[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F56836:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":710},false,[],"Raymond Depardon is a photographer, a journalist and a filmmaker, but, above all, his eyes view humans with compassion. He respects others and is kind with the reality of their lives. He was born into a family of farmers in 1942 in Burgundy and went to Paris in 1958, wishing to be a photographer. He was first taken on as a messenger in an agency and was sent to take photos of an opening-night at the cinema: the movie was none other than Jean-Luc Godard's Breathless. He finally established his own agency, Gamma, together with three reporters, in 1966 'not for money but for the freedom'. He suggested to set up a cinema department: 'we bought an Eclair- camera and tried to make news-films for television in addition to taking news-photograhs... It was then that I learned to hold the camera.\" When Depardon films people, he is silent. If one has the impression that he always keeps his eyes lowered in the face of the world's miseries, it is untrue. Raymond Depardon looks as through a lattice and reacts like quicksilver, keeping his deepest, innermost emotion secret, and allow his pictures to speak for themselves. His films are now screened in all international film festivals, from Cannes to Hong Kong.","1942-07-06",null,2,"https:\u002F\u002Fwww.palmeraieetdesert.fr",56836,"nm0220019","Directing","Raymond Depardon","Villefranche-sur-Saône",0.8696,"\u002FhYNHPXItm5ELS49dspIMDPoxRzh.jpg",{"cast":19,"crew":191},[20,36,48,62,76,89,102,114,125,135,143,152,163,173,181],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},[22],99,126326,"Journal de France","fr","Tout au long de sa carrière et de ses voyages, Raymond Depardon a filmé ses reportages. Il en a conservé des séquences inédites dans sa cave. Alors que son épouse Claudine Nougaret ne l'accompagnait pas dans ses périples, elle a commencé à trier les images tournées au fil des années par son mari cinéaste et photographe. Elle découvre ses débuts à la caméra, ses reportages autour du monde et ses voyages à travers toute la France à la rencontre d'agriculteurs, de paysans et de villageois. Elle les dévoile à présent avec Raymond Depardon, car il s'agit de bribes de leur mémoire, mais surtout de l'histoire de la France, du monde et de ses habitants...",0.8855,"\u002FmgZskKHdF88epwiEuLZhHc3SLMn.jpg","2012-05-22",6.8,20,"","52fe4adcc3a368484e16ae37",0,"movie",{"adult":4,"backdrop_path":8,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":34,"media_type":35},[22],128470,"New York, N.Y.","Le cinéaste raconte, en trois courts plans séquence, son incapacité à rendre compte de l'énergie dégagée par New York, son impossibilité de filmer la ville.",0.8134,"\u002FcByuW0sLDqMSM9meSoQKVk6mSL1.jpg","1986-01-01",6.5,13,"Narrator (voice)","626b58b50ed2ab01833bb635",{"adult":4,"backdrop_path":49,"genre_ids":50,"id":52,"title":53,"original_language":25,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":44,"vote_count":58,"character":59,"credit_id":60,"order":61,"media_type":35},"\u002Fnv5vE1zTdViKbjgDuStbs4a2E4Q.jpg",[22,51],36,1148223,"L'Âge d'or de la pub","Il y a 55 ans, le 1er octobre 1968, le 1er spot de publicité de marque débarque sur le petit écran des Français. C’est la naissance de « L’Âge d’Or de la Pub » !  