[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F935137:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":13,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":908},false,[6,7,8],"다니엘 위예","다니엘 스트로브","다니엘 위에","Danièle Huillet was born on May 1, 1936 in Paris, France. She was a director and editor, known for Sicily! (1999), Class Relations (1984) and The Chronicle of Anna Magdalena Bach (1968). She was married to Jean-Marie Straub. 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Bribes de dialogues, de pensées qui se mêlent joyeusement aux visages qui se mêlent aussi entre eux.  –  A partir des cinématon n°342 et 343 de Gérard Courant : « Jean Marie Straub », 1984 et « Danièle Huillet », 1984.",0.8531,"\u002F8myu8q8UjjyXRBNVNCeRtd0zDyc.jpg","2020-01-01","Himself","66151a3b048638017c1c2874",{"adult":4,"backdrop_path":140,"genre_ids":141,"id":143,"title":144,"original_language":46,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":107,"vote_count":149,"character":150,"credit_id":151,"order":97,"media_type":40},"\u002FrtTIL7ktWswuuNLi0qffPrMwlmW.jpg",[26,142],35,208949,"Toute révolution est un coup de dés","Un hommage à Mallarmé qui non seulement affirme la pertinence de son œuvre, mais confronte également ses ambiguïtés littéraires à ses propres ambiguïtés politiques et cinématographiques. Dans ses grandes lignes, le film ne pourrait être plus simple : il propose une récitation de l'un des poèmes les plus célèbres et les plus complexes de Mallarmé (il s'agit de sa dernière œuvre publiée de son vivant, parue en 1897, un an avant sa mort) et propose un équivalent cinématographique à l'expérience originale de l'auteur en matière de typographie et de mise en page en attribuant les mots à neuf locuteurs différents, en séparant chaque locuteur au fur et à mesure qu'il parle et en utilisant de légères pauses pour correspondre aux espaces blancs sur la page d'origine.",1.0293,"\u002FrPKZjDvjsFzHHIGKawGCNgJW4fg.jpg","1977-12-07",10,"(Re)citer","5694ed959251414b62001f55",{"adult":4,"backdrop_path":153,"genre_ids":154,"id":155,"title":156,"original_language":29,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":162,"vote_count":108,"character":47,"credit_id":163,"order":164,"media_type":40},"\u002Fbvrwav5KfjOa5x63gXi3pbTjDnT.jpg",[76],165728,"Introduction à la Musique d'accompagnement pour une scène de film de Arnold Schoenberg","Einleitung zu Arnold Schoenbergs Begleitmusik zu einer Lichtspielscene","C’est un petit film intense, fondé sur l’œuvre homonyme de Schoenberg, sous-titrée « danger, peur, catastrophe ». Il traite de l’émergence du fascisme et de la persécution des Juifs, ainsi que de leurs continuités historiques.",1.1117,"\u002FlXAiifS2yg2XtIT979waaf00HzP.jpg","1973-04-09",5.7,"5896a8dec3a36808ae01085e",2,{"adult":4,"backdrop_path":55,"genre_ids":166,"id":167,"title":168,"original_language":169,"original_title":168,"overview":47,"popularity":170,"poster_path":55,"release_date":171,"softcore":4,"video":4,"vote_average":62,"vote_count":62,"character":47,"credit_id":172,"order":12,"media_type":40},[],445596,"Straub-Huillet e Pavese: Quei Loro Incontri","it",0.9316,"2005-01-01","58becd089251413435016382",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":46,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":39,"character":127,"credit_id":184,"order":12,"media_type":40},"\u002FiZ7x8dpJt28vU7GQBXUv8ByogkK.jpg",[76],95533,"Où gît votre sourire enfoui ?","Où gît votre sourire enfoui?","Nullement découragé par la commande d'un film sur ses mentors et ses modèles esthétiques, l'équipe de réalisateurs Jean-Marie Straub et Danièle Huillet, Costa enregistre avec beaucoup de sensibilité et de perspicacité le processus exigeant par lequel les deux hommes remontent leur film Sicilia ! en discutant et en se disputant sur chaque coupe et son effet. Il incorpore des commentaires sur l'influence de personnages aussi divers que Chaplin et Eisenstein, sur les implications éthiques et esthétiques de