherzo","Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.",0.7154,"52fe4e57c3a36847f828ae2d",{"adult":4,"backdrop_path":12,"genre_ids":765,"id":766,"title":767,"original_language":28,"original_title":767,"overview":768,"popularity":769,"poster_path":12,"release_date":770,"softcore":4,"video":4,"vote_average":105,"vote_count":729,"credit_id":771,"department":15,"job":276,"media_type":35},[24,25],257560,"Animated Motion: Part 4","In this fourth film, Norman McLaren explains and illustrates composite motion, where two of the categories of motion occur simultaneously in one action, such as the motions of jointed or pivoted parts (as occur in animal and human movements). Also shown is a human gesture with increasing amounts of emotion; and finally, the phenomenon of 'strobing' in animation is examined.",0.9704,"1977-01-01","5312116cc3a3682a02002cfb",{"adult":4,"backdrop_path":12,"genre_ids":773,"id":774,"title":775,"original_language":28,"original_title":775,"overview":776,"popularity":762,"poster_path":12,"release_date":770,"softcore":4,"video":4,"vote_average":494,"vote_count":729,"credit_id":777,"department":15,"job":276,"media_type":35},[24,25],257557,"Animated Motion: Part 2","In this short animation film, Norman McLaren presents the first 3 of the 5 categories of motion: constant, accelerated and decelerated. Various types of acceleration and deceleration are demonstrated, and examples are shown of how these types of motion may be applied in regard to gesture, gravity and perspective.","53121084c3a3682a22002b2d",{"adult":4,"backdrop_path":12,"genre_ids":779,"id":780,"title":781,"original_language":28,"original_title":781,"overview":782,"popularity":783,"poster_path":12,"release_date":770,"softcore":4,"video":4,"vote_average":105,"vote_count":729,"credit_id":784,"department":15,"job":276,"media_type":35},[24,25],257558,"Animated Motion: Part 3","The third in a series of five colour films that offer an introduction to the basic techniques of film animation. McLaren explains and demonstrates different aspects of movement that are essential to the animator’s art. In this case it is the pause and irregular movement.",0.9124,"531210dfc3a3682a02002cf1",{"adult":4,"backdrop_path":12,"genre_ids":786,"id":787,"title":788,"original_language":28,"original_title":788,"overview":789,"popularity":790,"poster_path":12,"release_date":791,"softcore":4,"video":4,"vote_average":95,"vote_count":152,"credit_id":792,"department":15,"job":276,"media_type":35},[25,24],257561,"Animated Motion: Part 5","In this fifth part, Norman McLaren deals not with motion (if motion is defined as a change of location in two- or three-dimensional space) but with change--change in the amount and color of light within an otherwise static screen. Normally, the animator combines such change with motion, but here it is studied in isolation.",0.863,"1978-01-01","531211ef925141102a002628",{"adult":4,"backdrop_path":794,"genre_ids":795,"id":796,"title":797,"original_language":28,"original_title":797,"overview":798,"popularity":799,"poster_path":800,"release_date":801,"softcore":4,"video":4,"vote_average":359,"vote_count":802,"credit_id":803,"department":15,"job":276,"media_type":35},"\u002FxAgmQLDjQQPIMAPf6mqD4s2Fg9m.jpg",[],257563,"Narcissus","In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.",0.6404,"\u002FqnzzCc0KBqfUZfhCfqdAgBqsy3l.jpg","1983-08-18",15,"531212c9c3a36829ef002c8e",{"adult":4,"backdrop_path":12,"genre_ids":805,"id":806,"title":807,"original_language":28,"original_title":807,"overview":808,"popularity":809,"poster_path":12,"release_date":810,"softcore":4,"video":4,"vote_average":450,"vote_count":118,"credit_id":811,"department":15,"job":276,"media_type":35},[25],236331,"NBC Valentine Greeting","A play on the theme of hearts. Two hearts cavort, change shape, shoot arrows at one another, give birth, and finally become one heart bearing the message \"Will you be our Valentine?\"",0.5934,"1940-02-13","52fe4e58c3a36847f828b483",{"adult":4,"backdrop_path":12,"genre_ids":813,"id":814,"title":815,"original_language":28,"original_title":815,"overview":816,"popularity":817,"poster_path":818,"release_date":819,"softcore":4,"video":4,"vote_average":95,"vote_count":118,"credit_id":820,"department":15,"job":276,"media_type":35},[],219216,"Hell Unltd","In this film Norman McLaren uses puppets, diagrams, animation and live-action to present an anti-war message for use by peace organizations.",0.6337,"\u002FbtuIfkyB2T43siwbSAN7KF91ary.jpg","1936-09-04","52fe4e61c3a368484e21d8e3",{"adult":4,"backdrop_path":12,"genre_ids":822,"id":823,"title":824,"original_language":324,"original_title":824,"overview":825,"popularity":826,"poster_path":827,"release_date":828,"softcore":4,"video":4,"vote_average":162,"vote_count":729,"credit_id":829,"department":292,"job":830,"media_type":35},[25],278369,"Around Is Around","Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.",0.8919,"\u002Fk2q5XZtOoe8IUzhSO7vkrmiN2cK.jpg","1951-01-01","53a8871e0e0a26143f00673a","Animation