[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F95058:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":766},false,[],"Anne-Marie Miéville, née le 11 novembre 1945 à Lausanne, est une cinéaste, réalisatrice, productrice, scénariste, actrice et écrivaine vaudoise. Anne-Marie Miéville exerce la profession de photographe et est gérante d'une librairie. Elle enregistre aussi dans les années 1960 deux disques de variétés chez Barclay, sur des chansons de Jean-Jacques Debout. Puis en 1972, elle rencontre Jean-Luc Godard à Paris, qui devient son compagnon jusqu'à la mort de celui-ci survenue en 2022. Dans un premier temps, de 1973 à 1994, elle collabore avec ce cinéaste en tant que photographe, scénariste, monteuse, coréalisatrice et assume pour certains de ses\u002Fleurs films la direction artistique. Puis en 1983, elle réalise son premier court-métrage, \"How Can I Love\", et, un an plus tard, un deuxième court-métrage, \"Le Livre De Marie\".\n\nDepuis, elle continue à réaliser des films. Au travers de ses récits cinématographiques, elle questionne, avec une singularité de ton, l'amour, le temps, le sens des choses, … Son premier long-métrage s'intitule : \"Mon Cher Sujet\" et sort en 1988. Suit en 1994 \"Lou N'A Pas Dit Non\".\n\nEn 1994 toujours, Anne-Marie Miéville publie \"Histoire Du Garçon\", un texte retraçant le parcours et la vie de son frère Alain, mort accidentellement en 1993. En 1996\u002F1997 est diffusé un nouveau long-métrage, \"Nous Sommes Tous Encore Ici\". Puis en 2000, \"Après La Réconciliation\" dans lequel elle paraît, accompagnée de Claude Perron, Jacques Spiesser, Jean-Luc Godard et Xavier Marchand.\n\nEn 2002, elle écrit \"Images En Paroles\", courts textes parus aux Farrago dont l'éditeur écrit qu'ils sont « une suite de plans fixes, de courts métrages de l'écriture. Il ne s'agit pas à proprement parler de nouvelles, mais plutôt de moments indicibles, de parfums fugitifs d'images, où il s'agirait de filmer avec des mots ».","1945-11-11",null,1,95058,"nm0594746","Directing","Anne-Marie Miéville","Lausanne, Vaud, Switzerland",1.1544,"\u002FaFz0xu9fuReVOm0rEzUVvHZ5Agw.jpg",{"cast":18,"crew":235},[19,35,49,63,76,89,98,109,122,134,146,157,168,176,187,197,207,223],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":9,"media_type":34},"\u002FysDodI3uMTo8K1ghlUU3kNFHkMr.jpg",[22],99,26298,"Ici et Ailleurs","fr","\" Ici, c'est une famille de Français moyens devant leur télévision. Ailleurs, ce sont des combattants palestiniens filmés avant les massacres de Septembre noir.\" (JLG, 1976). \"On est venu ici pour étudier ça : apprendre, tirer des leçons, si possible enregistrer ces leçons, pour les diffuser ensuite ici même, ou ailleurs dans le monde. Il y a presque un an, deux d'entre nous sont venus enquêter au Front démocratique. Puis un autre est allé au Fath. Nous avons lu les textes et les programmes. En tant que maoïstes français, nous avons décidé de faire le film avec le Fath dont le titre est Jusqu'à la victoire. Nous laissons les Palestiniens, au cours du film, dire eux-mêmes le mot: \"Révolution\". Mais le avrai titre du film, c'est Méthodes de pensée et de travail du mouvement de libération palestinien.\" (JLG, Manifeste, juillet 1970)",1.6021,"\u002FyxdBS1jF7HF1GryHwCZSvLPukpL.jpg","1976-09-15",6.7,30,"Narrator (voice)","52fe44f9c3a368484e041823","movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":48,"media_type":34},"\u002FkcDyzBiXrcpLaVpFVGvRgT7gcxk.jpg",[22],1005409,"Godard, seul le cinéma","Jean-Luc Godard, c'est le cinéma, sa quintessence. A tout juste 91 ans, il a réalisé plus de 140 films. C'est un personnage public autant qu'un homme enveloppé de mystère. Il n'est pas facile de s'emparer d'un géant aussi légendaire et énigmatique. L'itinéraire de Godard ne suit qu'une seule direction : un renouvellement constant de son art. Il voit l'acte créatif comme un acte nécessaire de critique et de déconstruction. Ce portrait veut nous emmener au-delà des clichés d'un mythe devenu parfois caricatural, à la rencontre d'un homme plus sentimental qu'il n'y paraît, un homme habité, parfois dépassé, par son art.",1.4384,"\u002Fcz5DGkSyAfoe31AY5yV855Lx2zR.jpg","2023-06-05",5.6,14,"Self (archive footage)","643a23fa31234502ecd81aa4",15,{"adult":4,"backdrop_path":50,"genre_ids":51,"id":53,"title":54,"original_language":25,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":60,"character":61,"credit_id":62,"order":9,"media_type":34},"\u002F3OafDCi1Y79Bb60Od8xXmg4iXjj.jpg",[52],18,140007,"Après la réconciliation","",1.0098,"\u002FuRMPgxZNKHUD1E2K44nrVoQXnbI.jpg","2000-12-27",7.1,10,"La Première Femme","52fe4a829251416c750e456d",{"adult":4,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":25,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"character":46,"credit_id":74,"order":75,"media_type":34},"\u002F51uIx1VkBwsNVWsJetqE7cA1Vav.jpg",[22],1122965,"Godard par Godard","Pour le monde entier, Jean-Luc Godard est synonyme de cinéma. Depuis son décès, le grand public comme les plus fins connaisseurs de son oeuvre gigantesque savent que c'est la fin d'une période, que s'achève avec lui une époque où le cinéma était encore au centre de la société, le divertissement préféré de tout le monde, à la fois industriel et personnel, commercial et expérimental, spectaculaire et capable de profondeur. Le parcours de Godard, fait de brusques décrochages et de retours fracassants, est unique. Godard ne s'est jamais retourné sur son passé et n'a jamais cessé d'expérimenter.",1.5344,"\u002FbT3dDMz11CwtF8IdakwG0ILpyYu.jpg","2023-05-17",7.2,5,"64fba151e0ca7f00ec8afedf",4,{"adult":4,"backdrop_path":77,"genre_ids":78,"id":80,"title":81,"original_language":25,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":86,"vote_count":75,"character":87,"credit_id":88,"order":9,"media_type":34},"\u002FxvtnuOORpC12Hij3f5H0TM0LGgD.jpg",[22,79],10770,228957,"Soft and Hard","Une discussion entre Jean-Luc Godard et Anne-Marie Miéville. Dans une première partie, on entend leur dialogue en voix-off sur des images de Godard au téléphone ou train de mimer un match de tennis et d'Anne-Marie Miéville en train de repasser. Puis, après de superbes vues de paysages (lac et ciel), on retrouve Godard et Miéville sur un canapé, parlant des images, de la télévision et du cinéma.",1.3754,"\u002F8w0wqG74NGimclIKwpbSYi9nzH9.jpg","1985-08-12",6,"Self","52fe4ede9251416c75165155",{"adult":4,"backdrop_path":8,"genre_ids":90,"id":91,"title":92,"original_language":25,"original_title":92,"overview":55,"popularity":93,"poster_path":8,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"character":87,"credit_id":97,"order":9,"media_type":34},[22,79],259026,"Six fois deux\u002FSur et sous la communication",1.2432,"1976-03-12",8.7,3,"5320c4a39251411f85001b04",{"adult":4,"backdrop_path":8,"genre_ids":99,"id":100,"title":101,"original_language":25,"original_title":101,"overview":55,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"character":107,"credit_id":108,"order":9,"media_type":34},[],293426,"Le Rapport Darty",1.3161,"\u002Fe8kQ2zDXGr0G7BZnvTW4OZaQ7wv.jpg","1989-01-01",6.5,2,"Mamzelle Clio","541a4933c3a3685104001401",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":25,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":4,"video":4,"vote_average":118,"vote_count":119,"character":120,"credit_id":121,"order":9,"media_type":34},"\u002FiGNAF2Es13Hwh2bx5mOSiqePXyO.jpg",[52],248319,"Comment ça va ?","Dans l'imprimerie d'un journal communiste, une militante gauchiste remet en cause le procédé de fabrication de l'information.",1.672,"\u002FzZr61z5XyqtjPhDIn8d0KQV4ack.jpg","1978-04-26",6.1,16,"Odette","54208230c3a368699100039c",{"adult":4,"backdrop_path":123,"genre_ids":124,"id":125,"title":126,"original_language":25,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"character":32,"credit_id":133,"order":9,"media_type":34},"\u002Fq6GsGCc0Ncymil1WiTrhsScRKdG.jpg",[22,52],414030,"Le Livre d'image","Dans Le Livre d’Image, Jean-Luc Godard recycle des images déjà existantes (films, documentaires, peintures, archives télévisuelles, etc.), cite des extraits de livres, utilise des fragments de musique. Le moteur, c’est la rime poétique, l’association ou l’opposition d’idées, l’étincelle esthétique à travers le montage, clé de voûte. L’auteur exécute un travail de sculpteur. La main, pour cela, est essentielle. Il en fait l’éloge