[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1039971:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":668},false,[],"Ulrike Ottinger is an avant-garde, contemporary German artist. She is particularly well-known and successful as a filmmaker, painter and photographer.","1942-06-06",null,1,"https:\u002F\u002Fwww.ulrikeottinger.com\u002Fen\u002F",1039971,"nm0653200","Directing","Ulrike Ottinger","Konstanz, Germany",1.0942,"\u002F4mhoFrgqnqwJCaqTSSgANClrfAL.jpg",{"cast":19,"crew":201},[20,38,52,65,77,91,101,115,128,139,152,160,171,180,192],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":27,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},"\u002FyajvjnoN2fnc4ItNmffiELAiFQJ.jpg",[23],18,418303,"The Enchantment of the Blue Sailors","de","Die Betörung der blauen Matrosen","In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl. In ritual punctuation, she distributes deaths which seemingly only the hardy siren Fatality can survive.",0.9483,"\u002Fn5MTmowxtRMwdDU0PoKQkAErcpO.jpg","1975-10-24",5.9,8,"Nymphe der deutschen Romantik","65915fb157176f6a3b7ff9aa",7,"movie",{"adult":4,"backdrop_path":8,"genre_ids":39,"id":41,"title":42,"original_language":26,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":9,"character":49,"credit_id":50,"order":51,"media_type":37},[40],99,257460,"The Korean Wedding Chest","Die koreanische Hochzeitstruhe","Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.",0.8272,"\u002FaLVMBkWfhWaBicUMOdHjd9R89Qe.jpg","2009-10-01",5,"Narrator","65916d99a58902717f963d6c",0,{"adult":4,"backdrop_path":8,"genre_ids":53,"id":54,"title":55,"original_language":56,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":62,"credit_id":63,"order":64,"media_type":37},[40],1034126,"Dubai Winter Diary VI: Light and Reflections","en","Carnet de Dubaï Hiver VI: Lumière et Reflets","Gérard Courant's \"Filmed Diary\" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many \"Cinematons\" of personalities from the Arab world and to continue his \"Film Notebooks\" from which he brought back 7 episodes.",0.8923,"\u002Fh1E5mpTlTPye95ELzVu7rRHjpvf.jpg","2012-05-25","Self","6344b16ccdf2e6007ad20f1f",42,{"adult":4,"backdrop_path":8,"genre_ids":66,"id":67,"title":68,"original_language":26,"original_title":69,"overview":70,"popularity":71,"poster_path":72,"release_date":73,"softcore":4,"video":4,"vote_average":74,"vote_count":9,"character":75,"credit_id":76,"order":51,"media_type":37},[40],435316,"Ulrike Ottinger: Nomad from the Lake","Ulrike Ottinger - Die Nomadin vom See","Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance where Ulrike Ottinger was born and where she still often spends time. Filmmaker Brigitte Kramer chose to begin her film at Lake Constance since she too shares Ottinger’s birthplace and a great love of these waters. This is also where the filmmaker’s own artistic development began, not least as a result of her encounter with Ottinger and her work. Other fellow travellers and friends appearing in this film include art historian Katharina Sykora, collector and curator Ingvild Goetz, film historian Ulrich Gregor, philosopher Bernd Scherer and actor Irm Hermann. Using this common ground as a starting point for an exploration of Ottinger’s substantial oeuvre, this documentary provides a keen insight into the artist’s life and work.",1.3669,"\u002Fg3KpgIGWwvcEI79SQpj0b2ArWH8.jpg","2012-02-15",6,"Herself","587c4622925141410100a9d9",{"adult":4,"backdrop_path":78,"genre_ids":79,"id":81,"title":82,"original_language":26,"original_title":83,"overview":84,"popularity":85,"poster_path":86,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":80,"character":89,"credit_id":90,"order":36,"media_type":37},"\u002FbIDAK59xrRAR6LbYtFsjpwF6XtG.jpg",[80],14,130962,"Madame X – An Absolute Ruler","Madame X – Eine absolute Herrscherin","The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising \"gold, love and adventure\" to all who come aboard her ship, the Orlando. A motley crew including a housewife, diva and artist (played by Yvonne Rainer) embark on a quest for