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Quelques-uns de ces musiciens sont restés dans son orchestre pendant des décennies. Certains d'entre eux étaient déjà dignes d'intérêt par eux-mêmes, mais c'est surtout Ellington qui les transformait. Il avait l'habitude de composer spécifiquement pour certains de ses musiciens en tenant compte de leurs points forts, comme Prelude to a Kiss ou Jeep's Blues pour Johnny Hodges, Concerto for Cootie («Do Nothing Till You Hear from Me») pour Cootie Williams et The Mooche pour Joe Nanton. Il a aussi enregistré des morceaux composés par les membres de son orchestre, comme Caravan et Perdido de Juan Tizol. Après 1941, il collabore régulièrement avec le compositeur et arrangeur Billy Strayhorn qu'il appelait son «alter ego».\n\nDuke Ellington fait partie des principaux compositeurs de musique populaire américaine, aux côtés de Irving Berlin, Cole Porter, Harold Arlen, George Gershwin, Richard Rodgers, Jerome Kern, Hoagy Carmichael, Oscar Hammerstein II, Burt Bacharach, Stephen Sondheim, Jule Styne, Jimmy Van Heusen, etc. Sa contribution à la musique est récompensée par de nombreuses distinctions internationales.\n\nPlusieurs de ses titres font partie du Grand répertoire américain de la chanson ou sont devenus des standards du jazz.\n\nIl est également un soutien du mouvement des droits civiques en faveur des Afro-Américains, un porte-parole de leur condition socio-politique.\n\nDuke Ellington est une des personnalités afro-américaines les plus célèbres du XXe siècle. Il a enregistré pour un grand nombre de maisons de disques américaines et a joué dans plusieurs films. 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