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His films utilize unconventional storytelling methods, such as long takes and\u002For non-professional actors to achieve realism.\n\nDebuting with Family Nest in 1979, Tarr underwent a period of what he refers to as \"social cinema\", aimed at telling mundane stories about ordinary people, often in the style of cinema vérité. Over the next decade, the cinematography of Tarr's films gradually changed; Damnation (1988) was shot with languid camera movement aimed at establishing ambience. It marked Tarr's earliest experimentation with philosophical themes, focused mostly on bleak and desolate representations of reality. Sátántangó (1994) and Werckmeister Harmonies (2000) continued this approach; both are considered by some critics to be among the greatest films ever made. Tarr would later compete in the 2007 Cannes Film Festival with his film The Man From London.\n\nFrequent collaborators of Tarr include his wife Ágnes Hranitzky, novelist László Krasznahorkai, film composer Mihály Víg, cinematographer Fred Kelemen, and actress Erika Bók. After the release of his film The Turin Horse (2011), Tarr announced his definitive retirement from film direction. 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Kamondi arrive en dernier avec ses principes égalitaires, il provoque rapidement un conflit entre lui et l’élitiste Kovács. La dispute divise les gens et à l’approche du soir le rassemblement d’amis se transforme de plus en plus à un jeu de mystère étrange où les participants voient les évènements se dérouler sur les écrans de télévisions divers.",1.0396,"\u002F9g7BMA1EFxSCl0aIrgAQEm8VD6q.jpg","1987-09-15",5.5,"Jesus as Mental Patient","5cc4c9269251415cd2f7a9ea",{"adult":4,"backdrop_path":132,"genre_ids":133,"id":134,"title":135,"original_language":136,"original_title":135,"overview":40,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"character":76,"credit_id":140,"order":48,"media_type":49},"\u002F59MZIe56irokLWqmZJdnu0I06xE.jpg",[36],1364103,"FUKUSHIMA with BÉLA TARR","ja",1.1933,"\u002FxDkFPdi6PToHLr14zebT5XYbM2A.jpg","2025-02-15","66fac2f31c5df25f10d01259",{"adult":4,"backdrop_path":24,"genre_ids":142,"id":143,"title":144,"original_language":145,"original_title":144,"overview":40,"popularity":146,"poster_path":24,"release_date":40,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"character":40,"credit_id":147,"order":23,"media_type":49},[36],1554921,"Il vento del cinema","it",1.2686,"68dc0be542f426a59abb1682",{"adult":4,"backdrop_path":24,"genre_ids":149,"id":151,"title":152,"original_language":93,"original_title":152,"overview":40,"popularity":153,"poster_path":24,"release_date":154,"softcore":4,"video":4,"vote_average":155,"vote_count":87,"character":156,"credit_id":157,"order":155,"media_type":49},[120,150],10770,1402289,"Iván Iljics halála",0.7696,"1965-02-28",9,"Vászja (as Tar Béla)","68decfa84301af7aa3fd260d",{"adult":4,"backdrop_path":24,"genre_ids":159,"id":160,"title":161,"original_language":39,"original_title":161,"overview":40,"popularity":162,"poster_path":163,"release_date":164,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"character":40,"credit_id":165,"order":48,"media_type":49},[36],1770743,"Перший урок",0.9677,"\u002FjKovDkSg29KX2o2mtoiAdiuvd4t.jpg","2026-09-19","6aa88abb2cd8b9a21c3e0f80",{"adult":4,"backdrop_path":24,"genre_ids":167,"id":170,"origin_country":171,"original_language":145,"original_name":173,"overview":174,"popularity":175,"poster_path":24,"first_air_date":176,"softcore":4,"name":173,"vote_average":48,"vote_count":48,"character":40,"credit_id":177,"episode_count":87,"first_credit_air_date":178,"media_type":179},[36,168,169],10767,10768,293024,[172],"IT","Parola (su una data)","Enrico Ghezzi invite une personnalité à s'exprimer sur le 11 Septembre 2001.",2.1327,"2003-01-01","683ff65e2f2257d8f4538f5d","2003-01-21","tv",[181,197,201,214,218,232,235,248,258,271,274,286,299,302,315,318,331,343,346,363,376,387,399,402,405,414,417,427,437,446,454,468,475,478,487,497,504,510,513,527,531,534,541,549,563,571,579,589,597,601,610,618,627,635,638,646,659,667,677,688,696,703,712,720,729,740,752],{"adult":4,"backdrop_path":182,"genre_ids":183,"id":185,"title":186,"original_language":93,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"credit_id":194,"department":195,"job":196,"media_type":49},"\u002Fm6sHDQ7Hsc2q3Tn5hMbWkTMIXup.jpg",[120,184],80,20122,"Damnation","Kárhozat","Dans un paysage dévasté, Karrer vit depuis des années coupé du