self-transformation, which quickly heads towards destruction as they are subjected to Madame X's sadistic, erotic escapades.",1.5911,"\u002FmuVjWtqIsAz7YbF4aCBZqGoWahA.jpg","1978-03-03",4.1,"Orlando","596c9eabc3a36825c40019c3",{"adult":4,"backdrop_path":8,"genre_ids":92,"id":93,"title":94,"original_language":56,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":62,"credit_id":99,"order":100,"media_type":37},[40],536601,"Les réalisatrices contemporaines:  l'état des choses","Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.",1.0987,"\u002FdiChFS4GUGoSklDrZBIa1HH2cay.jpg","2016-07-18","5b50057b9251413bda005187",4,{"adult":4,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":106,"original_title":105,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":36,"character":112,"credit_id":113,"order":114,"media_type":37},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[40],272074,"Cinématon","fr","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",1.3957,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°104","5e39b86fac8e6b0015c87afb",30,{"adult":4,"backdrop_path":116,"genre_ids":117,"id":118,"title":119,"original_language":26,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":23,"character":49,"credit_id":126,"order":127,"media_type":37},"\u002F9WLbFrrI3XVsVdK2jZEce0HBRfb.jpg",[23],106219,"Ticket of No Return","Bildnis einer Trinkerin","A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard.",1.1656,"\u002FfUaKxViJa9Uvy0EKBGpJtN3SMN1.jpg","1979-10-27",6.4,"5e9175a537b3a9001b8bc95d",17,{"adult":4,"backdrop_path":8,"genre_ids":129,"id":130,"title":131,"original_language":26,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":125,"vote_count":100,"character":137,"credit_id":138,"order":9,"media_type":37},[23],270001,"Laocoon & Sons: The Story of the Transformation of Esmeralda del Rio","Laokoon & Söhne - Die Verwandlungsgeschichte der Esmeralda del Rio","Once upon a time there was a country known by the name of Laura Molloy. Laura Molloy was the name of this country. Only women lived in Laura MolloyEsmeralda del Rio was a woman. One day Esmeralda del Rio had the idea to undergo a series of transformations, which were to take her very far.  So far did she go that she had no way of knowing how far she had gone. Two things were certain: Esmeralda del Rio was blond and in her own way she practiced a kind of magic which I would like to call 'blond magic'.",0.9205,"\u002FkywIPjKf9cRGDumXnfyTfueY7mt.jpg","1975-03-27","Kakalia Katzen","5eb9d27bcc277c001f6aec6a",{"adult":4,"backdrop_path":8,"genre_ids":140,"id":141,"title":142,"original_language":26,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":149,"character":150,"credit_id":151,"order":149,"media_type":37},[40],434210,"Chamisso’s Shadow","Chamissos Schatten","A three-chapter 720-minute cinematic exploration inspired by historical explorers like Adelbert von Chamisso. The film intertwines past and present travel experiences, using readings and visual materials to explore themes of cultural knowledge loss and change, drawing parallels to Chamisso’s “Wondrous Story” of Schlemihl and his shadow.",1.6219,"\u002F2PH75gS0r7BTWPfbgupZSNLewpx.jpg","2016-02-12",6.3,3,"Herself (voice)","5ecaf32fd2147c0021b93d66",{"adult":4,"backdrop_path":8,"genre_ids":153,"id":154,"title":155,"original_language":106,"original_title":155,"overview":156,"popularity":157,"poster_path":8,"release_date":158,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":112,"credit_id":159,"order":100,"media_type":37},[],756093,"Cinématon XI","Reel 11 of Gérard Courant's on-going Cinematon series.",2.1784,"1981-05-14","5f90c732ca83540036b39bbe",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":56,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":169,"vote_count":100,"character":62,"credit_id":170,"order":149,"media_type":37},"\u002Frjeht7Nh1covOl90ZtmCsmqheiL.jpg",[40],489181,"Audience","Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking.  