[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F6817:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":10,"birthday":11,"deathday":12,"gender":13,"homepage":14,"id":15,"imdb_id":16,"known_for_department":17,"name":18,"place_of_birth":19,"popularity":20,"profile_path":21,"combined_credits":22,"images":1935},false,[6,7,8,9],"아녜스 바르다","阿涅斯·瓦尔达","아그네스 바르다","아그네스 바다","Agnès Varda, née Arlette Varda le 30 mai 1928 à Ixelles (Belgique) et morte le 29 mars 2019 à Paris 14e, est une cinéaste, photographe et plasticienne française.\n\nProche du mouvement dit «Rive Gauche», contemporain de la Nouvelle Vague, Agnès Varda a notamment réalisé La Pointe courte (1955), Cléo de 5 à 7 (1962), Ulysse (1984, César du meilleur court métrage documentaire), Sans toit ni loi (1985, Lion d'or à la Mostra de Venise), Jacquot de Nantes (1991), Les Glaneurs et la Glaneuse (2000), Deux ans après (2002), Les Plages d'Agnès (2008, César du meilleur film documentaire) et Visages, villages (2017).\n\nL'ensemble de son œuvre cinématographique est récompensé par un César d'honneur en 2001, par le prix René-Clair de l'Académie française en 2002, par une Palme d'honneur au Festival de Cannes 2015, par un Oscar d'honneur reçu en 2017 et par la Caméra de la Berlinale en 2019.\n\nAgnès Varda, naît Arlette Varda le 30 mai 1928 à Ixelles (Belgique) d'un père grec, Eugène Varda, et d'une mère française, Christiane Pasquet. Elle grandit à Ixelles, rue de l'Aurore, avec ses quatre frères et sœurs, (Lucien et Hélène ses aînés, Jean et Sylvie ses cadets). À cause de la guerre, sa famille fuit la Belgique le 10 mai 1940 pour s'installer à Sète, où elle passe son adolescence, sur un bateau amarré au port à quai, qu'elle reconstituera le temps de quelques plans dans Les Plages d'Agnès.\n\nDans ce film autobiographique, elle affirme également avoir été prénommée Arlette en hommage à la ville d'Arles, où elle aurait été conçue. Elle a fait changer son prénom pour Agnès auprès d'un greffier à l'âge de 18 ans, en hommage aux origines grecques de son père.\n\nElle fut éclaireuse à la FFE de Sète, où des cheftaines ont fait passer en Suisse plusieurs petites filles juives.\n\nEn 1943, après l'arrivée des Allemands en zone libre, sa famille fuit la ville de Sète pour Paris, où elle passe son baccalauréat.\n\nEn 1947, à l'âge de 19 ans, elle fugue pendant trois mois par volonté d'indépendance. Préparant longuement et méticuleusement son coup, elle affirme avoir fui en prenant le train jusqu'à Marseille, puis par bateau jusqu'en Corse, et avoir travaillé sur des bateaux de pêche.\n\nAprès cette fugue, elle monte à Paris et suit des études à l'École technique de photographie et de cinématographie de l'École Vaugirard ainsi que l'histoire de l'art à l'École du Louvre. Après l'obtention de son CAP de photographe en 1949, elle se met à son compte et devient photographe indépendante. En 1951, elle achète deux boutiques délabrées au 86 rue Daguerre dans le 14e arrondissement de Paris, que son père qualifie d'écurie. Elle s'y installe avec une amie, Valentine Schlegel, et construit et aménage un studio - laboratoire de photographie. Agnès Varda collabore entre autres avec les Galeries Lafayette, sur un stand aménagé, en photographiant jusqu'à 400 enfants par jour, et la Société nationale des chemins de fer français lui confie un travail de photographies promotionnelles, de gares et matériels roulant. ...\n\nSource: Article \"Agnès Varda\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1928-05-30","2019-03-29",1,null,6817,"nm0889513","Directing","Agnès Varda","Ixelles, Brussels, Belgium",1.6323,"\u002FaXnFLmz9EaRCt93uEXns8WVPmSG.jpg",{"cast":23,"crew":1178},[24,41,52,64,73,88,100,113,124,132,143,155,165,173,186,198,207,216,228,236,249,259,272,286,294,302,309,318,326,335,343,355,367,378,386,394,404,416,427,440,449,460,468,480,489,499,510,518,530,539,556,566,573,583,591,606,618,629,640,651,663,672,683,692,703,714,724,732,741,752,763,776,787,798,808,816,825,835,845,856,868,878,886,897,906,914,924,932,939,951,962,970,977,984,991,998,1007,1016,1024,1030,1038,1047,1057,1066,1076,1084,1097,1106,1119,1129,1141,1155,1166],{"adult":4,"backdrop_path":25,"genre_ids":26,"id":28,"title":29,"original_language":30,"original_title":29,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":37,"credit_id":38,"order":39,"media_type":40},"\u002FiUBywf8WB249mFAst4GLMZvDXOy.jpg",[27],99,856402,"Il mondo a scatti","it","",2.3195,"\u002Fme6zDpwPAyHEaP787AYLQxmYHoy.jpg","2021-08-31",6.5,2,"Self","6134ecceb7abb5008e999282",4,"movie",{"adult":4,"backdrop_path":42,"genre_ids":43,"id":44,"title":45,"original_language":46,"original_title":45,"overview":31,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":51,"order":13,"media_type":40},"\u002FvELrVWiWOu1flMkMoygl5QS5mci.jpg",[27],877537,"Catherine Deneuve à l'aventure ou une certaine blondeur","fr",0.9735,"\u002FrzwSv20DxaB81k9hme0COMViegw.jpg","1978-09-18",0,"614d4a91c740d9008cb5b846",{"adult":4,"backdrop_path":53,"genre_ids":54,"id":55,"title":56,"original_language":46,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"character":37,"credit_id":63,"order":50,"media_type":40},"\u002FyvafnYvrxnwD3MrXcc18sUrkHqU.jpg",[27],44379,"Les Glaneurs et la Glaneuse","Un peu partout en France, Agnès a rencontré des glaneurs et glaneuses, récupereurs, ramasseurs et trouvailleurs. Par nécessité, hasard ou choix, ils sont en contact avec les restes des autres. Leur univers est surprenant. On est loin des glaneuses d'autrefois qui ramassaient les épis de blé après la moisson. Patates, pommes et autres nourritures jetées, objets sans maître et pendule sans aiguilles, c'est la glanure de notre temps. Mais Agnès est aussi la glaneuse du titre et son documentaire est subjectif.",2.7788,"\u002F581ikn6BkZ08GhKLQpqYJvajdfA.jpg","2000-07-07",7.652,233,"52fe4685c3a36847f8103a77",{"adult":4,"backdrop_path":14,"genre_ids":65,"id":66,"title":67,"original_language":46,"original_title":67,"overview":31,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":13,"character":37,"credit_id":72,"order":50,"media_type":40},[],1112048,"Viva Varda!",0.7849,"\u002FfV20UF15ZNJcaU1GKIQyprswPIh.jpg","1970-01-01",5,"643640101f748b0097162af6",{"adult":4,"backdrop_path":74,"genre_ids":75,"id":76,"title":77,"original_language":78,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":37,"credit_id":86,"order":87,"media_type":40},"\u002FtrbJitMpwdMNVWsAVHWvTYFCgDQ.jpg",[27],63407,"Fenêtre sur l'âme","pt","Janela da Alma","19 intervenants de différents pays, affectés de troubles de la vue à des degrés divers, témoignent de la manière dont ils voient, dont ils se voient, dont ils voient les autres et dont ils voient le monde.",1.1225,"\u002FmT4LknTAd7Bdb194OsHwXIaSJMp.jpg","2001-10-20",6.9,21,"52fe46a9c3a368484e09ce05",15,{"adult":4,"backdrop_path":89,"genre_ids":90,"id":91,"title":92,"original_language":46,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":98,"character":37,"credit_id":99,"order":50,"media_type":40},"\u002Fz9S7Z0NDbXcqhDCoPMv6ixeXZ6V.jpg",[27],38879,"Les Plages d'Agnès","En revenant sur les plages qui ont marqué sa vie, Varda invente une forme d'autodocumentaire. Agnès se met en scène au milieu d'extraits de ses films, d'images et de reportages. Elle nous fait partager avec humour et émotion ses débuts de photographe de théâtre puis de cinéaste novatrice dans les années cinquante, sa vie avec Jacques Demy, son engagement féministe, ses voyages à Cuba, en Chine et aux USA, son parcours de productrice indépendante, sa vie de famille et son amour des plages. Une femme libre et curieuse !",3.8018,"\u002FrrN9ag1KfC08eMf5GAzfFUiwcdj.jpg","2008-12-17",7.7,147,"52fe46e89251416c91063b5b",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":46,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"character":111,"credit_id":112,"order":110,"media_type":40},"\u002F6rQWqSZExN5KSs6rTrBwHButxdL.jpg",[27],1087657,"Viva Varda !","Dans Viva Varda !, Pierre-Henri Gibert remonte avec passion le fil de la carrière singulière d'Agnès Varda pour rappeler à quel point, cette personnalité aussi âpre que généreuse du cinéma, profondément féministe, a su prendre son destin en main pour tracer son chemin en s'affranchissant des diktats de son époque. Jusqu'à devenir un modèle.",2.181,"\u002Fyf512YzcQtPognQkQB1R4D9YUiS.jpg","2023-05-17",7.9,7,"Self (archive footage)","64563f9f91f0ea015c8f757f",{"adult":4,"backdrop_path":14,"genre_ids":114,"id":116,"title":117,"original_language":118,"original_title":117,"overview":31,"popularity":119,"poster_path":14,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"character":37,"credit_id":123,"order":39,"media_type":40},[27,115],10770,929052,"Cinéma! Cinéma! The French New Wave","en",1.1861,"1992-06-18",3.3,3,"61e8f451944a57009d4c299b",{"adult":4,"backdrop_path":14,"genre_ids":125,"id":126,"title":127,"original_language":118,"original_title":127,"overview":31,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":131,"order":50,"media_type":40},[27,115],1161907,"Pictures of Europe",3.6229,"\u002FN7nwdtuPpTzdD1rQnX1y64H5gs.jpg","1990-04-25","64d117f2549dda00c5401cec",{"adult":4,"backdrop_path":14,"genre_ids":133,"id":134,"title":135,"original_language":46,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":13,"character":141,"credit_id":142,"order":50,"media_type":40},[27],511806,"Sans toit ni loi : souvenirs, entretiens, notes et commentaires","18 ans après la réalisation du film « Sans toit ni loi », la réalisatrice Agnès Varda a créé ce documentaire qui comprend des souvenirs, des interviews, des notes et des commentaires.",1.2076,"\u002FoAmFkBTO6DVLntBYqX0lFkmh98T.jpg","2003-01-01",8,"Narrator \u002F Self","650a7487aede59013885b152",{"adult":4,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":46,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":84,"vote_count":152,"character":153,"credit_id":154,"order":50,"media_type":40},"\u002FAt9iEsJqvWt4219IAZGiWSDLndh.jpg",[27],257524,"Ulysse","Au bord de la mer, une chèvre, un enfant et un homme. C'est une photographie faite par Agnès Varda en 1954 : la chèvre était morte, l'enfant s'appelait Ulysse et l'homme était nu. À partir de cette image fixe, le film explore l'imaginaire et le réel.",1.4749,"\u002F5bIqMhfO9HzvoEQeuBRsx7igYxI.jpg","1986-01-29",33,"Self - Interviewer \u002F Narrator (voice) (uncredited)","5311f2cac3a36829d3002a63",{"adult":4,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":118,"original_title":159,"overview":31,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":163,"credit_id":164,"order":36,"media_type":40},"\u002FlUMA1QVeCF09m6vYcV8UaVm0vNg.jpg",[27],919258,"The Invention of Chris Marker",1.7108,"\u002Fo9GvlfetRn1IBMtNYA2tKPHFaSF.jpg","2020-05-28","self","62ab3803151c5c0064c21874",{"adult":4,"backdrop_path":14,"genre_ids":166,"id":167,"title":168,"original_language":46,"original_title":168,"overview":31,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":140,"vote_count":36,"character":37,"credit_id":172,"order":71,"media_type":40},[27],261915,"La Nouvelle Vague par elle-même",1.0603,"\u002F3okFZRnN0IUD04SrwPw6QyOpL9w.jpg","1964-05-19","533646b8c3a3680e7600073a",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":46,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":182,"vote_count":183,"character":184,"credit_id":185,"order":13,"media_type":40},"\u002F4JmsnHsd92bjecfYiTLbljVOKjl.jpg",[27],264290,"T'as de beaux escaliers, tu sais...","Comment, en 150 secondes, rendre hommage à la Cinémathèque française (quand elle était à Chaillot) en l'année de ses 50 ans, sinon en filmant les 50 marches qui montent vers le Musée du Cinéma et descendent vers la salle obscure où sont projetés des chefs-d'œuvre aux escaliers célèbres !",1.2163,"\u002FyPPAwE48fgNJuepTi8EJlMiO6Yz.jpg","1986-08-27",5.9,39,"Narrator (voice) (uncredited)","5349165bc3a3684ba0001131",{"adult":4,"backdrop_path":187,"genre_ids":188,"id":189,"title":190,"original_language":46,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":195,"vote_count":196,"character":111,"credit_id":197,"order":36,"media_type":40},"\u002FreLI1E3HWGi1zhT9NO2gcvVsmFq.jpg",[27],1186800,"Catherine Deneuve à son image","Longtemps réduite à sa blondeur glacée, Catherine Deneuve s’est émancipée des fantasmes et clichés par des choix de carrière audacieux. En archives, extraits de films et entretiens, un passionnant retour sur sa vie de cinéma, narré par sa voix et celles de grands cinéastes.",2.1155,"\u002Fa2rxqyFfj6brYXoCeIcy4YULOSs.jpg","2023-10-22",7.2,6,"6539477567825900e446be9a",{"adult":4,"backdrop_path":14,"genre_ids":199,"id":200,"title":201,"original_language":46,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":206,"order":50,"media_type":40},[27],1196196,"Les 3 vies d'Agnès","Les 3 vies d'Agnès, photographe, cinéaste et plasticienne.",1.0197,"\u002Fe3aCOatWwVYJ4mO04F2BZIbk8dJ.jpg","2012-11-21","653ac7b9bc2cb300c97d0ba7",{"adult":4,"backdrop_path":14,"genre_ids":208,"id":209,"title":210,"original_language":118,"original_title":210,"overview":31,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":214,"credit_id":215,"order":50,"media_type":40},[27],1204562,"A Visual History with Agnès Varda",1.2366,"\u002F4Fd4MhM7xBuNzSBUlR8Rity49LY.jpg","2017-11-09","Herself","655d48014cbe1200c7a3ab80",{"adult":4,"backdrop_path":217,"genre_ids":218,"id":219,"title":220,"original_language":46,"original_title":220,"overview":31,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":224,"vote_count":225,"character":226,"credit_id":227,"order":13,"media_type":40},"\u002Fbfe6q1Jo40wPrh2reYdAzGI8Vzi.jpg",[27],973337,"Pier Paolo Pasolini - Agnès Varda - New York - 1967",1.8818,"\u002Fg29AMLcOXlS5vDe47liVWupHf6v.jpg","2022-06-24",7.5,10,"Self (voice)","62f5c177abdec00082347be3",{"adult":4,"backdrop_path":14,"genre_ids":229,"id":230,"title":231,"original_language":118,"original_title":231,"overview":31,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":235,"order":13,"media_type":40},[27],613726,"Harumi",1.5664,"\u002FxskckrF83p0ak4dRa4t1nB2aqnM.jpg","2019-05-12","62f68b7a4d0e8d007dd53013",{"adult":4,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":46,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":245,"vote_count":246,"character":247,"credit_id":248,"order":50,"media_type":40},"\u002FfNpQmLSbuXdshZ4aXsePaRdmj7b.jpg",[27,115],46777,"Les Dites Cariatides","Un documentaire sur les cariatides de Paris accompagné par la poésie de Baudelaire et la musique d'Offenbach.",1.529,"\u002FsospfiRpt5TQMLF0Ny7BGGtIR4R.jpg","1984-01-01",6.4,42,"Narrator","542e0b3e0e0a261fd5001195",{"adult":4,"backdrop_path":250,"genre_ids":251,"id":252,"title":253,"original_language":46,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":18,"credit_id":258,"order":50,"media_type":40},"\u002F2Rn84PEY3imSqJkxTG8MG6LUsUN.jpg",[],1220205,"Agnes Varda : Leçon de cinéma","Rencontre avec Agnès Varda dans le cadre de sa Leçon de Cinéma à la Cinémathèque Française. Le film de la réalisatrice de la Nouvelle Vague, « Les Glaneurs et la glaneuse » (1999) a été projeté avant son intervention, durant laquelle elle fait part de ses promesses de dépassement des genres et comportement normés dans ses productions. Cette leçon était organisée à l'occasion du cycle \"Quinze Jours avec Agnès Varda\" organisés par la Cinémathèque Française.",1.0243,"\u002Fy2RP1V95D1GL0OwiFsBpN8KXCzE.jpg","2019-01-20","6581d4448dbc3308899a4885",{"adult":4,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":46,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"character":270,"credit_id":271,"order":13,"media_type":40},"\u002F2qqSLCrsTMiNWicIEXMw5YgMvZA.jpg",[27],144599,"Salut les Cubains","Quatre ans après l'arrivée de Fidel Castro, Agnès Varda a ramené de Cuba 1800 photos et en fait un documentaire didactique et divertissant.",1.7742,"\u002FlsFFLB1dPQVyGRAiaFTPPkynDoE.jpg","1963-11-26",7.3,60,"Narrator (voice)","54b9aa1ec3a3681421002108",{"adult":4,"backdrop_path":273,"genre_ids":274,"id":277,"title":278,"original_language":46,"original_title":278,"overview":279,"popularity":280,"poster_path":281,"release_date":282,"softcore":4,"video":4,"vote_average":195,"vote_count":283,"character":284,"credit_id":285,"order":196,"media_type":40},"\u002F2mxeQ0bvXQLp2dxCZ0VRcslSOzz.jpg",[27,275,276],10752,18,36140,"Loin du Vietnam","Sept façons différentes de présenter les armées nord-vietnamiennes en pleine guerre contre les États-Unis. Un conflit opposant les riches aux pauvres sur fond d'indignation ou parfois d'indifférence de la part de l'opinion publique mondiale.",1.8411,"\u002F76dXuQiZrt5HxvoROvdCUimTepC.jpg","1967-10-18",28,"Narrator (segment \"Flash Back\") (voice)","6620b641e640d60163c2ab8b",{"adult":4,"backdrop_path":14,"genre_ids":287,"id":288,"title":289,"original_language":118,"original_title":289,"overview":31,"popularity":290,"poster_path":14,"release_date":291,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":292,"credit_id":293,"order":36,"media_type":40},[27],402411,"The First Interview",0.8746,"2011-07-24","Self \u002F Host (voice)","5762d3f39251410315000604",{"adult":4,"backdrop_path":14,"genre_ids":295,"id":296,"title":297,"original_language":118,"original_title":297,"overview":31,"popularity":298,"poster_path":14,"release_date":299,"softcore":4,"video":4,"vote_average":122,"vote_count":39,"character":37,"credit_id":300,"order":301,"media_type":40},[27],413238,"Women Behind the Camera",1.1959,"2007-08-15","57f97ecb925141212b000cec",13,{"adult":4,"backdrop_path":14,"genre_ids":303,"id":304,"title":305,"original_language":118,"original_title":305,"overview":31,"popularity":306,"poster_path":14,"release_date":307,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":308,"order":140,"media_type":40},[27],420205,"Shooting Women",0.8527,"2008-10-05","57f98c5192514120c500137b",{"adult":4,"backdrop_path":14,"genre_ids":310,"id":311,"title":312,"original_language":313,"original_title":312,"overview":31,"popularity":314,"poster_path":315,"release_date":316,"softcore":4,"video":4,"vote_average":36,"vote_count":13,"character":37,"credit_id":317,"order":13,"media_type":40},[27],427645,"¿Dónde está Sara Gómez?","es",1.6029,"\u002FJKRUtVsi1YBeHDoo1svbeQKsk3.jpg","2005-01-02","5838487d9251414cb9015be6",{"adult":4,"backdrop_path":14,"genre_ids":319,"id":320,"title":321,"original_language":118,"original_title":321,"overview":31,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":196,"vote_count":13,"character":184,"credit_id":325,"order":50,"media_type":40},[27],1071972,"La Mélangite",0.8886,"\u002Fz9NHWWfjglWz3ODbDoAJfEN9cAr.jpg","1960-09-01","66cd0ad286d2bf16a0b91fb4",{"adult":4,"backdrop_path":14,"genre_ids":327,"id":328,"title":329,"original_language":46,"original_title":329,"overview":31,"popularity":330,"poster_path":331,"release_date":332,"softcore":4,"video":4,"vote_average":333,"vote_count":122,"character":270,"credit_id":334,"order":50,"media_type":40},[27],1246460,"Deux artistes de rue à Paris",0.9208,"\u002FmdJLnHTxZxe6q385MF9xjEAPifk.jpg","2012-01-01",6.3,"66cd103cf24f64f3ee8198aa",{"adult":4,"backdrop_path":14,"genre_ids":336,"id":337,"title":338,"original_language":339,"original_title":338,"overview":31,"popularity":340,"poster_path":14,"release_date":341,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":342,"order":50,"media_type":40},[27],436034,"Die Geburt der Kinder Des Olymp","de",1.0843,"1967-01-01","58813a3a9251413034002ca8",{"adult":4,"backdrop_path":344,"genre_ids":345,"id":346,"title":347,"original_language":46,"original_title":347,"overview":348,"popularity":349,"poster_path":350,"release_date":351,"softcore":4,"video":4,"vote_average":352,"vote_count":353,"character":37,"credit_id":354,"order":13,"media_type":40},"\u002FhUOq759wTgNEfoK0XOW9hX6KWYq.jpg",[27],200381,"Les demoiselles ont eu 25 ans","C’est un documentaire en hommage à Jacques Demy et à son œuvre Les Demoiselles de Rochefort, film qui fut tourné pendant l'été 1966. La ville de Rochefort organisa une grande fête en 1992 pour célébrer les 25 ans de la sortie du film en 1967. Profitant de l’occasion Agnès Varda a tourné ce documentaire en mêlant des plans du tournage de l’époque en 1966 par Varda elle-même, des extraits, des interviews d’acteurs et figurants Rochefortais qui ont participé au tournage du film.",1.9433,"\u002FiE0B0xDEoJj13zybHVmjNXxoq0U.jpg","1993-05-19",7.1,27,"58a79ee0c3a368770300138b",{"adult":4,"backdrop_path":356,"genre_ids":357,"id":358,"title":359,"original_language":118,"original_title":359,"overview":31,"popularity":360,"poster_path":361,"release_date":362,"softcore":4,"video":4,"vote_average":363,"vote_count":364,"character":37,"credit_id":365,"order":366,"media_type":40},"\u002Fd9VA4CC4xgxIG9MCGqMb7LoINcs.jpg",[27],85963,"Great