[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1012088:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":1285},false,[6,7],"제임스 베닝","제임스 배닝","Over the past thirty-five years James Benning (b. 1942) has played a central role in the history of American independent cinema by offering his rigorously structured yet wonderfully graceful films as extended meditations on the American landscape and its social and environmental histories. Benning’s life and work have been shaped by his passionate wanderlust—born in Milwaukee, he lived for intervals in Colorado, the Missouri Ozarks, Illinois and Oklahoma before settling in Val Verde, California in 1987, with car and motorcycle journeys around the country generating such films as I-94 (1975) and Four Corners (1997). His career has been equally restless, ranging from his early experimentation with an avant-garde aesthetic to his embrace, during the 1980s and 90s, of explicitly autobiographical elements and increased human content. With his “California Trilogy” (2000-2001) Benning entered a new phase, refining his formalist style and political concerns while distilling his abiding interest in place and exacting organizational structures.","1942-12-28",null,2,1012088,"nm0072159","Directing","James Benning","Milwaukee, Wisconsin, USA",0.7167,"\u002Ftu91d7giNenHlHR8B0a4jRscJpA.jpg",{"cast":20,"crew":219},[21,38,51,63,76,84,96,106,116,127,137,149,160,175,184,195,208],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},"\u002FuOc7X5zgYBnsc9OoaLyCBLO2maC.jpg",[24],99,149132,"James Benning: Circling the Image","en","The American filmmaker James Benning has been one of the outstanding exponents of the structural film since the mid-1970s. Bennings artistic position has been strongly influenced by mathematics and by the creativity of mathematical thinking. With his new project 13 Lakes, James Benning goes one step further towards reducing things to a minimum. The film focuses on thirteen large American lakes (including Salton Sea, Lake Powell, and Lake Michigan) along with their geographical and historical relationship to the landscape. This documentary film was occasioned by 13 Lakes, and was shot in California, Arizona, and Utah. It accompanies the artist for a week as he searches for locations and as he films the first two shots for his own film.",1.0631,"\u002FpkleYMceCRR2CSxuAGswhNyAhwG.jpg","2003-11-30",9,1,"Himself","52fe4be09251416c75110ce7",0,"movie",{"adult":4,"backdrop_path":39,"genre_ids":40,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"character":49,"credit_id":50,"order":36,"media_type":37},"\u002F5FJOkZ77rqH5ButEm298HfiDdGc.jpg",[],192178,"Coming to Terms","One day, father makes a shocking decision in a family gathering. The family disagrees with it and against him in the very beginning. However, they make up their mind to support him at the end. A portrait of family disorganization casting the master of experimental film, James Benning.",0.7536,"\u002FoTk5pldwr2wG1RApX6MY0urQDwI.jpg","2013-11-24",7.2,4,"The Father","52fe4c9e9251416c910fa9d1",{"adult":4,"backdrop_path":10,"genre_ids":52,"id":53,"title":54,"original_language":27,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":60,"character":61,"credit_id":62,"order":33,"media_type":37},[24],219054,"Double Play: James Benning and Richard Linklater","In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.",2.6313,"\u002FjmrOrMnoyg9cDQuMVn7iMjlGjA9.jpg","2013-09-03",6.4,10,"Self","52fe4e5dc3a368484e21cad9",{"adult":4,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":27,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"character":74,"credit_id":75,"order":36,"media_type":37},"\u002FtkK3q1jg1oqQqXHBadj94vTq1x5.jpg",[24],380429,"The United States of America","A conceptual bicentennial film dealing with spatial and temporal relationships between two travelers, their car, and the geographic, political, and social changes from NY to Los Angeles.",0.9373,"\u002Fy5FSB8ImN5takDEt8EqEY0IZzYU.jpg","1975-03-05",7.8,11,"","65c1f12f0929f60161e47103",{"adult":4,"backdrop_path":10,"genre_ids":77,"id":78,"title":79,"original_language":27,"original_title":79,"overview":80,"popularity":81,"poster_path":10,"release_date":82,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":74,"credit_id":83,"order":36,"media_type":37},[],433349,"thinking of red","A film by James Benning",0.542,"2016-11-10","586e2bbf9251412959005b00",{"adult":4,"backdrop_path":10,"genre_ids":85,"id":86,"title":87,"original_language":27,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":92,"vote_count":93,"character":94,"credit_id":95,"order":11,"media_type":37},[24],180365,"Used Innocence","Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka \"Bambi\", former \"Playboy bunny\" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession.",1.1641,"\u002FlUbkMHPSGWSvNgkWKVc1i6tNZ33.jpg","1989-02-22",6,5,"(voice)","59f051d2c3a3680673010309",{"adult":4,"backdrop_path":10,"genre_ids":97,"id":98,"title":99,"original_language":27,"original_title":99,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":104,"credit_id":105,"order":36,"media_type":37},[],492228,"The Great Gatsby in Five Minutes","The Fitzgerald classic as you've never seen it, transposed to a Los Angeles of sleek modern architecture and strip-mall foot clinics.",1.8698,"\u002FbEQKEaVH5QcvaaUGf7EnptGcUH7.jpg","2011-01-01","Owl Eyes","5a2f33e19251410330162670",{"adult":4,"backdrop_path":10,"genre_ids":107,"id":108,"title":109,"original_language":27,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":114,"vote_count":33,"character":34,"credit_id":115,"order":36,"media_type":37},[24],187282,"Maintenance","Maintenance is filmmaker Adele Horne’s exploration and meditation on house cleaning. Cleaning is one of the most private things we do in our homes, other than sex and arguments. We often feel shameful about clutter and dirt, so there is something particularly intimate and meticulous about the act of cleaning it up. Although a clean home is socially valued, the work required to achieve it is not. House cleaning exists on the shadow side of the economy, on the margins or outside of paid employment. It is an additional, uncounted form of labour that enables our roles as paid workers and consumers. This film invites viewers to meditate on the ongoing maintenance work that makes other, more highly valued labour possible.",0.6517,"\u002Fki8KL2kEGzKaVjJYi8xIfgMKeFD.jpg","2012-01-01",3,"5aa0c6540e0a2644da0005bf",{"adult":4,"backdrop_path":117,"genre_ids":118,"id":119,"title":120,"original_language":27,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":92,"character":34,"credit_id":126,"order":36,"media_type":37},"\u002FhQgXauOfIAgSLhM40lfsnMZgxYn.jpg",[24],498554,"L. Cohen","A view of an Oregon farm field, observing a solar eclipse and incorporating a Leonard Cohen song.",0.5617,"\u002FtfxJUZefooUERHcqRmp3HhS0dP.jpg","2018-01-14",5.2,"5b9700709251411fd60006c5",{"adult":4,"backdrop_path":10,"genre_ids":128,"id":129,"title":130,"original_language":27,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":11,"character":34,"credit_id":136,"order":36,"media_type":37},[24],581431,"Telemundo","James Benning watches tv with a young girl.",0.7965,"\u002FsHoYyY1NadqKa7G6Gn7eiDiJrD5.jpg","2018-12-01",3.5,"5c61a558c3a3684f9ed644e8",{"adult":4,"backdrop_path":138,"genre_ids":139,"id":141,"title":142,"original_language":27,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":147,"credit_id":148,"order":36,"media_type":37},"\u002FjKmACO3QUvWmNBMsgAumw6owR4Q.jpg",[24,140],16,701848,"Benning's Dream","an excerpt of a conversation between James and I  during the Fall of 2019 - Santa