Today, Audience serves as an invaluable historical archive, providing quick but complex portraits of lesbian scenes in different cities and countries: the San Francisco women are bold and raucous, treating Hammer like a celebrity; the London crowd more reserved and tentative; the Canadians politely critical after initial hesitation.  It also functions as a testament to the power of Hammer herself as a figure of lesbian culture, showing how fully she engages audiences to incite new forms of discourse about representation.",0.7643,"\u002F3XX66sMLMMlIbpVORaj7zADtYRK.jpg","1983-06-20",3.5,"60d61d1ba6d931002c8a96fc",{"adult":4,"backdrop_path":8,"genre_ids":172,"id":173,"title":174,"original_language":106,"original_title":174,"overview":175,"popularity":176,"poster_path":8,"release_date":177,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":178,"credit_id":179,"order":51,"media_type":37},[],844939,"The Making Of “Superbia”","Superbia states \"I am pride. The proud root of all evil. I am Superbia, the first of the seven capital sins. I am always the first. The tree of wickedness grows out of me. My six daughters are its forbidden fruit: gluttony, laziness, greed, anger, envy, lust.\" In this grotesque procession of a giant haystack with characters representing pride, edited with images of real military parades, Ulrike Ottinger depicts a subtle allegory of human vanities.",0.9023,"1986-09-05","","60d6611fef9d720074dfd354",{"adult":4,"backdrop_path":181,"genre_ids":182,"id":183,"title":184,"original_language":26,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":188,"softcore":4,"video":4,"vote_average":189,"vote_count":9,"character":190,"credit_id":191,"order":51,"media_type":37},"\u002F80ta9vcZMaqWOD0RyIfh7B1QV35.jpg",[40],667856,"Paris Calligrammes","Ulrike Ottinger weaves her personal memories of Parisian bohemianism and the serious social, political and cultural upheavals of the time into a cinematic “figure poem.”",2.3378,"\u002Fly7T4hwyt6EgdMvLSnhi4zamIvp.jpg","2020-10-14",5.5,"Self - German Narrator","6a90d4f5100e8ed961c27dac",{"adult":4,"backdrop_path":8,"genre_ids":193,"id":194,"title":195,"original_language":56,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":178,"credit_id":200,"order":48,"media_type":37},[40],514594,"Laboratorium Anthology","Scenes from the life and work at Anthology Film Archives. Much of the footage in this video was shot by Auguste Varkalis.",2.2523,"\u002F5RINqLwfG1kBH7zn7mVTuQCUJVg.jpg","1999-01-01","6aba6bf1d61cbb68bc1b7774",[202,212,225,237,242,245,258,261,264,267,278,281,291,302,313,316,327,340,351,354,357,360,363,375,387,395,404,413,423,426,430,433,438,441,444,447,452,455,459,464,467,470,473,476,479,489,492,502,510,513,516,519,522,532,535,538,541,544,547,550,563,566,569,572,575,578,581,584,587,590,593,596,599,602,605,608,611,614,617,620,623,626,629,632,635,638,641,644,647,650,653,656,659,662,665],{"adult":4,"backdrop_path":8,"genre_ids":203,"id":204,"title":205,"original_language":26,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":33,"vote_count":9,"credit_id":210,"department":13,"job":211,"media_type":37},[40],829831,"Usinimage","Selected industrial and city settings from the three films were documented again for Usinimage and intercut with the corresponding fiction film scenes, in order to give the landscapes a new accent through artistic defamiliarization and condensation. It is an exploration of city architecture, in which the shooting location serves not just as reflective or constrastive backdrop but rather becomes itself content.",1.5481,"\u002Fwv6t3xKt1qyEV7nlKOlmHPKJkZo.jpg","1987-10-01","609f51e0b234b9003f7c1065","Director",{"adult":4,"backdrop_path":8,"genre_ids":213,"id":214,"title":215,"original_language":26,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":221,"vote_count":149,"credit_id":222,"department":223,"job":224,"media_type":37},[23,80],270324,"Superbia – The Pride","Superbia – Der Stolz","Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.",1.4134,"\u002FoKvSZATuV11yUxwjcRtwuvoBlTO.jpg","1988-10-13",5.7,"60bf03c696e30b0040a680d6","Writing","Writer",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":229,"title":230,"original_language":26,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":33,"credit_id":236,"department":13,"job":211,"media_type":37},"\u002FfIwm5pzIla0Sl6qqGVD2KgAB9kU.jpg",[23,228],12,120268,"Johanna