[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1012097:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":2043},false,[],"Jon Stephen Jost (born 16 May 1943 in Chicago) is an American independent filmmaker.\n\nBorn in Chicago to a military family, he grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. He began making films in January 1963 after being expelled from college. In 1965 he was imprisoned by US authorities for 2 years 3 months for refusal to cooperate with the Selective Service system. Self-taught as a filmmaker, he made his first full-length film in 1974, and has since that time focused on a wide range of American issues in his films, at present having made 40 long-form films. Jost's work has shown since 1976 in major film festivals around the world.","1943-05-16",null,2,"http:\u002F\u002Fwww.jonjost.altervista.org\u002F",1012097,"nm0430927","Directing","Jon Jost","Chicago, Illinois, USA",0.8128,"\u002FkpBfs0VvHYO3CeVjYObSfCVTd1V.jpg",{"cast":19,"crew":169},[20,37,48,63,75,88,101,115,125,138,149,159],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},[22],99,565027,"A Movie Capital","ja","映画の都","This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.",1.091,"\u002Fkidd2vnVSLrJMbpo2jPWFpyVrSq.jpg","1991-10-12",6,1,"Self","638cfe3a7d5db50fdd127750",12,"movie",{"adult":4,"backdrop_path":8,"genre_ids":38,"id":39,"title":40,"original_language":41,"original_title":40,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"character":33,"credit_id":46,"order":47,"media_type":36},[22],1072614,"Made in the USA","en","A Paul Joyce documentary on the American independent film scene.",1.9014,"\u002FdinZhUjvSqYi9NtwT5oJwabLvPE.jpg","1993-09-25","63be9b4bf859580087496576",11,{"adult":4,"backdrop_path":8,"genre_ids":49,"id":53,"title":54,"original_language":41,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":9,"character":60,"credit_id":61,"order":62,"media_type":36},[50,51,52],18,80,35,392743,"Chameleon","A scathing portrait of the Hollywood\u002FLA arts milieu of the late 70’s, Chameleon follows the amorphous day of its lead character, an Armani-jacketed peddler of high-class dope, fraudulent art, and preening postures suited-to-fit the changing victims, though as with all such fakery, the real victim in the long run is the person who lives such a life.",0.6796,"\u002F4yibLgSBXiulClTWjcrSJGmdRcj.jpg","1978-01-01",7,"Ranger","570f07a4925141016f00093b",4,{"adult":4,"backdrop_path":8,"genre_ids":64,"id":65,"title":66,"original_language":41,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":72,"credit_id":73,"order":74,"media_type":36},[50,51],1133405,"Ghosts of Empire Prairie","Empire Prairie, where Lonnie Enright grew up. He's headed home now, to see his ailing father and little brother. Bad things are coming.",0.8013,"\u002FxZ63W5NVCP63gS6jO726tps28Fh.jpg","2014-01-26",0,"Burl Enright","668b0e13047a30c74898a644",3,{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":41,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":86,"credit_id":87,"order":74,"media_type":36},"\u002FfnnAVpnX8BoRqqspDWVMXfdN3P4.jpg",[50],325956,"Nightshift","As night falls, the receptionist of a small hotel dutifully performs her routine tasks while strange lodgers descend upon the dark corners of the inn.",0.9378,"\u002FfRjE6WSMf3WvTxbp2QwEMQYLxfi.jpg","1981-08-14",6.7,10,"","596e35b8c3a3686b17006cc8",{"adult":4,"backdrop_path":89,"genre_ids":90,"id":92,"title":93,"original_language":41,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":62,"character":99,"credit_id":100,"order":9,"media_type":36},"\u002F89vlu4CeAb7729qBTiHkyG4oYiD.jpg",[50,91],10749,217693,"Slow Moves","A bluesy lyrical romance of two ugly-ducklings who meet on the Golden Gate Bridge and after a brief and awkward courtship, live together with the usual problems of money and work, take flight to an illusory freedom on the road, and dances inexorably to a drab doom.",0.7203,"\u002FuuflRqExwOm5YOfmeqfJIIJPBf1.jpg","1983-01-01",7.5,"Man Behind Counter","5d15c01e71ffdf17f88710c0",{"adult":4,"backdrop_path":102,"genre_ids":103,"id":105,"title":106,"original_language":41,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":104,"character":112,"credit_id":113,"order":114,"media_type":36},"\u002FmUPWb6gjcJqTUGRGdNcBy6Hq76N.jpg",[52,50,104],14,250586,"Mod Fuck Explosion","Teenage London is trying to find meaning in the world, or a leather jacket of her own. Unaccepted by neither the Mods or the Asian biker gang, she tries to find her own path. Meanwhile, the two gangs maintain a mutual vendetta sure to erupt in a smorgasbord of