Clarita, CA",0.9876,"\u002Fa177JwhueTmFFcaRCwKwVEzMHkA.jpg","2021-05-23","Self (voice)","5eb5ffdfbbe1dd00208036eb",{"adult":4,"backdrop_path":10,"genre_ids":150,"id":151,"title":152,"original_language":153,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":74,"credit_id":159,"order":36,"media_type":37},[],638955,"中孚 61. The Inner Truth","es","中孚 61. La verdad interior","61. La Verdad Interior reveals the creative process behind TELEMUNDO [screened in the New Visions section], a collaborative film directed by James Benning and starring himself and Sofía Brito. It is a journey, an interview. The connection between a film director with a great carrier and a young actress who decides to film the creative process that thrives between the two. A film-essay in which these two beings find ways of overcoming the language barriers.",0.6656,"\u002FyTscfK40dKY10qvIy1HOPx0CHPg.jpg","2019-10-12","5efbff99f031740036508181",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":164,"title":165,"original_language":27,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"character":172,"credit_id":173,"order":174,"media_type":37},"\u002Fdvy5CN6NlEvvHhFbNFLGwVlCzLu.jpg",[163],18,664297,"She Dies Tomorrow","Amy is ravaged by the notion that she is going to die tomorrow, which sends her down a dizzying emotional spiral. When her skeptical friend Jane discovers Amy’s feeling of imminent death to be contagious, they both begin bizarre journeys through what might be the last day of their lives.",3.1112,"\u002FogTna9bUzldTV5l2nyuyJV4tbCH.jpg","2020-07-31",5.051,195,"Leatherman","5f1bcfdb223a8b0035ebe6f3",12,{"adult":4,"backdrop_path":10,"genre_ids":176,"id":177,"title":178,"original_language":27,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":74,"credit_id":183,"order":36,"media_type":37},[24],750373,"On Paradise Road","Filmed at Benning's home in Val Verde during the first month of the pandemic, the film is a portrait of that time.",0.6367,"\u002F8jwR4aUQHq6qdhAee8yEMiSehTD.jpg","2020-10-02","5f7c6c4ffdfc9f0035ade37e",{"adult":4,"backdrop_path":10,"genre_ids":185,"id":186,"title":187,"original_language":27,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":93,"character":193,"credit_id":194,"order":33,"media_type":37},[24],157040,"Four Corners","James Benning's \"Four Corners\" uses a specific geographical location to pose larger questions about the United States. Here, the geographic and wholly imaginary place Four Corners, that favorite tourist destination where Colorado, New Mexico, Arizona, and Utah meet, becomes a kind of theoretical ground zero, the site from which Benning can give voice to other, pointedly unofficial American stories.",0.6433,"\u002FmYe6MkaiDroOjYA4ty1vQTB6GEz.jpg","1997-01-01",6.2,"Narrator","6749f555b3d3eb933ba263e5",{"adult":4,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":27,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"character":206,"credit_id":207,"order":36,"media_type":37},"\u002F6LM6TQXQBS2Qm8wfRwdW8MIu3uA.jpg",[24],170884,"Stemple Pass","Four landscape shots containing a replica of Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning reads extracts from Kaczynski’s journals from the early 1970s, recording his progress at hunting and gathering, and his connection to the Montana wilderness; a hand-written folded sheet of paper detailing his acts of “monkey wrenching” and first attempts at planting bombs; two notebooks written in numerical code in 1985 and decoded by Benning in 2011; two excepts from Industrial Society and Its Future by \"FC\" (aka the Unabomber Manifesto) as published in The New York Times and The Washington Post in 1995; and a 2001 interview with Kaczynski by J. Alienus Rychalski, special correspondent for the Blackfoot Valley Dispatch.",0.7207,"\u002FtlgVjZn9YSYaolOUONJcn1l44Uu.jpg","2012-10-01",7.9,7,"Ted Kaczynski (voice)","686d3142a46a022c97a9611e",{"adult":4,"backdrop_path":209,"genre_ids":210,"id":211,"title":212,"original_language":27,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":217,"vote_count":48,"character":74,"credit_id":218,"order":93,"media_type":37},"\u002F2MXb32PCJhT7jnjgvWu00yThHmq.jpg",[24],355397,"Forevermore: Biography of a Leach Lord","Through diary entries and archival footage, the life of an industrial waste-dumper unfolds from youthful ambition to ecological disaster.",1.1831,"\u002F2Alpt7uGkWjcKe5YXwR815094iD.jpg","1989-10-05",4.2,"697d3a763040cb11837199d9",[220,230,239,250,261,270,281,285,290,301,311,324,335,345,355,365,376,379,389,399,409,418,423,426,437,446,449,459,469,478,487,490,500,509,519,530,539,548,557,566,576,584,592,600,611,620,629,638,646,656,661,664,672,682,692,700,708,715,723,736,744,747,750,753,762,770,781,790,793,802,811,822,832,841,852,860,868,875,884,891,894,902,905,918,921,932,935,938,941,944,954,963,972,975,986,989,997,1007,1010,1019,1027,1031,1034,1037,1040,1043,1052,1055,1058,1061,1064,1073,1081,1090,1098,1101,1110,1118,1125,1128,1131,1134,1137,1140,1143,1146,1149,1152,1160,1170,1179,1189,1198,1201,1204,1207,1216,1226,1233,1236,1239,1248,1251,1259,1266,1273,1276],{"adult":4,"backdrop_path":10,"genre_ids":221,"id":222,"title":223,"original_language":27,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":228,"department":14,"job":229,"media_type":37},[],804598,"Time and a Half","Twenty-four hours in the life of a factory worker.",0.6571,"\u002FGVsuZCT3daGK5zSe8PRBNeWS9i.jpg","1972-03-11","604998a5d8e2250025e06ae9","Director",{"adult":4,"backdrop_path":10,"genre_ids":231,"id":232,"title":233,"original_language":27,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":238,"department":14,"job":229,"media_type":37},[24],808729,"daylight","Benning's 18-minute study of moonfall in the morning sky-- A close cousin to his film \"two moons\". A lovely rendition of 'Moon River' accompanies the footage, filmed July 24th, 2019.",0.7055,"\u002FfV6Uj9uYmcdabHlJjeIoZ82ob0N.jpg","2019-08-15","6057a58201e4d1003dece337",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":27,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":59,"vote_count":248,"credit_id":249,"department":14,"job":229,"media_type":37},"\u002F8y16SR5ugJ9wnpX3ELuYxWKGH3O.jpg",[24],36067,"13 Lakes","Shots of 13 great lakes in the USA, with each shot containing half water and half sky or land.",0.6095,"\u002FE845D3OOuXVY2VvrbsBHoYHo1d.jpg","2004-10-20",14,"52fe45ca9251416c9103e76f",{"adult":4,"backdrop_path":251,"genre_ids":252,"id":253,"title":254,"original_language":27,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":4,"video":4,"vote_average":259,"vote_count":174,"credit_id":260,"department":14,"job":229,"media_type":37},"\u002Fc1PlWkHAAJvMSyHERHcO66sL8iX.jpg",[24],36120,"Ruhr","Seven entirely static shots make up James Benning's quiet reflection on existence in the Ruhr Valley.",0.7422,"\u002FcTvFKVYXhj6cKaAr9Uo31WaEEM.jpg","2009-11-02",6.6,"52fe45ce9251416c9103efff",{"adult":4,"backdrop_path":10,"genre_ids":262,"id":263,"title":264,"original_language":27,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":269,"department":14,"job":229,"media_type":37},[],826001,"PLACE","James Benning’s PLACE is a multi-part work that deepens the artist’s longstanding engagement with marginalized artists and creators. Over the course of nine months, Benning traversed the United States in pursuit of traces left by eight so-called ‘outsider artists’.",0.673,"\u002FyAIDWu3xCs8a3wTiQ5i0Z40by4S.jpg","2020-10-01","60917d3a8d77c40029a27f67",{"adult":4,"backdrop_path":10,"genre_ids":271,"id":272,"title":273,"original_language":27,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":92,"vote_count":114,"credit_id":278,"department":279,"job":280,"media_type":37},[163],368331,"O