Directors",1.203,"\u002Fpz3ztnzW5tKialcFCkSg6WBqIQR.jpg","2009-05-19",6.1,17,"58c62254c3a368412800dd4c",9,{"adult":4,"backdrop_path":368,"genre_ids":369,"id":370,"title":371,"original_language":46,"original_title":371,"overview":372,"popularity":373,"poster_path":374,"release_date":375,"softcore":4,"video":4,"vote_average":376,"vote_count":140,"character":37,"credit_id":377,"order":50,"media_type":40},"\u002FtrVquJcQfGJ4extE7NBm0m3AXti.jpg",[27],451384,"Dans l'atelier de Chris Marker","Agnès Varda visite Chris Marker dans son atelier, quelques années avant sa disparition.",1.1339,"\u002FnfSUVqzXQSj5pcQcR6ZuNR51NRS.jpg","2011-12-19",6.2,"58ea6e4ac3a3684a7906a88d",{"adult":4,"backdrop_path":14,"genre_ids":379,"id":380,"title":381,"original_language":46,"original_title":381,"overview":31,"popularity":382,"poster_path":383,"release_date":384,"softcore":4,"video":4,"vote_average":71,"vote_count":36,"character":37,"credit_id":385,"order":50,"media_type":40},[27],456095,"Du coq à l'âne : Des mains et des objets",1.2448,"\u002Fb6cUgjrEk109rqyl3pNLPBMZGCK.jpg","2007-12-31","590c79959251415a7200cca7",{"adult":4,"backdrop_path":14,"genre_ids":387,"id":388,"title":389,"original_language":46,"original_title":389,"overview":390,"popularity":391,"poster_path":392,"release_date":139,"softcore":4,"video":4,"vote_average":182,"vote_count":110,"character":37,"credit_id":393,"order":13,"media_type":40},[27],464440,"Histoire d’une vieille dame","Film tourné en 16mm couleur dans lequel Marthe Jarnias « vieille tante Lydie » parle de sa vie.",1.365,"\u002FrZuwLOSD3zdvZLpwCLaUVsb1vMv.jpg","595a5ba9c3a3680d5900d896",{"adult":4,"backdrop_path":395,"genre_ids":396,"id":397,"title":398,"original_language":46,"original_title":398,"overview":399,"popularity":400,"poster_path":14,"release_date":401,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":402,"order":403,"media_type":40},"\u002Fu1fkvmTfeZmoJSeU8CdxQWJwZAA.jpg",[27],401011,"Cinéast(e)s","Un film réalisé par une femme est-il différent d'un film réalisé par un homme ? Pourquoi y'a-t-il si peu de films réalisés par des femmes ? Plus de 20 réalisatrices se confient sur leur métier, sur la place des femmes dans le cinéma...",1.2898,"2013-10-15","598b9f5d925141080d000a76",19,{"adult":4,"backdrop_path":405,"genre_ids":406,"id":407,"title":408,"original_language":46,"original_title":408,"overview":409,"popularity":410,"poster_path":411,"release_date":412,"softcore":4,"video":4,"vote_average":413,"vote_count":414,"character":37,"credit_id":415,"order":50,"media_type":40},"\u002Fw4uYP6ebNaLQIjsHcjQhjz3BB2m.jpg",[27],451995,"Visages Villages","Agnès Varda et JR ont des points communs : passion et questionnement sur les images en général et plus précisément sur les lieux et les dispositifs pour les montrer, les partager, les exposer.  Agnès a choisi le cinéma. JR a choisi de créer des galeries de photographies en plein air.  Quand Agnès et JR se sont rencontrés en 2015, ils ont aussitôt eu envie de travailler ensemble, tourner un film en France, loin des villes, en voyage avec le camion photographique (et magique) de JR. Hasard des rencontres ou projets préparés, ils sont allés vers les autres, les ont écoutés, photographiés et parfois affichés. Le film raconte aussi l’histoire de leur amitié qui a grandi au cours du tournage, entre surprises et taquineries, en se riant de leurs différences.",4.151,"\u002FmSOda2XtnrupIb5g0vqyEWbL3AO.jpg","2017-06-28",7.626,431,"59c44eb99251415b2801ea5d",{"adult":4,"backdrop_path":14,"genre_ids":417,"id":419,"title":420,"original_language":339,"original_title":420,"overview":31,"popularity":421,"poster_path":422,"release_date":423,"softcore":4,"video":4,"vote_average":424,"vote_count":110,"character":425,"credit_id":426,"order":364,"media_type":40},[276,418],35,286905,"Männer zeigen Filme & Frauen ihre Brüste",1.8857,"\u002F8I3fKxpYgMLfGY0enTktU4Ubmjv.jpg","2014-08-14",4.1,"Self (uncredited)","59d64c439251417f2801237e",{"adult":4,"backdrop_path":428,"genre_ids":429,"id":431,"title":432,"original_language":118,"original_title":433,"overview":434,"popularity":435,"poster_path":436,"release_date":437,"softcore":4,"video":4,"vote_average":195,"vote_count":246,"character":37,"credit_id":438,"order":439,"media_type":40},"\u002FeLRuEg6wcJf6aFgy8UBrnN8DmN3.jpg",[27,430],36,520270,"Be natural : l'histoire cachée d'Alice Guy-Blaché","Be Natural: The Untold Story of Alice Guy-Blaché","Première femme réalisatrice, productrice et directrice de studio de l’histoire du cinéma, Alice Guy est le sujet d’un documentaire mené tambour battant telle une enquête visant à faire (re)connaître la cinéaste et son œuvre de par le monde.",2.1092,"\u002Fo5fz4qNgI5nfDirf6UcX0SpAG6T.jpg","2018-12-07","5aded9e6925141133d0063ca",74,{"adult":4,"backdrop_path":14,"genre_ids":441,"id":442,"title":443,"original_language":118,"original_title":443,"overview":444,"popularity":445,"poster_path":446,"release_date":447,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":448,"order":50,"media_type":40},[27],518383,"Chance Is the Best Assistant","Edwin Samuelson mène l'entretien avec Agnès Varda et JR afin d'en savoir plus sur leur rencontre à l'occasion de la sortie de Visages villages.",1.0821,"\u002FrBckpBPcOyWZeWojuJC9L9EFzAC.jpg","2018-03-08","5ad3c7c5c3a3685c31007538",{"adult":4,"backdrop_path":450,"genre_ids":451,"id":452,"title":453,"original_language":46,"original_title":453,"overview":454,"popularity":455,"poster_path":456,"release_date":457,"softcore":4,"video":4,"vote_average":195,"vote_count":458,"character":37,"credit_id":459,"order":36,"media_type":40},"\u002Fsera0zxXBfTtKuwacI6Rx7rbSWB.jpg",[27],277677,"Oncle Yanco","« Dans les faubourgs aquatiques de San Francisco vit un Grec sur une péniche. Il peint des villes célestes et byzantines. Il navigue sur une barque à la voile latine. Il reçoit des hippies et des contestataires dans son bateau-maison. J'ai découvert qu'il était mon oncle d'Amérique et quel merveilleux bonhomme il était. » (Agnès Varda)",2.3453,"\u002FNXOhPgxGUzmfKticKXrhE3SBek.jpg","1967-10-01",57,"5aed7fcf9251411d11007f0c",{"adult":4,"backdrop_path":14,"genre_ids":461,"id":462,"title":463,"original_language":46,"original_title":463,"overview":31,"popularity":464,"poster_path":465,"release_date":466,"softcore":4,"video":4,"vote_average":196,"vote_count":13,"character":37,"credit_id":467,"order":122,"media_type":40},[27],461026,"8e étage",1.4543,"\u002FdpDEaYz7eeyyKabfybFAao3AZyT.jpg","2014-05-10","5bc6042e0e0a266e5b07e22f",{"adult":4,"backdrop_path":469,"genre_ids":470,"id":471,"title":472,"original_language":46,"original_title":472,"overview":473,"popularity":474,"poster_path":475,"release_date":476,"softcore":4,"video":4,"vote_average":477,"vote_count":478,"character":37,"credit_id":479,"order":50,"media_type":40},"\u002FvNYnOjQJykFModnm0e7jpnVTryG.jpg",[27],554967,"Varda par Agnès","Agnès Varda prend place sur une scène de théâtre. Cette photographe professionnelle, artiste d'installation et pionnière de la Nouvelle Vague est une institution du cinéma français mais un féroce opposant à tout type de pensée institutionnelle. Dans ce film, elle offre un aperçu de son œuvre en utilisant des extraits de son travail pour illustrer - de manière plus associative que chronologique - ses visions et ses idées artistiques. Son discours vif, riche en anecdotes et intelligent est divisé en deux parties.",2.2518,"\u002Fg0bWPMGp3DfbQ4QH0JEulmnueAH.jpg","2019-04-05",7.8,79,"5bc9b244925141562a00bd96",{"adult":4,"backdrop_path":14,"genre_ids":481,"id":482,"title":483,"original_language":313,"original_title":483,"overview":31,"popularity":484,"poster_path":485,"release_date":486,"softcore":4,"video":4,"vote_average":487,"vote_count":196,"character":111,"credit_id":488,"order":140,"media_type":40},[276,27],569010,"Quinqui Stars",1.776,"\u002Fhnt6kjClAHeUydRh2Y1fNBCUkQR.jpg","2018-11-30",6.6,"5c17197492514132c90be425",{"adult":4,"backdrop_path":14,"genre_ids":490,"id":491,"title":492,"original_language":118,"original_title":493,"overview":494,"popularity":495,"poster_path":496,"release_date":497,"softcore":4,"video":4,"vote_average":333,"vote_count":71,"character":37,"credit_id":498,"order":196,"media_type":40},[27],575111,"#JR - L'art sans frontières","#JR","Le photographe JR est une star mondiale de l’art urbain. Découvert après les émeutes en banlieue parisienne de 2005 pour ses portraits de jeunes des cités, il a depuis investi de ses collages le Louvre, le Centre Pompidou, le Panthéon, l’Assemblée nationale… De New York à Shanghai, du mur israélo-palestinien à la frontière américano-mexicaine, il a collé ou installé ses photos géantes dans des dizaines de pays et associé à ses projets des centaines de milliers d’inconnus. Avec l’active collaboration de l’artiste, le documentaire #JR retrace l’aventure extraordinaire de cet activiste de l’art, dont les interventions spectaculaires sont autant de manifestes humanistes, pacifistes ou mémoriels, relayés par sa très forte implication sur les réseaux sociaux. Pour JR, l’art peut contribuer à changer le monde.",1.424,"\u002Fl1H8FiOM9Tthvo4mbgzJ1ZL6YpZ.jpg","2018-09-04","5c3c653ec3a36805733ca09e",{"adult":4,"backdrop_path":500,"genre_ids":501,"id":503,"title":504,"original_language":46,"original_title":504,"overview":505,"popularity":506,"poster_path":507,"release_date":508,"softcore":4,"video":4,"vote_average":366,"vote_count":122,"character":111,"credit_id":509,"order":196,"media_type":40},"\u002FfOW3wpcmHMFMAYyLshygzsGwQHQ.jpg",[502,27],10402,578840,"Michel Legrand, sans demi-mesure","Michel Legrand est l’auteur de quelques-unes des musiques les plus célèbres du cinéma. Patrimoine vivant aux 3 Oscars et 5 Grammys, il a collaboré avec les plus grands noms du cinéma français et hollywoodien, mais aussi du jazz et de la chanson. Le film racontera le parcours romanesque de cet artiste insaisissable, aux vies et aux carrières multiples.",1.5396,"\u002F8jZVcM2hBz8XKjeF0auOK3zcmCI.jpg","2018-12-25","5c5094f5c3a3684789959c2d",{"adult":4,"backdrop_path":14,"genre_ids":511,"id":512,"title":513,"original_language":46,"original_title":513,"overview":31,"popularity":514,"poster_path":515,"release_date":516,"softcore":4,"video":4,"vote_average":140,"vote_count":36,"character":37,"credit_id":517,"order":50,"media_type":40},[27],602641,"Die Frauen sind auf natürliche Art schöpferisch – Agnès Varda",1.0755,"\u002FcpDSAevrVjFYJ6kjpmYAliw9jDa.jpg","1977-12-31","5cdd10e1c3a368159dc0c79f",{"adult":4,"backdrop_path":519,"genre_ids":520,"id":521,"title":522,"original_language":118,"original_title":522,"overview":523,"popularity":524,"poster_path":525,"release_date":526,"softcore":4,"video":4,"vote_average":182,"vote_count":527,"character":528,"credit_id":529,"order":85,"media_type":40},"\u002FeilLY4PuoyEwFiKhKx79pVlFwTy.jpg",[418],63320,"Lions