violence.",1.3051,"\u002FhAFMLdXewj9kMyMOeWXk2k6w0Y8.jpg","1994-04-21",5.5,"Drummer","5e49e0321e92250015c2f6c8",46,{"adult":4,"backdrop_path":8,"genre_ids":116,"id":117,"title":118,"original_language":119,"original_title":118,"overview":120,"popularity":121,"poster_path":8,"release_date":122,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":123,"credit_id":124,"order":32,"media_type":36},[],756473,"Cinématon XVIII","fr","Reel 18 of Gérard Courant's on-going Cinematon series.",0.7375,"1982-05-04","N°171","5f923c9da9b9a40037c677a9",{"adult":4,"backdrop_path":126,"genre_ids":127,"id":128,"title":129,"original_language":130,"original_title":129,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":32,"character":136,"credit_id":137,"order":71,"media_type":36},"\u002Fhdpa5ZlDO1s8JozW4R1ne1eP8J9.jpg",[22],667165,"Pequenos Milagres","pt","A film that Jon Jost dedicated to his daughter Clara, an artistically designed home movie and at the same time a look back at his life, mostly commented off-screen by Jon Jost. He used the technology of the digital camera which contrasts nicely with his newly discovered love for watercolor painting.",0.709,"\u002Fe9cPpJvBbPzCfaisdrFURrttUN5.jpg","2019-11-20",8,"Himself","60d8810485b1050046d3ac8e",{"adult":4,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":41,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":147,"credit_id":148,"order":59,"media_type":36},"\u002FueSPbFo83V3URas7Ds7rlx7ApnU.jpg",[22],1319421,"Cruel, Usual, Necessary: The Passion of Silvio Narizzano","Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a \"one-hit wonder\" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.",1.242,"\u002FxrGggFmVgbNf4rrZC14jAdFQz7t.jpg","2024-08-30","Voice of Silvio Narizzano","66da0cfd97dc48a2109d52b1",{"adult":4,"backdrop_path":8,"genre_ids":150,"id":151,"title":152,"original_language":41,"original_title":152,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":157,"credit_id":158,"order":71,"media_type":36},[],1400234,"Country","A young draft resister finds peace and love in the country, but his solution to the problems of the city may very well be a naive dream.",0.4542,"\u002Fw48AwNIsqWgBpkxJrMclO0drVTF.jpg","1968-01-01","Man","675866af8842b711121adb04",{"adult":4,"backdrop_path":8,"genre_ids":160,"id":161,"title":162,"original_language":41,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"character":167,"credit_id":168,"order":32,"media_type":36},[22],1558524,"Not Getting Stoned with Jon Jost","Caveh gets stoned. Jon Jost doesn't.",0.7466,"\u002FwaAbQ5tv6V4PL2qsQjpla8XnGlM.jpg","2023-07-30","himself","68e4e81ffd8100940ec2300d",[170,180,188,196,209,218,229,237,248,252,265,270,273,276,285,294,297,300,304,308,317,320,331,334,337,348,359,370,373,376,379,382,393,403,412,415,418,421,430,439,442,445,448,451,454,463,466,470,473,481,484,487,490,502,506,509,512,516,521,524,527,537,540,549,552,555,558,569,572,581,584,587,590,599,610,620,623,630,637,646,654,660,669,679,687,697,704,711,717,724,733,743,746,756,759,762,765,775,778,789,792,795,805,808,811,814,817,828,838,841,850,853,856,866,869,872,875,878,881,884,887,890,899,902,905,908,911,914,923,926,929,939,947,957,966,969,972,975,978,981,984,987,991,994,997,1000,1003,1007,1010,1013,1023,1027,1030,1040,1050,1059,1067,1070,1073,1076,1079,1082,1092,1095,1098,1101,1110,1113,1116,1119,1123,1126,1129,1132,1135,1138,1141,1144,1153,1163,1171,1180,1183,1186,1189,1192,1195,1198,1206,1217,1224,1228,1231,1240,1252,1255,1258,1261,1264,1267,1275,1283,1292,1302,1305,1313,1322,1329,1336,1344,1353,1361,1369,1377,1384,1392,1400,1407,1414,1422,1430,1436,1443,1450,1458,1466,1474,1481,1488,1496,1504,1513,1520,1527,1535,1541,1548,1554,1561,1568,1575,1582,1590,1597,1603,1610,1617,1625,1632,1639,1647,1654,1661,1668,1675,1682,1688,1696,1702,1708,1715,1722,1729,1736,1743,1750,1758,1766,1772,1779,1786,1793,1801,1807,1814,1821,1827,1834,1841,1847,1854,1860,1867,1874,1882,1889,1896,1903,1909,1916,1921,1927,1934,1940,1948,1955,1962,1969,1976,1983,1990,1997,2004,2010,2016,2023,2029,2035],{"adult":4,"backdrop_path":8,"genre_ids":171,"id":172,"title":173,"original_language":41,"original_title":173,"overview":174,"popularity":175,"poster_path":8,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":9,"credit_id":178,"department":13,"job":179,"media_type":36},[],804993,"Primaries\u002F A Turning Point in Lunatic China\u002F 1,2,3, Four","\"PRIMARIES is a simple film which merely establishes a definition of 'politics'. Its narrative moves in paragraph blocks, with each sentence accompanied by different pictures of a young woman's hands, feet, torso, face… A TURNING POINT IN LUNATIC CHINA provides a critique of the methods of communication employed by my fellow Leftists. The ritualistic posturing and sloganeering I had used myself and seen in action in Chicago and San Francisco State, the seizing of exotic foreign figures (Mao, Che) and ideological rhetoric (SDS debates on Stalinism)–all struck me as mistaken and useless... [TURNING POINT] initiates a conscious probing of the means and techniques of mass communication, particularly film. 1, 2, 3, FOUR... delivers a critique from within of the... ideologies... of the 'counter-culture'... [It] provides no answers, but rather it allows the internal dynamics of the 'left' generate its own questions.