[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1041682:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":12,"birthday":13,"deathday":14,"gender":15,"homepage":14,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":499},false,[6,7,8,9,10,11],"パトリック・ボカノフスキー","Patorikku bokanofusukii","帕特里克·博卡诺夫斯基","Pàtèlǐkè·bó kǎ nuò fū sī jī","Патрик бокановски","Patrik bokanovski","Patrick Bokanowski  is a French filmmalker who makes experimental and animated films.\n\nThe film The Angel (1982) is his most prominent, fascinating, and obsessive work. It is accompanied by a soundtrack made by his wife, Michèle Bokanowski, and released during 2003 on a CD album by the label trAace under the title L'Ange.\n\nBokanowski develops work between the traditional cinematographic genres: short film, experimental film, and animation. His manner of treating filmic material is his research at the frontier of optical and visual arts, always in an \"in-between\" to create. He calls into question the idea that cinema's essence should be to reproduce reality, that is, our habits of thinking and feeling. His films contradict the \"objectivity\" of photography that is solidly essential to most of the global film productions. Bokanowski's experiments, with the aim of opening cinema to other expressive possibilities – for example the \"warping\" of objective lenses (though he prefers the term \"subjective\") – testify to purely mental visions that ignore conventional representations, affecting reality, transforming, and giving the viewer of his films new perceptual adventures.\n\nAccording to Raphaël Bassan, in his article «L'Ange: Un météore dans le ciel de l'animation,» Patrick Bokanowski's work can be considered the beginnings of contemporary animation.","1943-06-23",null,2,1041682,"nm0092563","Directing","Patrick Bokanowski","Algiers, Alger, France [now Algeria]",0.4722,"\u002F8T7XFj13oLptoJ1vzzoD6MA1iVo.jpg",{"cast":24,"crew":105},[25,42,52,63,74,84,97],{"adult":4,"backdrop_path":26,"genre_ids":27,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002FxfIzw3VfZGNRNijAs5GldhVvYfS.jpg",[28],16,184976,"Le Canard à l'orange","fr","A housewife is preparing a duck à l'orange in her kitchen. But the reluctant bird tries to escape from her but the woman manages to recaptures it and plucks it savagely. Once the duck is put in the oven, an alligator unexpectedly appears in the kitchen, threatening the cook.",1.248,"\u002FobncfYNywqdsllcGnVA15uNUwBX.jpg","2002-12-11",6.8,5,"The Woman","52fe4cd19251416c75126943",0,"movie",{"adult":4,"backdrop_path":14,"genre_ids":43,"id":44,"title":45,"original_language":31,"original_title":45,"overview":46,"popularity":47,"poster_path":14,"release_date":48,"softcore":4,"video":4,"vote_average":40,"vote_count":40,"character":49,"credit_id":50,"order":51,"media_type":41},[],1318800,"Paroles d'artistes","",0.8075,"2003-01-01","Self","669a89cb830c80de0b3c39b6",1,{"adult":4,"backdrop_path":14,"genre_ids":53,"id":55,"title":56,"original_language":31,"original_title":56,"overview":57,"popularity":58,"poster_path":14,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"character":61,"credit_id":62,"order":40,"media_type":41},[54],99,528159,"Patrick Bokanowski : visite à l'atelier","In this documentary, under the gaze of Pip Chodorov, Patrick Bokanowski evokes the genesis of his films and shows, by explaining them, a certain number of his inspirations (his meeting with the painter Henri Dimier , his first photographic tests...), his tools (lenses, title bench, masks, costumes...), his attempts, such as this idea of ​​filming the moving reflection of a mercury surface.",1.2006,"2017-01-01",7,"Himself","5b143bfdc3a368533000241c",{"adult":4,"backdrop_path":14,"genre_ids":64,"id":65,"title":66,"original_language":67,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"character":19,"credit_id":73,"order":40,"media_type":41},[54],599286,"A Creator of the Imaginary: Patrick Bokanowski - Hieroglyphs","en","Un créateur de l'imaginaire : Patrick Bokanowski - Hiéroglyphes","In his film studio, Patrick BOKANOWSKI talks about his research (audiovisual and animation techniques) for his new project (\"L'Ange\" which will be released in 1982). Filming scenes, and excerpts from his short film \"Lunch in the morning,\" punctuate the interview. On a film