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The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive",1.0416,"\u002FyS9ALLyk0ZZLIYuWLtnjzFmOkXv.jpg","1963-11-03",8.8,{"adult":4,"backdrop_path":5,"genre_ids":365,"id":366,"title":367,"original_language":317,"original_title":368,"overview":369,"popularity":370,"poster_path":371,"release_date":372,"softcore":4,"video":4,"vote_average":373,"vote_count":37},[66],828157,"A certain uneasiness","Um certo mal-estar","A man eats breakfast during the COVID-19 pandemic.",0.6554,"\u002Fl9U7gwWa9Q6zpjoeSm1sIB5Mxvx.jpg","2021-05-10",9.5,{"adult":4,"backdrop_path":5,"genre_ids":375,"id":376,"title":377,"original_language":12,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":6,"vote_count":6},[314],449815,"Spirit House","A tale of 2 passages within the Spirit house. 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Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.",1.069,"\u002FvXQgBDYePWXp7N7EJJpJOoL71yU.jpg","2017-06-22",{"adult":4,"backdrop_path":5,"genre_ids":416,"id":418,"title":419,"original_language":12,"original_title":419,"overview":420,"popularity":421,"poster_path":422,"release_date":423,"softcore":4,"video":4,"vote_average":263,"vote_count":28},[417],80,455705,"Then a Year","An audio collage of snippets of narration culled from true crime TV shows, juxtaposed against serene Super-8 nature footage.",0.6306,"\u002FyVXaTpb0TAS4ZSB3C34sNvIP5a6.jpg","2002-01-23",{"adult":4,"backdrop_path":5,"genre_ids":425,"id":426,"title":427,"original_language":428,"original_title":427,"overview":429,"popularity":430,"poster_path":431,"release_date":432,"softcore":4,"video":4,"vote_average":6,"vote_count":6},[323,105],835648,"Frozen Jumper","de","\"Frozen Jumper\" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.",0.4402,"\u002F2DRdDA24DPRDk58A0YJb363RIgt.jpg","2021-09-24",{"adult":4,"backdrop_path":434,"genre_ids":435,"id":436,"title":437,"original_language":12,"original_title":437,"overview":438,"popularity":439,"poster_path":440,"release_date":441,"softcore":4,"video":4,"vote_average":230,"vote_count":442},"\u002F1AhLvUSyaioO3SpNvJKZD3WHxnf.jpg",[314],455322,"6-18-67","Filmed during the production of the Columbia Pictures western \"Mackenna’s Gold,\" this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, \"6-18-67\" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.",1.3865,"\u002FlazQWN6hVh1vfRnEp6oHBkuSUJu.jpg","1967-07-07",10,{"adult":4,"backdrop_path":5,"genre_ids":444,"id":445,"title":446,"original_language":12,"original_title":446,"overview":447,"popularity":448,"poster_path":449,"release_date":450,"softcore":4,"video":4,"vote_average":6,"vote_count":6},[],455495,"You Are Boring!","YOU ARE BORING! discusses the troublesome nature of “looking” and “being looked at” in larger contexts including labour within the new economy, performer\u002Fspectator relations, participatory culture, contemporary art display and queer representational politics.",0.7927,"\u002F5N2pTVy1cXV98T1Kdf5mVppf4Tw.jpg","2015-05-01",{"adult":4,"backdrop_path":452,"genre_ids":453,"id":455,"title":456,"original_language":457,"original_title":458,"overview":459,"popularity":460,"poster_path":461,"release_date":462,"softcore":4,"video":4,"vote_average":311,"vote_count":37},"\u002Fjzxpg0zJ5ceP9H8q4dJMFXxpJ2y.jpg",[454],9648,271906,"A Woman","tr","Bir Kadın","Within a single space, the director treats the sorrows of two people married to each other.",1.3535,"\u002Fe6uZyalVD2gjrFWLes3bx5rhG99.jpg","1962-01-01",{"adult":4,"backdrop_path":5,"genre_ids":464,"id":465,"title":466,"original_language":457,"original_title":467,"overview":468,"popularity":469,"poster_path":470,"release_date":471,"softcore":4,"video":4,"vote_average":311,"vote_count":37},[117],271908,"Dawn","Şafak","Heper's 7-minute short \"Dawn\" follows, in a single space between two windows, a triangular love relationship of three people.",1.8458,"\u002FpvhUV7GP55MKr6sKqMU92aOVLQn.jpg","1963-01-01",{"adult":4,"backdrop_path":473,"genre_ids":474,"id":475,"title":476,"original_language":477,"original_title":478,"overview":479,"popularity":480,"poster_path":481,"release_date":482,"softcore":4,"video":4,"vote_average":483,"vote_count":263},"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg",[314],271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","fr","Khan Khanne, sélection naturelle","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",1.3886,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,111,2212,{"results":487},[488],{"iso_3166_1":11,"release_dates":489},[490],{"certification":8,"descriptors":491,"iso_639_1":12,"note":8,"release_date":492,"type":44},[],"1999-01-01T00:00:00.000Z",{"imdb_id":5,"wikidata_id":5,"facebook_id":5,"instagram_id":5,"twitter_id":5},{"backdrops":495,"logos":496,"posters":497},[],[],[498],{"aspect_ratio":499,"height":500,"iso_3166_1":5,"iso_639_1":5,"file_path":16,"vote_average":6,"vote_count":6,"width":501},0.667,1500,1000]