d’Arc of Mongolia","A group of cosmopolitan women passengers aboard the Trans-Siberian\u002FMongolian Railway are taken prisoner by Ulan Iga, a warrior princess.",1.812,"\u002FVTwM28wncrppLoKCngO1otBl0Y.jpg","1989-02-01",6.7,"52fe4a43c3a368484e149949",{"adult":4,"backdrop_path":116,"genre_ids":238,"id":118,"title":119,"original_language":26,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":23,"credit_id":239,"department":240,"job":241,"media_type":37},[23],"52fe4a63c3a36847f81cae3f","Production","Producer",{"adult":4,"backdrop_path":116,"genre_ids":243,"id":118,"title":119,"original_language":26,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":23,"credit_id":244,"department":13,"job":211,"media_type":37},[23],"52fe4a63c3a36847f81cae7f",{"adult":4,"backdrop_path":246,"genre_ids":247,"id":249,"title":250,"original_language":26,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":255,"vote_count":256,"credit_id":257,"department":223,"job":224,"media_type":37},"\u002F2784UfWTgbGqAFS4W2jiWDiUN4Q.jpg",[248,80],35,107531,"Freak Orlando","Five more-or-less distinct sections, all featuring \"Freak\" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.",1.8332,"\u002FfbnSKY3HAM5VkyAbC2A22N2ipbM.jpg","1981-11-06",5.4,20,"52fe4a81c3a36847f81d1dc1",{"adult":4,"backdrop_path":246,"genre_ids":259,"id":249,"title":250,"original_language":26,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":255,"vote_count":256,"credit_id":260,"department":13,"job":211,"media_type":37},[248,80],"52fe4a81c3a36847f81d1dbb",{"adult":4,"backdrop_path":78,"genre_ids":262,"id":81,"title":82,"original_language":26,"original_title":83,"overview":84,"popularity":85,"poster_path":86,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":80,"credit_id":263,"department":223,"job":224,"media_type":37},[80],"52fe4b6ac3a368484e187f13",{"adult":4,"backdrop_path":78,"genre_ids":265,"id":81,"title":82,"original_language":26,"original_title":83,"overview":84,"popularity":85,"poster_path":86,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":80,"credit_id":266,"department":13,"job":211,"media_type":37},[80],"52fe4b6ac3a368484e187f0d",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":270,"title":271,"original_language":26,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":4,"video":4,"vote_average":276,"vote_count":100,"credit_id":277,"department":13,"job":211,"media_type":37},"\u002F2tofcA3Q5MZG1e2eaa1cxdqwnz3.jpg",[40],194998,"Countdown","Countdown follows a chronological sequence. The movie was shot in Berlin and environs over a ten-day period leading up to the unification of the currencies on July 1, 1990. The film thus ends on the date marking “the first stage of German reunification”.",1.4073,"\u002FeK6nyxbLmXyUtIHacpWhmrUL5oE.jpg","1990-12-04",6.2,"52fe4d029251416c911077db",{"adult":4,"backdrop_path":268,"genre_ids":279,"id":270,"title":271,"original_language":26,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":4,"video":4,"vote_average":276,"vote_count":100,"credit_id":280,"department":223,"job":224,"media_type":37},[40],"52fe4d029251416c911077e1",{"adult":4,"backdrop_path":8,"genre_ids":282,"id":283,"title":284,"original_language":285,"original_title":284,"overview":286,"popularity":287,"poster_path":288,"release_date":289,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"credit_id":290,"department":13,"job":211,"media_type":37},[40],1172231,"Seoul Women Happiness","ko","In fall 2007 the Women's Film Festival Seoul issued a call that did not promise, like the pirate queen Madame X, \"gold, love, and adventure,\" but something as tempting as the opportunity to film a 15-minute short in Korea, which, assembled as one of six parts of an omnibus production, would open the 10th festival in 2008.  