\"",0.6056,"1971-03-19",6.5,"604b13bfd8e2250025e204aa","Director",{"adult":4,"backdrop_path":8,"genre_ids":181,"id":182,"title":183,"original_language":41,"original_title":183,"overview":184,"popularity":185,"poster_path":8,"release_date":186,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":187,"department":13,"job":179,"media_type":36},[],958066,"Arbor Fugue","Arbor Fugue is made from “outs” material from the installation piece, Trinity. I felt that the material made for an interesting re-working of the nature of the musical form of the fugue, in which motifs are returned to again and again in new forms. This was an experiment in doing the same visually.",0.4282,"2002-01-03","6249e9b105f9cf0063076e86",{"adult":4,"backdrop_path":8,"genre_ids":189,"id":190,"title":191,"original_language":41,"original_title":191,"overview":192,"popularity":193,"poster_path":8,"release_date":194,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":195,"department":13,"job":179,"media_type":36},[],958058,"Dharma Do as Dharma Does","A 2000 short film directed by Jon Jost. The film screened at International Film Festival Rotterdam in 2002.",0.577,"2001-01-01","6249eab08c7b0f004e58984b",{"adult":4,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":41,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":84,"vote_count":205,"credit_id":206,"department":207,"job":208,"media_type":36},"\u002F5x7oNRmIyYiTcmaXfHUBajZf2jy.jpg",[51,50,91],33247,"The Living End","Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.",2.9463,"\u002F4tqdQcKkZGn4qQy9bWWu1fEM6z2.jpg","1992-08-21",98,"609633abd8cc4a003f8ae753","Production","Executive Producer",{"adult":4,"backdrop_path":8,"genre_ids":210,"id":211,"title":212,"original_language":41,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":62,"vote_count":32,"credit_id":217,"department":13,"job":179,"media_type":36},[22],829068,"Portrait","The aesthetic moves progressively from loose “underground” means using expressionistic camera movement, multiple exposures, droning sequences and shock cut towards a static, didactic form of “documentary” marked with long takes, minimal camera movement, a surface concentration on showing how things are. Being silent they operate on sheerly visual means. From the outset they grapple with socio-political issues with the stifling atmosphere of Catholic family life in Italy",0.6387,"\u002F4gfPluFWlIpzSTxfDZsnBfzUeGj.jpg","1963-01-01","609cada02222f6002a00b02a",{"adult":4,"backdrop_path":8,"genre_ids":219,"id":220,"title":221,"original_language":222,"original_title":221,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":4,"video":4,"vote_average":227,"vote_count":32,"credit_id":228,"department":13,"job":179,"media_type":36},[],832931,"Til Edvard","no","I walked around Trondheim, shooting this and that, and at one point I saw these girls walking across a little footbridge. After I got the shot of them, I spent a little time trying to imagine what they might have seen on their little walk. This is the result. I don't know if it was the light, or the architecture, but I was reminded of Edvard Munch's paintings and graphics, and decided this was a modest electronic homage to him. (Jon Jost)",0.4322,"\u002Fu6SuorVX4Ried4dfyEHHAPQ79YV.jpg","2002-01-02",5,"60ab6b6e1a324800298cce8d",{"adult":4,"backdrop_path":8,"genre_ids":230,"id":231,"title":232,"original_language":41,"original_title":232,"overview":233,"popularity":234,"poster_path":8,"release_date":235,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":236,"department":13,"job":179,"media_type":36},[],723069,"A View of Mount Baker from Port Angeles, Washington","A short landscape film made by Jon Jost in 2004 in DV.",0.5161,"2004-08-27","60ab6a61d29bdd0029e3748a",{"adult":4,"backdrop_path":8,"genre_ids":238,"id":239,"title":240,"original_language":41,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"credit_id":245,"department":246,"job":247,"media_type":36},[],397748,"13 Fragments & 3 Narratives from Life","A portrait of alienation is sketched out, focusing on a young art student who passively, but consciously, rejects responsibility for the political storms swirling about her. The epitome of bourgeois mentality, she insists she is, or at least will be, an artist. She