Durant 3 décennies, des milliers de petits films créatifs vont chercher à nous séduire et construire notre mémoire collective. La Pub nous ressemblait, elle nous rassemblait. A travers des spots kitchs ou cultes, humour, slogans, musiques, stars, gimmicks, grand spectacle ou sex-appeal : nous allons vous révéler comment la pub s’y prenait pour nous convaincre. Catherine Deneuve, la Mère Denis, Ridley Scott, Gérard Depardieu, Don Patillo, Etienne Chatillez, Monsieur Propre, Jean-Paul Goude, Pelé, Myriam, Richard Gotainer, le Cow-boy Marlboro, Jean- Jacques Annaud, l’Ami Ricoré, Carlos, Alain Chabat, Isabelle Adjani, le Lapin Duracell : ils sont tous là ! Et bien d’autres… Près de 400 films, véritables madeleines à déguster, réunis pour la 1ère fois et racontés par Thierry Ardisson, pour revivre « L’Âge d’Or de la Pub » !",1.4284,"\u002FwWkz10PqaTQDAqRiV6QjIwNkTLK.jpg","2023-06-02",6,"Self (archive footage)","652a60eeea84c7010c1b73fa",133,{"adult":4,"backdrop_path":63,"genre_ids":64,"id":65,"title":66,"original_language":25,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"character":73,"credit_id":74,"order":75,"media_type":35},"\u002FA5uLAf8KCwiN4Idw0qfgOPvnKR0.jpg",[22],37478,"Profils paysans : le quotidien","Deuxième documentaire d'une trilogie réalisée au long cours (avec Profils paysans : l'approche (2001) et Profils paysans : La vie moderne (2008)), montrant la vie simple des agriculteurs du Sud de la France contemporaine.\r En Lozère, Ardèche et Haute-Loire, nous retrouvons plusieurs familles du monde rural. De jeunes agriculteurs s'installent dans ces régions de moyenne montagne. Dans le même temps, de nombreuses exploitations se transforment en résidences secondaires.  Les problèmes de transmission du patrimoine agissent sur la vie de tous les jours. En se confrontant au temps qui passe, Raymond Depardon rend hommage à ces hommes et ces femmes qui risquent de basculer dans l'oubli.",1.104,"\u002Fxst9VFagMzXbU5dN0mYmT4APAos.jpg","2005-02-23",7.2,12,"Narrator (voice) (uncredited)","665571f0dc8efee4671cb9f4",27,{"adult":4,"backdrop_path":77,"genre_ids":78,"id":79,"title":80,"original_language":25,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"character":73,"credit_id":87,"order":88,"media_type":35},"\u002FjF2xO3W88sAutt9htQTkJqUK5g9.jpg",[22],37477,"Profils paysans : l'approche","Le cinéaste-photographe Raymond Depardon propose ici un voyage dans le monde rural. Il dresse pour la postérité un portrait plein de tendresse des paysans, une catégorie socio-professionnelle trop souvent oubliée, que seules des catastrophes climatiques ou des épizooties mettent sous les feux de l'actualité.",1.4288,"\u002FlQEkAzieP4DB5MwSpKcVl8QfeAn.jpg","2001-05-09",7.4,14,"665571dce73154a29ba367b6",22,{"adult":4,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":25,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":99,"character":73,"credit_id":100,"order":101,"media_type":35},"\u002FmvypTziHBOTFZzhtPNWgQteQNOX.jpg",[22],8930,"Profils paysans : La Vie moderne","Raymond Depardon a suivi pendant dix ans des paysans de moyenne montagne. Il nous fait entrer dans leurs fermes avec un naturel extraordinaire. Ce film nous parle, avec une grande sérénité, de nos racines et du devenir des gens de la terre.",1.8996,"\u002F5LZKsMfqaCDxoUFG2OiXtbFtOZl.jpg","2008-10-29",7.5,25,"665b209429b9be64e198fe3a",18,{"adult":4,"backdrop_path":8,"genre_ids":103,"id":104,"title":105,"original_language":25,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"character":32,"credit_id":112,"order":113,"media_type":35},[22],411372,"Donner la parole","Donner la parole à neuf langues parmi les 2700 en danger dans le monde : le Chipaya, le Kawésqar, le Quechua, le Mapuche, le Guarani, le Yanomami, l'Afar, le Breton, l'Occitan. Avec des mots très