au début. « Il y a les cinq doigts. Les cinq sens. Les cinq parties du monde (…). La vraie condition de l’homme, c’est de penser avec ses mains. » Jean-Luc Godard compose une éblouissante syncope de séquences, dont le déferlement évoque la violence des flux de nos écrans contemporains, portée à un niveau d'incandescence rarement atteint. Couronné à Cannes, le dernier Godard est un film choc, à la beauté crépusculaire.",3.3926,"\u002Fbg550nt1GLGsE7S8Qw1o3EnIPN5.jpg","2018-10-11",6.3,86,"5d00cc8092514162bcbbd1c6",{"adult":4,"backdrop_path":8,"genre_ids":135,"id":136,"title":137,"original_language":138,"original_title":137,"overview":55,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":142,"vote_average":143,"vote_count":143,"character":144,"credit_id":145,"order":106,"media_type":34},[22],692243,"Four Short Films","en",1.3114,"\u002F90gz0QHJRDvLh1Wcdx401H8vzAv.jpg","2006-03-06",true,0,"Self - Narrator (voice)","5e925bf00231f2001a02cd76",{"adult":4,"backdrop_path":8,"genre_ids":147,"id":148,"title":149,"original_language":25,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":155,"character":87,"credit_id":156,"order":9,"media_type":34},[22],188321,"Scénario du film Passion","JLG réalise, pour la télévision suisse-romande, ce « Scénario du film Passion » où, la plupart du temps en ombre chinoise et face à un écran lumineux il explique le cheminement qu’il a emprunté pour aboutir au scénario-film « Passion ».",1.0832,"\u002Fl1K6vRTgirdcGz8oQL1amYxTBUJ.jpg","1982-01-28",5.9,11,"5f46ebca0d11f20031bd4d50",{"adult":4,"backdrop_path":8,"genre_ids":158,"id":159,"title":160,"original_language":25,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":4,"video":4,"vote_average":165,"vote_count":166,"character":87,"credit_id":167,"order":96,"media_type":34},[22],293424,"Petites notes à propos du film 'Je vous salue, Marie'","« Loué soit le cinéma : la loi n'est pas dite, elle est vue et entendue. Une histoire nous est née et nous est donnée. C'est ainsi qu'à travers une image ressuscite la vie. » (JLG, 1985)",1.2682,"\u002FcXGUydBKdoCY11yL8U7HhTBuLLc.jpg","1983-01-01",5.3,9,"5ffba2e80fb17f003c3fbdd7",{"adult":4,"backdrop_path":8,"genre_ids":169,"id":170,"title":171,"original_language":138,"original_title":171,"overview":55,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":60,"vote_count":9,"character":87,"credit_id":175,"order":9,"media_type":34},[22],848323,"Jean-Luc Godard and Anne-Marie Miéville on Google StreetView",1.0344,"\u002Fjx0LJ5C2zUKN8Xy7tSq9vrnfyIw.jpg","2018-02-21","60e4d10b07faa200301827af",{"adult":4,"backdrop_path":8,"genre_ids":177,"id":179,"title":180,"original_language":25,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":44,"vote_count":73,"character":185,"credit_id":186,"order":143,"media_type":34},[79,178,22],10402,385191,"Faut pas rêver","Exercice à partir de la chanson « Faut pas rêver » de Patrick Juvet, diffusé en 1978 dans l'émission « On ne manque pas d'airs ».",1.0415,"\u002FdDKlwkajiZcLKmbzNLYBJ58LFxH.jpg","1977-12-31","Mother (voice) (uncredited)","66e2620c791320cd95d43b45",{"adult":4,"backdrop_path":8,"genre_ids":188,"id":189,"title":190,"original_language":25,"original_title":190,"overview":55,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":4,"vote_average":194,"vote_count":96,"character":195,"credit_id":196,"order":9,"media_type":34},[22],293242,"Reportage amateur (Maquette expo)",1.2554,"\u002FagWnNihvp5Plpb2EAre10qUhyvw.jpg","2006-04-24",5.7,"Self (voice) (uncredited)","688433fef9fcc95b9ad9ab6b",{"adult":4,"backdrop_path":8,"genre_ids":198,"id":199,"title":200,"original_language":25,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":105,"vote_count":86,"character":205,"credit_id":206,"order":9,"media_type":34},[22],194532,"The Old Place","Miéville et Godard expriment leurs philosophies personnelles dans un essai sur le rôle des beaux-arts à la fin du XXe siècle, commandé par le musée d'art moderne de New York.",1.8862,"\u002FkupdQ1vKxPdPZ14s4Le0JzU4uFm.jpg","2000-05-19","Self \u002F Narrator (voice)","695985d73251db027ac38456",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":211,"origin_country":212,"original_language":25,"original_name":214,"overview":215,"popularity":216,"poster_path":217,"first_air_date":218,"softcore":4,"name":214,"vote_average":219,"vote_count":106,"character":87,"credit_id":220,"episode_count":96,"first_credit_air_date":221,"media_type":222},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[210],10767,244224,[213],"FR","Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen… les plus grandes stars du cinéma ont été reçues par Christian Defaye dans son émission Spécial cinéma. Entre confessions intimes des comédiens et immersion dans l'univers des plus grands cinéastes, Christian Defaye a entraîné, durant près de trente ans, les téléspectateurs dans cet univers fascinant du Septième art.",70.4104,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65b7af1a312345017bdc188a","1984-01-16","tv",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"origin_country":227,"original_language":25,"original_name":92,"overview":228,"popularity":229,"poster_path":8,"first_air_date":230,"softcore":4,"name":92,"vote_average":231,"vote_count":232,"character":87,"credit_id":233,"episode_count":234,"first_credit_air_date":230,"media_type":222},"\u002FxXHEezg8XUEtjYila37VwzP2uVZ.jpg",[22],59104,[213],"1976. Jean-Luc Godard et Anne-Marie Miéville adoptent l'outil télévision pour mieux en dénoncer le contenu. Ils réalisent à Grenoble en 1975-1976 une série de six programmes de cent minutes, divisés chacun en deux émissions, pensée en vue d'une diffusion destinée au plus grand nombre. Véritable réflexion sur les moyens de communication, la série dénonce les médias « qui étouffent le vrai » pour proposer en contrepartie une télévision autre, plus proche des réalités sociales et plus critique.",2.7187,"1976-07-25",7.3,7,"66c8fed3c7e8d465275ed661",12,[236,240,245,255,258,263,276,287,297,300,303,307,310,313,316,326,337,340,343,353,356,359,362,371,374,377,390,403,411,414,417,424,433,443,450,453,456,464,467,470,473,476,479,482,485,496,508,512,523,535,546,549,559,571,582,590,598,607,610,613,626,634,637,640,643,646,649,652,655,659,671,675,684,687,690,693,702,711,714,717,720,724,728,737,741,745,749,753,757,762],{"adult":4,"backdrop_path":20,"genre_ids":237,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":238,"department":12,"job":239,"media_type":34},[22],"52fe44f9c3a368484e041809","Director",{"adult":4,"backdrop_path":20,"genre_ids":241,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":242,"department":243,"job":244,"media_type":34},[22],"52fe44f9c3a368484e04180f","Production","Producer",{"adult":4,"backdrop_path":246,"genre_ids":247,"id":248,"title":249,"original_language":25,"original_title":249,"overview":250,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":232,"vote_count":96,"credit_id":254,"department":12,"job":239,"media_type":34},"\u002FbgspKcir168iAP8BnYmHsEK3orC.jpg",[22,52],49116,"Contre l’oubli","Film collectif français réalisé par une trentaine de réalisateurs, dont Alain Resnais et Jean-Luc Godard , et sorti en 1991, pour témoigner du devenir de prisonniers politiques.",1.1125,"\u002F1PMobTJtMzOSBqNCHImiLAyPumH.jpg","1991-12-11","52fe4786c3a36847f813a9e1",{"adult":4,"backdrop_path":50,"genre_ids":256,"id":53,"title":54,"original_language":25,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":60,"credit_id":257,"department":12,"job":239,"media_type":34},[52],"52fe4a829251416c750e4563",{"adult":4,"backdrop_path":50,"genre_ids":259,"id":53,"title":54,"original_language":25,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":60,"credit_id":260,"department":261,"job":262,"media_type":34},[52],"52fe4a829251416c750e4569","Writing","Screenplay",{"adult":4,"backdrop_path":264,"genre_ids":265,"id":266,"title":267,"original_language":25,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":118,"vote_count":272,"credit_id":273,"department":274,"job":275,"media_type":34},"\u002Fp8NHG9uNXn7MSrknNk0LbBjJxQc.jpg",[52],113479,"Sauve qui peut (la vie)","Les angoisses et aspirations d'hommes et de femmes face à une société qui les broie. 