[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1037309:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":585},false,[],"Robert Beavers (born 1949) is an American experimental filmmaker whose work stands among the most significant in postwar avant-garde cinema. He is best known for My Hand Outstretched to the Winged Distance and Sightless Measure, an 18-film cycle spanning decades of work, much of it later re-edited.\n\nBeavers developed a distinctive visual language using hand-cut mattes, filters, and precise sound–image structures, often focusing on craft and manual labor as metaphors for filmmaking itself. Born in Brookline, Massachusetts, he began making films in New York before moving to Europe in 1967 with his partner, Gregory J. Markopoulos. Together they withdrew their films from distribution, presenting them only at the Temenos screenings in Arcadia, Greece (1980–86). After Markopoulos’s death in 1992, Beavers founded Temenos, Inc. to preserve both of their legacies.\n\nHis films draw deeply on place and history, from Florence in From the Notebook of… (1971\u002F1998) and Venice in Ruskin (1975\u002F1997) to the Greek landscapes of Wingseed (1985), The Hedge Theater (1986–90\u002F2002), and The Ground (1993–2001). Later works include Pitcher of Colored Light (2007), The Suppliant (2012), Listening to the Space in My Room (2013), and The Sparrow Dream (2022).\n\nBeavers continues to live and work between Berlin and Massachusetts with filmmaker Ute Aurand, while overseeing the preservation of both his own films and Markopoulos’s Eniaios.","1949-01-01",null,2,"https:\u002F\u002Frobertbeavers.com\u002F",1037309,"nm1042641","Directing","Robert Beavers","Brookline, Massachusetts, USA",0.5265,"\u002FzyfOFJ7dSCc6rI3FFC16WRFAozA.jpg",{"cast":19,"crew":241},[20,35,49,63,76,86,97,108,120,131,141,150,161,171,180,189,199,207,214,223,232],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":30,"character":31,"credit_id":32,"order":33,"media_type":34},[],1201975,"Zuoz","en","Filmed in Switzerland and released as part of a triptych with A Walk, Zuoz features the filmmaker Robert Beavers skating on ice. Beavers represents another “new beginning” in Aurand’s practice. She recalls seeing his work in the late ‘90s and “enter[ing] a space beyond the images where one is entirely within oneself and simultaneously in the world … where one is simply present and receives the full gift of the film.”",0.4631,"\u002FialA2K48KUtNcNdNAwODpoA1f3V.jpg","2008-06-01",6,1,"Ice skater","654a7564fd4f800101b7962c",0,"movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":39,"title":40,"original_language":24,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"character":47,"credit_id":48,"order":33,"media_type":34},"\u002FzL4wqox5oR9Kujpm4m1qx6aSo7w.jpg",[38],18,293515,"Eros, O Basileus","Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.",0.5887,"\u002Fu5b02RzdF1CPb59UwGxytazElCn.jpg","1967-04-23",4,3,"Eros","541afb50c3a368384100003f",{"adult":4,"backdrop_path":50,"genre_ids":51,"id":53,"title":54,"original_language":24,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":60,"character":61,"credit_id":62,"order":33,"media_type":34},"\u002F8gICVmjnZ84jivHdQI491LWC5sa.jpg",[52],99,306208,"The Hedge Theater","Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.",0.588,"\u002FuzZANKi5KAJigp5elfZ2DGEXFmd.jpg","2002-11-17",6.5,10,"Himself","54750bca92514144d5000c7e",{"adult":4,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":68,"original_title":67,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":30,"character":74,"credit_id":75,"order":33,"media_type":34},"\u002F2vGOFtoJHlmg6qwKe5Mz34D8R4J.jpg",[52],308693,"Early Monthly Segments","xx","Early Monthly Segments, filmed when Beavers was 18 and 19 years old, now forms the opening to his film cycle, “My Hand Outstretched to the Winged Distance and Sightless Measure.” It is a highly