says, all she is responsible for is “art”—though she admits she cannot tell you what it is. Beginning with TV images from Viet Nam being turned off, the film ends with the 13th fragment, TV images of Viet Nam being turned on again. We are bracketed by history, like it or not. (Jon Jost)",0.7702,"\u002FhhACXeE6MjppyXYeg4fuKkUB0Yg.jpg","1968-05-16","60b5e318abf8e2004214c6cf","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":249,"id":239,"title":240,"original_language":41,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"credit_id":250,"department":207,"job":251,"media_type":36},[],"60b5e320abf8e2006fae9bc9","Producer",{"adult":4,"backdrop_path":253,"genre_ids":254,"id":255,"title":256,"original_language":41,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":135,"credit_id":262,"department":263,"job":264,"media_type":36},"\u002FythoJZEUlQmKH9ImTgnE2Y71GIt.jpg",[52],189875,"Angel City","A detective fiction mixed with an essay-documentary about Los Angeles, Hollywood and the film industry, Angel City is a satiric comedy with serious intentions.",0.6474,"\u002FfM7DNampV2KVeMLDnmse4vXGCxD.jpg","1976-10-18",6.1,"60b5e6914350110078c69e8a","Camera","Director of Photography",{"adult":4,"backdrop_path":253,"genre_ids":266,"id":255,"title":256,"original_language":41,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":135,"credit_id":267,"department":268,"job":269,"media_type":36},[52],"60b5e63cdfaae90040684ee4","Editing","Editor",{"adult":4,"backdrop_path":253,"genre_ids":271,"id":255,"title":256,"original_language":41,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":135,"credit_id":272,"department":207,"job":251,"media_type":36},[52],"60b5e635abf8e200596baffa",{"adult":4,"backdrop_path":253,"genre_ids":274,"id":255,"title":256,"original_language":41,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":135,"credit_id":275,"department":246,"job":247,"media_type":36},[52],"60b5e62757d378006f75b4fc",{"adult":4,"backdrop_path":8,"genre_ids":277,"id":278,"title":279,"original_language":41,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":227,"vote_count":32,"credit_id":284,"department":13,"job":179,"media_type":36},[],834202,"July 4, 2020","Impressions from the American Independence Day celebrations in Butte, Montana: evening mood, American flag on the veranda, barbecue, firecrackers, fireworks. A quote from Donald Trump: “Marxists, anarchists, troublemakers and looters destroy our statues, erase our history, indoctrinate our children and trample our freedom. Your goal is no better America, your goal is the end of America.” A short, to-the-point comment.",0.5279,"\u002FbpKC9lDrXyqfVyGbucy5ulqSWHP.jpg","2020-07-05","60b033714f9a99003fa3c97c",{"adult":4,"backdrop_path":8,"genre_ids":286,"id":287,"title":288,"original_language":41,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"credit_id":293,"department":13,"job":179,"media_type":36},[22],838064,"San Lorenzo","An experimental sketch that came about while Jon Jost was teaching at Italy's National Film School. 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Ray and Jean's lives are thrown into chaos when their daughter writes home from college, claiming to have a horrifying revelation.",1.1182,"\u002F1LHDaKKYuSditXVIEqmJtfYam77.jpg","1993-09-10","52fe4dac9251416c7513cd51",{"adult":4,"backdrop_path":528,"genre_ids":538,"id":530,"title":531,"original_language":41,"original_title":531,"overview":532,"popularity":533,"poster_path":534,"release_date":535,"softcore":4,"video":4,"vote_average":59,"vote_count":47,"credit_id":539,"department":246,"job":247,"media_type":36},[50],"52fe4dac9251416c7513cd57",{"adult":4,"backdrop_path":8,"genre_ids":541,"id":542,"title":543,"original_language":41,"original_title":543,"overview":544,"popularity":545,"poster_path":546,"release_date":547,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":548,"department":13,"job":179,"media_type":36},[],854225,"Canyon II","From Jon Jost's Site: \"Canyon is in effect a re-make of a film I shot in 1970 in 16mm, which ran 5 minutes. It was a look down into the Canyon for a full day, made from a sequence of shots, taken from the same viewpoint, Yavapi, dissolved one to the next. This version is in HD and takes advantage of the improved definition, and the release for certain constraints which 16mm imposed – technical and financial. Here the limits of time, cost, and the improved aesthetic quality allowed for another approach, though again the work is from a single vantage point – it is subtler and more in keeping with the nature of the canyon and its pacing.