Love","Trois acteurs — Viva, Jim, Jerry sur le chemin de la « staricité » et sur celui non moins difficile de la maturité — vivent dans une maison louée sur une colline de Hollywood. Ils ont tous les trois des crinières de lion. Ils vont vivre à leur façon l'assassinat de Robert Kennedy à travers ce que la télévision en montre, alors que leurs amis ont d'autres problèmes. Le poste de télévision est aussi une star du film.",1.8607,"\u002FmAjc9FrY2aLMKNArp01luSBeYST.jpg","1969-10-12",49,"Agnès (uncredited)","5ccb4eb60e0a262fbfffd592",{"adult":4,"backdrop_path":531,"genre_ids":532,"id":533,"title":534,"original_language":118,"original_title":534,"overview":31,"popularity":535,"poster_path":536,"release_date":537,"softcore":4,"video":4,"vote_average":225,"vote_count":13,"character":37,"credit_id":538,"order":50,"media_type":40},"\u002FqOHNx7uDSB98flE0xCi1Ip9pGJb.jpg",[27],601616,"Agnès Varda: Filmmaker, Photographer, Instagrammer",1.1073,"\u002FsGcvOA7V1GUFcJYgsv792xo6dAr.jpg","2018-08-16","5cd636420e0a2636e8cad268",{"adult":4,"backdrop_path":540,"genre_ids":541,"id":544,"title":545,"original_language":118,"original_title":546,"overview":547,"popularity":548,"poster_path":549,"release_date":550,"softcore":4,"video":4,"vote_average":551,"vote_count":552,"character":553,"credit_id":554,"order":555,"media_type":40},"\u002FfGs4uCzpBcYBfqw4rINA7twHIGQ.jpg",[542,543],53,9648,13440,"La Vérité sur Charlie","The Truth About Charlie","Après trois mois de mariage, Regina Lambert quitte Charlie, séducteur désinvolte au passé trouble, épousé sur un coup de tête, et dont elle ne sait pas grand chose. Mais, à son retour de Martinique, la belle jeune femme découvre que ce dernier a été assassiné et que son appartement a été dévasté. Quant au compte en banque du couple, il est à sec. Regina, qui n'a rien de la veuve éplorée, est très choquée, d'autant que trois anciens complices de Charlie viennent lui réclamer une mallette pleine de diamants.",4.6655,"\u002FispzMihYLGyRwSh8JtloBt0WDmZ.jpg","2002-10-25",4.9,200,"The Widow Hyppolite","5d7e679212197e000e497ce5",11,{"adult":4,"backdrop_path":557,"genre_ids":558,"id":559,"title":560,"original_language":46,"original_title":560,"overview":31,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":564,"vote_count":196,"character":37,"credit_id":565,"order":36,"media_type":40},"\u002F9JszLY5wfTtQLaoQxaWnu9Lau5c.jpg",[27],690752,"La Petite Histoire de Gwen la Bretonne",1.0803,"\u002FhHe8jV3nKgbNro8QagYyR9mRKUG.jpg","2008-01-01",6.667,"5e91377300fb6b0013a26215",{"adult":4,"backdrop_path":14,"genre_ids":567,"id":568,"title":569,"original_language":118,"original_title":569,"overview":31,"popularity":570,"poster_path":14,"release_date":384,"softcore":4,"video":571,"vote_average":50,"vote_count":50,"character":37,"credit_id":572,"order":50,"media_type":40},[27],690918,"Vive les courts métrages : Agnès Varda présente les siens en DVD",0.7508,true,"5e8d74cca314400014b6981d",{"adult":4,"backdrop_path":574,"genre_ids":575,"id":576,"title":577,"original_language":46,"original_title":577,"overview":578,"popularity":579,"poster_path":580,"release_date":581,"softcore":4,"video":4,"vote_average":71,"vote_count":36,"character":37,"credit_id":582,"order":555,"media_type":40},"\u002FppgWL2gsYIPaWDkSL91kweJL9eN.jpg",[27],695352,"Henri Langlois vu par...","Série de 13 films en hommage à Henri Langlois, par et avec Bernardo Bertolucci, Souleymane Cissé, Francis Ford Coppola, Stephen Frears, William Friedkin, Costa-Gavras, Kiyoshi Kurosawa, Manoel de Oliveira, Roman Polanski, Jean-Paul Rappeneau, Volker Schlöndorff, Agnès Varda et Wim Wenders.",2.2422,"\u002F4TrDrBXQgYnlKMFx7tLMn2l7kuE.jpg","2014-07-27","5e9df341310325001cca46da",{"adult":4,"backdrop_path":14,"genre_ids":584,"id":585,"title":586,"original_language":46,"original_title":586,"overview":31,"popularity":587,"poster_path":588,"release_date":589,"softcore":4,"video":4,"vote_average":140,"vote_count":36,"character":37,"credit_id":590,"order":50,"media_type":40},[27],465362,"Filmer le désir - Voyage à travers le cinéma de femmes",1.1854,"\u002F3kMydFxOcWqDUcWW9oSo45OaaaK.jpg","2000-07-09","5e9f548001757f0024d07051",{"adult":4,"backdrop_path":592,"genre_ids":593,"id":595,"title":596,"original_language":46,"original_title":596,"overview":597,"popularity":598,"poster_path":599,"release_date":600,"softcore":4,"video":4,"vote_average":601,"vote_count":602,"character":603,"credit_id":604,"order":605,"media_type":40},"\u002F8m7qOKlsdnxt4335vpFzpffuIVu.jpg",[594,418,276],10749,2433,"Les Demoiselles de Rochefort","Delphine et Solange sont deux jumelles de 25 ans, ravissantes et spirituelles. Delphine, la blonde, donne des leçons de danse et Solange, la rousse, des cours de solfège. Elle vivent dans la musique comme d’autres vivent dans la lune et rêvent de rencontrer le grand amour au coin de la rue. Justement des forains arrivent en ville et fréquentent le bar que tient la mère des jumelles. Une grande foire se prépare et un marin rêveur cherche son idéal féminin…",5.2397,"\u002Fn0P1piQkLhisab1hzKXWNm0ZyMN.jpg","1967-03-08",7.657,680,"Music-Loving Nun (uncredited)","5ee44b570cb335001fbba3d6",68,{"adult":4,"backdrop_path":607,"genre_ids":608,"id":609,"title":610,"original_language":46,"original_title":610,"overview":611,"popularity":612,"poster_path":613,"release_date":614,"softcore":4,"video":4,"vote_average":195,"vote_count":615,"character":184,"credit_id":616,"order":617,"media_type":40},"\u002FtDOSQWVCRNrS9QfpHckzRtvSmPi.jpg",[276,502],63318,"L'une chante, l'autre pas","Deux jeunes filles vivent à Paris en 1962. Pauline (17 ans), étudiante, rêve de quitter sa famille  pour devenir chanteuse. Suzanne (22 ans) s'occupe de ses deux enfants et fait face aux drames du suicide de leur père. La vie les sépare ; chacune vit son combat de femme. Pauline est devenue chanteuse dans un groupe militant et itinérant après avoir vécu une union difficile en Iran. Suzanne est sortie de sa misère et travaille au Planning familial. Dix ans plus tard, elles se retrouvent au cours d'une manifestation féministe. À la fin de cette chronique, on les retrouve ensemble, à nouveau, avec leurs enfants qui ont grandi.",2.7275,"\u002FfTe8Fd6I7auRVkTociUxHTiWSdK.jpg","1977-03-09",125,"5f3b06028ac3d000351a9625",40,{"adult":4,"backdrop_path":619,"genre_ids":620,"id":621,"title":622,"original_language":46,"original_title":622,"overview":623,"popularity":624,"poster_path":625,"release_date":626,"softcore":4,"video":4,"vote_average":333,"vote_count":627,"character":226,"credit_id":628,"order":50,"media_type":40},"\u002Fhq2SYjBwzIFFZqiR2iQPQtEqVsW.jpg",[27],186365,"Réponse de femmes : Notre corps, notre sexe","Ciné-tract qui permet à quelques femmes, nues ou habillées, d'insister sur leur choix d'être mère ou pas et leur désir de voir évoluer le regard des hommes sur elles, belles ou pas, jeunes ou pas.",1.7249,"\u002FaZWvwaAv9V7VYP6zFezaBdEoUwW.jpg","1975-02-12",61,"5f3b0e011fb94f0035abe111",{"adult":4,"backdrop_path":630,"genre_ids":631,"id":632,"title":633,"original_language":46,"original_title":633,"overview":634,"popularity":635,"poster_path":636,"release_date":637,"softcore":4,"video":4,"vote_average":333,"vote_count":555,"character":37,"credit_id":638,"order":639,"media_type":40},"\u002Fr5SoY1xdsTSdCabCqptdS9RfZIc.jpg",[115,276],324072,"Nausicaa","Témoignages de réfugiés politiques grecs fuyant la dictature des colonels, intercalés dans une fiction : une étudiante d'origine grecque accueille un journaliste réfugié et en tombe un peu amoureuse. Ce film, en cours de montage, a été subtilisé, interdit par le ministère du Commerce, qui vendait des mirages aux colonels. Le film inachevé est montré en copie de travail, rescapé de l'interdiction.",2.4531,"\u002FuvUTDbgnckkzw8YYxcqwg9rbEHw.jpg","1971-01-01","5f3b0f4f8ac3d000321a79d3",20,{"adult":4,"backdrop_path":641,"genre_ids":642,"id":643,"title":644,"original_language":46,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":110,"vote_count":649,"character":37,"credit_id":650,"order":50,"media_type":40},"\u002FcYWsr4nK1ScFeXLP5CkEbcQ2MbG.jpg",[27],409979,"Cléo de 5 à 7 : souvenirs et anecdotes","Plus de 40 ans après avoir réalisé « Cléo de 5 à 7 », Agnès Varda invite sa star, deux autres acteurs et ses assistants réalisateurs à revenir en arrière. Elle nous emmène à travers le film, de la scène d'ouverture à la fin, en visitant ses lieux parisiens, en plaçant ses acteurs âgés aux mêmes endroits, en racontant des histoires et en écoutant les réflexions des autres sur la réalisation du film. Elle et eux parlent de faire un film à petit budget, de sa projection à Cannes et d'essayer de résoudre un problème dans le dernier plan. Ses assistantes réalisatrices discutent du casting, des costumes, des décors et de la façon dont le film a changé leur approche de la réalisation de films. Des scènes de « Cléo » sont incluses tout au long du documentaire.",1.4117,"\u002FA2INc8dfdByjpST7vzslntEIdee.jpg","2005-01-12",14,"5f2f5657b39e3500353f7221",{"adult":4,"backdrop_path":652,"genre_ids":653,"id":654,"title":655,"original_language":46,"original_title":655,"overview":656,"popularity":657,"poster_path":658,"release_date":659,"softcore":4,"video":4,"vote_average":660,"vote_count":430,"character":661,"credit_id":662,"order":13,"media_type":40},"\u002Fi6THTq8VgAzReacsJN6cypoZgmR.jpg",[27],230048,"Mur murs","Documentaire sur les « murals » de Los Angeles, c'est-à-dire les peintures sur des murs de la ville. Qui les peint. Qui les paye. Qui les regarde. Comment cette ville, qui est la capitale du cinéma, se révèle sans trucage – avec ses habitants par ses murs murmurants. Les murs californiens parlent à une Française qui les découvre.",1.3797,"\u002Fg57ALLWZU4XLE5coq9OWalTZBFF.jpg","1982-01-20",7.4,"Self - Narrator","5f385a56efcea90035987e04",{"adult":4,"backdrop_path":14,"genre_ids":664,"id":665,"title":666,"original_language":118,"original_title":666,"overview":31,"popularity":667,"poster_path":668,"release_date":669,"softcore":4,"video":4,"vote_average":366,"vote_count":13,"character":37,"credit_id":670,"order":671,"media_type":40},[27],736342,"Calling the