stylized work of self-portraiture, depicting filmmaker and companion Gregory J. Markopoulos in their Swiss apartment. The film functions as a diary, capturing aspects of home life with precise attention to detail, documenting the familiar with great love and transforming objects and ordinary personal effects into a highly charged work of homoeroticism.",0.6071,"\u002F9YDGRYMHXgseSqW14f820pQIEkx.jpg","2003-09-09",8,"","54832e59c3a36829a7008a7e",{"adult":4,"backdrop_path":77,"genre_ids":78,"id":79,"title":80,"original_language":24,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":74,"credit_id":85,"order":33,"media_type":34},"\u002F2o7FKwA9clnaSvzp9jfo2sWe9mm.jpg",[52],423756,"Winged Dialogue","Winged Dialogue details with growing clarity the desperate beauty and sexuality of the body animated by its soul, essence blindly reaching out, touching, in brilliant patterns through and beyond those of the vanishing images, expressed vividly in the after-image on the mind, on the soul’s eye.",0.5621,"\u002Fnk065A3XVDb7FFV2gfQgwhFz8JF.jpg","1967-12-30","5817fa93c3a36828c70001fe",{"adult":4,"backdrop_path":87,"genre_ids":88,"id":89,"title":90,"original_language":68,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":9,"character":74,"credit_id":96,"order":33,"media_type":34},"\u002FlUKY4YqxYsYBdVtae9AlcgQUcpK.jpg",[52],423760,"Plan of Brussels","Shedding all traces of narrative in Plan of Brussels, Beavers filmed himself in a hotel room, both at his work desk and lying naked on the bed, while in rapid rhythmic cutting, and sometime in superimposition, the phantasmagoria of people he met in Brussels and images from the streets flood his mind.",0.704,"\u002FRTurBM5IcqNuD0cTwrnc8v9vYz.jpg","1968-01-01",7,"5817fb06c3a36823f100035e",{"adult":4,"backdrop_path":98,"genre_ids":99,"id":100,"title":101,"original_language":24,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":95,"vote_count":45,"character":106,"credit_id":107,"order":45,"media_type":34},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[52],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.5828,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06","Self","59d9b6d692514124c5038551",{"adult":4,"backdrop_path":109,"genre_ids":110,"id":111,"title":112,"original_language":24,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"character":61,"credit_id":119,"order":33,"media_type":34},"\u002FiMTod009PdlPAm6jP1Xb6I2LBwk.jpg",[52],104901,"From the Notebook of...","From the Notebook of … was shot in Florence and takes as its point of departure Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s process. These two elements suggest an implicit comparison between the treatment of space in Renaissance art and the moving image. The film marks a critical development in the artist’s work in that he repeatedly employs a series of rapid pans and upward tilts along the city’s buildings or facades, often integrating glimpses of his own face. As Beavers notes in his writing on the film, the camera movements are tied to the filmmakers’ presence and suggests his investigative gaze.",1.2127,"\u002FliLwMNX9KSoY20Ooe8GVfvGKYMA.jpg","1972-02-11",6.3,14,"5a5e0f2792514119db00b7e6",{"adult":4,"backdrop_path":121,"genre_ids":122,"id":123,"title":124,"original_language":24,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":9,"character":61,"credit_id":130,"order":33,"media_type":34},"\u002Fn46lfIxqPVDfN9ltWJ6BXmgAZOE.jpg",[52],220293,"Listening to the Space in My Room","A portrait of a recently vacated home, the film evokes both memory and the lingering presence of past inhabitants. Through precise, enigmatic sound–image construction, Beavers crafts an intimate meditation on art, existence, and the search for