[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F9956:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":17,"birthday":18,"deathday":19,"gender":20,"homepage":21,"id":22,"imdb_id":23,"known_for_department":24,"name":25,"place_of_birth":26,"popularity":27,"profile_path":28,"combined_credits":29,"images":1572},false,[6,7,8,9,10,11,12,13,14,15,16],"크리스 마르케","Крис Маркер","クリス・マルケル","Christian Bouche-Villeneuve","Christian François Bouche-Villeneuve","Jacopo Berenzini","Michel Krasna","Sandor Krasna","Hayao Yamaneko","Kosinki","Guillaume-en-Égypte","Christian Bouche-Villeneuve, dit Chris Marker (parfois écrit Chris. Marker), est un réalisateur, écrivain, illustrateur, traducteur, photographe, éditeur, philosophe, essayiste, critique, poète et producteur français, né le 29 juillet 1921 à Neuilly-sur-Seine et mort le 29 juillet 2012 à Paris.  Pour le public, son œuvre renvoie à ses films majeurs: La Jetée, Sans soleil, Le Joli Mai, Le fond de l'air est rouge et Chats perchés. Pour l’essentiel, ce sont des documentaires, définis dès le départ, selon André Bazin, comme des essais cinématographiques.\n\nCependant, son œuvre d'ensemble ne se limite pas aux films qu'il a signés. En effet le réalisateur français collabore activement avec d’autres réalisateurs, écrivains, acteurs, artistes ou simples ouvriers: Costa-Gavras, Yves Montand, Alain Resnais, Paul Paviot, Yannick Bellon, Alexandre Medvedkine, Jorge Semprun, Benigno Cacérès, Thoma Vuille, Mario Ruspoli, Joris Ivens, Haroun Tazieff, William Klein, Mario Marret, Akira Kurosawa, Patricio Guzman. Il soutient également les jeunes, notamment le collectif Kourtrajmé et Isild Le Besco, en qui il voit «une nouvelle nouvelle vague».\n\nTout au long de sa carrière, Chris Marker s’est attaché à observer les vicissitudes de l’histoire mondiale tout autant qu’individuelle, avec curiosité et discernement, avec poésie et émerveillement, avec ironie et souvent un regard amusé, parfois avec colère. Au centre de sa réflexion figurent la mémoire, le souvenir, la nostalgie du temps passé réinventé mais à jamais disparu. ...\n\nSource: Article \"Chris Marker\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1921-07-29","2012-07-29",2,"http:\u002F\u002Fwww.chrismarker.org",9956,"nm0003408","Directing","Chris Marker","Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, France",1.1262,"\u002Ff3WALvrJGu829oq8N467DnGJuer.jpg",{"cast":30,"crew":314},[31,45,59,69,83,93,105,115,129,142,152,165,178,189,200,209,222,232,246,258,270,283,292,303],{"adult":4,"backdrop_path":32,"genre_ids":33,"id":34,"title":35,"original_language":36,"original_title":35,"overview":37,"popularity":38,"poster_path":39,"release_date":40,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":42,"credit_id":43,"order":41,"media_type":44},null,[],1105712,"Prix Lumière à Chris Marker","fr","",0.7742,"\u002FimW2JXCk5SpySFUNAmpq18wb4gb.jpg","1962-03-03",0,"Self","642287b1c7a7e000a37b9bbf","movie",{"adult":4,"backdrop_path":46,"genre_ids":47,"id":49,"title":50,"original_language":36,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":55,"vote_count":56,"character":42,"credit_id":57,"order":58,"media_type":44},"\u002Fvks63eV0HrB9SqgpfzceWyJPEkt.jpg",[48],99,118135,"Grands soirs et petits matins","Mai 68. Paris, dans les rues du Quartier latin, de la Sorbonne à l’Odéon. Les symboles de l’autorité sont contestés par des millions de grévistes et d’étudiants. Le cinéaste et photographe américain William Klein enregistre au jour le jour assemblées, débats improvisés, manifestations, barricades, bagarres de rues, palabres, utopie en marche, espoirs, résignations, malentendus. Filmé en noir et blanc, caméra au poing, ce film est un document merveilleux sur l’un des moments de contestation politique les plus vigoureux du 20e siècle français.",0.9835,"\u002FdnxXfSMlY93Xps5JkFHrk8qqJe5.jpg","1978-01-01",7.2,8,"642f8dc96dea3a00b54e5468",3,{"adult":4,"backdrop_path":60,"genre_ids":61,"id":62,"title":63,"original_language":64,"original_title":63,"overview":37,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":42,"credit_id":68,"order":41,"media_type":44},"\u002FlUMA1QVeCF09m6vYcV8UaVm0vNg.jpg",[48],919258,"The