set, Patrick BOKANOWSKI describes some scenes of his project, notably \"the attack of the castle of the egg\"; it evokes the influence of the painter Henri DIMIER, of which he was the apprentice, his research on photographic printing, optical systems of shooting, and objectives. - He comments on a sketch of preparation explaining the image sought, and the means implemented. - Images of the shooting of scenes of characters in the darkness and light beams, accompanied by music, punctuate the interview.",0.8752,"\u002F4GxiMSu5xQOKTeehVHlQip5kdeP.jpg","1975-10-26","5cca1205c3a3687425824a2d",{"adult":4,"backdrop_path":14,"genre_ids":75,"id":76,"title":77,"original_language":67,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"character":19,"credit_id":83,"order":40,"media_type":41},[54],599287,"A Creator of the Imaginary: Patrick Bokanowski - Short Film","Un créateur de l'imaginaire : Patrick Bokanowski - Ciné-Court","A Creator of the Imaginary: Patrick Bokanowski",1.2285,"\u002F7J0pOqncK1dMzQqYxLJOL7OTG0n.jpg","1977-01-01","5cca134092514119e5fa5747",{"adult":4,"backdrop_path":85,"genre_ids":86,"id":87,"title":88,"original_language":31,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":95,"character":46,"credit_id":96,"order":40,"media_type":41},"\u002F6vWvCRwESzKX6nUfIAURcnO6ao.jpg",[28],417039,"A Solar Dream","Un rêve solaire","Behold the struggle between light and dark, the two principles that are at the very heart of the cinematic deed. A Solar Dream takes the seventh art’s ability to generate imaginary and phantasmagorical worlds to the limit, multiplied here by Michèle Bokanowski’s enveloping music. A precious plastic and sonic gem.",0.8305,"\u002FwdktcxIvvKeLz6XwN50kBzC1FRQ.jpg","2016-06-22",5.8,8,"5fc27b05a6725400416fd007",{"adult":4,"backdrop_path":14,"genre_ids":98,"id":99,"title":100,"original_language":67,"original_title":101,"overview":102,"popularity":103,"poster_path":14,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"character":46,"credit_id":104,"order":40,"media_type":41},[],835231,"Patrick Bokanowski - Genesis of 'Un rêve solaire'","Patrick Bokanowski - Genèse d'Un rêve solaire","Short documentary by Pip Chodorov showing Patrick Bokanowski's process in making \"Un rêve solaire\".",0.8408,"60b40fc657d378002b12a24f",[106,117,132,144,149,153,158,163,168,181,194,197,200,213,216,219,231,243,255,266,269,274,279,282,294,305,310,319,330,340,343,353,363,366,369,372,376,379,390,394,397,400,403,406,409,412,415,418,421,424,427,430,433,436,439,442,445,448,451,454,457,460,463,466,469,472,475,478,487,490,493,496],{"adult":4,"backdrop_path":107,"genre_ids":108,"id":109,"title":110,"original_language":31,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"credit_id":115,"department":18,"job":116,"media_type":41},"\u002FhUwZYTBjZaAbVOfQQCoRwrOY6QK.jpg",[28],828811,"Hum Drum","A painter in his studio: his pencils, brushes, tubes, table, easel and drawings set themselves in motion in an explosion of colors and flashes of light.",0.8897,"\u002FcMfehLXH5B1Yktb7pxt67RaDWO8.jpg","2021-06-14","609bcd1128d7fe006e4002ab","Director",{"adult":4,"backdrop_path":118,"genre_ids":119,"id":122,"title":123,"original_language":31,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":130,"credit_id":131,"department":18,"job":116,"media_type":41},"\u002FwqQyF8W2cjibv5pBcOmhKg4QK6L.jpg",[120,121,28],14,27,104317,"The Woman Who Powders Herself","La femme qui se poudre","A study of human anxieties about beauty, youth and objectification.",1.2239,"\u002FfODh5STzcH8w07zdR8im5bTlGuz.jpg","1972-01-01",6.6,21,"52fe4a32c3a36847f81c01f3",{"adult":4,"backdrop_path":133,"genre_ids":134,"id":135,"title":136,"original_language":31,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":36,"vote_count":142,"credit_id":143,"department":18,"job":116,"media_type":41},"\u002F9tLy2382W5MPNiIyN3m9f7Uzft9.jpg",[28,120],107391,"The