\"",0.5693,"\u002FaLLviKtyCfcszRvY3N2MaAC0jYE.jpg","2018-02-17","60fde7201684f70046c4b316",{"adult":4,"backdrop_path":8,"genre_ids":550,"id":542,"title":543,"original_language":41,"original_title":543,"overview":544,"popularity":545,"poster_path":546,"release_date":547,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":551,"department":368,"job":369,"media_type":36},[],"60feee754e52ed005fe052d7",{"adult":4,"backdrop_path":8,"genre_ids":553,"id":542,"title":543,"original_language":41,"original_title":543,"overview":544,"popularity":545,"poster_path":546,"release_date":547,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":554,"department":207,"job":251,"media_type":36},[],"60feee8738e5100074940f02",{"adult":4,"backdrop_path":8,"genre_ids":556,"id":542,"title":543,"original_language":41,"original_title":543,"overview":544,"popularity":545,"poster_path":546,"release_date":547,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":557,"department":268,"job":269,"media_type":36},[],"60feee91a58902004599a7e0",{"adult":4,"backdrop_path":559,"genre_ids":560,"id":561,"title":562,"original_language":41,"original_title":562,"overview":563,"popularity":564,"poster_path":565,"release_date":566,"softcore":4,"video":4,"vote_average":567,"vote_count":31,"credit_id":568,"department":13,"job":179,"media_type":36},"\u002FqRiCVcW0wUzkM9cFTr37zW9McHi.jpg",[22],215116,"Speaking Directly","Speaking Directly is an essay-film making for a kind of State of the Nation address, from the perspective of someone other than the President of the United States, circa 1973-5. This film addresses both the political and cultural situation of the US at the height of the Viet Nam war, Watergate and its aftermath, and likewise addresses the personal life, in this context, of the filmmaker, at that time thirty years of age, recently out of two plus years in federal prison for refusal to accept military service.",0.6367,"\u002Fw1JKtELS0lNwtzZgRBRh2thzX29.jpg","1973-01-01",8.7,"52fe4df4c3a368484e206553",{"adult":4,"backdrop_path":559,"genre_ids":570,"id":561,"title":562,"original_language":41,"original_title":562,"overview":563,"popularity":564,"poster_path":565,"release_date":566,"softcore":4,"video":4,"vote_average":567,"vote_count":31,"credit_id":571,"department":246,"job":247,"media_type":36},[22],"52fe4df4c3a368484e206559",{"adult":4,"backdrop_path":8,"genre_ids":573,"id":574,"title":575,"original_language":41,"original_title":575,"overview":576,"popularity":577,"poster_path":578,"release_date":579,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":580,"department":13,"job":179,"media_type":36},[22],854853,"Muri Romani II","Jon Jost: MURI ROMANI II is a \"slow film\" showing the walls of the center of Rome in a manner which is both beautiful and mysterious, and hopefully prompts a meditative state which unconsciously raises thoughts of the deep history of Rome and of humanity.",0.7335,"\u002F6x6q68tnNsRAkWZ2pTK2OeS6jHS.jpg","2019-06-09","61004c7f33ec2600467e6d66",{"adult":4,"backdrop_path":8,"genre_ids":582,"id":574,"title":575,"original_language":41,"original_title":575,"overview":576,"popularity":577,"poster_path":578,"release_date":579,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":583,"department":268,"job":269,"media_type":36},[22],"61004c8de24b93002e42e324",{"adult":4,"backdrop_path":8,"genre_ids":585,"id":574,"title":575,"original_language":41,"original_title":575,"overview":576,"popularity":577,"poster_path":578,"release_date":579,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":586,"department":263,"job":264,"media_type":36},[22],"61004c86568463002da92264",{"adult":4,"backdrop_path":89,"genre_ids":588,"id":92,"title":93,"original_language":41,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":62,"credit_id":589,"department":13,"job":179,"media_type":36},[50,91],"52fe4e3cc3a368484e215a99",{"adult":4,"backdrop_path":8,"genre_ids":591,"id":592,"title":593,"original_language":41,"original_title":593,"overview":594,"popularity":595,"poster_path":596,"release_date":597,"softcore":4,"video":4,"vote_average":62,"vote_count":32,"credit_id":598,"department":13,"job":179,"media_type":36},[],256764,"Parable","After being thrown out of his house, a cowboy hits the road in a senseless wave of robbery, murder and rape. On a bucolic farm a seemingly retarded woman is kept on a rope by a mute farmer. Soon, the cowboy shows up. \"Parable\" is a radical reflection on the George W. Bush years, where the populace has become zombie-like.",0.5304,"\u002FesY1JvI1XckQ3W2uiFL2fedeHEU.jpg","2008-02-22","53096985925141110e002cfe",{"adult":4,"backdrop_path":600,"genre_ids":601,"id":602,"title":603,"original_language":41,"original_title":603,"overview":604,"popularity":605,"poster_path":606,"release_date":607,"softcore":4,"video":4,"vote_average":608,"vote_count":59,"credit_id":609,"department":13,"job":179,"media_type":36},"\u002Fd120aJztPKvnpcNytxkjHmYAWu4.jpg",[50],270494,"Bell