simples, universels, treize personnes nous disent leur attachement à leur langue et affirment leur volonté de la préserver.",0.7611,"\u002FxC2k8jgzqSZGQLAYqb85Bel8Epc.jpg","2008-01-01",5.2,5,"57b0b54dc3a368438300045d",1,{"adult":4,"backdrop_path":8,"genre_ids":115,"id":116,"title":117,"original_language":25,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":113,"character":123,"credit_id":124,"order":34,"media_type":35},[22],498245,"Ciné-portrait de Raymond Depardon","À l'occasion de la sortie de « Reporters », Jean Rouch filme Raymond Depardon qui filme Jean Rouch.",1.6334,"\u002FuRJlbo1tB0G12LjYGpt1D9stH2R.jpg","1983-01-01",9,"himself","5a5a40580e0a26570600ad99",{"adult":4,"backdrop_path":8,"genre_ids":126,"id":127,"title":128,"original_language":25,"original_title":128,"overview":32,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":9,"character":133,"credit_id":134,"order":113,"media_type":35},[22],500187,"Quoi de neuf au Garet?",1.1506,"\u002Fv7v6vpOEBgZPQ8GSFtz6LJHSTPZ.jpg","2005-09-30",7,"Self (voice) (uncredited)","5a6572bfc3a3687fa302f1cf",{"adult":4,"backdrop_path":8,"genre_ids":136,"id":137,"title":138,"original_language":25,"original_title":138,"overview":32,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":123,"credit_id":142,"order":34,"media_type":35},[22],498525,"Un Moment Si Doux",0.8896,"\u002F7AUcJ4RNcuaeyDXhWa4Qmr84hVD.jpg","2013-01-01","5a5beb70925141323b000a1c",{"adult":4,"backdrop_path":8,"genre_ids":144,"id":145,"title":146,"original_language":25,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":71,"vote_count":111,"character":46,"credit_id":151,"order":113,"media_type":35},[101],272879,"Un homme sans l'Occident","Une évocation de la vie de l'un des derniers hommes libres du Sahara au début du XXe siècle. Adopté par des chasseurs, cet homme du désert devient un guide réputé et tente d'échapper à la colonisation.",1.1267,"\u002FtvNCTg4QeVhG58D2VMND4NXAlON.jpg","2003-01-15","5b2b8bb4c3a3687d2500485d",{"adult":4,"backdrop_path":153,"genre_ids":154,"id":156,"title":157,"original_language":25,"original_title":157,"overview":32,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":161,"credit_id":162,"order":111,"media_type":35},"\u002FctvPt1yGKrDgg32U2yNXcmIO1DL.jpg",[155],80,126394,"La rouge et la noire",1.7148,"\u002Fzz4xymOgyAdG69SdSpOY4Mbemkv.jpg","2011-06-08","Self","5ea6d15aec4552001f418b50",{"adult":4,"backdrop_path":8,"genre_ids":164,"id":165,"title":166,"original_language":25,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":113,"character":161,"credit_id":172,"order":58,"media_type":35},[101],697695,"Incognito","L’élégante Renata fait sensation quand elle arrive en cabriolet blanc à Mens, petit village de l’Isère. Elle loue la mystérieuse Villa des Cimes, demeure protégée par un vaste parc pour y loger dans le plus grand secret, Hans, écrivain et cinéaste de renom, son mentor et son amant… Renata embauche Corinne, une jeune femme du village et un jardinier érudit…",1.6862,"\u002F9TmKKKcTJ5w6YmjITpWTDFGIEMW.jpg","1990-11-27",8,"5ea6ca4ca2d2e90018df474b",{"adult":4,"backdrop_path":8,"genre_ids":174,"id":175,"title":176,"original_language":25,"original_title":176,"overview":32,"popularity":177,"poster_path":178,"release_date":179,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":32,"credit_id":180,"order":34,"media_type":35},[22],1630635,"Raymond Depardon: Fermes