I signaled my acceptance and voilà: SEOUL WOMEN HAPPINESS.",0.8966,"\u002Ff9bIZuxtaIOYxVqrs3ppCNVFQBo.jpg","2008-04-11","64f0bcf6e0ca7f012eb2748e",{"adult":4,"backdrop_path":292,"genre_ids":293,"id":294,"title":295,"original_language":26,"original_title":295,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":300,"vote_count":33,"credit_id":301,"department":13,"job":211,"media_type":37},"\u002FwCTuXn72MEGgrudRNDR0ZQpTVfR.jpg",[40],215605,"Taiga","The Darkhad and Soyon Uriyanghai peoples live in a vast valley in Northern Mongolia, much as their ancestors have for centuries. \"Taiga\" is the record of a long period spent by the German filmmaker Ulrike Ottinger among these people.",1.1371,"\u002F8eFrVyIAsSDKm2iBNGPun22Cj04.jpg","1992-02-21",7.5,"52fe4e03c3a368484e209891",{"adult":4,"backdrop_path":8,"genre_ids":303,"id":304,"title":305,"original_language":26,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":310,"softcore":4,"video":4,"vote_average":311,"vote_count":74,"credit_id":312,"department":13,"job":211,"media_type":37},[40],238560,"Under Snow","Unter Schnee","In Echigo, Japan, the snow often lies several feet deep well into May, covering landscapes and villages. Over the centuries, the inhabitants have organised their lives accordingly. In order to record their very distinctive forms of everyday life, their festivals, and religious rituals, Ulrike Ottinger journeyed to the mythical snow country – accompanied by two Kabuki performers. Taking the parts of the students Takeo and Mako, they follow in the footsteps of Bokushi Suzuki, who in the mid-19th century wrote his remarkable book “Snow Country Tales”.",1.3587,"\u002Fz5ZFmkOL2MaF6JO7guSHjCDtK37.jpg","2011-09-15",4.2,"52fe4e7fc3a36847f82942d1",{"adult":4,"backdrop_path":8,"genre_ids":314,"id":304,"title":305,"original_language":26,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":310,"softcore":4,"video":4,"vote_average":311,"vote_count":74,"credit_id":315,"department":223,"job":224,"media_type":37},[40],"52fe4e7fc3a36847f82942d7",{"adult":4,"backdrop_path":317,"genre_ids":318,"id":319,"title":320,"original_language":56,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":189,"vote_count":325,"credit_id":326,"department":13,"job":211,"media_type":37},"\u002F59XIDxqioebbX4Eh3hjbkPL1QAH.jpg",[23],252286,"Seven Women, Seven Sins","Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. 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No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.",1.9293,"\u002FxpSylhk1ZpHCpIhzvGPVQ88r2FC.jpg","2007-02-10",5.8,"530ecbf3c3a368744e00055f",{"adult":4,"backdrop_path":341,"genre_ids":352,"id":343,"title":344,"original_language":26,"original_title":344,"overview":345,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":349,"vote_count":48,"credit_id":353,"department":223,"job":224,"media_type":37},[40],"530fb9dc92514110350000d0",{"adult":4,"backdrop_path":8,"genre_ids":355,"id":41,"title":42,"original_language":26,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":9,"credit_id":356,"department":13,"job":211,"media_type":37},[40],"5310f2c692514110420014c7",{"adult":4,"backdrop_path":8,"genre_ids":358,"id":130,"title":131,"original_language":26,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":125,"vote_count":100,"credit_id":359,"department":13,"job":211,"media_type":37},[23],"5374dab60e0a267c6a003fcb",{"adult":4,"backdrop_path":8,"genre_ids":361,"id":214,"title":215,"original_language":26,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":221,"vote_count":149,"credit_id":362,"department":13,"job":211,"media_type":37},[23,80],"5377a295c3a3685525001e2d",{"adult":4,"backdrop_path":8,"genre_ids":364,"id":365,"title":366,"original_language":26,"original_title":367,"overview":368,"popularity":369,"poster_path":370,"release_date":371,"softcore":4,"video":4,"vote_average":372,"vote_count":373,"credit_id":374,"department":13,"job":211,"media_type":37},[248],273890,"Twelve Chairs","Zwölf Stühle","...Her son-in-law, Ippolit Matwejewitch Worobjaninow, is a former nobleman and a dandy who is currently wasting away as a small town magistrate in charge of civil marriages. He eagerly takes up the quest to find the