Shots",1.37,"\u002Foz4VMdOsAJb85Yzu8darzmZZUyP.jpg","1988-09-08","5f4426fd3f8ede0033ef20bc",22,{"adult":4,"backdrop_path":673,"genre_ids":674,"id":675,"title":676,"original_language":46,"original_title":676,"overview":677,"popularity":678,"poster_path":679,"release_date":680,"softcore":4,"video":4,"vote_average":268,"vote_count":681,"character":247,"credit_id":682,"order":50,"media_type":40},"\u002F208aRGBlyf8wVACc3TjgzaDm91X.jpg",[27],49650,"Daguerréotypes","« Daguerréotypes » n'est pas un film sur la rue Daguerre, pittoresque rue du 14e arrondissement, c'est un film sur un petit morceau de la rue Daguerre, entre le numéro 70 et le numéro 90, c'est un document modeste et local sur quelques petits commerçants, un regard attentif sur la majorité silencieuse. C'est un album de quartier, ce sont des portraits stéréo-daguérréotypés. Ce sont des archives pour les archéo-sociologues de l'an 2975.",1.8233,"\u002Fhn2yTOvb5a7YaKZEw7wKwMPmsf6.jpg","1978-02-28",55,"5f44a293cee4810037a5015f",{"adult":4,"backdrop_path":14,"genre_ids":684,"id":685,"title":686,"original_language":46,"original_title":686,"overview":687,"popularity":688,"poster_path":689,"release_date":690,"softcore":4,"video":4,"vote_average":333,"vote_count":122,"character":661,"credit_id":691,"order":50,"media_type":40},[27],537459,"La Rue Daguerre en 2005","En 2005, la cinéaste Agnès Varda revisite la rue Daguerre où elle habitait 30 ans plus tôt et avait interviewé les commerçants de son film Daguerréotypes, pour voir comment les choses auraient pu changer. Le même épicier était toujours là, et le magasin d'accordéon avait été repeint d'une couleur différente.",0.9363,"\u002FbD9JfW8vETP2Z5fnwpYjQOtRk3S.jpg","2005-01-01","5f44a34c511d090037b6e57f",{"adult":4,"backdrop_path":693,"genre_ids":694,"id":695,"title":696,"original_language":46,"original_title":696,"overview":697,"popularity":698,"poster_path":699,"release_date":700,"softcore":4,"video":4,"vote_average":196,"vote_count":671,"character":701,"credit_id":702,"order":196,"media_type":40},"\u002F38xZRKQUkGidrDmJvV7hd0Czc4B.jpg",[594,649],139426,"Le Lion volatil","La copie du Lion de Belfort à Paris entraîne des visions surréalistes avant de s'animer. Son regard dans le cabinet de voyance examine et amplifie les dons qui sauraient le reconnaître. À travers un climat noir (visite des Catacombes), de spiritualité (voyance), de fantastique et d'humour qui n'est pas sans rappeler le cinéma d'auteur comme celui de Jean-Pierre Jeunet, le regard habituel se défait sur le vivant.",1.3491,"\u002F3VgAqpANf8PyXyAXss0SeKVgKas.jpg","2003-03-24","La Lectrice du Parc \u002F Narrator (uncredited)","5f44aabf47721500336b075d",{"adult":4,"backdrop_path":704,"genre_ids":705,"id":706,"title":707,"original_language":46,"original_title":707,"overview":708,"popularity":709,"poster_path":710,"release_date":711,"softcore":4,"video":4,"vote_average":712,"vote_count":71,"character":247,"credit_id":713,"order":50,"media_type":40},"\u002FgOb9fy3mstMzbzSMIBgxUp8Hmoq.jpg",[27],464444,"Les Dites Cariatides bis","Un court métrage pour accompagner le précédent documentaire du même nom. Un jeu de photos de différents cariatides à Paris.",0.9351,"\u002FzIlegR7bWdniFtZrSKFzj2lEfIJ.jpg","2005-12-05",5.8,"5f44ab26414291003750e360",{"adult":4,"backdrop_path":715,"genre_ids":716,"id":717,"title":718,"original_language":46,"original_title":718,"overview":719,"popularity":720,"poster_path":721,"release_date":722,"softcore":4,"video":4,"vote_average":352,"vote_count":183,"character":247,"credit_id":723,"order":50,"media_type":40},"\u002FiiuUFMSMTurcIaDKSxN3ki4L63M.jpg",[27],84026,"Deux ans après","Deux ans après, c'est ce qui est arrivé après la sortie du film Les Glaneurs et la Glaneuse : ce que sont devenus ceux rencontrés et filmés en 2000 ; les effets du film ; les courriers reçus par Agnès Varda et comment elle a réagi ; les nouvelles rencontres dont les glaneurs originaux.",1.3526,"\u002FoCjpEfzgvNI23RD3aBpuChFJmAf.jpg","2002-12-18","5f44ab713f8ede0034f2788c",{"adult":4,"backdrop_path":14,"genre_ids":725,"id":726,"title":727,"original_language":46,"original_title":727,"overview":31,"popularity":728,"poster_path":729,"release_date":730,"softcore":4,"video":4,"vote_average":140,"vote_count":36,"character":37,"credit_id":731,"order":13,"media_type":40},[27],737665,"Agnès V. raconte l'histoire triste et gaie du film Jacquot de Nantes",0.9409,"\u002FvS2hVTgkw2Hc5j5vVMRc1HI4J2J.jpg","2008-12-31","5f49fde139b6c300339783a1",{"adult":4,"backdrop_path":14,"genre_ids":733,"id":734,"title":735,"original_language":46,"original_title":735,"overview":736,"popularity":737,"poster_path":738,"release_date":730,"softcore":4,"video":4,"vote_average":739,"vote_count":36,"character":37,"credit_id":740,"order":122,"media_type":40},[27],737670,"Évocations et Vocations","Un court métrage dans laquelle les participants racontent comment ils sont tombés amoureux du cinéma.",1.2563,"\u002FAnQ4UFIcHL6LcmRCxj2xkONOdlt.jpg",5.5,"5f4a0085cca7de003657ded9",{"adult":4,"backdrop_path":742,"genre_ids":743,"id":744,"title":745,"original_language":46,"original_title":745,"overview":746,"popularity":747,"poster_path":748,"release_date":749,"softcore":4,"video":4,"vote_average":84,"vote_count":750,"character":37,"credit_id":751,"order":50,"media_type":40},"\u002F3NC6J6B5rU2TMqTuZaI1Hqzqukz.jpg",[27,430],200011,"L'Univers de Jacques Demy","« Après avoir fait un film de fiction sur l'enfance de Jacques, mon intention a été de faire un documentaire – relativement objectif – sur Jacques Demy, adulte et cinéaste. J'ai recueilli des témoignages et suscité des réactions. J'ai moi-même apporté des souvenirs et des documents sur lui mais j'ai souvent passé le relais à ses amis, à ses proches, aux acteurs et actrices qui ont travaillé avec lui, à des \"fans\" et à trois demoiselles qui ne l'ont pas connu mais qui circulent naturellement dans son univers. » (Agnès Varda)",2.0432,"\u002FfppXMHaBWA0JC6O2pKWcGZlqpuy.jpg","1995-09-22",16,"5fb15672afa1b0003fb61c18",{"adult":4,"backdrop_path":753,"genre_ids":754,"id":755,"title":756,"original_language":46,"original_title":756,"overview":757,"popularity":758,"poster_path":759,"release_date":760,"softcore":4,"video":4,"vote_average":761,"vote_count":605,"character":425,"credit_id":762,"order":87,"media_type":40},"\u002Fwn4iwTix9AVcMMVbWNOG9ddstuI.jpg",[649],53028,"Jane B. par Agnès V.","Le film est un portrait‑en‑cinéma où l'on découvre Jane Birkin sous toutes ses formes, dans tous ses états et en plusieurs saisons, elle-même en sa diversité et aussi d'autres Jane… d'Arc, Calamity Jane, et la Jane de Tarzan et la Jane de Gainsbourg. C'est la femme‑au‑miroir‑mouvant. Elle change de tête et de rôle pour s'amuser avec Agnès qui tourne autour d'elle, la déguisant, lui proposant des fictions ou des hommages comme celui à Marilyn… Celui de Laurel maladroit de « Laurel et Hardy ». Le film est un portrait semé de mini-fictions, le film est une fiction semée de mini-confidences de Jane B., au mieux de sa forme dans un libre dialogue avec celle qui la filme, Agnès V.",3.2841,"\u002F9xIMVQDxny2FsOK6yjlLrUGnuBo.jpg","1988-03-02",6.8,"5fad7117b02f5e00417354a8",{"adult":4,"backdrop_path":764,"genre_ids":765,"id":766,"title":767,"original_language":46,"original_title":767,"overview":768,"popularity":769,"poster_path":770,"release_date":771,"softcore":4,"video":4,"vote_average":224,"vote_count":772,"character":773,"credit_id":774,"order":775,"media_type":40},"\u002FmmLJoiJOBqlxtZos6DRX9pl5Orm.jpg",[276],41789,"Jacquot de Nantes","Il était une fois un garçon, élevé dans un garage où tout le monde aimait chanter. C'était en 1939, il avait 8 ans, il aimait les marionnettes et les opérettes. Puis il a voulu faire du cinéma mais son père lui a fait étudier la mécanique. C'est de Jacques Demy qu'il s'agit et de ses souvenirs. C'est une enfance heureuse qui nous est contée, malgré les évènements de la guerre et de l'après-guerre.",2.1689,"\u002FpBZ7IzqUZBBqWpnppJWzWpgUBTD.jpg","1991-05-15",65,"Narrator (uncredited)","5fb029c56dc6c0003f2a2d29",12,{"adult":4,"backdrop_path":777,"genre_ids":778,"id":779,"title":780,"original_language":46,"original_title":780,"overview":781,"popularity":782,"poster_path":783,"release_date":784,"softcore":4,"video":4,"vote_average":785,"vote_count":750,"character":270,"credit_id":786,"order":13,"media_type":40},"\u002FcL1dtYZYCfLOBvmffNtVGv1xFhv.jpg",[27],283514,"Ydessa, les ours et etc.","Découvrir dans deux immenses pièces des centaines de photographies anciennes et découvrir que dans chaque image, on voit aussi un nounours en peluche. Pourquoi et comment une certaine Ydessa, canadienne, née de parents juifs allemands, a rassemblé ces photographies. Son exposition est intrigante.",1.654,"\u002F3M7nNmfhS61gXjdNSk5WUJEw4p3.jpg","2004-07-03",5.7,"5fc45ff6420228003fc3a5fb",{"adult":4,"backdrop_path":788,"genre_ids":789,"id":790,"title":791,"original_language":46,"original_title":791,"overview":792,"popularity":793,"poster_path":794,"release_date":795,"softcore":4,"video":4,"vote_average":796,"vote_count":36,"character":37,"credit_id":797,"order":50,"media_type":40},"\u002FbmCHTQZ69ivUQ4mTa45nsniSrZ7.jpg",[27],324088,"Quelques veuves de Noirmoutier","Quelques veuves de Noirmoutier présente diverses femmes filmées par Varda, jeunes ou vieilles, ayant en commun leur veuvage et leur résidence dans l’île de Noirmoutier.",1.3873,"\u002F7aTa9LjYQwFKQ7jnBm80bid7nJ4.jpg","2006-10-03",9.5,"5fc7e992420228003dc7cd78",{"adult":4,"backdrop_path":799,"genre_ids":800,"id":801,"title":802,"original_language":46,"original_title":802,"overview":803,"popularity":804,"poster_path":805,"release_date":806,"softcore":4,"video":4,"vote_average":140,"vote_count":13,"character":37,"credit_id":807,"order":13,"media_type":40},"\u002F6KuXGPAq1HtSdtrxZebbr14Peel.jpg",[27],470224,"Il était une fois... « Les parapluies de Cherbourg »","Marie Genin et Serge July documentent la genèse des «Parapluies de Cherbourg» (1964); ils s'appuient pour cela sur des images d'archives où Jacques Demy explique ses intentions et sur des interviews de ses collaborateurs et de ses proches tels Michel Legrand, Catherine Deneuve ou Agnès Varda.",1.1706,"\u002FfHET1T85gx2JuYGAcFUVPfRwMof.jpg","2008-05-18","600ebaebd70594003c244476",{"adult":4,"backdrop_path":14,"genre_ids":809,"id":810,"title":811,"original_language":118,"original_title":811,"overview":31,"popularity":812,"poster_path":813,"release_date":814,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":815,"order":50,"media_type":40},[27],802769,"Not Like