familiales",0.9741,"\u002Fn4xu9doXn3pHr7o4jxahaJDpXNG.jpg","1985-01-01","6986670a52f819f56a6b5b7f",{"adult":4,"backdrop_path":182,"genre_ids":183,"id":184,"title":185,"original_language":25,"original_title":185,"overview":32,"popularity":186,"poster_path":187,"release_date":188,"softcore":4,"video":4,"vote_average":132,"vote_count":189,"character":32,"credit_id":190,"order":34,"media_type":35},"\u002Fa2GBTEs8oz2ra1tYAF4c0BLVH7R.jpg",[22],163842,"Les années déclic: 1957-1977",1.1398,"\u002FvXO2tHoWWqqTH39A96fMQ7gDiiA.jpg","1984-07-04",3,"698772f504a63e37428c8ab1",[192,196,210,213,222,225,236,247,257,262,273,276,279,287,297,300,311,316,319,330,340,351,361,364,373,376,387,396,406,418,423,427,438,449,452,455,458,461,471,474,477,489,498,507,515,524,533,536,539,547,550,553,556,559,562,565,573,576,579,582,592,602,605,614,623,626,629,638,647,650,653,663,670,673,680,688,696,699,707],{"adult":4,"backdrop_path":90,"genre_ids":193,"id":92,"title":93,"original_language":25,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":99,"credit_id":194,"department":13,"job":195,"media_type":35},[22],"52fe44c9c3a36847f80a9ee1","Director",{"adult":4,"backdrop_path":197,"genre_ids":198,"id":200,"title":201,"original_language":25,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":4,"video":4,"vote_average":207,"vote_count":208,"credit_id":209,"department":13,"job":195,"media_type":35},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[199,101],35,36108,"Chacun son cinéma","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Film anniversaire réalisé à l'occasion des 60 ans du Festival de Cannes. 34 cinéastes, issus de 25 pays, ont réalisé chacun un court métrage de 3 minutes autour du thème de la salle de cinéma.",2.8865,"\u002FoqsHDWIh26sJXz9Ua3lPQhUx3lK.jpg","2007-10-31",6.4,163,"52fe45cd9251416c9103edb9",{"adult":4,"backdrop_path":63,"genre_ids":211,"id":65,"title":66,"original_language":25,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"credit_id":212,"department":13,"job":195,"media_type":35},[22],"52fe464c9251416c9104ffbb",{"adult":4,"backdrop_path":8,"genre_ids":214,"id":215,"title":216,"original_language":25,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":132,"vote_count":101,"credit_id":221,"department":13,"job":195,"media_type":35},[22],37479,"Délits flagrants","Délits flagrants est un film documentaire réalisé en 1994 par Raymond Depardon et tourné dans les bureaux de la 8e section du Palais de justice de Paris. À travers une longue série d'interrogatoires filmés en plan fixe, Raymond Depardon montre de petits délinquants brutalement confrontés à la machine judiciaire.",0.7616,"\u002FwOwfya9UCgMkXVknxB9rjofKzKd.jpg","1994-10-05","52fe464c9251416c9104ffc7",{"adult":4,"backdrop_path":77,"genre_ids":223,"id":79,"title":80,"original_language":25,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":224,"department":13,"job":195,"media_type":35},[22],"52fe464c9251416c9104ffb1",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":25,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":234,"vote_count":31,"credit_id":235,"department":13,"job":195,"media_type":35},"\u002FpQ7RlSEeXKrFfdmAoHlyOVnGb2X.jpg",[22],37480,"1974, une partie de campagne","1974, la veille du second tour des élections présidentielles. Le candidat Valéry Giscard d'Estaing vole de meeting en meeting dans un petit avion qui lui fait faire le tour de France. « Giscard à la barre ! » entend-on dans la bouche des jeunes giscardiens venus applaudir leur héros sur le passage. Mais Raymond Depardon montre aussi de façon cavalière les mœurs politiques, les rapports de VGE avec ses collaborateurs et ses alliés. Mouvements d'humeur du candidat, réflexions acides, autosatisfaction donnent un visage inédit à la politique. Des