Panama","O Panama features a man confined to his apartment on a winter day as he suffers through an illness. Built on the polarity between hot and cold, the tedious reality of the man's sickness and the vivid hallucinatory visions of his delirium, O Panama conveys the workings of the subconscious.",0.8358,"\u002FKEjDTaqmI8f4ZXiZbRWwmgl4JN.jpg","1985-01-01","60965df99bcd0f003d75c55b","Editing","Editor",{"adult":4,"backdrop_path":10,"genre_ids":282,"id":272,"title":273,"original_language":27,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":92,"vote_count":114,"credit_id":283,"department":284,"job":284,"media_type":37},[163],"60965dee54508d003b0d60da","Sound",{"adult":4,"backdrop_path":10,"genre_ids":286,"id":272,"title":273,"original_language":27,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":92,"vote_count":114,"credit_id":287,"department":288,"job":289,"media_type":37},[163],"60965de6dd2589003beb4340","Camera","Director of Photography",{"adult":4,"backdrop_path":10,"genre_ids":291,"id":292,"title":293,"original_language":27,"original_title":293,"overview":294,"popularity":295,"poster_path":296,"release_date":297,"softcore":4,"video":4,"vote_average":298,"vote_count":299,"credit_id":300,"department":14,"job":229,"media_type":37},[24],97046,"Deseret","This is multifaceted look at the landscape and history of Utah (or Deseret, as the Mormon Church prefers to call it). Benning condenses 93 news stories from the New York Times from 1852 to 1992 (read offscreen by Fred Gardner) and sets them against contemporary Utah landscapes, the shots changing with each sentence.",0.7018,"\u002FjwmZxxNSKFUfmersZRfdl8kta2O.jpg","1996-01-18",5.6,17,"52fe49cf9251416c750d409d",{"adult":4,"backdrop_path":302,"genre_ids":303,"id":304,"title":305,"original_language":27,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":114,"vote_count":205,"credit_id":310,"department":14,"job":229,"media_type":37},"\u002FjFrNfv8W0NhhDrNZ0W5OqNYC4fZ.jpg",[24],123851,"Twenty Cigarettes","Celebrated for his minimal, monumental landscape studies, James Benning turns to the intimacy of the portrait in his latest film, TWENTY CIGARETTES. Referencing Warhol’s screen tests, 1930s Hollywood glamour, and the disappearing cigarette break, the film captures 20 of Benning’s friends (including filmmaker Sharon Lockhart, cultural theorist Dick Hebdige, and book editor Janet Jenkins) satiating their smoke cravings. Each shot’s length is determined by the time it takes each subject to smoke a cigarette, and over the course of the film a dynamic range of personalities emerges out of an array of physical characteristics, distinctive settings, and personal relationships to the camera. (Amy Beste and Jessica Bardsley)",0.6635,"\u002F6AsiM2I7inDRob7r0cRAxoYhmwv.jpg","2011-02-17","52fe4a9fc3a368484e15e029",{"adult":4,"backdrop_path":312,"genre_ids":313,"id":315,"title":316,"original_language":27,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":321,"vote_count":322,"credit_id":323,"department":14,"job":229,"media_type":37},"\u002FxMG7TNX6DDHkSpt2Uqyn6VEV1sC.jpg",[314,163],80,125305,"Landscape Suicide","Benning continues his examination of Americana in this film through the stories of two murderers. Ed Gein was a Wisconsin farmer and multiple murderer who taxidermied his victims in the 1950s. Bernadette Protti was a California teenager who stabbed a friend to death over an insult in 1984.",1.9927,"\u002F7rqkSNz9eNGL9rpAIBbqho8AcOV.jpg","1987-09-17",7.4,27,"52fe4ac2c3a368484e16563d",{"adult":4,"backdrop_path":325,"genre_ids":326,"id":327,"title":328,"original_language":27,"original_title":328,"overview":329,"popularity":330,"poster_path":331,"release_date":332,"softcore":4,"video":4,"vote_average":333,"vote_count":92,"credit_id":334,"department":14,"job":229,"media_type":37},"\u002F742slam1FYMoYemAGAcUJ8dmZuM.jpg",[24],154211,"Sogobi","Named after the Shoshonean word for \"Earth\", this is the third and final part of Benning's \"California Trilogy\" and his approach to the Californian wilderness in 35 static scenes.",0.7374,"\u002FhF7UovygjnqavBKPRyyK57brtTg.jpg","2002-01-12",6.8,"52fe4b589251416c910d781f",{"adult":4,"backdrop_path":10,"genre_ids":336,"id":337,"title":338,"original_language":27,"original_title":338,"overview":339,"popularity":340,"poster_path":341,"release_date":342,"softcore":4,"video":4,"vote_average":343,"vote_count":114,"credit_id":344,"department":14,"job":229,"media_type":37},[],143587,"The War","A new video work by American avant-garde filmmaker James Benning explores the videos of Russian activist\u002Factivist-art group Voina (“war”).",1.6295,"\u002F8AfraVviteMqr5KEq0Qm7Hqrsaw.jpg","2012-11-30",2.3,"52fe4b119251416c750f7401",{"adult":4,"backdrop_path":346,"genre_ids":347,"id":348,"title":349,"original_language":27,"original_title":349,"overview":350,"popularity":351,"poster_path":352,"release_date":353,"softcore":4,"video":4,"vote_average":47,"vote_count":140,"credit_id":354,"department":14,"job":229,"media_type":37},"\u002FqIKErw19ulnrOrvpJ4RH6xDwYgg.jpg",[24],126238,"Ten Skies","An experimental film portraying different skies in very long takes.",1.3825,"\u002FSZjuHV9YFTy48OW5nYoTjbE2I9.jpg","2004-11-21","52fe4adac3a368484e16a617",{"adult":4,"backdrop_path":10,"genre_ids":356,"id":357,"title":358,"original_language":27,"original_title":358,"overview":359,"popularity":360,"poster_path":361,"release_date":362,"softcore":4,"video":4,"vote_average":363,"vote_count":92,"credit_id":364,"department":14,"job":229,"media_type":37},[24],126622,"Grand Opera: An Historical Romance","Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.",1.1213,"\u002FxaFFLaKFLra4bOKdmNa78aLoFst.jpg","1979-03-15",7.5,"52fe4ae3c3a368484e16c26b",{"adult":4,"backdrop_path":366,"genre_ids":367,"id":368,"title":369,"original_language":27,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":4,"video":4,"vote_average":205,"vote_count":374,"credit_id":375,"department":14,"job":229,"media_type":37},"\u002FyQw354MqrOdMVxm6SEnEM3dxuSx.jpg",[24],126610,"RR","Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.",1.0061,"\u002F4hxV9O86MOBA8JgBWVnmuri3WtZ.jpg","2007-11-02",35,"52fe4ae3c3a368484e16c261",{"adult":4,"backdrop_path":10,"genre_ids":377,"id":186,"title":187,"original_language":27,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":93,"credit_id":378,"department":14,"job":229,"media_type":37},[24],"52fe4bb19251416c910e2b8d",{"adult":4,"backdrop_path":10,"genre_ids":380,"id":381,"title":382,"original_language":27,"original_title":382,"overview":383,"popularity":384,"poster_path":385,"release_date":386,"softcore":4,"video":4,"vote_average":387,"vote_count":33,"credit_id":388,"department":14,"job":229,"media_type":37},[163],157042,"Him and Me","One man's journey through the American landscape as he has experienced it since the 1950s.",0.7923,"\u002FjbWAofJOCiGJL6Pf0c7HRzjViLM.jpg","1982-03-11",8,"52fe4bb19251416c910e2b97",{"adult":4,"backdrop_path":390,"genre_ids":391,"id":392,"title":393,"original_language":27,"original_title":393,"overview":394,"popularity":395,"poster_path":396,"release_date":397,"softcore":4,"video":4,"vote_average":259,"vote_count":32,"credit_id":398,"department":14,"job":229,"media_type":37},"\u002Fgo9XhPpP2RJ6iceKNChrw5I7aPS.jpg",[24],152739,"Los","Los Angeles is depicted in 35 stationary shots, each 2½ minutes long, in this non-narrative film, part 2 of Benning's \"California Trilogy\".",0.6449,"\u002FtfImNoK8DYYPNeX4CFRvts2sp0m.jpg","2001-10-26","52fe4b299251416c910d1df7",{"adult":4,"backdrop_path":400,"genre_ids":401,"id":402,"title":403,"original_language":27,"original_title":403,"overview":404,"popularity":405,"poster_path":406,"release_date":407,"softcore":4,"video":4,"vote_average":321,"vote_count":73,"credit_id":408,"department":14,"job":229,"media_type":37},"\u002F6g9uKqkepiSCCXpYGadvlTIdVQK.jpg",[24],152970,"El Valley Centro","Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley, part 1 of his \"California Trilogy\". Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival.",0.9735,"\u002FddE8DdNd2UC7GqECpmKfx5HAxMZ.jpg","2000-03-27","52fe4b339251416c910d321f",{"adult":4,"backdrop_path":10,"genre_ids":410,"id":411,"title":412,"original_language":27,"original_title":412,"overview":413,"popularity":414,"poster_path":415,"release_date":416,"softcore":4,"video":4,"vote_average":321,"vote_count":205,"credit_id":417,"department":14,"job":229,"media_type":37},[24],155924,"Casting a Glance","A filmic paean to artist Robert Smithson's legendary \"earthwork\" sculpture, the Spiral Jetty. Created in 1970, the Jetty is a 1,500-foot long spiral-shaped jetty extending into the Great Salt Lake in Utah constructed from rocks, earth, salt and red algae.",0.6852,"\u002Fhg9evedGnsS2fHq5QTD5UUyhmkw.jpg","2007-09-15","52fe4b8f9251416c910de755",{"adult":4,"backdrop_path":10,"genre_ids":419,"id":411,"title":412,"original_language":27,"original_title":412,"overview":413,"popularity":414,"poster_path":415,"release_date":416,"softcore":4,"video":4,"vote_average":321,"vote_count":205,"credit_id":420,"department":421,"job":422,"media_type":37},[24],"52fe4b8f9251416c910de761","Production","Producer",{"adult":4,"backdrop_path":10,"genre_ids":424,"id":411,"title":412,"original_language":27,"original_title":412,"overview":413,"popularity":414,"poster_path":415,"release_date":416,"softcore":4,"video":4,"vote_average":321,"vote_count":205,"credit_id":425,"department":279,"job":280,"media_type":37},[24],"52fe4b8f9251416c910de767",{"adult":4,"backdrop_path":427,"genre_ids":428,"id":429,"title":430,"original_language":27,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":333,"vote_count":248,"credit_id":436,"department":14,"job":229,"media_type":37},"\u002FSQn2zYTurNkbMhay4DnAHTBmIR.jpg",[24],137008,"Small Roads","small roads","Lengthy static shots of various backroads, smaller interstates, quieter roads, and lonely highways.",0.7221,"\u002FjpczFY1YxHyo87xrlmsugnhRyQq.jpg","2011-11-18","52fe4c23c3a368484e1a9539",{"adult":4,"backdrop_path":10,"genre_ids":438,"id":439,"title":440,"original_language":27,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":444,"softcore":4,"video":4,"vote_average":205,"vote_count":33,"credit_id":445,"department":14,"job":229,"media_type":37},[24],160274,"Utopia","Except for some additional ambience, the entire sound track of this film has been taken (without permission) from: Ernesto Che Guevara, the Bolivian Journal. A film by Richard Dindo. The images were found in the desert landscape from Death Valley south to, and crossing, the Mexican border.",0.7362,"\u002Fu8TmjDu0rc2JgQM4A5q9VSztrmW.jpg","1998-01-01","52fe4c2dc3a36847f82217c7",{"adult":4,"backdrop_path":10,"genre_ids":447,"id":86,"title":87,"original_language":27,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":92,"vote_count":93,"credit_id":448,"department":14,"job":229,"media_type":37},[24],"52fe4c469251416c751155f3",{"adult":4,"backdrop_path":450,"genre_ids":451,"id":452,"title":453,"original_language":27,"original_title":453,"overview":454,"popularity":455,"poster_path":456,"release_date":457,"softcore":4,"video":4,"vote_average":321,"vote_count":205,"credit_id":458,"department":14,"job":229,"media_type":37},"\u002F5juNAtPoPxaEi5v28rKVW7MmBmi.jpg",[24],138535,"11 x 14","65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.",0.9517,"\u002FgepRByGXlkU0y48WzPcKlMW4szu.jpg","1977-03-14","52fe4c4fc3a368484e1b1c25",{"adult":4,"backdrop_path":460,"genre_ids":461,"id":462,"title":463,"original_language":27,"original_title":463,"overview":464,"popularity":465,"poster_path":466,"release_date":467,"softcore":4,"video":4,"vote_average":321,"vote_count":174,"credit_id":468,"department":14,"job":229,"media_type":37},"\u002Frfo8DAEha7k5H3zbq7TA1SBvB.jpg",[24],139185,"American Dreams (Lost and Found)","Scrolling excerpts from the diary of George Wallace's would-be assassin Arthur Bremer at screen bottom, Hank Aaron cards and ephemera from his entire career up top, and alternating audio clips of popular songs and highlights from the news throughout Aaron's career.",0.8164,"\u002Frwy7sFyy7kLkTCBTXojjfzzzIVz.jpg","1984-03-05","52fe4c5dc3a368484e1b47cf",{"adult":4,"backdrop_path":10,"genre_ids":470,"id":471,"title":472,"original_language":27,"original_title":472,"overview":473,"popularity":474,"poster_path":475,"release_date":476,"softcore":4,"video":4,"vote_average":60,"vote_count":33,"credit_id":477,"department":14,"job":229,"media_type":37},[],170037,"8½ x 11","\"Benning's landscape works, with their meticulous, reverential compositions, have been located in the history of American realist painting and photography, and also belong to the tradition of American nature writing...The formal elegance of the compositions somehow becomes surreal over time, as we look into, instead of at, the place. This tendency locates Benning in the history of experimental filmmakers concerned with interrogating visual perception.\" - Danni Zuvela",0.6626,"\u002FupHcgySZLZ8N8knTW10lcV9cww.jpg","1974-07-17","52fe4cf0c3a36847f8245b49",{"adult":4,"backdrop_path":10,"genre_ids":479,"id":480,"title":481,"original_language":27,"original_title":481,"overview":482,"popularity":483,"poster_path":484,"release_date":485,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":486,"department":14,"job":229,"media_type":37},[24,140],976535,"Exquisite Moving Corpse","The Surrealist, \"Exquisite Corpse\" was a French Café parlor game. \"Exquisite Moving Corpse\" is more of an artist chain letter. 60 artists participated over a two-year period, beginning in March 2020. Each invited artist made a one minute video in response to the last frame of the previous minute.",0.7648,"\u002FqVsoDmj0fSJeiyDebdirTegzQIS.jpg","2022-05-09","62823bbdfd140b120c233aec",{"adult":4,"backdrop_path":196,"genre_ids":488,"id":198,"title":199,"original_language":27,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"credit_id":489,"department":14,"job":229,"media_type":37},[24],"52fe4cffc3a36847f8249119",{"adult":4,"backdrop_path":491,"genre_ids":492,"id":493,"title":494,"original_language":27,"original_title":494,"overview":495,"popularity":496,"poster_path":497,"release_date":498,"softcore":4,"video":4,"vote_average":259,"vote_count":73,"credit_id":499,"department":14,"job":229,"media_type":37},"\u002FwZkXllBZWEsR7zpjueofxB8lolh.jpg",[24],172027,"One Way Boogie Woogie\u002F27 Years Later","One half filmed in 1977, one half filmed 27 years later. Director combined the structural analysis of image and sound with fragments of a narrative interspersed with autobiographical traces and an almost \"classical\" interest in image composition, color, light and landscape.",1.0585,"\u002F7xQ6rfsmAnwkOJrMA9SLiy6zAr5.jpg","2005-10-26","52fe4d18c3a36847f824e71d",{"adult":4,"backdrop_path":10,"genre_ids":501,"id":502,"title":503,"original_language":27,"original_title":503,"overview":504,"popularity":505,"poster_path":506,"release_date":507,"softcore":4,"video":4,"vote_average":363,"vote_count":32,"credit_id":508,"department":14,"job":229,"media_type":37},[24],171960,"North on Evers","In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.S. a marvelously photographed, intensely felt, and disturbing portrait of contemporary America. In many ways, this recent film is a departure of Benning’s earlier films which are