Before",0.9706,"\u002FncTItVVtQ2Nhd8N5m05vHD0mpii.jpg","2005-05-10","60423b651c6329006ee66910",{"adult":4,"backdrop_path":14,"genre_ids":817,"id":818,"title":819,"original_language":820,"original_title":819,"overview":31,"popularity":821,"poster_path":822,"release_date":823,"softcore":4,"video":4,"vote_average":140,"vote_count":13,"character":37,"credit_id":824,"order":110,"media_type":40},[27],295252,"Σταύρος Τορνές: Ο Φτωχός Κυνηγός του Νότου","el",1.5588,"\u002FlszMgNBv56ZUMkFtIhxqOE1VcLE.jpg","1994-09-26","6043a643c4ad59002a47a63f",{"adult":4,"backdrop_path":826,"genre_ids":827,"id":828,"title":829,"original_language":118,"original_title":829,"overview":31,"popularity":830,"poster_path":831,"release_date":832,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":833,"credit_id":834,"order":39,"media_type":40},"\u002FeM3RNB7nhF7x4ndxVdYNtiJbKyW.jpg",[276,27,649],809911,"150 Miles of Rotting, Rutted, Lumpy, Dilapidated Pavement",1.6187,"\u002F9rFohpqp1fOEGladsijQBB4NTCL.jpg","2021-03-03","French Woman Talking","605b7a77cf4a64003e96cd14",{"adult":4,"backdrop_path":14,"genre_ids":836,"id":837,"title":838,"original_language":46,"original_title":838,"overview":839,"popularity":840,"poster_path":841,"release_date":842,"softcore":4,"video":571,"vote_average":843,"vote_count":110,"character":37,"credit_id":844,"order":50,"media_type":40},[27],745698,"Agnès de ci de là Varda","À pied, en métro, en voiture, en avion ou en bateau, Agnès Varda capte avec sa caméra tous les frémissements et bouillonnements du quotidien artistique, artisanal, sportif, traditionnel ou festif de l'Europe aux Amériques.",1.6227,"\u002Fmb3YxGBK38LmEuoIxqzhHC5D71U.jpg","2011-10-01",7.6,"60671a8b0a94d40040cd35fb",{"adult":4,"backdrop_path":846,"genre_ids":847,"id":848,"title":849,"original_language":46,"original_title":849,"overview":850,"popularity":851,"poster_path":852,"release_date":853,"softcore":4,"video":4,"vote_average":363,"vote_count":140,"character":854,"credit_id":855,"order":50,"media_type":40},"\u002FzA2hemv1Pq8AjEy4ZJgFa0ugLqv.jpg",[27],367988,"Une minute pour une image","Une minute de commentaire dite par une voix anonyme pour chaque photographie. On apprend qu'à la fin les noms des photographes célèbres ou anonymes et ceux des commentateurs divers, un balayeur, Marguerite Duras, un enfant, Yves Montand, Delphine Seyrig, Yves Saint Laurent, un boulanger...  Chaque jour en 1982, le quotidien LIBÉRATION publiait la photographie diffusée la veille sur FR 3, avec des extraits du commentaire. La série, sous forme de court-métrage par \" album imaginaire \", a été diffusée par LA SEPT du 5 novembre au 7 décembre 1990.",1.1085,"\u002FxGFjOw4RRPpVjgCMpELcbPVRgh1.jpg","1983-01-31","Self - Narrator (voice)","6089ad1c54508d0028eac07a",{"adult":4,"backdrop_path":857,"genre_ids":858,"id":859,"title":860,"original_language":46,"original_title":860,"overview":861,"popularity":862,"poster_path":863,"release_date":864,"softcore":4,"video":4,"vote_average":352,"vote_count":140,"character":865,"credit_id":866,"order":867,"media_type":40},"\u002F88hDIuNIqXoRDPWemz2C9gaHTdv.jpg",[27,430,502,115],845594,"Jim Morrison : derniers jours à Paris","Paris, rue Beautreillis, 3 juillet 1971. Le corps de la star du rock Jim Morrison est retrouvé dans une baignoire, dans l'appartement de sa petite amie Pamela Courson. La chronique des derniers mois de la vie du poète, chanteur et leader charismatique du groupe américain The Doors, l'un des plus influents de l'histoire du rock.",1.5787,"\u002FwiiAFN0HPM4YVhyhViwMHNvoYTN.jpg","2021-07-02","Self - Filmmaker (archive footage)","60f92a60f1759c007660f81c",25,{"adult":4,"backdrop_path":869,"genre_ids":870,"id":871,"title":872,"original_language":118,"original_title":872,"overview":31,"popularity":873,"poster_path":874,"release_date":875,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":876,"credit_id":877,"order":13,"media_type":40},"\u002FxJiF1zt3fBV14bzf1MNuzrZ4tTp.jpg",[27],413796,"EXPRMNTL",0.8834,"\u002FfKEmZzYnRdq19VhI93BKrL4Ixaw.jpg","2016-10-08","herself","66f08ee302208c67c88cf6c8",{"adult":4,"backdrop_path":14,"genre_ids":879,"id":880,"title":881,"original_language":46,"original_title":881,"overview":882,"popularity":883,"poster_path":884,"release_date":690,"softcore":4,"video":4,"vote_average":71,"vote_count":36,"character":876,"credit_id":885,"order":50,"media_type":40},[27],1364662,"Pain, peinture et accordéon","Court-métrage sur quelques commerces de la rue Daguerre",0.6952,"\u002F2o2T9RiU7BUND9bE2E1hLa12QyM.jpg","66fc2d3af17b887599d64924",{"adult":4,"backdrop_path":887,"genre_ids":888,"id":889,"title":890,"original_language":46,"original_title":890,"overview":891,"popularity":892,"poster_path":893,"release_date":659,"softcore":4,"video":4,"vote_average":487,"vote_count":894,"character":895,"credit_id":896,"order":87,"media_type":40},"\u002F8yrymDMaJm5jCuQpypyyfAqdDJ1.jpg",[276],157160,"Documenteur","À Los Angeles, une Française, Émilie, séparée de l'homme qu'elle aime, cherche un logement pour elle et son fils de 8 ans, Martin. Elle en trouve un, y installe des meubles récupérés dans les déchets jetés à la rue. Son désarroi est plus exprimé par les autres qu'elle observe que par elle-même, vivant silencieusement un exil démultiplié. Elle tape à la machine face à l'océan. Quelques flashes de sa passion passée la troublent et elle consacre à son fils toute son affection.",2.0028,"\u002FurvqlrrzYKaMcFEfDZmSlk8UKTa.jpg",58,"Mur Murs Play Back (voice) (uncredited)","67193a795d0de89042d8cc21",{"adult":4,"backdrop_path":898,"genre_ids":899,"id":900,"title":901,"original_language":46,"original_title":901,"overview":31,"popularity":179,"poster_path":902,"release_date":903,"softcore":4,"video":4,"vote_average":904,"vote_count":639,"character":37,"credit_id":905,"order":36,"media_type":40},"\u002Fqco3aM3yj130H6RSqcpWYQBdJzr.jpg",[27],460631,"Hommage à Zgougou (et salut à Sabine Mamou)","\u002FhkNRpUPwATGLapryuwdk5hAD5Qk.jpg","2002-02-02",6.925,"67405283f0f2ed8f9851ceee",{"adult":4,"backdrop_path":14,"genre_ids":907,"id":908,"title":909,"original_language":46,"original_title":909,"overview":31,"popularity":910,"poster_path":911,"release_date":912,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":913,"order":50,"media_type":40},[27],1399000,"Musique et Travellings",0.7668,"\u002FgDZ6jufeHUHZ1kYMlAqftNHtXJr.jpg","2003-12-31","6754a0ea31f4610fd68d393e",{"adult":4,"backdrop_path":915,"genre_ids":916,"id":917,"title":918,"original_language":118,"original_title":918,"overview":31,"popularity":919,"poster_path":920,"release_date":921,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":922,"credit_id":923,"order":13,"media_type":40},"\u002Fc5tVT0VEJoPwvzfX9di9SUZBq71.jpg",[27],1401417,"Agnes V. by Jane B.",1.2439,"\u002F1kX9h9Avx4ZDpk4M0EedQMpqRdN.jpg","2020-08-11","Self (Archive Footage)","675b8859673096e5668e3c37",{"adult":4,"backdrop_path":14,"genre_ids":925,"id":926,"title":927,"original_language":46,"original_title":927,"overview":31,"popularity":928,"poster_path":929,"release_date":930,"softcore":4,"video":4,"vote_average":71,"vote_count":13,"character":37,"credit_id":931,"order":13,"media_type":40},[27],1425025,"Un divertissement et Michel Piccoli",1.1905,"\u002FmGKGsMQSgAMlrkwFVJWfr4J1ZOx.jpg","2004-01-01","679898983ae355c4788f5b4a",{"adult":4,"backdrop_path":14,"genre_ids":933,"id":934,"title":935,"original_language":46,"original_title":935,"overview":31,"popularity":936,"poster_path":937,"release_date":730,"softcore":4,"video":4,"vote_average":71,"vote_count":13,"character":37,"credit_id":938,"order":50,"media_type":40},[27],1426159,"Daguerre-plage",2.224,"\u002FuHcyOcz2VwWZNfSpftZC5hMoMuG.jpg","679b16be2643d7649dfbcc3d",{"adult":4,"backdrop_path":940,"genre_ids":941,"id":942,"title":943,"original_language":46,"original_title":943,"overview":944,"popularity":945,"poster_path":946,"release_date":947,"softcore":4,"video":4,"vote_average":551,"vote_count":948,"character":949,"credit_id":950,"order":225,"media_type":40},"\u002FseGvyv4y1D00BE62Xpcf7zSuQWC.jpg",[276],103597,"Americano","Martin vit à Paris avec Claire. Leur relation est dans une impasse. Lorsqu’il perd sa mère, restée en Californie, Martin doit retourner dans la ville de son enfance pour s’occuper des formalités liées à son héritage. Arrivé à Los Angeles, il retrouve Linda, une amie de la famille, qui le mène jusqu’à l’appartement de sa mère, dans un quartier qu’il a bien connu lorsqu’il vivait avec elle. Des images de son enfance refont alors surface, et le troublent. Incapable d’affronter cette épreuve, il fuit vers Tijuana où il s’égare sur les traces de Lola, une jeune femme mexicaine qu’il a connue jadis, et qui a depuis occupé une place importante dans la vie de sa mère. Il la retrouve à l’Americano, un club dans lequel elle danse tous les soirs... Mais pour faire son deuil, Martin va devoir revisiter son passé.",1.7938,"\u002FqZdnYUxPBT3cvyh5GQ1mpcowvxG.jpg","2011-11-30",38,"Voice (Uncredited)","67b15d546689678bae9f9fea",{"adult":4,"backdrop_path":952,"genre_ids":953,"id":954,"title":955,"original_language":46,"original_title":955,"overview":956,"popularity":957,"poster_path":958,"release_date":959,"softcore":4,"video":4,"vote_average":352,"vote_count":960,"character":31,"credit_id":961,"order":13,"media_type":40},"\u002Fskh61HampIA6lkEh5H3ALcPmqbY.jpg",[27],15377,"Toute la mémoire du monde","Documentaire sur la Bibliothèque Nationale, véritable musée des mots où lectures, œuvres précieuses et introuvables, catalogues et collections de livres, véritable mémoire du monde, sont répertoriés, analysés, classés et consultés.",1.5138,"\u002F8k7Ouc9IeVHx2v5SGyV3UznbIuu.jpg","1956-11-01",50,"67d49460914de8d89102a6ff",{"adult":4,"backdrop_path":14,"genre_ids":963,"id":964,"title":965,"original_language":46,"original_title":965,"overview":31,"popularity":966,"poster_path":14,"release_date":967,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":968,"credit_id":969,"order":50,"media_type":40},[27],1449146,"a Nathalie Sarraute",0.4774,"1986-01-07","Self (Voice)","67d61629411f90fecdf17c32",{"adult":4,"backdrop_path":14,"genre_ids":971,"id":972,"title":973,"original_language":46,"original_title":973,"overview":31,"popularity":974,"poster_path":975,"release_date":730,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":976,"order":13,"media_type":40},[27],1452604,"La chanson 'Lola'",0.8881,"\u002F309nblAGixAadBfnUOc8pwvgb4o.jpg","67df0017f6a0fcbd004d7668",{"adult":4,"backdrop_path":14,"genre_ids":978,"id":979,"title":980,"original_language":118,"original_title":980,"overview":31,"popularity":981,"poster_path":14,"release_date":982,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":983,"order":50,"media_type":40},[27],1485920,"Agnès parle du Bonheur",0.8422,"2006-01-01","682fe4a0f8293a2498a85d27",{"adult":4,"backdrop_path":14,"genre_ids":985,"id":986,"title":987,"original_language":118,"original_title":987,"overview":31,"popularity":988,"poster_path":989,"release_date":982,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":990,"order":50,"media_type":40},[27],1485926,"Le Bonheur? 