Invention of Chris Marker","en",1.483,"\u002Fo9GvlfetRn1IBMtNYA2tKPHFaSF.jpg","2020-05-28","61c46ce7ecaef50042a04be9",{"adult":4,"backdrop_path":70,"genre_ids":71,"id":72,"title":73,"original_language":36,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":79,"character":80,"credit_id":81,"order":82,"media_type":44},"\u002Flns7roobSPQQTF54oSPzkT3qH1q.jpg",[48],1563,"Sans soleil","Des lettres d'un caméraman-voyageur, Sandor Krasna, lues par une femme. Attiré par les deux « pôles extrêmes de la survie », le Japon et l'Afrique, il s'interroge sur la représentation du monde dont il est en permanence l'artisan, et le rôle de la mémoire qu'il contribue à forger.",2.4087,"\u002F7gZC2ardRuFBB6qyQDw7HaLa921.jpg","1983-03-02",7.471,279,"Self (uncredited)","64a9c1883e2ec800cbcd5bf2",5,{"adult":4,"backdrop_path":32,"genre_ids":84,"id":85,"title":86,"original_language":36,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":42,"credit_id":91,"order":92,"media_type":44},[48],957183,"Rush - Voyage à Moscou","Étonnant journal de voyage inédit, tourné par Chris Marker en vidéo analogique à l'occasion d'une projection de L'Aveu à Moscou en 1990, en compagnie de Costa-Gavras, Jorge Semprún et Yves Montand.",1.4619,"\u002FbpS0CaxIijpF2n7LrBQC79VKXM2.jpg","1990-02-03","6246ce1201757f0062697f92",1,{"adult":4,"backdrop_path":32,"genre_ids":94,"id":95,"title":96,"original_language":36,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":101,"vote_average":102,"vote_count":103,"character":42,"credit_id":104,"order":103,"media_type":44},[48],745698,"Agnès de ci de là Varda","À pied, en métro, en voiture, en avion ou en bateau, Agnès Varda capte avec sa caméra tous les frémissements et bouillonnements du quotidien artistique, artisanal, sportif, traditionnel ou festif de l'Europe aux Amériques.",1.6079,"\u002Fmb3YxGBK38LmEuoIxqzhHC5D71U.jpg","2011-10-01",true,7.6,7,"64c83477eec5b558f03c0eb6",{"adult":4,"backdrop_path":106,"genre_ids":107,"id":108,"title":109,"original_language":64,"original_title":109,"overview":37,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":113,"credit_id":114,"order":41,"media_type":44},"\u002FqL3fumHO5O8VBDriwK2nSHwFVVn.jpg",[48],1063732,"Ten Lives of a Cat: A Film about Chris Marker",1.0617,"\u002F2G1AxWLsKGAAuBSw7sOMHJdoTQV.jpg","2023-10-31","Kaibyō \t(archive footage)","63a227efbcf8c900a7038dad",{"adult":4,"backdrop_path":116,"genre_ids":117,"id":119,"title":120,"original_language":36,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"character":127,"credit_id":128,"order":103,"media_type":44},"\u002FvTdDqCynA09pCq6RWZ5SxDgpwsa.jpg",[118,48],10770,137196,"Une journée d'Andrei Arsenevitch","Documentaire réalisé avant la mort d'Andreï Tarkovski, que l'on voit au travail sur le tournage de son dernier film, Le Sacrifice.",1.2853,"\u002FxjmIEFMoKHUbkYS0inZgQ1S3RiP.jpg","1999-05-15",7.5,12,"Self (voice) (uncredited)","567a80e092514106eb001ebf",{"adult":4,"backdrop_path":130,"genre_ids":131,"id":132,"title":133,"original_language":36,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":139,"character":140,"credit_id":141,"order":41,"media_type":44},"\u002FmVUGVvjjxO5cE1edgwWW99dS0zH.jpg",[48],396485,"A. K.","Une chronique intime du tournage de « Ran » (1985), un film réalisé par le légendaire cinéaste japonais Akira Kurosawa.",1.8925,"\u002F5qgpgsS9f5B7fNiqTKRfbwuc2R6.jpg","1985-05-20",6.3,40,"Self - Narrator (voice)","572e6794c3a3684bd3000f7d",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":36,"original_title":146,"overview":37,"popularity":147,"poster_path":148,"release_date":149,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":150,"credit_id":151,"order":20,"media_type":44},"\u002F3DudrDDxUhc0v3xNDN962c7QJCF.jpg",[48],445801,"Chris Marker: Never Explain, Never Complain",1.4083,"\u002FgPx1QJ9XTYUkvpRSdjHVRaSBj8G.jpg","2015-08-25","Self (archive footage)","666ee7b6987ba3a64a23669f",{"adult":4,"backdrop_path":153,"genre_ids":154,"id":155,"title":156,"original_language":157,"original_title":156,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":162,"vote_count":163,"character":80,"credit_id":164,"order":58,"media_type":44},"\u002Fg49r83xwdZ0T5ziq4apxRyL5J2n.jpg",[48],76406,"Tokyo-Ga","de","Le