Director",{"adult":4,"backdrop_path":12,"genre_ids":832,"id":833,"title":834,"original_language":28,"original_title":834,"overview":835,"popularity":836,"poster_path":837,"release_date":838,"softcore":4,"video":4,"vote_average":95,"vote_count":236,"credit_id":839,"department":840,"job":841,"media_type":35},[25],278367,"Now Is the Time","Early abstract 3D film by animation master Norman McLaren.",0.6733,"\u002F1nJQwR3fiZahsNYgjoDlZClDmxy.jpg","1951-05-03","53a8855cc3a3687a40005aa0","Sound","Sound Designer",{"adult":4,"backdrop_path":12,"genre_ids":843,"id":833,"title":834,"original_language":28,"original_title":834,"overview":835,"popularity":836,"poster_path":837,"release_date":838,"softcore":4,"video":4,"vote_average":95,"vote_count":236,"credit_id":844,"department":287,"job":288,"media_type":35},[25],"53a88549c3a3687495004f31",{"adult":4,"backdrop_path":12,"genre_ids":846,"id":823,"title":824,"original_language":324,"original_title":824,"overview":825,"popularity":826,"poster_path":827,"release_date":828,"softcore":4,"video":4,"vote_average":162,"vote_count":729,"credit_id":847,"department":15,"job":276,"media_type":35},[25],"53a886da0e0a26144500625d",{"adult":4,"backdrop_path":12,"genre_ids":849,"id":833,"title":834,"original_language":28,"original_title":834,"overview":835,"popularity":836,"poster_path":837,"release_date":838,"softcore":4,"video":4,"vote_average":95,"vote_count":236,"credit_id":850,"department":292,"job":830,"media_type":35},[25],"53a88572c3a3687a43005af1",{"adult":4,"backdrop_path":12,"genre_ids":852,"id":833,"title":834,"original_language":28,"original_title":834,"overview":835,"popularity":836,"poster_path":837,"release_date":838,"softcore":4,"video":4,"vote_average":95,"vote_count":236,"credit_id":853,"department":15,"job":276,"media_type":35},[25],"53a88525c3a368707a004ce8",{"adult":4,"backdrop_path":855,"genre_ids":856,"id":857,"title":858,"original_language":28,"original_title":858,"overview":859,"popularity":860,"poster_path":12,"release_date":302,"softcore":4,"video":4,"vote_average":118,"vote_count":11,"credit_id":861,"department":287,"job":288,"media_type":35},"\u002FyhJOHn286tpiBmHaXktfccY22t5.jpg",[25],278375,"Twirligig","Early abstract 3d stereoscopic animation by Norman McLaren collaborator Gretta Ekman.",0.8737,"53a88d58c3a3687a31005b5b",{"adult":4,"backdrop_path":12,"genre_ids":863,"id":489,"title":490,"original_language":28,"original_title":490,"overview":491,"popularity":492,"poster_path":12,"release_date":493,"softcore":4,"video":4,"vote_average":494,"vote_count":152,"credit_id":864,"department":15,"job":276,"media_type":35},[],"54bc4c739251416e6000267b",{"adult":4,"backdrop_path":12,"genre_ids":866,"id":867,"title":868,"original_language":28,"original_title":868,"overview":869,"popularity":870,"poster_path":12,"release_date":871,"softcore":4,"video":4,"vote_average":450,"vote_count":95,"credit_id":872,"department":15,"job":276,"media_type":35},[24],319285,"Book Bargain","Shows the production of the London telephone directory.",1.1443,"1937-01-19","54bc4d03c3a368145e006ea8",{"adult":4,"backdrop_path":12,"genre_ids":874,"id":875,"title":876,"original_language":28,"original_title":876,"overview":877,"popularity":878,"poster_path":879,"release_date":880,"softcore":4,"video":4,"vote_average":359,"vote_count":141,"credit_id":881,"department":15,"job":276,"media_type":35},[],319281,"Polychrome Fantasy","In this early film Norman McLaren shot crystal formations through a low-power microscope, using polarized light with the lower part of the picture masked off. The film was then rewound and a scene of dancers was filmed.",0.9473,"\u002F94G6gMRzQkCpnds7yV1GTNiKdib.jpg","1935-01-01","54bc4c33c3a368389c0028ec",{"adult":4,"backdrop_path":12,"genre_ids":883,"id":884,"title":885,"original_language":28,"original_title":885,"overview":886,"popularity":887,"poster_path":888,"release_date":871,"softcore":4,"video":4,"vote_average":494,"vote_count":729,"credit_id":889,"department":15,"job":276,"media_type":35},[24],319283,"News for the Navy","Norman McLaren's documentary-style account of how a letter from home reaches a sailor on duty in foreign waters.",0.6236,"\u002FlmbxmrRzXZqzCwfu1NoUNBHi0fd.jpg","54bc4cb3c3a368145e006e88",{"adult":4,"backdrop_path":12,"genre_ids":891,"id":892,"title":893,"original_language":28,"original_title":893,"overview":894,"popularity":895,"poster_path":12,"release_date":896,"softcore":4,"video":4,"vote_average":897,"vote_count":118,"credit_id":898,"department":15,"job":276,"media_type":35},[24],319261,"7 Till 5: A Pattern of the Day's Doings","Experimental film showing a day's activities at the Glasgow College of Art.",0.7943,"1933-01-18",5.1,"54bc2f309251411d6a0098cd",{"adult":4,"backdrop_path":12,"genre_ids":900,"id":901,"title":902,"original_language":28,"original_title":902,"overview":903,"popularity":904,"poster_path":905,"release_date":906,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":907,"department":15,"job":276,"media_type":35},[25,24],892962,"A Summer Day in Ottawa in 1949","Produced for the National Film Board of 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