la technique cinématographique et sur des questions telles que le rythme, le mixage du son et le jeu des acteurs. Le film devient un tour de force, nous plongeant dans les mystères du cinéma tel que pratiqué par certains de ses plus grands créateurs. Pour Costa, ce film est à la fois sa première comédie et sa première histoire d'amour.",1.4624,"\u002FfGbNHbpRmXFd8AIC2pkHAKskcqZ.jpg","2003-01-15",7.4,"58d3fa53c3a368127c01613c",{"adult":4,"backdrop_path":186,"genre_ids":187,"id":188,"title":189,"original_language":29,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":4,"vote_average":194,"vote_count":195,"character":196,"credit_id":197,"order":198,"media_type":40},"\u002F1krsnQP1xlqa28nIK1PgIowmzot.jpg",[26],300832,"Kommunisten","Conçu en six parties, Kommunisten est un parcours dans l'histoire du XXe siècle, mêlant Malraux et des fragments des films précédents de Jean-Marie Straub.",1.2671,"\u002FkkmWWu7tGOvMwonxAfAviW9wesz.jpg","2014-08-15",4.6,11,"La 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veut.",2.0016,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°343","5a6cc3900e0a265f0100ee37",66,{"adult":4,"backdrop_path":55,"genre_ids":276,"id":277,"title":278,"original_language":68,"original_title":278,"overview":47,"popularity":279,"poster_path":55,"release_date":280,"softcore":4,"video":4,"vote_average":62,"vote_count":62,"character":127,"credit_id":281,"order":164,"media_type":40},[],497718,"Hommage à Jean-Marie Straub",1.598,"2018-01-08","5a573df20e0a2607ce0366d3",{"adult":4,"backdrop_path":55,"genre_ids":283,"id":284,"title":285,"original_language":46,"original_title":285,"overview":47,"popularity":286,"poster_path":287,"release_date":280,"softcore":4,"video":4,"vote_average":62,"vote_count":62,"character":127,"credit_id":288,"order":12,"media_type":40},[76],513221,"Une Vie 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réalisateurs.",1.6151,"\u002FdKWffCEx4fA6o3hKU1pTZFPXnM4.jpg","2009-01-21",7.5,"691505146b8a39a9afac20e1",[332,345,348,362,373,384,395,405,416,421,433,442,451,465,476,487,490,500,503,506,509,512,519,522,533,545,556,561,572,581,584,587,590,593,596,609,612,623,626,629,632,644,653,656,661,664,667,670,673,676,679,682,685,688,691,694,697,700,703,706,709,717,720,723,726,729,736,740,743,746,757,760,763,766,769,780,783,786,789,792,802,805,808,811,814,817,820,823,826,829,832,835,838,841,844,847,850,853,856,859,862,865,868,871,874,877,880,883,886,889,892,895,899,902,905],{"adult":4,"backdrop_path":333,"genre_ids":334,"id":335,"title":336,"original_language":169,"original_title":337,"overview":338,"popularity":339,"poster_path":340,"release_date":341,"softcore":4,"video":4,"vote_average":342,"vote_count":26,"credit_id":343,"department":16,"job":344,"media_type":40},"\u002FqxAElMTLj4Mtgx8kK5guUZUHJDJ.jpg",[26],87415,"De la nuée à la résistance","Dalla nube alla resistenza","Jean-Marie Straub et 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Ils explorent notamment les rapports des hommes aux dieux de la Rome antique, et la résistance au capitalisme de l’Italie moderne.",1.5056,"\u002FsUSpabH18guLysFGzFEYNPxy4nw.jpg","1979-11-07",5.3,"52fe49c39251416c910b8057","Director",{"adult":4,"backdrop_path":234,"genre_ids":346,"id":236,"title":237,"original_language":46,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":4,"video":4,"vote_average":242,"vote_count":243,"credit_id":347,"department":16,"job":344,"media_type":40},[76],"52fe49ce9251416c750d3e4f",{"adult":4,"backdrop_path":349,"genre_ids":350,"id":352,"title":353,"original_language":29,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":360,"credit_id":361,"department":16,"job":344,"media_type":40},"\u002Fn09tR1wlRbJ8Bh6Eqz77rI5PegO.jpg",[351,26],10402,95600,"Chronique d'Anna Magdalena Bach","Chronik der Anna Magdalena Bach","Anna Magdalena Bach évoque les dernières décennies de la vie de son mari, Johann Sebastian Bach, depuis ses années à Köthen jusqu’à Leipzig. 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