réalisateur allemand Wim Wenders a réalisé ce documentaire dans lequel il tente d'explorer le Tokyo représenté dans les films de Yasujiro Ozu. Lorsque Wenders visite Tokyo pour la première fois, il découvre une ville très différente, une ville fascinée par la technologie qui se heurte souvent aux éléments traditionnels de la culture japonaise. Wenders interviewe également le directeur de la photographie d'Ozu, Yuharu Atsuta, et Chishu Ryu, un acteur qui a fréquemment collaboré avec Ozu.",1.6643,"\u002FxegKL9C46PqyUEik3s9Py3W2Ina.jpg","1985-04-24",7.1,106,"57792440c3a36832b0003f43",{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":36,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":4,"video":4,"vote_average":174,"vote_count":175,"character":150,"credit_id":176,"order":177,"media_type":44},"\u002Fz9S7Z0NDbXcqhDCoPMv6ixeXZ6V.jpg",[48],38879,"Les Plages d'Agnès","En revenant sur les plages qui ont marqué sa vie, Varda invente une forme d'autodocumentaire. Agnès se met en scène au milieu d'extraits de ses films, d'images et de reportages. Elle nous fait partager avec humour et émotion ses débuts de photographe de théâtre puis de cinéaste novatrice dans les années cinquante, sa vie avec Jacques Demy, son engagement féministe, ses voyages à Cuba, en Chine et aux USA, son parcours de productrice indépendante, sa vie de famille et son amour des plages. Une femme libre et curieuse !",4.2748,"\u002FrrN9ag1KfC08eMf5GAzfFUiwcdj.jpg","2008-12-17",7.7,147,"66bd0cf7e07c3f9104d057d3",41,{"adult":4,"backdrop_path":179,"genre_ids":180,"id":181,"title":182,"original_language":36,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":56,"character":42,"credit_id":188,"order":92,"media_type":44},"\u002FtrVquJcQfGJ4extE7NBm0m3AXti.jpg",[48],451384,"Dans l'atelier de Chris Marker","Agnès Varda visite Chris Marker dans son atelier, quelques années avant sa disparition.",1.1951,"\u002FnfSUVqzXQSj5pcQcR6ZuNR51NRS.jpg","2011-12-19",6.2,"58ea6e53c3a36872ee07cd5d",{"adult":4,"backdrop_path":32,"genre_ids":190,"id":191,"title":192,"original_language":36,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":58,"character":42,"credit_id":198,"order":199,"media_type":44},[48],488210,"La Traversée du désir","La Traversée du désir est un film documentaire réalisé par Arielle Dombasle. Caméra au poing, elle a, entre 2001 et 20092, posé singulièrement la même question à bon nombre de personnalités qu'elle a pu croiser : « Quel a été votre premier désir ? ». Le titre est un clin d'œil à l'expression « Traversée du désert ».",1.392,"\u002F5vefbKVyld9eRG7IZYi3CrmJcUx.jpg","2009-03-16",5.7,"5a130f09c3a3686289071b0a",23,{"adult":4,"backdrop_path":32,"genre_ids":201,"id":202,"title":203,"original_language":36,"original_title":203,"overview":37,"popularity":204,"poster_path":205,"release_date":206,"softcore":4,"video":4,"vote_average":207,"vote_count":56,"character":127,"credit_id":208,"order":92,"media_type":44},[48],280523,"Tokyo Days",2.0112,"\u002FlkYts1EiGW81qXoU5OQQmyExpLz.jpg","1988-07-06",5.6,"5b1eaad5925141661800deda",{"adult":4,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":36,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":218,"vote_count":219,"character":220,"credit_id":221,"order":41,"media_type":44},"\u002FAcJaHCXf1CMWGH45ESTnzyLB7Nz.jpg",[48],142375,"Le Mystère Koumiko","Chris Marker, en voyage à Tokyo, rencontre par hasard Kumiko Muraoka, une jeune Japonaise, et décide de lui consacrer un film.",1.476,"\u002FnoZbJHWdyKDyWtT7gLTk27knh7h.jpg","1965-10-09",6.9,10,"Narrator","5c4652120e0a26495dc84cfa",{"adult":4,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":36,"original_title":226,"overview":37,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":174,"vote_count":58,"character":230,"credit_id":231,"order":41,"media_type":44},"\u002F66I1KOkSDBSNG2Z7SRkrznRtmmd.jpg",[48],392458,"Kashima Paradise",0.7225,"\u002F7v2HcoqlUHCmCdVNr2eFAePa8lo.jpg","1973-04-10","Narrator (voice)","5ccb27ae925141046f258fac",{"adult":4,"backdrop_path":233,"genre_ids":234,"id":237,"title":238,"original_language":36,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":244,"character":127,"credit_id":245,"order":82,"media_type":44},"\u002F9lHSirzogf9T1tuouY5thjhoabK.jpg",[48,235,236],10752,878,57563,"Level Five","Dans la pièce d'un appartement transformée en studio, une femme et un ordinateur. Elle s'adresse à un interlocuteur invisible qui est peut-être l'homme qu'elle aime et qui est disparu. De lui, elle a hérité cette tâche : terminer l'écriture d'un jeu vidéo consacré à la bataille d'Okinawa, à la fin de la Seconde Guerre mondiale. En travaillant sur ce projet, la jeune femme découvre les vérités et l'horreur de cette grande bataille...",1.1625,"\u002FvRCWsBmFaPUTHRvQ6GiDaJlrmx8.jpg","1997-02-19",6.1,32,"5e26bed81689350018348481",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":36,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":56,"vote_count":255,"character":256,"credit_id":257,"order":92,"media_type":44},"\u002FbzuEDByhWkNcA53SaaIgBp6O91Z.jpg",[48],128779,"Le Joli Mai","Paris, mai 1962. La guerre d'Algérie vient de s'achever avec les accords d'Evian. En ce premier mois de paix depuis sept ans, que font, à quoi pensent les Parisiens ? Chacun témoigne à sa manière de ses angoisses, ses bonheurs, ses espoirs. Peu à peu, se dessine un portrait pris sur le vif de la France à l'aube des années 60.",2.579,"\u002FqktSDdFDN3mwNduFS5MSQSOMlzz.jpg","1963-05-03",42,"Self \u002F Interviewer (voice)","5ee166f597eab4001edfafb5",{"adult":4,"backdrop_path":259,"genre_ids":260,"id":261,"title":262,"original_language":36,"original_title":262,"overview":263,"popularity":264,"poster_path":265,"release_date":266,"softcore":4,"video":4,"vote_average":103,"vote_count":267,"character":268,"credit_id":269,"order":92,"media_type":44},"\u002F8MhriiL6Mrcnpo4jp9AvZuSCb5D.jpg",[48],128831,"Lettre de Sibérie","Dans son premier long métrage, Chris Marker nous écrit d'un pays lointain : la Sibérie soviétique, en plein cœur de la guerre froide. Derrière le ton ironique du commentaire, il y a une intelligence, un esprit critique non dénué d'intention politique.",1.4931,"\u002FaSo8zaGNSDrjWgyhEA0lTO7IwdL.jpg","1957-05-16",38,"Stargazer (uncredited)","67b4b20520b8dc549ae0c3d8",{"adult":4,"backdrop_path":271,"genre_ids":272,"id":274,"title":275,"original_language":36,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":4,"vote_average":280,"vote_count":281,"character":37,"credit_id":282,"order":92,"media_type":44},"\u002FeiDCf9zgXMPOfJSq7zvpL92vIOm.jpg",[48,273],36,258656,"La Sixième Face du Pentagone","Le 21 octobre 1967 à Washington, la jeunesse américaine organise une marche pacifique sur le Pentagone en opposition à la guerre du Vietnam.",1.4834,"\u002FyQbV5oLuZhQszZX7hf7gpJZPlJK.jpg","1968-08-26",6.8,16,"68e454f6a61c881a81f8217a",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":286,"title":287,"original_language":64,"original_title":287,"overview":37,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":150,"credit_id":291,"order":92,"media_type":44},"\u002FkPq3J9vYlAl8hi2OTZC2w1h1OSx.jpg",[48],1688861,"Nostalgia for the Future",1.9778,"\u002FfAj2RjFFOE9AJQgFwsKrQl6BE5Q.jpg","2026-05-18","69fdf495bd76e3eb13076afc",{"adult":4,"backdrop_path":293,"genre_ids":294,"id":295,"title":296,"original_language":36,"original_title":296,"overview":297,"popularity":298,"poster_path":299,"release_date":300,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":301,"credit_id":302,"order":20,"media_type":44},"\u002FvV5oslpq0Rgc0plnQPzyumr16Hs.jpg",[48],1721275,"L’indispensable","Éloge à l’inspiration aux influences 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Un geste du bras et son changement de direction ou un autre mouvement et il part en vrille. Lorsque la peur est surmontée, une nouvelle relation s'établit entre l'homme et le vide, et la chute libre devient un jeu. A l'approche des nuages, la vitesse réapparaît. Au-delà de l'exploit, l'homme volant a trouvé un moment de bonheur. 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