characterized, at times, by extremely long, carefully planned takes and a minimal narrative approach. In NORTH ON EVERS, the shots are kept short with a narrative that is direct and detailed, like a diary or a long series of postcards to a friend. What this work shares with the other films is a dry wit and a deep interest in the American social landscape.",1.3499,"\u002FAmHK2TiEGQXRk9BP3JxcgqAyaOa.jpg","1992-01-27","52fe4d18c3a36847f824e3e3",{"adult":4,"backdrop_path":10,"genre_ids":510,"id":511,"title":512,"original_language":27,"original_title":512,"overview":513,"popularity":514,"poster_path":515,"release_date":516,"softcore":4,"video":4,"vote_average":517,"vote_count":73,"credit_id":518,"department":14,"job":229,"media_type":37},[24],217370,"BNSF","A three hour shot containing light, dark, and a BNSF train in the desert.",0.7812,"\u002FfBuWXjPqRF5Bu06wthPyWg2TWzX.jpg","2013-05-01",5.5,"52fe4e30c3a368484e21318f",{"adult":4,"backdrop_path":520,"genre_ids":521,"id":522,"title":523,"original_language":27,"original_title":523,"overview":524,"popularity":525,"poster_path":526,"release_date":527,"softcore":4,"video":4,"vote_average":528,"vote_count":248,"credit_id":529,"department":14,"job":229,"media_type":37},"\u002FkEVDU4mR3prcDrgfpRBSDFyavht.jpg",[24],217477,"One Way Boogie Woogie","Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.",0.725,"\u002F8lco4oAic35YUA0ZdvbfKSlQ70f.jpg","1977-01-01",6.1,"52fe4e34c3a368484e2141e5",{"adult":4,"backdrop_path":10,"genre_ids":531,"id":532,"title":533,"original_language":27,"original_title":533,"overview":534,"popularity":535,"poster_path":536,"release_date":537,"softcore":4,"video":4,"vote_average":192,"vote_count":32,"credit_id":538,"department":14,"job":229,"media_type":37},[24],217533,"Nightfall","A stunning study of real-time light changing from day to night which was filmed in a forest high up in California’s Sierra Nevada Mountains",0.6318,"\u002FsVfXGEoHIhFnC5WGEiz8NpWBXUF.jpg","2012-03-03","52fe4e37c3a368484e214a23",{"adult":4,"backdrop_path":10,"genre_ids":540,"id":541,"title":542,"original_language":27,"original_title":542,"overview":543,"popularity":544,"poster_path":545,"release_date":546,"softcore":4,"video":4,"vote_average":205,"vote_count":48,"credit_id":547,"department":14,"job":229,"media_type":37},[],217523,"Two Cabins","Between July, 2007 and June, 2008, veteran independent film-maker,James Benning built replicas of two iconic American Cabins in a remote part of the High Sierras- Henry David Thoreau’s hut from Walden Pond and the one-room plywood shack in rural Montana from which Theodore John Kaczynski (the ‘Unabomber’) conducted his 16-year bombing campaign via the U.S. mail. The juxtaposition of these two simple structures invokes and implicates deeply conflicted and enduring foundational American myths concerning the scope and meaning of personal liberty, civic responsibility and the rule of law; individual conscience, democracy and civil disobedience; the transcendental value of nature, wilderness and the god-given right to exploit natural resources; American exceptionalism, environmental conservationism and faith in technological progress; the imperative to make oneself (anew), to ’succeed’ and, if necessary, to secede.",0.6046,"\u002Fh1cjFYsQurdCGUHR9BiVq4JXckg.jpg","2011-11-17","52fe4e37c3a368484e21496b",{"adult":4,"backdrop_path":10,"genre_ids":549,"id":550,"title":551,"original_language":27,"original_title":551,"overview":552,"popularity":553,"poster_path":554,"release_date":555,"softcore":4,"video":4,"vote_average":333,"vote_count":92,"credit_id":556,"department":14,"job":229,"media_type":37},[24],217642,"Easy Rider","'After doing a re-make of John Cassevetes’ \"Faces\" [1968], I decided to re-make another American classic, Dennis Hopper’s \"Easy Rider\" [1969]. \"Easy Rider\" interests me in two ways: its portrayal of 60’s counterculture – unlike \"Faces\" which for me is more about the 50’s – and its search for place. I divided the original film into scenes (like I did with \"Faces\") and then replaced each scene with one shot filmed at the original location (unlike \"Faces\" where shots were gleaned from the original film itself). My \"Easy Rider\" tries to find today’s counter-culture (if one exists) by replacing the 60’s music with music that I listen to today.' ~ James Benning",0.7862,"\u002FopyQ1lbQYrO3hyDUwTPfQZTWRJW.jpg","2012-10-29","52fe4e3ac3a368484e21552d",{"adult":4,"backdrop_path":10,"genre_ids":558,"id":559,"title":560,"original_language":27,"original_title":560,"overview":561,"popularity":562,"poster_path":563,"release_date":564,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":565,"department":14,"job":229,"media_type":37},[],217901,"Faces","James Benning’s \"remake\" of John Cassavetes’s Faces (1968) is an unexpected venture into the world of found footage filmmaking. As Benning explains, he’s reconstructed Cassavetes’s Faces in such a way that it’s comprised entirely of shots of single faces, each actor and actress is on screen as long as he or she is in the original and each scene is exactly as long as it is in the original. This reconstruction, he notes, remains steadfastly true to its title",1.1316,"\u002FyjeAYN6Xz3h75pbVIQZ87nu5tur.jpg","2011-11-19","52fe4e3fc3a368484e21640d",{"adult":4,"backdrop_path":567,"genre_ids":568,"id":569,"title":570,"original_language":27,"original_title":570,"overview":571,"popularity":572,"poster_path":573,"release_date":574,"softcore":4,"video":4,"vote_average":48,"vote_count":33,"credit_id":575,"department":14,"job":229,"media_type":37},"\u002FfGBqCSGZQB52rRj2rRTK8QAhF9A.jpg",[],217899,"Postscript","Text by Theodore J. Kaczynski, made of scans of a document from an FBI Laboratory, about the danger of experiments with accelerated particles.",0.5976,"\u002F59IoV3NpjjSUzJYlpIxwGoHnt9Q.jpg","2012-08-29","52fe4e3fc3a368484e216403",{"adult":4,"backdrop_path":10,"genre_ids":577,"id":578,"title":579,"original_language":27,"original_title":579,"overview":580,"popularity":581,"poster_path":10,"release_date":582,"softcore":4,"video":4,"vote_average":60,"vote_count":33,"credit_id":583,"department":14,"job":229,"media_type":37},[],1177795,"Did You Ever Hear That Cricket Sound?","In this short black and white study Benning uses dissolves, shifting camera angles and cross-fades to experiment with narrative structure.",0.7347,"1971-01-01","6501e71ae0ca7f010deaa213",{"adult":4,"backdrop_path":10,"genre_ids":585,"id":586,"title":587,"original_language":27,"original_title":587,"overview":588,"popularity":589,"poster_path":10,"release_date":590,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":591,"department":14,"job":229,"media_type":37},[],1177799,"Cuba, an Historical Romance","Stills from a trip in Cuba.",0.7348,"2024-12-31","6501e9f5d7dcd200acb10229",{"adult":4,"backdrop_path":10,"genre_ids":593,"id":594,"title":595,"original_language":27,"original_title":595,"overview":596,"popularity":597,"poster_path":10,"release_date":598,"softcore":4,"video":4,"vote_average":60,"vote_count":33,"credit_id":599,"department":14,"job":229,"media_type":37},[],1177798,"3 Minutes on the Dangers of Film Recording","At Northwestern University, where he teaches at the time, Benning gives a short interview to some student filmmakers. He then uses this material to once again engage the optical printer.",0.7162,"1975-01-17","6501e924ffc9de0ee209cfbc",{"adult":4,"backdrop_path":601,"genre_ids":602,"id":603,"title":604,"original_language":27,"original_title":604,"overview":605,"popularity":606,"poster_path":607,"release_date":608,"softcore":4,"video":4,"vote_average":609,"vote_count":114,"credit_id":610,"department":14,"job":229,"media_type":37},"\u002F7TkxwBtUA8XOBhZUXzTfsPkq32V.jpg",[24],218843,"YouTube