meaning.",0.8736,"\u002FefNSmOVVaIZtzed5MCMtT8MqmXJ.jpg","2013-09-10",8.5,"5a5e1ce1c3a3686a4e00bb81",{"adult":4,"backdrop_path":8,"genre_ids":132,"id":133,"title":134,"original_language":135,"original_title":134,"overview":74,"popularity":136,"poster_path":137,"release_date":138,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":139,"credit_id":140,"order":33,"media_type":34},[],679236,"Cape Cod","es",0.459,"\u002F6ZFTSyzzMRgSdK3UfETi4NPKnjW.jpg","2018-07-13","himself","5f808a262667780036b544b4",{"adult":4,"backdrop_path":8,"genre_ids":142,"id":143,"title":144,"original_language":24,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":144,"credit_id":149,"order":33,"media_type":34},[],805314,"Jabbok","The story of Jacob wrestling the angel at the stream called Jabbok.",0.63,"\u002Fm5IACpS6jLEHEXZMDVwbchfaaRy.jpg","1967-01-01","605c0b53ac617c00523073c1",{"adult":4,"backdrop_path":151,"genre_ids":152,"id":153,"title":154,"original_language":24,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":159,"vote_count":45,"character":74,"credit_id":160,"order":33,"media_type":34},"\u002F8LIqOKYhKurPEAMe5oiq0uaTnaM.jpg",[52],296791,"Sotiros","Distilled in 1996 from an earlier 50-minute trilogy, this film was shot in Greece and Austria and structured around two recurring intertitles, “He said” and “he said.” Each introduces delicate studies of light and place—hotel interiors, cafés, hillsides, storefronts, and street life—framed in parallel variations. The title invokes Apollo as savior and healer.",0.6184,"\u002FkWLg0RQ4VL3JvScqEvi3KjTjDPE.jpg","2000-02-05",6.8,"673a8fe19c16dafa06f9df47",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":24,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":59,"vote_count":9,"character":74,"credit_id":170,"order":33,"media_type":34},"\u002F5QONnVKCUcfZ9Huk9FcpB3VzYYL.jpg",[52],423749,"Still Light","The first half of the film explores delicate nuances of lighting, colour and depth as Beavers shoots the face of a young man in various locales on the Greek island of Hydra, using a variety of customized masks and filters. The man’s face remains constant throughout, surrounded by iconic elements in the landscape, like a pulsating Renaissance portrait. Still Light brings to mind any number of structuralist binarisms: youth and age, creation and criticism, action and reflection, living landscape and mummified text.",0.5875,"\u002Fq7beoNum7pxHCKpg3cZtY9Qbe1q.jpg","1971-12-13","67af37ee80f76d61eb8e6d73",{"adult":4,"backdrop_path":8,"genre_ids":172,"id":173,"title":174,"original_language":24,"original_title":174,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":74,"credit_id":179,"order":33,"media_type":34},[],1454141,"Mother's Day","Short video by Tom Chomont, features Robert Beavers and his mother during the filming of Pitcher of Colored Light. Consists of sections titled Bathed in Light, Going For a Ride. Mother Garden, Robert's Mother's Flowers, Time Taken, and Brief Visit.",0.7703,"\u002F1bl3pekYfoJtnqgFnzIokYgsJM5.jpg","2006-01-01","67e31a86ec98bf0a0d75f4cd",{"adult":4,"backdrop_path":8,"genre_ids":181,"id":182,"title":183,"original_language":24,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":74,"credit_id":188,"order":33,"media_type":34},[],1287435,"A Visit With Robert","In Spring 2013 I was artist in residence at Dartmouth College in New England. This was a vital time for me developing films and projects with artists Toshiya Tsunoda, Christian Wolff and Larry Polanski. I recently discovered a roll I shot during this time - whilst on a visit to the Cape with Robert. The occasion stuck in my memory because of a particularly infection I had caught which made me reticent to travel or do anything. I recall Robert encouraging me to come anyway and to use my Bolex as a way of counter-acting the virus and my general state of malaise.",0.5204,"\u002FyGHwhehLpKDTo83zBhz3rVxnXXM.jpg","2024-04-06","6823a97c4b49537fd2a16951",{"adult":4,"backdrop_path":8,"genre_ids":190,"id":191,"title":192,"original_language":193,"original_title":192,"overview":194,"popularity":195,"poster_path":8,"release_date":196,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":197,"credit_id":198,"order":33,"media_type":34},[52],1487714,"Due