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Born in Australia just before the turn of the century, he was educated at St. Aloysius College and Sydney University wherein he slyly sidestepped a parental-guided career in medicine for entertainment, participating in numerous college productions that quickly got him \"hooked.\" He began professionally in the chorus line of The Royal Comic Opera Company and quickly progressed to juvenile leads. A subsequent pairing with the already-established theatre actress Madge Elliott in 1918 proved successful, and the musical twosome eventually married in 1935. Together they would go on to become known as \"The Musical Lunts\" by their acting peers performing in scores of plays and revues together. Ritchard specialized in playing slick, dandified villains in musical comedy and developed a potent reputation of being a man of many talents. Not only directing and staging Broadway's finest, he became a renown performer of various operas and led many productions as such. Shortly before his wife's death of bone cancer in 1955, Ritchard ventured into TV infamy by repeating his Tony and Donaldson award-winning portrayal of Hook in Peter Pan (1955). He continued to earn acclaim and\u002For honors with such classic stage productions as \"Visit to a Small Planet\" (Tony-nominated), \"The Pleasure of His Company\" (Drama League award, Tony-nominated), \"The Roar of the Greasepaint...the Smell of the Crowd\" (Tony-nominated), \"A Midsummer Night's Dream\" and \"Sugar,\" the musical version of the classic Billy Wilder film Some Like It Hot (1959) in which Ritchard played the Joe E. Brown role. Lesser regarded when it comes to film, he performed in the early Hitchcock classic Blackmail (1929) and made his last movie with the musical Half a Sixpence (1967) with Tommy Steele. While performing as the Narrator in a stage production of \"Side by Side by Sondheim\" in November 1977, Ritchard suffered a heart attack and died one month later. 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bien-aimée. Seulement neuf jours après la fin de la première série de Broadway, les acteurs et l'équipe (sous la supervision du réalisateur Jerome Robbins) se sont réunis dans les grands studios de Brooklyn de la NBC pour présenter le spectacle en direct à la télévision. Décrivant l'énorme succès de cette télédiffusion, Cyril Ritchard (Captain Hook) a noté \"... ce n'était pas seulement une performance télévisuelle, c'était une production de scène apportée aux caméras.\" Un an plus tard, en préparation de la deuxième retransmission en direct de PETER PAN, les mêmes acteurs se retrouvèrent pour plusieurs représentations au Ambassador Theatre de New York pour un public d'enfants invités. 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