Trilogy: 4 Songs, History, Asian Girls","Director James Benning turned his attention to the digital world in YouTube Trilogy, organizing found material around three thematic clusters.",1.2589,"\u002FcJGWcXOj8wl5ZjKQhdjIfDdJjqv.jpg","2011-09-03",5.7,"52fe4e57c3a368484e21b7a9",{"adult":4,"backdrop_path":10,"genre_ids":612,"id":613,"title":614,"original_language":27,"original_title":614,"overview":615,"popularity":616,"poster_path":617,"release_date":618,"softcore":4,"video":4,"vote_average":93,"vote_count":114,"credit_id":619,"department":14,"job":229,"media_type":37},[],218861,"After Warhol","I just a did a film with my ‘Acting Bad’ class called After Warhol, where we watched a few of the Warhol screen tests and then mimicked them. It’s not what he does but a manipulation; I got them to act as they thought a screen test would be in a Warhol sense, and then I recontextualised it so we could talk about how acting might not be screened the way you thought you acted. Especially today with these manipulations, and Hollywood films with collaging and green screens: groups of people going ‘aaaah!’, like that, and the monster isn’t even there. So it’s that idea. But it’s a nice little film, with an amazingly diverse group of students.",0.6217,"\u002Fjw0yavpBuO1mWKOzLloRIsRWTjA.jpg","2011-12-31","52fe4e57c3a368484e21b825",{"adult":4,"backdrop_path":10,"genre_ids":621,"id":622,"title":623,"original_language":27,"original_title":623,"overview":624,"popularity":625,"poster_path":626,"release_date":627,"softcore":4,"video":4,"vote_average":387,"vote_count":33,"credit_id":628,"department":14,"job":229,"media_type":37},[],283135,"Chicago Loop","In three virtuosic sequences created entirely in-camera, Benning alternates contrary camera movements in a trio of Chicago locations with increasing rapidity to a point where they first fracture and then merge in the viewer’s eye.  Preserved by the Academy Film Archive in partnership with Austrian Film Museum in 2013.",1.139,"\u002FruKGZsSFJRtKIUea7KPOCjrlVWc.jpg","1976-01-01","53f95409c3a3687355002434",{"adult":4,"backdrop_path":10,"genre_ids":630,"id":631,"title":632,"original_language":27,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":637,"department":14,"job":229,"media_type":37},[],1001955,"TEN YEARS LATER","James Benning returns to the location of his 2012 film Nightfall, this time at daybreak.",0.5753,"\u002FrekeGzEoDNwjIfhASgs1YBrrrXD.jpg","2022-07-11","62d75a57caa50800677bc2dc",{"adult":4,"backdrop_path":10,"genre_ids":639,"id":640,"title":523,"original_language":27,"original_title":523,"overview":641,"popularity":642,"poster_path":643,"release_date":644,"softcore":4,"video":4,"vote_average":363,"vote_count":92,"credit_id":645,"department":14,"job":229,"media_type":37},[24],294224,"In summer 2011, James Benning returned to his hometown of Milwaukee to make a third version of his seminal 1977 film 'One Way Boogie Woogie'. In 1977 he filmed 60 locations in Milwaukee’s industrial valley each for 60 seconds, creating short, minimal, playful narratives. In 2004 he remade the film as Twenty Seven Years Later, with the same 60 camera positions. This 2012 installation version, presents 18 locations similar to, and reminiscent of, the original.",0.835,"\u002F7zBzoFcI9DzkBZBqxNmxpalPyJB.jpg","2012-10-31","54206a120e0a261797003415",{"adult":4,"backdrop_path":10,"genre_ids":647,"id":648,"title":649,"original_language":27,"original_title":649,"overview":650,"popularity":651,"poster_path":652,"release_date":653,"softcore":4,"video":4,"vote_average":654,"vote_count":92,"credit_id":655,"department":14,"job":229,"media_type":37},[],309834,"Pig Iron","Iron ore is super heated in a blast furnace to make pig iron, which in turn is used to produce steel. The making of steel is a continuous process. Pig iron is moved from the blast furnace to the steel plant by railroad. The trains are operated by remote control.",0.8322,"\u002Fq0rbWBQZ7dLafHqJOvUnQrhxD3O.jpg","2010-05-01",7.3,"54883fbdc3a368414500126e",{"adult":4,"backdrop_path":10,"genre_ids":657,"id":648,"title":649,"original_language":27,"original_title":649,"overview":650,"popularity":651,"poster_path":652,"release_date":653,"softcore":4,"video":4,"vote_average":654,"vote_count":92,"credit_id":658,"department":659,"job":660,"media_type":37},[],"54883fc6c3a36841480010af","Writing","Writer",{"adult":4,"backdrop_path":10,"genre_ids":662,"id":648,"title":649,"original_language":27,"original_title":649,"overview":650,"popularity":651,"poster_path":652,"release_date":653,"softcore":4,"video":4,"vote_average":654,"vote_count":92,"credit_id":663,"department":421,"job":422,"media_type":37},[],"54883fd8c3a36841480010b4",{"adult":4,"backdrop_path":10,"genre_ids":665,"id":666,"title":667,"original_language":27,"original_title":667,"overview":668,"popularity":669,"poster_path":10,"release_date":670,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":671,"department":14,"job":229,"media_type":37},[],1011297,"Pascal's Lemma","Presented on a computer, \"Pascal's Lemma\" features mathematics (diagrams, equations, questions), biographical information about Blaise Pascal, and scrolling text sourced from the news.",0.5843,"1984-01-01","62f497d8594c94007f482e3c",{"adult":4,"backdrop_path":10,"genre_ids":673,"id":674,"title":675,"original_language":27,"original_title":675,"overview":676,"popularity":677,"poster_path":678,"release_date":679,"softcore":4,"video":4,"vote_average":680,"vote_count":93,"credit_id":681,"department":14,"job":229,"media_type":37},[24],318053,"Natural History","In 54 static shots, Benning provides a picture of the Natural History Museum in Vienna. With the exception of the first three shots, he chooses areas that are normally closed to the public: offices, store rooms and empty corridors. A characteristically meditative Benning, even though this time he chooses to stay indoors.",1.077,"\u002F2vGqIyAz33WocLyghRVQTA0b4sX.jpg","2014-09-26",5.4,"54b6a3b89251411d770000c0",{"adult":4,"backdrop_path":683,"genre_ids":684,"id":685,"title":686,"original_language":27,"original_title":686,"overview":687,"popularity":688,"poster_path":689,"release_date":690,"softcore":4,"video":4,"vote_average":387,"vote_count":33,"credit_id":691,"department":14,"job":229,"media_type":37},"\u002FnUwd7bTJInBZlIDkEtsuwD2ZUks.jpg",[24],1017387,"Allensworth","It centers on Allensworth, the first self-administered African-American municipality in California, showcasing the buildings of the now-abandoned town and looking for the traces of a Black cultural history.",0.6508,"\u002FVuAoT2IpSUOgNB0ZJuKmeE1zhK.jpg","2022-11-06","630994028dbc33007d6a3f38",{"adult":4,"backdrop_path":10,"genre_ids":693,"id":694,"title":695,"original_language":27,"original_title":695,"overview":696,"popularity":697,"poster_path":10,"release_date":698,"softcore":4,"video":4,"vote_average":321,"vote_count":93,"credit_id":699,"department":279,"job":280,"media_type":37},[24],122348,"Lunch Break","Lunch Break features 42 workers as they take their midday break in a corridor stretching nearly the entire shipyard.",1.6398,"2008-11-21","656380e82da84600e4d64408",{"adult":4,"backdrop_path":10,"genre_ids":701,"id":702,"title":703,"original_language":27,"original_title":703,"overview":704,"popularity":705,"poster_path":10,"release_date":706,"softcore":4,"video":4,"vote_average":48,"vote_count":11,"credit_id":707,"department":14,"job":229,"media_type":37},[],346523,"HF","HF is Benning’s tribute in miniature to legendary filmmaker Hollis Frampton, known for his materialist dissection of the cinema apparatus and adventurous