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D'abord mariée à Lucien Bodard qu'elle suit en Indochine, elle devient journaliste. Elle rencontre ensuite Pierre Lazareff dont elle deviendra \"seconde\" et se lance comme productrice de cinéma. Elle s'illustre en produisant Jacques Demy, Godard, Varda, Miller, Resnais et Pialat. À la mort de Lazareff, en 1972, les portes se ferment. Ce sera Claude Barma, responsable des séries sur Antenne 2 qui l'appellera pour produire notamment Les Dames de la côte et L'Allée du roi. Ce portrait documentaire, utilisant en off un entretien avec Mag Bodard, s'appuie sur les témoignages de ceux qu'elle a lancés, comme Fanny Ardant, Bernard Giraudeau et Nina Companeez.",1.3365,"\u002FfgMcd7CxvNOd1lUP5EXr1ZivdL5.jpg","2005-10-01","6859c7fbba3850d3420ccc89",{"adult":4,"backdrop_path":1008,"genre_ids":1009,"id":1010,"title":1011,"original_language":118,"original_title":1011,"overview":31,"popularity":1012,"poster_path":1013,"release_date":1014,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":31,"credit_id":1015,"order":196,"media_type":40},"\u002FytbWOYEIpZ0l6rGCK1OErK3vDFx.jpg",[27,115],1512945,"Behind the Artist: Andy Warhol, an American Prophet",1.316,"\u002FgkbQpRQRof0JWrC8uNhuIh7CDus.jpg","2015-06-19","6874a5dbe467830aac105f5e",{"adult":4,"backdrop_path":14,"genre_ids":1017,"id":1018,"title":1019,"original_language":46,"original_title":1019,"overview":1020,"popularity":1021,"poster_path":14,"release_date":1022,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":31,"credit_id":1023,"order":50,"media_type":40},[27],1532287,"Le Photographe Photographié - Brassaï par Varda","Dans le cadre d'un reportage pour la télévision française, en 1954, Agnès Varda est mise en scène par Hubert Knapp photographiant le célèbre photographe Brassaï contre un mur.",1.0235,"1954-01-01","68a3a4040f70cfb47bf49be8",{"adult":4,"backdrop_path":14,"genre_ids":1025,"id":1026,"title":1027,"original_language":118,"original_title":1027,"overview":31,"popularity":1028,"poster_path":14,"release_date":730,"softcore":4,"video":4,"vote_average":71,"vote_count":13,"character":37,"credit_id":1029,"order":50,"media_type":40},[27],1544316,"Trapézistes et voltigeurs",0.7765,"68c10e3fdb06f191e69c117c",{"adult":4,"backdrop_path":14,"genre_ids":1031,"id":1032,"title":1033,"original_language":46,"original_title":1033,"overview":31,"popularity":1034,"poster_path":1035,"release_date":1036,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":876,"credit_id":1037,"order":50,"media_type":40},[],1546473,"Agnès Varda tourne...",0.7839,"\u002Ff20VNBWZStVsy8rVlHSrNqHgePL.jpg","1965-01-01","68ce8a35c523e569ff7491d2",{"adult":4,"backdrop_path":1039,"genre_ids":1040,"id":1041,"title":1042,"original_language":118,"original_title":1042,"overview":31,"popularity":1043,"poster_path":1044,"release_date":1045,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":37,"credit_id":1046,"order":13,"media_type":40},"\u002F5QSxJK9sgTI0xqVvVlLk9MDPJrV.jpg",[27],1557986,"In Her Own Words",1.3709,"\u002F6Dpgjv3RvUeoo6JquxS8ZmJTJhj.jpg","2024-01-23","68e383620d591d58eef81a1a",{"adult":4,"backdrop_path":1048,"genre_ids":1049,"id":1050,"title":1051,"original_language":313,"original_title":1051,"overview":31,"popularity":1052,"poster_path":1053,"release_date":1054,"softcore":4,"video":4,"vote_average":225,"vote_count":13,"character":1055,"credit_id":1056,"order":13,"media_type":40},"\u002FbShrGPBE17zyZyi4NTqSx4HQeQu.jpg",[27,750],765735,"La Alameda 2018",1.2748,"\u002FuCZqGXFftHJ0UKMfzxSs8fyTN7z.jpg","2020-11-12","ella misma","693373ae9f8f2a4074b70b63",{"adult":4,"backdrop_path":14,"genre_ids":1058,"id":1059,"title":1060,"original_language":46,"original_title":1060,"overview":1061,"popularity":1062,"poster_path":1063,"release_date":1064,"softcore":4,"video":4,"vote_average":843,"vote_count":71,"character":111,"credit_id":1065,"order":140,"media_type":40},[27],935219,"Deneuve, la reine Catherine","Catherine Deneuve à la réputation de ne rien laisser percer de ses pensées intimes, de sa vie privée, de ses joies et de ses tourments. Pourtant, les entretiens donnés par la comédienne, depuis ses débuts jusqu’à aujourd’hui, nous permettent de découvrir une femme très différente de l’image iconique généralement véhiculée. Une actrice qui a toujours su choisir ses rôles en fonction des mœurs de l’époque, mêlant l’histoire du cinéma et la place de la femme dans la société.",1.1048,"\u002F9hwGMClrao2eESqtb6hNzccdW5X.jpg","2022-01-19","6965308f63712db1d490d810",{"adult":4,"backdrop_path":14,"genre_ids":1067,"id":1068,"title":1069,"original_language":46,"original_title":1069,"overview":1070,"popularity":1071,"poster_path":1072,"release_date":1073,"softcore":4,"video":4,"vote_average":225,"vote_count":13,"character":1074,"credit_id":1075,"order":140,"media_type":40},[115,27],685068,"Léaud l'unique","Après le tournage de L’Affaire Marcorelle, fasciné par Jean-Pierre Léaud, Serge Le Péron décide de réaliser un portrait de l’acteur, symbole de la Nouvelle Vague. À travers un subtil montage d’images d’archives entrecoupées d’entretiens inédits, le cinéaste embrasse l’ensemble de la carrière du comédien pour mieux en analyser sa dimension mythique. L’acteur, qui se prête très rarement au jeu des interviews, apparaît ici en grande confiance, se dévoile librement et décrit son approche du métier.",1.0611,"\u002F5IgCUOYgNo7C4wJjgS94RvWcBIe.jpg","2001-10-25","Self - filmmaker","6a217dc296b2e25ea6a6976c",{"adult":4,"backdrop_path":14,"genre_ids":1077,"id":1078,"title":1079,"original_language":118,"original_title":1079,"overview":31,"popularity":1080,"poster_path":1081,"release_date":1082,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":31,"credit_id":1083,"order":196,"media_type":40},[27],695490,"My Paris Movie",0.8403,"\u002FaPN2deScSLfueAS6cEkXN8SKcYq.jpg","2011-12-31","6ad0f384ccc8c0b83ce69d91",{"adult":4,"backdrop_path":1085,"genre_ids":1086,"id":1087,"origin_country":1088,"original_language":46,"original_name":1090,"overview":1091,"popularity":1092,"poster_path":1093,"first_air_date":1094,"softcore":4,"name":1090,"vote_average":225,"vote_count":13,"character":37,"credit_id":1095,"episode_count":13,"first_credit_air_date":806,"media_type":1096},"\u002FiUceTxMsVQHlDjqkP81rznPw0my.jpg",[27],100307,[1089],"FR","Un film et son époque","\"Un film et son époque\" se compose de 10 volets documentaires sur 10 films mythiques, avec des entretiens exclusifs et des archives inédites. Les films, a fortiori les plus grands, sont toujours des documents exceptionnels pour témoigner d’une époque. Raconter leur genèse, leur fabrication, leur accueil, les replacer dans leur contexte historique et culturel, permet de mieux les comprendre mais aussi de mieux appréhender la période de leur création. 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Sa fille Rosalie revient sur le documentaire qu’elle a produit, “Varda par Agnès”, qui donne les clés d’une œuvre foisonnante, et d’une sacrée personnalité, soucieuse de transmission aux jeunes générations. Un bel hommage.",1.3138,"\u002FgKkSlbMJiH6qlEcKGQjcPpZnEyW.jpg","2019-03-18","5c92c8a70e0a261057e75c96",{"adult":4,"backdrop_path":1130,"genre_ids":1131,"id":1132,"origin_country":1133,"original_language":339,"original_name":1135,"overview":31,"popularity":1136,"poster_path":1137,"first_air_date":1138,"softcore":4,"name":1135,"vote_average":50,"vote_count":50,"character":37,"credit_id":1139,"episode_count":13,"first_credit_air_date":1140,"media_type":1096},"\u002F1EQ7KVHh19I2ucMSb6ps1rqTtEI.jpg",[1109],226001,[1134,1089],"DE","Square",10.2656,"\u002F3owzTOMD96hfzhdOAZqd86dByMX.jpg","2012-01-08","662bae3bb54002011c0459af","2012-02-19",{"adult":4,"backdrop_path":1142,"genre_ids":1143,"id":1145,"origin_country":1146,"original_language":46,"original_name":1147,"overview":1148,"popularity":1149,"poster_path":1150,"first_air_date":1151,"softcore":4,"name":1147,"vote_average":1152,"vote_count":122,"character":37,"credit_id":1153,"episode_count":13,"first_credit_air_date":1154,"media_type":1096},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[27,1144,1109],10751,79313,[1089],"Cinépanorama","Pendant dix ans, le grand reporter (et ancien correspondant de guerre) François Chalais offre un regard décalé et des interviews surprenantes des grands mythes du cinéma, souvent en compagnie de France Roche. Composée de reportages et d’entretiens, cette émission révèle les acteurs et cinéastes en toute confidence. Le ton de Chalais et sa verve le rendent parfois irrévérencieux. ",18.8807,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04",8.7,"63b07ca87ef3811f8dcdf182","1962-04-07",{"adult":4,"backdrop_path":14,"genre_ids":1156,"id":1157,"origin_country":1158,"original_language":46,"original_name":1159,"overview":1160,"popularity":1161,"poster_path":1162,"first_air_date":1163,"softcore":4,"name":1159,"vote_average":71,"vote_count":13,"character":37,"credit_id":1164,"episode_count":36,"first_credit_air_date":1165,"media_type":1096},[27],328178,[1089],"Ciné regards","Un panorama du cinéma des années 80 mêlé d'archives et de longues réflexion sur le métier de cinéaste : films, acteur·ices, ses réalisateur·ices, anciennes et futures gloires… Une réjouissante plongée dans l'univers d'Hollywood, de la Cinecitta et autres productions, indépendantes ou grand