monde, passant son temps à contempler des bennes qui disparaissent dans le lointain et à errer sous une pluie incessante. Ses seuls liens sociaux sont un bar « Le Titanic », où il échoue chaque soir, et son patron, Willarsky.",2.4995,"\u002FmrRfth3dr54aAfszGtZwdsrU8yv.jpg","1988-10-20",7.638,159,"52fe43d7c3a368484e001657","Writing","Writer",{"adult":4,"backdrop_path":182,"genre_ids":198,"id":185,"title":186,"original_language":93,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"credit_id":199,"department":27,"job":200,"media_type":49},[120,184],"52fe43d7c3a368484e001637","Director",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":93,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":211,"vote_count":212,"credit_id":213,"department":27,"job":200,"media_type":49},"\u002FpyCUjcPHZrMY125lWpWAxEexe7C.jpg",[120],23160,"Les Harmonies Werckmeister","Werckmeister harmóniák","Le pays est en proie au désordre, des gangs errent dans la capitale. Valushka, un postier, s'extasie sur le miracle de la création et se bat contre l'obscurantisme. Dans un café, il tente d'entraîner les clients ivres dans ses visions cosmologiques, puis, à travers la ville, chez Monsieur Eszter, un vieil homme occupé à accorder un piano pour retrouver l'harmonie du clavecin qui a été brisée par l'invention Werckmeister.",4.5537,"\u002FbxtGO7RTBtufM8AhMRvq4KOea3.jpg","2001-02-01",7.8,402,"52fe4461c3a368484e01f9bf",{"adult":4,"backdrop_path":202,"genre_ids":215,"id":204,"title":205,"original_language":93,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":211,"vote_count":212,"credit_id":216,"department":195,"job":217,"media_type":49},[120],"52fe4461c3a368484e01f9d1","Co-Writer",{"adult":4,"backdrop_path":219,"genre_ids":220,"id":222,"title":223,"original_language":93,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":108,"vote_count":229,"credit_id":230,"department":195,"job":231,"media_type":49},"\u002FxgJt1f0OkcSsbWNQaoKddPIOgCh.jpg",[221,184,120],9648,31262,"L'Homme de Londres","A Londoni férfi","Maloin mène une vie simple et sans but, aux confins de la mer infinie; c’est à peine s’il remarque le monde qui l’entoure. Il a déjà accepté la longue et inévitable détérioration de sa vie, et son immense solitude. Lorsqu’il devient témoin d’un meurtre, sa vie bascule et le voilà confronté au péché, à la morale, au châtiment, écartelé à la frontière de l’innocence et de la complicité. Et cet état de scepticisme l’entraîne sur le chemin de la réflexion, sur la signification de la vie et du sens de l’existence.",2.6972,"\u002F6gXFXBf8ovUdiVVQJw2vIxuI763.jpg","2008-09-24",113,"52fe446d9251416c910105bf","Screenplay",{"adult":4,"backdrop_path":219,"genre_ids":233,"id":222,"title":223,"original_language":93,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":108,"vote_count":229,"credit_id":234,"department":27,"job":200,"media_type":49},[221,184,120],"52fe446d9251416c910105b3",{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":93,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":245,"vote_count":246,"credit_id":247,"department":195,"job":231,"media_type":49},"\u002F5a4Gmk2HNeefI4Rmwdmbyoy79oy.jpg",[120],31414,"Le Tango de Satan","Sátántangó","Dans un petit village hongrois, deux mystérieuses personnes que chacun croyait disparues refont parler d'elles. Une épopée de plus de sept heures sur la chute du communisme en Europe de l'Est.",4.6767,"\u002FhySy5g6xncM3U1iRsdPgYyahXM0.jpg","1994-04-28",8.049,328,"52fe447c9251416c91012567",{"adult":4,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":39,"original_title":252,"overview":40,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":62,"vote_count":256,"credit_id":257,"department":27,"job":200,"media_type":49},"\u002FnV9ehd25kF2vbkO6VTA2Owd6wXn.jpg",[36,53,120],8985,"Visions of Europe",2.2274,"\u002F2v0gZZRiFVHNOraIbU21fDEzH4A.jpg","2004-05-01",25,"52fe44cec3a36847f80ab22d",{"adult":4,"backdrop_path":259,"genre_ids":260,"id":261,"title":262,"original_language":93,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"credit_id":270,"department":27,"job":200,"media_type":49},"\u002FciL1NT4CsnZ0MSebbrxkUwVfmSh.jpg",[120],60261,"Rapports préfabriqués","Panelkapcsolat","Un couple marié depuis neuf ans, deux enfants de huit ans et huit mois, un bel appartement dans un grand ensemble. Lui travaille dans une entreprise moderne, elle s’occupe de la maison et des enfants ; et sous ces apparences idéales, le malheur des gens au quotidien. Claustrophobie pour la femme confinée dans ses tâches ménagères, frustration