considerations of memory and time.",0.6042,"2014-04-27","558fdf1492514145080008c8",{"adult":4,"backdrop_path":10,"genre_ids":709,"id":710,"title":711,"original_language":27,"original_title":711,"overview":712,"popularity":713,"poster_path":10,"release_date":706,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":714,"department":14,"job":229,"media_type":37},[],346522,"US 41","A stretch of highway blanketed by snow becomes the stage for one accident after another in US 41, perhaps Benning’s first disaster movie, or a comedy of (automotive and meteorological) errors. Returning Benning to his favorite subject of the American character as reflected in our landscape, US 41 is an almost transcendental contemplation of mortality by way of traffic camera footage and Bob Dylan.",0.5805,"558fde16c3a3687bdb00821c",{"adult":4,"backdrop_path":10,"genre_ids":716,"id":717,"title":718,"original_language":27,"original_title":718,"overview":719,"popularity":720,"poster_path":721,"release_date":706,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":722,"department":14,"job":229,"media_type":37},[],346524,"signs","signs is a sobering continuation of Benning’s career-long interest with the written word as image, text as vision: a silent parade of stills showing dozens of cardboard signs asking for money, food, and kindness.",0.6627,"\u002FwAP9Nz54wex3MfwNFMeztyYkL09.jpg","558fdf8dc3a3687fcb000e7a",{"adult":4,"backdrop_path":724,"genre_ids":725,"id":726,"title":727,"original_language":153,"original_title":728,"overview":729,"popularity":730,"poster_path":731,"release_date":732,"softcore":4,"video":4,"vote_average":680,"vote_count":32,"credit_id":733,"department":734,"job":735,"media_type":37},"\u002Ftv4NYxqJOusuZC1C0NCmUMlcxV7.jpg",[24],351789,"Santa Teresa & Other Stories","Santa Teresa y otras historias","In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.",1.376,"\u002FyDePqsfUm6kC6WXLq5NPNUVMBYx.jpg","2015-12-02","55b58e629251411e18014dd6","Crew","Thanks",{"adult":4,"backdrop_path":10,"genre_ids":737,"id":738,"title":739,"original_language":27,"original_title":739,"overview":740,"popularity":741,"poster_path":10,"release_date":742,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":743,"department":14,"job":229,"media_type":37},[24],1212376,"SAM","A filmed homage to Sam Shepard, in a single fixed frame where the treetops sway under a moving cloud cover. Orchestrated by the camera in this forest environment, brief spoken and sung interludes evoke touching dedications punctuating the solitude of the scene.",0.5153,"2018-01-01","656ac1ea6517d6015164d9d1",{"adult":4,"backdrop_path":196,"genre_ids":745,"id":198,"title":199,"original_language":27,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"credit_id":746,"department":421,"job":422,"media_type":37},[24],"63453b9571ffdf007fb0eee8",{"adult":4,"backdrop_path":196,"genre_ids":748,"id":198,"title":199,"original_language":27,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"credit_id":749,"department":279,"job":280,"media_type":37},[24],"63453bab07e281007dd5423e",{"adult":4,"backdrop_path":196,"genre_ids":751,"id":198,"title":199,"original_language":27,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"credit_id":752,"department":288,"job":289,"media_type":37},[24],"63453b9f6a300b007d2161ad",{"adult":4,"backdrop_path":754,"genre_ids":755,"id":756,"title":67,"original_language":27,"original_title":67,"overview":757,"popularity":758,"poster_path":759,"release_date":760,"softcore":4,"video":4,"vote_average":517,"vote_count":11,"credit_id":761,"department":14,"job":229,"media_type":37},"\u002FrNECFcjtGMrSe7bfI7jaIpmAl3M.jpg",[24],916460,"A crisscross through the USA, carving it up into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming.",0.9412,"\u002FxLhM3MQhsRphe2fmqdELl71NyNF.jpg","2022-02-10","61ba50f5cb75d10040ec5854",{"adult":4,"backdrop_path":10,"genre_ids":763,"id":764,"title":765,"original_language":27,"original_title":765,"overview":766,"popularity":767,"poster_path":10,"release_date":768,"softcore":4,"video":4,"vote_average":93,"vote_count":33,"credit_id":769,"department":14,"job":229,"media_type":37},[],377614,"Faces 1973","One of the films I remade was a film that used two faces in it from a short little three-minute film that I made for the Henry Mancini television program back in 1973. The two main characters in that film were a prostitute and a junkie, and because of that, it was never shown on television. So I thought I would rework that film, copied those two faces and took the last two seconds of the film of the two faces and stretched them each to 12 ½ minutes. I made a 25 minute film out of two faces. - James Benning",0.6034,"2010-02-12","569c17569251415e73000bee",{"adult":4,"backdrop_path":771,"genre_ids":772,"id":773,"title":774,"original_language":27,"original_title":774,"overview":775,"popularity":776,"poster_path":777,"release_date":778,"softcore":4,"video":4,"vote_average":779,"vote_count":205,"credit_id":780,"department":14,"job":229,"media_type":37},"\u002FqEvAaN8gePnc0dVANFh9echakmq.jpg",[],380428,"I-94","Intercourse between two people who never appear on the screen at the same time. An exploration of sex and male\u002Ffemale identities.",0.6637,"\u002FxH6crLh8xAqmFWB42RU1OsVXLD9.jpg","1974-01-01",5.3,"56ae49fa9251417c98005cbc",{"adult":4,"backdrop_path":10,"genre_ids":782,"id":783,"title":784,"original_language":27,"original_title":784,"overview":785,"popularity":786,"poster_path":787,"release_date":788,"softcore":4,"video":4,"vote_average":298,"vote_count":93,"credit_id":789,"department":14,"job":229,"media_type":37},[],380426,"Michigan Avenue","A narrative film concerning an investigation of two women in time and space, to the point where the investigation becomes the narrative.",0.8221,"\u002FeVOyOK7bkp58NJ15zyPyaOl7zWE.jpg","1974-10-01","56ae49dd9251417c98005cb4",{"adult":4,"backdrop_path":64,"genre_ids":791,"id":66,"title":67,"original_language":27,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"credit_id":792,"department":14,"job":229,"media_type":37},[24],"56ae4a1bc3a3681c31009baf",{"adult":4,"backdrop_path":10,"genre_ids":794,"id":795,"title":796,"original_language":27,"original_title":796,"overview":797,"popularity":798,"poster_path":799,"release_date":800,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":801,"department":14,"job":229,"media_type":37},[],384287,"74.78","The 16mm test roll for James Benning's feature-length film TEN SKIES. 74.78 is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker James Benning).",0.5371,"\u002Fz69ukeoZXdjAPAAKDizPn925yeD.jpg","2005-01-23","56cce329c3a3682762000271",{"adult":4,"backdrop_path":10,"genre_ids":803,"id":804,"title":805,"original_language":27,"original_title":805,"overview":806,"popularity":807,"poster_path":808,"release_date":809,"softcore":4,"video":4,"vote_average":609,"vote_count":114,"credit_id":810,"department":14,"job":229,"media_type":37},[24],392579,"Measuring Change","Towards the end of 2015, James Benning made one of his occasional expeditions to Utah, to the place where Robert Smithson's colossal land-sculpture Spiral Jetty (1970) extends out into the Great Salt Lake. The water-level was low, leaving the vast bulk of the Jetty exposed in the crisp air. His film measuring change captures two thirty-minute periods of that particular day, in the unblinking, unmoving takes that have become his trademark––beginning at 8:57am and 3:12pm respectively. A belated digital companion piece to his 16mm masterpiece casting a glance (2007), this new film hypnotically contemplates Smithson's art-work in relation to its wider environment and to the humans