scènes cocasses émaillent ce document que le candidat a financé de ses propres fonds et dont il a bloqué la diffusion pendant 28 ans...",1.0299,"\u002Fs9BfIq8HIkhWzuf1nwqPKnYT6DH.jpg","2002-02-20",6.6,"52fe464c9251416c9104ffed",{"adult":4,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":25,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":207,"vote_count":245,"credit_id":246,"department":13,"job":195,"media_type":35},"\u002FuonotYnbDrHXcMFA1AbembrrQ8N.jpg",[101,22],48336,"Lumière et Compagnie","40 réalisateurs ont tourné 52 secondes de leur choix sans son et en trois prises maximum avec la caméra originelle des frères Lumière.",2.1816,"\u002FiCDYGeKvRCyS0d2NUn8O5o9doZZ.jpg","1995-12-20",74,"52fe4760c3a36847f81324c3",{"adult":4,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":25,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":132,"vote_count":189,"credit_id":256,"department":13,"job":195,"media_type":35},"\u002FbgspKcir168iAP8BnYmHsEK3orC.jpg",[22,101],49116,"Contre l’oubli","Film collectif français réalisé par une trentaine de réalisateurs, dont Alain Resnais et Jean-Luc Godard , et sorti en 1991, pour témoigner du devenir de prisonniers politiques.",1.2384,"\u002F1PMobTJtMzOSBqNCHImiLAyPumH.jpg","1991-12-11","52fe4786c3a36847f813a993",{"adult":4,"backdrop_path":8,"genre_ids":258,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":259,"department":260,"job":261,"media_type":35},[22],"626b5894a410c800520fc23f","Camera","Director of Photography",{"adult":4,"backdrop_path":263,"genre_ids":264,"id":265,"title":266,"original_language":25,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":85,"vote_count":271,"credit_id":272,"department":13,"job":195,"media_type":35},"\u002FmU4W7lok0CdGpNGzhAQTyxetXBI.jpg",[22],125742,"10e chambre - Instants d'audience","10e chambre, instants d'audience est un film documentaire français réalisé en 2004 par Raymond Depardon.  À travers 12 cas réels (conduite en état d'ivresse, petit trafic de drogue…), sélectionnés parmi plus de 200 filmés exceptionnellement entre mai et juillet 2003 à la 10e chambre du tribunal correctionnel de Paris, ce film documentaire montre le quotidien de la justice. Les cas sont simplement filmés sans ajout de commentaire.",0.8362,"\u002F2kykPNLRCxlM23EnVOpWLwUdAbH.jpg","2004-06-02",29,"52fe4acdc3a368484e167d89",{"adult":4,"backdrop_path":8,"genre_ids":274,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":275,"department":13,"job":195,"media_type":35},[22],"52fe4adcc3a368484e16ae33",{"adult":4,"backdrop_path":8,"genre_ids":277,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":278,"department":13,"job":195,"media_type":35},[22],"52fe4b1dc3a368484e17877f",{"adult":4,"backdrop_path":8,"genre_ids":280,"id":281,"title":282,"original_language":25,"original_title":282,"overview":32,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":71,"vote_count":171,"credit_id":286,"department":13,"job":195,"media_type":35},[22],128468,"Dix minutes de silence pour John Lennon",1.0085,"\u002FiQNnZotwoj9C3jZv5X87ev95xqM.jpg","1980-12-31","52fe4b1dc3a368484e178775",{"adult":4,"backdrop_path":8,"genre_ids":288,"id":289,"title":290,"original_language":25,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":295,"vote_count":86,"credit_id":296,"department":13,"job":195,"media_type":35},[22],133452,"Faits divers","Reportage en direct sur la vie quotidienne des gardiens de la paix de