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Ce portrait exigeant d'une enfant plongée dans ses livres, sa musique et sa danse jette un regard dépassionné mais touchant sur la réaction de la jeune fille au nouveau bouleversement de sa vie.",1.3942,"\u002FmbKivIYJUNko3bezlQoYUULH3vk.jpg","1985-01-23",17,"5321f9679251411f890033d8",{"adult":4,"backdrop_path":288,"genre_ids":338,"id":290,"title":291,"original_language":25,"original_title":291,"overview":55,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":295,"vote_count":60,"credit_id":339,"department":12,"job":239,"media_type":34},[],"53377b8d9251417da1001c59",{"adult":4,"backdrop_path":277,"genre_ids":341,"id":279,"title":280,"original_language":25,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":4,"video":4,"vote_average":285,"vote_count":234,"credit_id":342,"department":274,"job":275,"media_type":34},[79,22],"62cf837a6c449c0069372256",{"adult":4,"backdrop_path":8,"genre_ids":344,"id":346,"title":347,"original_language":25,"original_title":347,"overview":55,"popularity":348,"poster_path":349,"release_date":350,"softcore":4,"video":4,"vote_average":351,"vote_count":75,"credit_id":352,"department":12,"job":239,"media_type":34},[52,345],10752,287225,"L'enfance de l'art",2.0203,"\u002F8q7dgcQFhqAWuC1ZzsxxTPD35yy.jpg","1990-11-08",5.5,"53f0aa1bc3a3685ad9002e1e",{"adult":4,"backdrop_path":8,"genre_ids":354,"id":100,"title":101,"original_language":25,"original_title":101,"overview":55,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"credit_id":355,"department":12,"job":239,"media_type":34},[],"541a492fc3a368511f00145f",{"adult":4,"backdrop_path":8,"genre_ids":357,"id":189,"title":190,"original_language":25,"original_title":190,"overview":55,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":4,"vote_average":194,"vote_count":96,"credit_id":358,"department":12,"job":239,"media_type":34},[22],"541a460e0e0a26259c001341",{"adult":4,"backdrop_path":317,"genre_ids":360,"id":319,"title":320,"original_language":25,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":30,"vote_count":73,"credit_id":361,"department":274,"job":275,"media_type":34},[79,22],"655a72a353866e00ff0970f2",{"adult":4,"backdrop_path":363,"genre_ids":364,"id":365,"title":366,"original_language":25,"original_title":366,"overview":55,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":166,"vote_count":106,"credit_id":370,"department":12,"job":239,"media_type":34},"\u002FjGQK6W92rWzjiRolCaWWaQmXueU.jpg",[52],340258,"Mon cher sujet",1.2301,"\u002FrX3SQAtHHuaUoUNKlWzW8IJyk3Y.jpg","1989-01-11","5554f45a9251411e57000328",{"adult":4,"backdrop_path":363,"genre_ids":372,"id":365,"title":366,"original_language":25,"original_title":366,"overview":55,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":166,"vote_count":106,"credit_id":373,"department":274,"job":275,"media_type":34},[52],"5554f64b9251411e540002d8",{"adult":4,"backdrop_path":363,"genre_ids":375,"id":365,"title":366,"original_language":25,"original_title":366,"overview":55,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":166,"vote_count":106,"credit_id":376,"department":261,"job":306,"media_type":34},[52],"5554f48dc3a36877790002de",{"adult":4,"backdrop_path":378,"genre_ids":379,"id":382,"title":383,"original_language":25,"original_title":383,"overview":384,"popularity":385,"poster_path":386,"release_date":387,"softcore":4,"video":4,"vote_average":388,"vote_count":86,"credit_id":389,"department":12,"job":239,"media_type":34},"\u002FvyENrmUF55jgwoveZTYo4mF05n2.jpg",[380,52,381],35,10749,352249,"Nous sommes tous encore ici","Dans une maison, deux femmes dissertent sur un dialogue de Socrate et Calliclès extrait du «Gorgias» de Platon où, contre Calliclès qui revendique la loi naturelle du plus fort contre le droit, Socrate maintient qu'il vaut mieux subir l'injustice que la commettre. 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Les images restent muettes, accompagnées de 4 phrases et de 4 musiques.  « Le purgatoire » se déroule de nos jours dans la ville de Sarajevo à l'occasion des Rencontres Européennes du Livre. Il s'agit de conférences ou de simples conversations à propos de la nécessité de la poésie, de l'image de soi et de l'autre, de la Palestine et d'Israël, etc., et qui sont le fait de personnes réelles comme de personnages imaginaires. 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