Diamond","A telling story of an unemployed Vietnam vet in Butte, Montana, whose wife leaves him after seven years when she feels there is no longer communication between them and - more painfully and pointedly - because she is unable to have a child owing to his sterility from exposure to Agent Orange. Told in a gentle style, richly emotional, Bell Diamond was made with non-professionals drawn from the community of Butte.",0.5878,"\u002F9ddvtY3M5oBPB6Nakqcz76SUqfk.jpg","1986-03-17",6.9,"5379307e0e0a26141c005f29",{"adult":4,"backdrop_path":611,"genre_ids":612,"id":613,"title":614,"original_language":41,"original_title":614,"overview":615,"popularity":616,"poster_path":617,"release_date":618,"softcore":4,"video":4,"vote_average":227,"vote_count":135,"credit_id":619,"department":246,"job":247,"media_type":36},"\u002FgF8dhnDjWD2iLFrEEzok0kOkd5I.jpg",[52,50],288520,"Rembrandt Laughing","This film is a portrait of the passage of one year in the lives of some San Francisco friends, circa 1988 (before the dot.coming of the city), a slow marijuana hazed story which drifts like the fabled fog, encompassing the quirks and habits of a generation that made the city theirs, if only for a while. Very obliquely Rembrandt Laughing sketches the time and place, encompassing the AIDS epidemic, the casual sexual revolution, the debris of '68 lingering in the air. A quiet, very San Francisco comedy of life among a small group of friends. Rembrandt Laughing was improvised over the period of about a month by Jost and his friends, mostly acting non-professionals.",0.8497,"\u002FqaSWnyIa56I6FVYEVDHsmMZGZTX.jpg","1989-02-12","53f9b82bc3a3687361002a88",{"adult":4,"backdrop_path":611,"genre_ids":621,"id":613,"title":614,"original_language":41,"original_title":614,"overview":615,"popularity":616,"poster_path":617,"release_date":618,"softcore":4,"video":4,"vote_average":227,"vote_count":135,"credit_id":622,"department":13,"job":179,"media_type":36},[52,50],"53f9b813c3a368734f0029ef",{"adult":4,"backdrop_path":8,"genre_ids":624,"id":625,"title":626,"original_language":41,"original_title":626,"overview":627,"popularity":628,"poster_path":8,"release_date":86,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":629,"department":13,"job":179,"media_type":36},[],1004993,"Mitch Plays","short film by Jon Jost",0.5471,"62e063616818880055c568d2",{"adult":4,"backdrop_path":8,"genre_ids":631,"id":632,"title":633,"original_language":41,"original_title":633,"overview":634,"popularity":635,"poster_path":8,"release_date":86,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":636,"department":13,"job":179,"media_type":36},[],1004997,"Inside Story","film by Jon Jost",0.667,"62e0643155bc35027d40eb1d",{"adult":4,"backdrop_path":8,"genre_ids":638,"id":639,"title":640,"original_language":41,"original_title":640,"overview":641,"popularity":642,"poster_path":643,"release_date":644,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":645,"department":13,"job":179,"media_type":36},[],1004992,"Chhattisgarh Sketches","A digital diary reflecting Jon Jost's experiences in India in 2003, when he was teaching filmmaking with digital cameras there. The material in this impressionistic film is adapted to the Indian way of life, with the cheerfulness of vibrant colors contrasting with impressions from one of India's poorest regions.",0.5966,"\u002FspV20S3qn5DY6ZouwPMuJ9G6LzY.jpg","2004-01-21","62e062465ca7040b2ad3a3a1",{"adult":4,"backdrop_path":8,"genre_ids":647,"id":648,"title":649,"original_language":41,"original_title":649,"overview":634,"popularity":650,"poster_path":651,"release_date":652,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":653,"department":13,"job":179,"media_type":36},[],1005000,"Empire's Cross",0.4719,"\u002FdicCPr8WczDlIN2NvFT1SNMRiJu.jpg","2011-09-13","62e06472481382004fbc8719",{"adult":4,"backdrop_path":8,"genre_ids":655,"id":656,"title":657,"original_language":41,"original_title":657,"overview":634,"popularity":658,"poster_path":8,"release_date":86,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":659,"department":13,"job":179,"media_type":36},[],1004995,"Koch Poem",0.4614,"62e063ac021cee00500ad93d",{"adult":4,"backdrop_path":8,"genre_ids":661,"id":662,"title":663,"original_language":41,"original_title":663,"overview":664,"popularity":665,"poster_path":666,"release_date":667,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":668,"department":13,"job":179,"media_type":36},[],329849,"The Narcissus Flowers of Katsura-shima","This film is a quiet and poetic documentary which allows a handful of people, survivors of the March 11, 2011 earthquake and