film-maker in giardino - Robert Beavers & Gregory J. Markopoulos","it","Short film shot in Rapallo, 1987.",0.7203,"2010-12-01","Self - director","683430373537012a224141d2",{"adult":4,"backdrop_path":8,"genre_ids":200,"id":201,"title":202,"original_language":24,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":148,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":74,"credit_id":206,"order":33,"media_type":34},[],805304,"The Mirror Garden","A romantic and lyric study of a young friend and readings he encouraged, especially Mallarmé.",0.5017,"\u002F3DtMnaIPAUWoUgwwxjfhEhbvQjL.jpg","69d4a76f4342be1c736ae26f",{"adult":4,"backdrop_path":208,"id":209,"title":210,"original_language":24,"original_title":210,"overview":211,"poster_path":212,"character":61,"credit_id":213,"order":33,"media_type":34},"\u002FlDbzqT6apgQUEeKzO6xq9fCkGPE.jpg",412482,"My Hand Outstretched to the Winged Distance and Sightless Measure","My Hand Outstretched to the Winged Distance and Sightless Measure is a film cycle by American avant-garde filmmaker Robert Beavers. It consists of eighteen films in three parts.","\u002FpvTvzhOmoLVyOEa7Z7VYdydGUM7.jpg","6a640a66012086948e95d628",{"adult":4,"backdrop_path":215,"genre_ids":216,"id":217,"title":210,"original_language":24,"original_title":210,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":61,"credit_id":222,"order":33,"media_type":34},"\u002F9cOP8VV6cC2Osway80cbMESFPOY.jpg",[52],1739076,"My Hand Outstretched to the Winged Distance and Sightless Measure is a film cycle by American avant-garde filmmaker Robert Beavers. It consists of eighteen films in three parts. The films were made from the late 1960s through the early 2000s in different European countries, particularly Greece, Switzerland, and Italy. Most of the works in the cycle are radically re-edited, condensed versions of the original films. The cycle premiered in its entirety in 2005.",1.3093,"\u002F2jzCJAhpAboaCX1DYODwbTj3YEF.jpg","2005-10-07","6a67f1dba95142d3424f6312",{"adult":4,"backdrop_path":8,"genre_ids":224,"id":225,"title":226,"original_language":24,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":74,"credit_id":231,"order":33,"media_type":34},[],1771061,"Making films out of light and memory","Documentary about Robert Beavers's works.",0.8173,"\u002FpGNf5VkSZUWtZ77kRD4hZFbcE9f.jpg","2026-09-09","6aa951e2b46ec36e5460b939",{"adult":4,"backdrop_path":8,"genre_ids":233,"id":234,"title":235,"original_language":24,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":74,"credit_id":240,"order":45,"media_type":34},[52],514594,"Laboratorium Anthology","Scenes from the life and work at Anthology Film Archives. Much of the footage in this video was shot by Auguste Varkalis.",2.4846,"\u002F5RINqLwfG1kBH7zn7mVTuQCUJVg.jpg","1999-01-01","6aba6bea3eef3ba3d1ddc273",[242,246,249,261,272,282,292,295,300,312,315,318,321,331,334,345,347,357,367,375,378,381,389,392,402,412,422,432,442,452,462,465,468,471,475,478,481,491,494,497,500,503,506,509,520,530,538,546,554,561,564,567,570,573,576,579,582],{"adult":4,"backdrop_path":109,"genre_ids":243,"id":111,"title":112,"original_language":24,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"credit_id":244,"department":13,"job":245,"media_type":34},[52],"52fe4a3fc3a36847f81c3549","Director",{"adult":4,"backdrop_path":121,"genre_ids":247,"id":123,"title":124,"original_language":24,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":9,"credit_id":248,"department":13,"job":245,"media_type":34},[52],"52fe4da29251416c7513b99b",{"adult":4,"backdrop_path":250,"genre_ids":251,"id":252,"title":253,"original_language":24,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":258,"vote_count":259,"credit_id":260,"department":13,"job":245,"media_type":34},"\u002FoG2PuLI9IlfPfharE5nDmEVyDSR.jpg",[52],263809,"Ruskin","Beavers