pour l’homme qui ne la comprend pas et doit renoncer à partir un an à l’étranger pour son travail. Un jour, il quitte la maison. La femme refuse cet abandon et tente de remonter aux jours anciens de leur histoire, où la fragilité de leur couple était déjà visible.",2.1903,"\u002FvD1iD2lbLCHIJNfCZOGRtSIjg1b.jpg","1982-12-09",6.5,37,"52fe461dc3a368484e07fa13",{"adult":4,"backdrop_path":259,"genre_ids":272,"id":261,"title":262,"original_language":93,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"credit_id":273,"department":195,"job":196,"media_type":49},[120],"52fe461dc3a368484e07fa19",{"adult":4,"backdrop_path":275,"genre_ids":276,"id":277,"title":278,"original_language":93,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":284,"vote_count":45,"credit_id":285,"department":27,"job":200,"media_type":49},"\u002FnLSWM9Eszh3aFxVzdr61LDCwHSB.jpg",[120],47053,"Voyage sur la plaine hongroise","Utazás az Alföldön","Pendant le tournage du Tango de Satan, entre 1991 et 1994, Béla Tarr a filmé l’un de ses acteurs, Mihaly Víg, récitant des poèmes de Sandor Petöfi. Pendant les pauses, entre les prises, il déambule en récitant la poésie écrite dans ces lieux mêmes, cent cinquante ans plus tôt.",1.0869,"\u002F3QS40ytyfsUfi3flYB3s5e0elCz.jpg","1995-01-01",6.3,"52fe471cc3a36847f8123e07",{"adult":4,"backdrop_path":287,"genre_ids":288,"id":289,"title":290,"original_language":93,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":4,"video":4,"vote_average":296,"vote_count":297,"credit_id":298,"department":195,"job":196,"media_type":49},"\u002FhjIEvUldc2lbxKZi6og3G39gLpK.jpg",[120],48318,"Le Nid familial","Családi tűzfészek","Dans de nombreuses villes, les logements sont trop étroits. Les difficultés sont nombreuses lorsque plusieurs familles vivent dans ces espaces restreints.",1.74,"\u002FzmAw2esuUlO97zv643ktsYa17cP.jpg","1979-01-25",6.7,49,"52fe475fc3a36847f813227d",{"adult":4,"backdrop_path":287,"genre_ids":300,"id":289,"title":290,"original_language":93,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":4,"video":4,"vote_average":296,"vote_count":297,"credit_id":301,"department":27,"job":200,"media_type":49},[120],"52fe475fc3a36847f8132277",{"adult":4,"backdrop_path":303,"genre_ids":304,"id":305,"title":306,"original_language":93,"original_title":307,"overview":308,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":312,"vote_count":313,"credit_id":314,"department":27,"job":200,"media_type":49},"\u002FeMgNa5dbU34qyF0KA9DMA4TrEzn.jpg",[120],81401,"Le Cheval de Turin","A torinói ló","À Turin, en 1889, Nietzsche enlaça un cheval d'attelage épuisé puis perdit la raison. Quelque part, dans la campagne : un fermier, sa fille, une charrette et le vieux cheval. Dehors le vent se lève.",4.217,"\u002Fmn1XH6HUidH9QgDLHC16BapAOyo.jpg","2011-03-31",7.6,439,"52fe480f9251416c9107ee33",{"adult":4,"backdrop_path":303,"genre_ids":316,"id":305,"title":306,"original_language":93,"original_title":307,"overview":308,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":312,"vote_count":313,"credit_id":317,"department":195,"job":231,"media_type":49},[120],"52fe480f9251416c9107ee45",{"adult":4,"backdrop_path":319,"genre_ids":320,"id":321,"title":322,"original_language":93,"original_title":322,"overview":40,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":326,"vote_count":327,"credit_id":328,"department":329,"job":330,"media_type":49},"\u002FhcTzD2HVFDV4n2zZCi1ChUj69L0.jpg",[120],73129,"Johanna",1.3841,"\u002FjVFb2uQnbg8dsBgCl4sRPCuFP5c.jpg","2005-11-10",4.7,15,"52fe488dc3a368484e0fec49","Production","Producer",{"adult":4,"backdrop_path":332,"genre_ids":333,"id":334,"title":335,"original_language":93,"original_title":336,"overview":337,"popularity":338,"poster_path":339,"release_date":340,"softcore":4,"video":4,"vote_average":108,"vote_count":341,"credit_id":342,"department":27,"job":200,"media_type":49},"\u002FmicBq6IA8zfB7A3o7uT8ogcQr9W.jpg",[120],74903,"Almanach d'automne","Őszi almanach","Hédi, une dame âgée, vit de ses rentes dans un appartement spacieux avec son fils János qui ne vient la voir le plus souvent que pour lui soutirer de l’argent, et son infirmière-gouvernante-confidente, Anna. Le petit ami de celle-ci, Miklós, s’installe dans sa chambre et entreprend de devenir l’ami de la vieille dame. János amène un « locataire » à la maison, son ami Pál, professeur au chômage. Lui aussi va tenter de séduire Hédi. Dans ce huis clos empoisonné, des alliances se nouent et se dénouent. 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