who walk on and around its gargantuan coils.",0.7178,"\u002F3aXfTRRamLxrNgajjte1Zpf994f.jpg","2016-04-12","570d806592514124ef00018d",{"adult":4,"backdrop_path":10,"genre_ids":812,"id":813,"title":814,"original_language":815,"original_title":816,"overview":817,"popularity":818,"poster_path":819,"release_date":820,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":821,"department":14,"job":229,"media_type":37},[],484384,"Among Enemies: Jeonju Digital Project 2010","ko","적들 사이에서 : 디지털삼인삼색2010","Six soldiers wandering in search of enemies in the forest where they can't see an inch ahead. While gathering on the island to prepare Shakespeare's play, Luisa finds out that other actors are stalking her. A pig iron ephemera transported to a steel mill.",0.9845,"\u002FgIry6mbXDjZIXGeMT6QE7KkBtiX.jpg","2010-01-01","65bb8774459ad601476b08ae",{"adult":4,"backdrop_path":823,"genre_ids":824,"id":825,"title":826,"original_language":27,"original_title":826,"overview":827,"popularity":828,"poster_path":829,"release_date":830,"softcore":4,"video":4,"vote_average":92,"vote_count":33,"credit_id":831,"department":14,"job":229,"media_type":37},"\u002F9Tkvzp1eQFmUOI1rUcQOEidyqFF.jpg",[24],408288,"Spring Equinox","Filmed in Sierra Nevada, California over one day. Static and still shots of the actual landscape and environments in the area.",1.4778,"\u002FmHrI71uOP8mYPTo62YD6bJwvLGn.jpg","2016-07-28","5799fc44c3a3680e88001b60",{"adult":4,"backdrop_path":10,"genre_ids":833,"id":834,"title":835,"original_language":27,"original_title":835,"overview":836,"popularity":837,"poster_path":838,"release_date":839,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":840,"department":14,"job":229,"media_type":37},[24],1250176,"Breathless","\"On November 28, 2023 I woke up early and drove down to the Upper Kern River. I came to film a tree. It's leaves were orange. The shot would be 87 minutes, the exact length of Godard's Breathless. My film would be non-narrative, but stuff happened\" - J.B",0.5485,"\u002FqBnPapBMzusNzyQ7jHWRw0ROJU1.jpg","2024-03-28","65db86f48261ee0185c33717",{"adult":4,"backdrop_path":842,"genre_ids":843,"id":844,"title":845,"original_language":27,"original_title":845,"overview":846,"popularity":847,"poster_path":848,"release_date":849,"softcore":4,"video":850,"vote_average":92,"vote_count":33,"credit_id":851,"department":14,"job":229,"media_type":37},"\u002Fadyi5Yv7UAFxaUHOydUnmABIVz7.jpg",[24],1252863,"20 Little Films","Since 1995, the Viennale has invited renowned directors to create short, one-minute films as personal contributions to the festival. Ranging from home movies to political essays, musical sketches to abstract studies, these “little films” form a unique anthology of cinematic moments. 20 Little Films collects a selection of these works, premiering together for the Viennale’s 50th anniversary at the Locarno Film Festival.",1.7228,"\u002F4iTM7ASRNdQvFr9MYc5kUZrytMF.jpg","2012-02-13",true,"65e24bb2a806730184abd6d3",{"adult":4,"backdrop_path":10,"genre_ids":853,"id":854,"title":855,"original_language":27,"original_title":855,"overview":856,"popularity":857,"poster_path":858,"release_date":820,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":859,"department":14,"job":229,"media_type":37},[24],1251470,"John Krieg Exiting the Falk Corporation in 1971","James Benning appropriates a 14-second excerpt from his own film Time and a Half (second entry in his filmography), dissects the scene into its constituent images and extrapolates them into fluctuating superpositions, generating a 71-minute reflection on time, work and storytelling.",0.6579,"\u002F9yJYbdb6mJPb4V1H5O2LEsekW4t.jpg","65def630b76cbb017dd89506",{"adult":4,"backdrop_path":10,"genre_ids":861,"id":862,"title":863,"original_language":27,"original_title":863,"overview":864,"popularity":865,"poster_path":10,"release_date":866,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":867,"department":14,"job":229,"media_type":37},[],433182,"Ash 01","\"Ash 01 is a declassified recording made from a B-52 bomber on December 26, 1972 during the Christmas carpet bombing of Hanoi.\" - James Benning. This work first premiered at MSU in Zagreb as an installation with scorched earth under the title Ash 01, curated by Tanja Vrvilo as a prologue to the 10th edition of her film festival, Film Mutations: Festival of Invisible Cinema (Filmske Mutacije: festival nevidljivog filma).",0.5469,"2016-12-28","586d350cc3a368038c009994",{"adult":4,"backdrop_path":10,"genre_ids":869,"id":870,"title":871,"original_language":27,"original_title":871,"overview":872,"popularity":873,"poster_path":10,"release_date":866,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":874,"department":14,"job":229,"media_type":37},[],433183,"scorched earth","\"scorched earth is a film that is part of the Untitled Fragments Project. It's 60 minutes at dusk, just one shot of the burned over forest (from this summer's fire) near my Two Cabins in the Sierra Nevada.\" - James Benning. This work first premiered at MSU in Zagreb as an installation with Ash 01 under the title Ash 01, curated by Tanja Vrvilo as a prologue to the 10th edition of her film festival, Film Mutations: Festival of Invisible Cinema (Filmske Mutacije: festival nevidljivog filma).",0.5768,"586d36a6c3a368037b008e97",{"adult":4,"backdrop_path":876,"genre_ids":877,"id":878,"title":879,"original_language":27,"original_title":879,"overview":880,"popularity":881,"poster_path":882,"release_date":82,"softcore":4,"video":4,"vote_average":92,"vote_count":33,"credit_id":883,"department":14,"job":229,"media_type":37},"\u002FnaXsaifMqN4mxoJi96WrtOz5qA7.jpg",[],433348,"Fall Equinox","Filmed in Sierra Nevada, just like Benning's Spring Equinox, but this time during a different season. 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Here, the only part of the SoCal landscape pictured is a lonely stretch of road extending to a distant horizon. Shot three times and presented on three adjoining channels, each version displays an almost identical composition of land and road under different weather formations, from dense fog to cloudy blue skies. 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I started here playfully looking in different directions—an early performance by Lambert, Hendricks & Ross, a Ché Guevara interview, an instructional video on glock maintenance—but soon the tide of information took over. The range in image quality and subject matter amazed me. I thought there was no longer a need for a camera. I could make whatever I wanted through appropriation. It became addictive and I began to make a film per week. I could be an ethnographic filmmaker, remake my own films or classics, construct things I never thought of making, etc. It was totally liberating. 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The three screens each show a solider in the American Civil War, black slaves picking cotton in the field, and imposing KKK.",0.6489,"2018-05-04","5cd7b53bc3a3682daec05cf7",{"adult":4,"backdrop_path":10,"genre_ids":1091,"id":1092,"title":1093,"original_language":27,"original_title":1093,"overview":1094,"popularity":1095,"poster_path":10,"release_date":1096,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":1097,"department":14,"job":229,"media_type":37},[],619491,"Reforming the Past","For his performance Reforming the Past, James Benning turns towards his own film North on Evers, shot in 1991. After seeing Andy Warhol's Screen Tests again, Benning re-filmed all of the 59 portraits that occur in North on Evers with his HD camera, reframed them and slowed them down 8 times. 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