traces John Ruskin’s legacy from London to the Alps and especially Venice, where the camera lingers on stone and water in dialogue with Ruskin’s writings. Turning pages and images of Unto This Last evoke the critic’s enduring perceptions and political vision, preserved through acts of reading.",0.5755,"\u002FjjhToeeax1xMmbQ8iGwe8myOI8B.jpg","1974-05-30",6.2,5,"5344d3800e0a267bd70010ec",{"adult":4,"backdrop_path":262,"genre_ids":263,"id":264,"title":265,"original_language":24,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":4,"video":4,"vote_average":258,"vote_count":270,"credit_id":271,"department":13,"job":245,"media_type":34},"\u002F8amBYQl75osvcLtH1nLD5IYzZ6Y.jpg",[52],263808,"Amor","Shot in Rome and Salzburg’s natural theatre, the film uses cutting and sewing as metaphors for love, separation, and the craft of montage. Cloth being trimmed, hands clapping, and tools striking accompany images of tailoring, architectural restoration, and Beavers himself in a new suit, linking gesture and sound to the editing process.",1.2248,"\u002FwsJxqfXLbnMVC6YQAUP3xUeSgd8.jpg","1980-03-04",11,"5344d310c3a3682598000df4",{"adult":4,"backdrop_path":273,"genre_ids":274,"id":275,"title":276,"original_language":68,"original_title":276,"overview":277,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":95,"vote_count":30,"credit_id":281,"department":13,"job":245,"media_type":34},"\u002FcgcrUOf1TZjqFSYc07P21dQqmHw.jpg",[52],1005896,"The Sparrow Dream","Beavers revisits locations in Berlin first filmed in Diminished Frame (1970), alongside sites in Massachusetts, to reflect on how lived places shape vision and memory. Moving between past and present, the film becomes a meditation on perception, time, and the persistence of personal landscapes.",0.7132,"\u002F6TAggyxqjeEFEwYwtA3a8qaVelQ.jpg","2022-09-10","62e3043768b766006068530d",{"adult":4,"backdrop_path":283,"genre_ids":284,"id":285,"title":286,"original_language":24,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":291,"department":13,"job":245,"media_type":34},"\u002FzgXBnICK86wxrlYvpUnZNiVasNn.jpg",[52],296792,"Diminished Frame","There is a balance in Diminished Frame between a sense of the past seen in the views of West Berlin, filmed in black& white and a sense of the present in which I filmed myself showing how the colour is being created by placing filters in the camera’s aperture. It is the space of the city and of the filmmaker. I search for signs of war’s aftermath and a few moments of daily life.",0.4601,"\u002FnmJWwpazgZE9hmIdjO2lSmZpBtJ.jpg","1971-04-06","5436bdca0e0a264d66002aaf",{"adult":4,"backdrop_path":151,"genre_ids":293,"id":153,"title":154,"original_language":24,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":159,"vote_count":45,"credit_id":294,"department":13,"job":245,"media_type":34},[52],"5436bd560e0a264d630028a1",{"adult":4,"backdrop_path":64,"genre_ids":296,"id":66,"title":67,"original_language":68,"original_title":67,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":30,"credit_id":297,"department":298,"job":299,"media_type":34},[52],"54832e489251416e78008745","Editing","Editor",{"adult":4,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":68,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":29,"vote_count":30,"credit_id":309,"department":310,"job":311,"media_type":34},"\u002FtMSmy1kWJ6QdB6t4HhyvMH8Tmcc.jpg",[52],308701,"The Suppliant","Filmed in 2003 while staying in a Brooklyn Heights apartment, the work centers on a small Greek statue revealed in shifting morning and afternoon light. 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I did not know if I would show this publicly when I filmed. The gift was Luke Fowler suggesting that I film his and Corin’s first child, Liath, while I visited them in Glasgow. 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