tsunami in Japan, to tell of their experiences on that day. It is a film of utter simplicity.",0.4928,"\u002FrYZTPGMILlYAnXMle6fvGHj5QPp.jpg","2012-06-12","62e0628855bc35027d40ea8c",{"adult":4,"backdrop_path":8,"genre_ids":670,"id":671,"title":672,"original_language":673,"original_title":672,"overview":674,"popularity":675,"poster_path":676,"release_date":677,"softcore":4,"video":4,"vote_average":85,"vote_count":32,"credit_id":678,"department":246,"job":247,"media_type":36},[50],716577,"Uno a me, uno a te e uno a Raffaele","it","An American independent director comes to Italy to shoot a film. But inconveniences and obstacles stand in the way at every step. These are the years in which “Tangentopoli” rages and the golden rule of officials and collaborators is “one (bribe) to you, one to me, one to Raffaele”.",1.1967,"\u002FcIHS1osbXw6e4fZTOaAuj3N1zLx.jpg","1994-01-01","62df0a7723851300686763ce",{"adult":4,"backdrop_path":8,"genre_ids":680,"id":681,"title":682,"original_language":41,"original_title":682,"overview":683,"popularity":684,"poster_path":685,"release_date":292,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":686,"department":13,"job":179,"media_type":36},[22],879418,"Rant","Jon Jost: \"RANT is a discursive portrait of Steven Lack, actor (Cronenberg's Scanners, Alan Moyle's Rubber Gun, Jost's All the Vermeers in New York) and full-time painter\u002Fartist in the New York scene since the late 1970's. The film provides a glimpse of this world through Lack's friends, dealers, and family, while showcasing his paintings and sculptures, and giving an insight into the creative processes of this driven artist.\"",0.6469,"\u002F3gavXnlxVmxFyxl7FHQHodmAGlt.jpg","6154ad729f5dfb0029f87052",{"adult":4,"backdrop_path":8,"genre_ids":688,"id":689,"title":690,"original_language":41,"original_title":690,"overview":691,"popularity":692,"poster_path":693,"release_date":694,"softcore":4,"video":4,"vote_average":695,"vote_count":31,"credit_id":696,"department":13,"job":179,"media_type":36},[],301330,"6 Easy Pieces","An essay film\u002Fdocumentary perusing matters of art, society, history, and a grab-bag of the author's interests, which also serves as a primer to the aesthetics of digital video.",0.4783,"\u002FsjDihM4jEIx41yIwPOTF7BspSrs.jpg","2000-01-23",5.3,"545bbd1fc3a3685353001a80",{"adult":4,"backdrop_path":8,"genre_ids":698,"id":699,"title":700,"original_language":41,"original_title":700,"overview":701,"popularity":702,"poster_path":8,"release_date":86,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":703,"department":13,"job":179,"media_type":36},[],1009387,"Um dia vai haver uma domingo","short Jon Jost film shot on digital video in 1999",0.6847,"62ef1f914557a0007ab84159",{"adult":4,"backdrop_path":8,"genre_ids":705,"id":706,"title":707,"original_language":41,"original_title":707,"overview":708,"popularity":709,"poster_path":8,"release_date":86,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":710,"department":13,"job":179,"media_type":36},[],1009386,"Funkies","short Jon Jost film shot on digital video in 2001",0.6132,"62ef1e8477e1f6007fcd0c2e",{"adult":4,"backdrop_path":8,"genre_ids":712,"id":713,"title":714,"original_language":41,"original_title":714,"overview":708,"popularity":715,"poster_path":8,"release_date":86,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":716,"department":13,"job":179,"media_type":36},[],1009388,"Water Song No. 2",0.5683,"62ef1fe6176a940081bc659b",{"adult":4,"backdrop_path":8,"genre_ids":718,"id":719,"title":720,"original_language":41,"original_title":720,"overview":721,"popularity":722,"poster_path":8,"release_date":86,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":723,"department":13,"job":179,"media_type":36},[],1009390,"Mr. Right","short Jon Jost film shot on digital video in 2008",0.4559,"62ef203051a64e007db84986",{"adult":4,"backdrop_path":8,"genre_ids":725,"id":726,"title":727,"original_language":41,"original_title":727,"overview":728,"popularity":729,"poster_path":8,"release_date":730,"softcore":4,"video":4,"vote_average":731,"vote_count":9,"credit_id":732,"department":13,"job":179,"media_type":36},[22],315533,"City","1964, Autumn in Chicago. This was my 4th film, shot while waiting to go to prison for refusing to serve in the US military. Silent. B&W. I think it captures the sense of depression, of loneliness within the city. Looking back it seems almost archaic, Chicago as some kind of East Bloc country in Soviet times.",0.5762,"1964-01-01",4.5,"54a8ab699251417e80000832",{"adult":4,"backdrop_path":8,"genre_ids":734,"id":735,"title":736,"original_language":41,"original_title":736,"overview":737,"popularity":738,"poster_path":739,"release_date":740,"softcore":4,"video":4,"vote_average":741,"vote_count":31,"credit_id":742,"department":13,"job":179,"media_type":36},[22],325732,"Godard 