public.",16.6257,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a527279ae5ba55d6815e105","1978-06-07",{"adult":4,"backdrop_path":1167,"genre_ids":1168,"id":1169,"origin_country":1170,"original_language":118,"original_name":1172,"overview":31,"popularity":1173,"poster_path":1174,"first_air_date":1175,"softcore":4,"name":1172,"vote_average":843,"vote_count":140,"character":31,"credit_id":1176,"episode_count":13,"first_credit_air_date":1177,"media_type":1096},"\u002Fxrr0YK9pXO5MhsPUK1kVSLAIOqK.jpg",[27],36695,[1171],"GB","Storyville",13.9699,"\u002FzLOvaj0zL70g2rxctAnLO3kMw0W.jpg","1997-11-15","6abbb5764ae31643da3bfa88","2001-10-15",[1179,1192,1195,1198,1203,1206,1209,1212,1215,1218,1221,1233,1236,1239,1252,1255,1258,1269,1272,1282,1285,1296,1299,1310,1313,1316,1319,1322,1333,1344,1347,1350,1360,1368,1371,1374,1385,1388,1391,1394,1405,1408,1411,1414,1417,1420,1429,1438,1449,1452,1455,1458,1463,1473,1476,1479,1483,1486,1496,1508,1511,1514,1517,1520,1523,1526,1529,1532,1536,1541,1551,1555,1558,1561,1564,1567,1570,1573,1576,1579,1589,1592,1595,1598,1601,1604,1607,1610,1613,1616,1619,1622,1626,1629,1632,1635,1638,1647,1650,1653,1656,1669,1672,1675,1678,1681,1684,1687,1691,1694,1697,1700,1703,1706,1709,1712,1715,1718,1721,1724,1727,1730,1733,1741,1744,1747,1750,1753,1756,1759,1762,1770,1773,1776,1779,1787,1790,1793,1801,1804,1809,1812,1815,1819,1822,1826,1829,1836,1844,1853,1856,1859,1862,1865,1872,1875,1878,1881,1884,1890,1893,1896,1902,1905,1908,1916,1923,1927,1931],{"adult":4,"backdrop_path":1180,"genre_ids":1181,"id":1182,"title":1183,"original_language":46,"original_title":1183,"overview":1184,"popularity":1185,"poster_path":1186,"release_date":1187,"softcore":4,"video":4,"vote_average":1188,"vote_count":1189,"credit_id":1190,"department":17,"job":1191,"media_type":40},"\u002FoyatchDPpS4I9jpIIezFJGrmXcR.jpg",[276],499,"Cléo de 5 à 7","Cléo, belle et chanteuse, attend les résultats d'une analyse médicale. De la superstition à la peur, de la rue de Rivoli au Café de Dôme, de la coquetterie à l'angoisse, de chez elle au Parc Montsouris, Cléo vit quatre-vingt-dix minutes particulières. Son amant, son musicien, une amie puis un soldat lui ouvrent les yeux sur le monde.",5.8584,"\u002FfwZuuo5MI9lncncLTbfIWoJ7l6Q.jpg","1962-04-11",7.66,816,"52fe424ac3a36847f8012c55","Director",{"adult":4,"backdrop_path":14,"genre_ids":1193,"id":837,"title":838,"original_language":46,"original_title":838,"overview":839,"popularity":840,"poster_path":841,"release_date":842,"softcore":4,"video":571,"vote_average":843,"vote_count":110,"credit_id":1194,"department":17,"job":1191,"media_type":40},[27],"60671aef12c60400572e0976",{"adult":4,"backdrop_path":764,"genre_ids":1196,"id":766,"title":767,"original_language":46,"original_title":767,"overview":768,"popularity":769,"poster_path":770,"release_date":771,"softcore":4,"video":4,"vote_average":224,"vote_count":772,"credit_id":1197,"department":17,"job":1191,"media_type":40},[276],"52fe45ddc3a36847f80deced",{"adult":4,"backdrop_path":764,"genre_ids":1199,"id":766,"title":767,"original_language":46,"original_title":767,"overview":768,"popularity":769,"poster_path":770,"release_date":771,"softcore":4,"video":4,"vote_average":224,"vote_count":772,"credit_id":1200,"department":1201,"job":1202,"media_type":40},[276],"52fe45ddc3a36847f80decf9","Writing","Writer",{"adult":4,"backdrop_path":53,"genre_ids":1204,"id":55,"title":56,"original_language":46,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"credit_id":1205,"department":17,"job":1191,"media_type":40},[27],"52fe4685c3a36847f8103a69",{"adult":4,"backdrop_path":53,"genre_ids":1207,"id":55,"title":56,"original_language":46,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"credit_id":1208,"department":1201,"job":1202,"media_type":40},[27],"52fe4685c3a36847f8103a6f",{"adult":4,"backdrop_path":89,"genre_ids":1210,"id":91,"title":92,"original_language":46,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":98,"credit_id":1211,"department":17,"job":1191,"media_type":40},[27],"52fe46e89251416c91063b51",{"adult":4,"backdrop_path":89,"genre_ids":1213,"id":91,"title":92,"original_language":46,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":98,"credit_id":1214,"department":1201,"job":1202,"media_type":40},[27],"52fe46e89251416c91063b57",{"adult":4,"backdrop_path":607,"genre_ids":1216,"id":609,"title":610,"original_language":46,"original_title":610,"overview":611,"popularity":612,"poster_path":613,"release_date":614,"softcore":4,"video":4,"vote_average":195,"vote_count":615,"credit_id":1217,"department":17,"job":1191,"media_type":40},[276,502],"52fe46a5c3a368484e09c023",{"adult":4,"backdrop_path":519,"genre_ids":1219,"id":521,"title":522,"original_language":118,"original_title":522,"overview":523,"popularity":524,"poster_path":525,"release_date":526,"softcore":4,"video":4,"vote_average":182,"vote_count":527,"credit_id":1220,"department":17,"job":1191,"media_type":40},[418],"52fe46a5c3a368484e09c077",{"adult":4,"backdrop_path":1222,"genre_ids":1223,"id":1224,"title":1225,"original_language":46,"original_title":1225,"overview":1226,"popularity":1227,"poster_path":1228,"release_date":1229,"softcore":4,"video":4,"vote_average":1230,"vote_count":1231,"credit_id":1232,"department":17,"job":1191,"media_type":40},"\u002FtKsFh8qpYyi2AMg5O8QTVdChm4k.jpg",[276],44018,"Sans toit ni loi","Une jeune fille errante est trouvée morte de froid : c'est un fait d'hiver. Était-ce une mort naturelle ? C'est une question de gendarme ou de sociologue. Que pouvait-on savoir d'elle et comment ont réagi ceux qui ont croisé sa route ? C'est le sujet du film. Peut-on faire le portrait d'une fille difficile à saisir et dont toute l'attitude est refus ?  La caméra s'attache à Mona, racontant les deux derniers mois de son errance. Elle traîne. Installe sa tente près d'un garage ou d'un cimetière. Elle marche, surtout jusqu'au bout de ses forces.",5.0765,"\u002FryS8cvSPX5dXmyE64dDXbQ8JFns.jpg","1985-12-04",7.354,379,"52fe4671c3a36847f80ff735",{"adult":4,"backdrop_path":1222,"genre_ids":1234,"id":1224,"title":1225,"original_language":46,"original_title":1225,"overview":1226,"popularity":1227,"poster_path":1228,"release_date":1229,"softcore":4,"video":4,"vote_average":1230,"vote_count":1231,"credit_id":1235,"department":1201,"job":1202,"media_type":40},[276],"52fe4671c3a36847f80ff73b",{"adult":4,"backdrop_path":14,"genre_ids":1237,"id":685,"title":686,"original_language":46,"original_title":686,"overview":687,"popularity":688,"poster_path":689,"release_date":690,"softcore":4,"video":4,"vote_average":333,"vote_count":122,"credit_id":1238,"department":1201,"job":1202,"media_type":40},[27],"608dd8e7ac41610029b9ce2a",{"adult":4,"backdrop_path":1240,"genre_ids":1241,"id":1242,"title":1243,"original_language":46,"original_title":1244,"overview":1245,"popularity":1246,"poster_path":1247,"release_date":1248,"softcore":4,"video":4,"vote_average":1249,"vote_count":1250,"credit_id":1251,"department":17,"job":1191,"media_type":40},"\u002Fp5OSk41qSfhoh18ZkF7tzg4QjIN.jpg",[276,594],47429,"Kung-Fu Master","Kung-Fu Master!","Mary-Jane a presque quarante ans et vit avec ses deux filles, Lucy et Lou. Elle fait la connaissance de Julien, un ami de Lucy, âgé de quinze ans et passionné par le « Kung-Fu Master », un jeu vidéo. Julien se sent attiré par Mary-Jane, effrayée tout d'abord…",2.5648,"\u002FvAa8Xi9EHRQeQHBmjHzvj9eW4ou.jpg","1988-03-09",6.38,75,"52fe4733c3a36847f812891b",{"adult":4,"backdrop_path":673,"genre_ids":1253,"id":675,"title":676,"original_language":46,"original_title":676,"overview":677,"popularity":678,"poster_path":679,"release_date":680,"softcore":4,"video":4,"vote_average":268,"vote_count":681,"credit_id":1254,"department":1201,"job":1202,"media_type":40},[27],"52fe479fc3a36847f813fd07",{"adult":4,"backdrop_path":673,"genre_ids":1256,"id":675,"title":676,"original_language":46,"original_title":676,"overview":677,"popularity":678,"poster_path":679,"release_date":680,"softcore":4,"video":4,"vote_average":268,"vote_count":681,"credit_id":1257,"department":17,"job":1191,"media_type":40},[27],"52fe479fc3a36847f813fd0d",{"adult":4,"backdrop_path":1259,"genre_ids":1260,"id":1261,"title":1262,"original_language":46,"original_title":1262,"overview":1263,"popularity":1264,"poster_path":1265,"release_date":1266,"softcore":4,"video":4,"vote_average":84,"vote_count":1267,"credit_id":1268,"department":17,"job":1191,"media_type":40},"\u002FqCm7JsnryHF0SCXTIvBB7k7oh5m.jpg",[276,594],54436,"La Pointe courte","Un couple séjourne à la Pointe Courte, le quartier des pêcheurs de Sète : lui est un enfant du pays, elle une parisienne qui découvre les lieux où son mari a grandi. Ils font le point sur leur amour, tandis que les familles de pêcheurs font face aux difficultés de la vie quotidienne.",2.3585,"\u002F1u1Iw5R813xXFFhmoM1xZPDVruB.jpg","1956-01-04",131,"52fe489bc3a36847f81707af",{"adult":4,"backdrop_path":1259,"genre_ids":1270,"id":1261,"title":1262,"original_language":46,"original_title":1262,"overview":1263,"popularity":1264,"poster_path":1265,"release_date":1266,"softcore":4,"video":4,"vote_average":84,"vote_count":1267,"credit_id":1271,"department":1201,"job":1202,"media_type":40},[276,594],"52fe489bc3a36847f81707b5",{"adult":4,"backdrop_path":1273,"genre_ids":1274,"id":1275,"title":1276,"original_language":46,"original_title":1277,"overview":1278,"popularity":1279,"poster_path":1280,"release_date":1187,"softcore":4,"video":4,"vote_average":35,"vote_count":439,"credit_id":1281,"department":17,"job":1191,"media_type":40},"\u002FoDFrBLxqrnnvRrOtFNQ8AmNHjPv.jpg",[418,594],54464,"Les Fiancés du pont Mac Donald","Les fiancés du pont Mac Donald ou (Méfiez-vous des lunettes noires)","Deux amoureux mythiques des années 60, Anna Karina et Jean-Luc Godard, dans un sketch à message : le jeune homme porte des lunettes noires et a bien raison de les enlever.",1.7251,"\u002Fhxz3xHtDoV5K4UJA5x8HNnSTtN0.jpg","52fe489dc3a36847f8170c15",{"adult":4,"backdrop_path":1273,"genre_ids":1283,"id":1275,"title":1276,"original_language":46,"original_title":1277,"overview":1278,"popularity":1279,"poster_path":1280,"release_date":1187,"softcore":4,"video":4,"vote_average":35,"vote_count":439,"credit_id":1284,"department":1201,"job":1202,"media_type":40},[418,594],"52fe489dc3a36847f8170c1b",{"adult":4,"backdrop_path":1286,"genre_ids":1287,"id":1288,"title":1289,"original_language":46,"original_title":1289,"overview":1290,"popularity":1291,"poster_path":1292,"release_date":1293,"softcore":4,"video":4,"vote_average":660,"vote_count":1294,"credit_id":1295,"department":17,"job":1191,"media_type":40},"\u002FwPliKFiYaUEYCWWIIFW9mxjiz0G.jpg",[276,594],53023,"Le Bonheur","Un menuisier aime sa femme, ses enfants et la nature. Ensuite il rencontre une autre femme, une postière, qui ajoute du bonheur à son bonheur. Toujours très amoureux de sa femme, il ne veut pas se priver, ni se cacher, ni mentir. Un jour de pique-nique en Île-de-France, le drame va se mêler aux délices : l'épouse se noie dans un étang. Le menuisier et la postière vivront ensemble et élèveront les enfants. 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