Paris.",1.0859,"\u002FwM7RvEJ4nTXVJL5BhreBzL6AgSd.jpg","1983-06-01",6.893,"52fe4bb2c3a368484e1953c3",{"adult":4,"backdrop_path":182,"genre_ids":298,"id":184,"title":185,"original_language":25,"original_title":185,"overview":32,"popularity":186,"poster_path":187,"release_date":188,"softcore":4,"video":4,"vote_average":132,"vote_count":189,"credit_id":299,"department":13,"job":195,"media_type":35},[22],"52fe4c6ec3a36847f822dd0b",{"adult":4,"backdrop_path":301,"genre_ids":302,"id":304,"title":305,"original_language":25,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":85,"vote_count":171,"credit_id":310,"department":13,"job":195,"media_type":35},"\u002Fmokd2Atv5tiGVtkIhqnqQJRmS3T.jpg",[303,101],10749,166694,"Une femme en Afrique","Un journaliste au repos, dans un hôtel au bord de la mer rouge, rencontre une femme désemparée. Il l'invite à partager sa chambre, elle accepte.",0.9083,"\u002FiLkPDgA3bvqMAEBSWXaNcO8fcTv.jpg","1985-10-14","52fe4ca2c3a36847f8237d0f",{"adult":4,"backdrop_path":301,"genre_ids":312,"id":304,"title":305,"original_language":25,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":85,"vote_count":171,"credit_id":313,"department":314,"job":315,"media_type":35},[303,101],"52fe4ca2c3a36847f8237d1b","Writing","Writer",{"adult":4,"backdrop_path":301,"genre_ids":317,"id":304,"title":305,"original_language":25,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":85,"vote_count":171,"credit_id":318,"department":260,"job":261,"media_type":35},[303,101],"52fe4ca2c3a36847f8237d39",{"adult":4,"backdrop_path":320,"genre_ids":321,"id":322,"title":323,"original_language":25,"original_title":323,"overview":324,"popularity":325,"poster_path":326,"release_date":327,"softcore":4,"video":4,"vote_average":58,"vote_count":328,"credit_id":329,"department":13,"job":195,"media_type":35},"\u002FtHeAYY0VJYNGGeyjE0RUfogbPeG.jpg",[101],198445,"La Captive du désert","L'histoire d'une jeune femme prise en otage par des rebelles toubous et plus encore prisonnière du desert qui les enserre tous.",1.0584,"\u002FsaJqOj7EfCl6DC9uREB51u6M4V1.jpg","1990-04-18",10,"52fe4d7d9251416c91117f0d",{"adult":4,"backdrop_path":331,"genre_ids":332,"id":333,"title":334,"original_language":25,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":58,"vote_count":111,"credit_id":339,"department":13,"job":195,"media_type":35},"\u002FwONhV2GptYFvdJ9KsWrgQU2gojV.jpg",[22],234897,"Afriques : comment ça va avec la douleur ?","Seul, un micro sur sa camera, Raymond Depardon a arpente le continent africain de juillet 1993 a fevrier 1996. Il raconte et montre le cap de Bonne-Esperance, Soweto, le Karoo, Johannesburg, l'Angola des hauts plateaux, les camps de refugies du Rwanda et du Burundi, l'Ethiopie, la Somalie, le Soudan... Refusant le silence de la misere, il s'interroge sur sa responsabilite d'homme d'image a parler de la douleur.",0.899,"\u002F8BakOc3EamYoqpu3BjJcmLwp9lX.jpg","1996-10-02","52fe4e3bc3a36847f8285277",{"adult":4,"backdrop_path":341,"genre_ids":342,"id":343,"title":344,"original_language":25,"original_title":344,"overview":345,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":349,"vote_count":328,"credit_id":350,"department":13,"job":195,"media_type":35},"\u002F3lP9J38ZIAP1YA8o8MllOJQLTUY.jpg",[22],261083,"Paris","Un cineaste s'apprête a faire un film. Il engage une professionnelle pour l'aider à trouver dans les rues de Paris celle qui en sera l'héroine. Jeunes comediennes ou passagères de la gare Saint-Lazare, elles confronteront cet homme d'image à l'ecoute et a la