1980","The famous French film director Jean-Luc Godard is interviewed by British film theorist Peter Wollen and the editor of Framework Don Ranveaud. He talks of the developments in his work, the change in style epitomized by his most recent film, Sauve Qui Peut, his work with Francis Ford Coppola and the relations between his previous films and the new one. He also discusses his radical method of scriptwriting and the critical responses to his latest film.",1.5295,"\u002FtIcYnedljSrDr8uzG1Nfpuj39RE.jpg","1980-01-01",5.7,"54e22cb7925141195a0082ba",{"adult":4,"backdrop_path":338,"genre_ids":744,"id":340,"title":341,"original_language":41,"original_title":341,"overview":342,"popularity":343,"poster_path":344,"release_date":345,"softcore":4,"video":4,"vote_average":111,"vote_count":346,"credit_id":745,"department":246,"job":247,"media_type":36},[52,50,91],"5509d1bfc3a3682b46003af4",{"adult":4,"backdrop_path":8,"genre_ids":747,"id":748,"title":749,"original_language":41,"original_title":749,"overview":750,"popularity":751,"poster_path":752,"release_date":753,"softcore":4,"video":4,"vote_average":754,"vote_count":227,"credit_id":755,"department":268,"job":269,"media_type":36},[50],342820,"Homecoming","Newport, Oregon. In a coastal town, Jeff and his wife Mattie work together facing the economic shifts. One son Chris, is unemployed; the other, Steve, is away on military service. Chris is lackadaisical and shiftless, Mattie perhaps drinks on the sly and tried to help her son, Jeff keeps his nose to the grind-wheel. Chris is dumped by his girlfriend, Jamie. Jeff scrambles to stay afloat. During a therapy session it is revealed that Chris is Jeff's step-son. Steve returns, but in a \"transfer tube\". Following his funeral, the family meet; an argument erupts, revealing the depths of the division between Jeff and Chris. In a counseling session Chris breaks down and is comforted by the counselor. Mattie and Jeff, lost in their grief, each lose their way.",0.6079,"\u002F5jDjRuEdg03kpUEccmKjBMyVBJI.jpg","2004-09-09",8.6,"556d39f9925141421e002bc5",{"adult":4,"backdrop_path":8,"genre_ids":757,"id":748,"title":749,"original_language":41,"original_title":749,"overview":750,"popularity":751,"poster_path":752,"release_date":753,"softcore":4,"video":4,"vote_average":754,"vote_count":227,"credit_id":758,"department":246,"job":247,"media_type":36},[50],"556d39ba925141689c000953",{"adult":4,"backdrop_path":8,"genre_ids":760,"id":748,"title":749,"original_language":41,"original_title":749,"overview":750,"popularity":751,"poster_path":752,"release_date":753,"softcore":4,"video":4,"vote_average":754,"vote_count":227,"credit_id":761,"department":13,"job":179,"media_type":36},[50],"556d39ac925141421e002bb6",{"adult":4,"backdrop_path":8,"genre_ids":763,"id":748,"title":749,"original_language":41,"original_title":749,"overview":750,"popularity":751,"poster_path":752,"release_date":753,"softcore":4,"video":4,"vote_average":754,"vote_count":227,"credit_id":764,"department":207,"job":251,"media_type":36},[50],"556d39c7c3a3686a97000bfd",{"adult":4,"backdrop_path":8,"genre_ids":766,"id":767,"title":768,"original_language":769,"original_title":768,"overview":770,"popularity":771,"poster_path":772,"release_date":773,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":774,"department":13,"job":179,"media_type":36},[22],1210607,"Casa do silencio","gl","A lyrical oblique film.",0.9369,"\u002F1FRu2g2ueZFXiqBLJWD2gUKMaHm.jpg","2023-11-24","6564bfe1edeb43013a4c2a7a",{"adult":4,"backdrop_path":8,"genre_ids":776,"id":767,"title":768,"original_language":769,"original_title":768,"overview":770,"popularity":771,"poster_path":772,"release_date":773,"softcore":4,"video":4,"vote_average":71,"vote_count":71,"credit_id":777,"department":246,"job":247,"media_type":36},[22],"6564c16eb234b900ff246f47",{"adult":4,"backdrop_path":779,"genre_ids":780,"id":781,"title":782,"original_language":41,"original_title":782,"overview":783,"popularity":784,"poster_path":785,"release_date":786,"softcore":4,"video":4,"vote_average":787,"vote_count":47,"credit_id":788,"department":246,"job":247,"media_type":36},"\u002FyufGqnswE08dPhKdhBVayhskrwl.jpg",[91,51,50],345143,"Frameup","Ricky, a dim-witted ex-con, meets Beth, a dim-witted waitress, in an Idaho diner. They take off in his car to Washington and begin an affair. Beth, a lonely romance-novel addict, is hopelessly enamored; Ricky is just in it for the (constant) sex. Beth's longing to visit California and Ricky's longing for quick cash leads them into a desperate situation. 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