Angel","L'Ange","The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.",2.1036,"\u002FgtRYTODf0nxEZNC0FZNThlc4J3l.jpg","1982-05-25",25,"52fe4a7fc3a36847f81d13b7",{"adult":4,"backdrop_path":107,"genre_ids":145,"id":109,"title":110,"original_language":31,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"credit_id":146,"department":147,"job":148,"media_type":41},[28],"60ce48d7e267de005727d39f","Writing","Writer",{"adult":4,"backdrop_path":107,"genre_ids":150,"id":109,"title":110,"original_language":31,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"credit_id":151,"department":147,"job":152,"media_type":41},[28],"60ce48ea2da84600568c8a85","Screenplay",{"adult":4,"backdrop_path":107,"genre_ids":154,"id":109,"title":110,"original_language":31,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"credit_id":155,"department":156,"job":157,"media_type":41},[28],"60ce49ad967cc7004117d500","Production","Delegated Producer",{"adult":4,"backdrop_path":107,"genre_ids":159,"id":109,"title":110,"original_language":31,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"credit_id":160,"department":161,"job":162,"media_type":41},[28],"60ce49c213654500290650c8","Editing","Editor",{"adult":4,"backdrop_path":107,"genre_ids":164,"id":109,"title":110,"original_language":31,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":60,"vote_count":51,"credit_id":165,"department":166,"job":167,"media_type":41},[28],"60ce49f343d9b10040be5957","Visual Effects","Special Effects Supervisor",{"adult":4,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":31,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":179,"credit_id":180,"department":166,"job":166,"media_type":41},"\u002FhdJ3Hk2ZZ0l7lYpa0z8V7RLHc2y.jpg",[28],228587,"The Beach","La plage","Reworked and colored images of people playing at the seashore.",1.6677,"\u002FrYyoyuL1O4ulACIZiLHUo2mmfyf.jpg","1992-08-27",7.2,13,"60f554ae5545ca002f73747a",{"adult":4,"backdrop_path":182,"genre_ids":183,"id":184,"title":185,"original_language":31,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":192,"credit_id":193,"department":161,"job":162,"media_type":41},"\u002FlbIJipErW5x383Shmo15vFFZN4q.jpg",[28,121],228442,"Breakfast","Déjeuner du matin","Relentlessly reworking ‘real’ images, using techniques borrowed from painting and animated film, Patrick Bokanowski is an author of stature, capable of creating an insane and cataclysmic universe of unquestionable beauty.",0.8186,"\u002F6CLWoJyK0grodos6Cu499jVdoeV.jpg","1974-01-01",7.8,11,"60f5a8d77b7b4d005c48e770",{"adult":4,"backdrop_path":26,"genre_ids":195,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"credit_id":196,"department":18,"job":116,"media_type":41},[28],"52fe4cd19251416c75126939",{"adult":4,"backdrop_path":26,"genre_ids":198,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"credit_id":199,"department":147,"job":148,"media_type":41},[28],"52fe4cd19251416c7512693f",{"adult":4,"backdrop_path":201,"genre_ids":202,"id":203,"title":204,"original_language":31,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":210,"vote_count":211,"credit_id":212,"department":18,"job":116,"media_type":41},"\u002F5FFtc1eadHlo2MRrxXj9KaLHmK9.jpg",[54,28],227796,"By the Lake","Au bord du lac","Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.",1.2612,"\u002FGdzjBhplic4I22YtN8KPEIeFEl.jpg","1994-09-26",5.9,9,"52fe4eb39251416c7515f659",{"adult":4,"backdrop_path":182,"genre_ids":214,"id":184,"title":185,"original_language":31,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":192,"credit_id":215,"department":18,"job":116,"media_type":41},[28,121],"52fe4ecd9251416c75162ddd",{"adult":4,"backdrop_path":169,"genre_ids":217,"id":171,"title":172,"original_language":31,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":179,"credit_id":218,"department":18,"job":116,"media_type":41},[28],"52fe4ed19251416c75163737",{"adult":4,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":31,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":229,"vote_count":37,"credit_id":230,"department":18,"job":116,"media_type":41},"\u002FiKXb0RKSv7RCsCcHY1idPL08i06.jpg",[54,28],270058,"The Role of Chance","La part du hasard","\"The Role of Chance\" (\"La part du hasard\") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.",0.8802,"\u002F1iFWokF4mV1c2qimzQakkRU4enb.jpg","1984-01-01",7.4,"53759635c3a3681ef4000af7",{"adult":4,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":31,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":4,"vote_average":241,"vote_count":60,"credit_id":242,"department":18,"job":116,"media_type":41},"\u002F6A2SpgqMIfyGnJLskL6zS1IUccx.jpg",[28],270151,"Solar Beats","Battements solaires","Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. 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