treasure. Meanwhile, over the years, the twelve chairs have been dispersed all over the country. However, Worobjaninow is not the only one in pursuit of the treasure. Hot on its trail are Ostap Bender, a clever and colorful conman, as well as Father Fjodor, a priest to whom the wealthy aristocrat has also confessed her secret. Thus begins a wild chase that ranges from North to South, West to East, across water and land, from the country to the city.",1.2152,"\u002F1uDvUit63wUlfij35RXuvrOZ46r.jpg","2004-07-15",7.2,9,"538f3f730e0a26297600017b",{"adult":4,"backdrop_path":376,"genre_ids":377,"id":378,"title":379,"original_language":26,"original_title":380,"overview":381,"popularity":382,"poster_path":383,"release_date":384,"softcore":4,"video":4,"vote_average":385,"vote_count":9,"credit_id":386,"department":13,"job":211,"media_type":37},"\u002FyEU4rCVJkPd0lm3LUupUoC0RT6w.jpg",[40],282213,"China. The Arts – The People","China. 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It is an assemblage of her father’s African collection, photographs made by Ottinger in the 1970s, footage of a theatre play based on Johann Nestroy and a rare artefact: an 8mm film document of Lil Picard’s birthday celebration—an artist who mingled with the Dadaists and Warhol’s Factory alike. It is an exhibition in the form of a film, a dedication to an adventurer father, a secret art museum, a cabinet of wonder: a whole universe on its own.",1.5654,"\u002FlCNmOB7NjHfg2B59cQwncNh8U7I.jpg","616f48cfba131b00434f7411",{"adult":4,"backdrop_path":8,"genre_ids":396,"id":397,"title":398,"original_language":26,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"credit_id":403,"department":13,"job":211,"media_type":37},[40],887282,"Ester","A narrative about \"the days when the Jews found rest from their enemies and the month that was transformed from pain to joy, from mourning to a feast day.\" A parable about the courage to arrive in another country and a funny mound of joy about luck in misfortune. Narrated by György Konrád and performed by immigrants from Central and South-Eastern Europe.",1.6284,"\u002F6DvNDdXcGBMnTXBnifPXhVbX1TN.jpg","2002-10-01","616f496913a32000931965a3",{"adult":4,"backdrop_path":8,"genre_ids":405,"id":406,"title":407,"original_language":26,"original_title":407,"overview":408,"popularity":409,"poster_path":410,"release_date":411,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"credit_id":412,"department":13,"job":211,"media_type":37},[40],887283,"Aloha","Tabu, a mythical tale shot in Tahiti, is yet another key to Ottinger’s cinema. Aloha is a dedication to Murnau, as well as Gauguin, Matisse and her other predecessors whose hearts and eyes had been enchanted by foreign cultures. By juxtaposing footage and outtakes from Tabu with scenes from her own films, the director creates a dialogue between fictional universes separated by time and space. A fish is caught by islanders in 1931 and eaten by pirates in Madame X forty years later. What is this film if not an ironic commentary on artistic legacy and succession?",1.1598,"\u002FiirAHfUbBkQSdFYSrg88awdZpqQ.jpg","2016-10-01","616f49f6a2750200675a1b1e",{"adult":4,"backdrop_path":8,"genre_ids":414,"id":415,"title":416,"original_language":26,"original_title":417,"overview":418,"popularity":419,"poster_path":420,"release_date":421,"softcore":4,"video":4,"vote_average":36,"vote_count":9,"credit_id":422,"department":13,"job":211,"media_type":37},[40],887285,"Berlin Fever","Berlinfieber – Wolf Vostell","In 1973, Wolf Vostell, an artist associated with Fluxus, made a happening in which participants were required to perform a series of ritual, obsessive actions, such as “go to the trunk of your vehicle, there open and close the trunk 750 times and 375 times put a white plate in it and take it out 375 times.” Described by Ottinger as a documentation of what Vostell called “dé-coll\u002Fage-happening”, the film is an illustration of her creative method, a surrealist act, a separate work of art, and a strange object. 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