parole.",0.7446,"\u002FiRJtEDkuQxH1LvpFR7IELGiBaMS.jpg","1998-03-23",5.3,"5330eb7d9251410b60000608",{"adult":4,"backdrop_path":352,"genre_ids":353,"id":354,"title":355,"original_language":25,"original_title":355,"overview":356,"popularity":357,"poster_path":358,"release_date":359,"softcore":4,"video":4,"vote_average":132,"vote_count":328,"credit_id":360,"department":13,"job":195,"media_type":35},"\u002FlD0svHaqg92Vp6nipSLQnj5wAIt.jpg",[22],31323,"Reporters","Ce documentaire retrace le cynique et difficile monde des photographes.",2.4211,"\u002FmDdAb7E2ayhpwJfZr5EPTClGrbG.jpg","1981-06-10","53683b110e0a2647db006a9b",{"adult":4,"backdrop_path":8,"genre_ids":362,"id":145,"title":146,"original_language":25,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":71,"vote_count":111,"credit_id":363,"department":13,"job":195,"media_type":35},[101],"5388ad890e0a2614500066aa",{"adult":4,"backdrop_path":365,"genre_ids":366,"id":367,"title":368,"original_language":25,"original_title":368,"overview":369,"popularity":68,"poster_path":370,"release_date":371,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":372,"department":13,"job":195,"media_type":35},"\u002F3qkcPYXBuxgjZ55iNCNyKjjuVFZ.jpg",[22],1000437,"Les Révolutionnaires du Tchad","Film en trois parties :  Raymond Depardon filme L’embuscade d'Aouzou, au Tchad où avec Gilles Caron, Michel Honorin, Robert Pledge et un groupe de rebelles, ils sont attaqués en 1970 par les troupes auxiliaires tchadiennes.\r Les deux autres parties (1975-76) comportent l'interview de Françoise Claustre, captive des combattants du Frolinat dirigé par Hissène Habré et Goukouni Wedey, ainsi que l'attaque de la palmeraie de Faya.  L'interview effectuée par Raymond Depardon dans le cadre de ce court métrage documentaire émeut l'opinion publique, et Paris cèdera, payant la rançon demandée par Hissène Habré, et s'élevant à dix millions de francs. L'histoire de Françoise Claustre servira de base au film La Captive du désert de Raymond Depardon, avec Sandrine Bonnaire.","\u002FrVuPsud1ieSI4vt02G3yfxqhNO0.jpg","1970-03-03","62d2a0082d1e400060df542a",{"adult":4,"backdrop_path":320,"genre_ids":374,"id":322,"title":323,"original_language":25,"original_title":323,"overview":324,"popularity":325,"poster_path":326,"release_date":327,"softcore":4,"video":4,"vote_average":58,"vote_count":328,"credit_id":375,"department":314,"job":315,"media_type":35},[101],"53beab43c3a3684cdf0031e1",{"adult":4,"backdrop_path":377,"genre_ids":378,"id":379,"title":380,"original_language":25,"original_title":380,"overview":381,"popularity":382,"poster_path":383,"release_date":384,"softcore":4,"video":4,"vote_average":234,"vote_count":385,"credit_id":386,"department":13,"job":195,"media_type":35},"\u002F52Kkucw89mhQy5mevqzM0W7mQmJ.jpg",[22],37474,"Urgences","Le service des urgences psychiatriques de l'Hôtel Dieu, unique hôpital a recevoir quiconque à toute heure sans exception d'âge, de sexe, de pays. Un constat lucide et un regard spontané en dehors de l'inévitable morale humaniste.",0.8878,"\u002FznKaghCTrUtRwM9nF8a6DilOaLU.jpg","1988-01-24",19,"5410bdcbc3a3681ab70006f9",{"adult":4,"backdrop_path":8,"genre_ids":388,"id":389,"title":390,"original_language":25,"original_title":390,"overview":391,"popularity":392,"poster_path":393,"release_date":394,"softcore":4,"video":4,"vote_average":58,"vote_count":111,"credit_id":395,"department":13,"job":195,"media_type":35},[],296604,"Muriel Leferle","En trois temps et un seul jour, l'interrogatoire d'une jeune femme, Muriel Leferle, soupçonnée de toxicomanie et de vol. A travers les questions des \"professionnels\" Raymond Depardon vérifie combien le langage peut-être un instrument d'humiliation et d'exclusion. On demande a l'accusée de dire la vérité, mais la vérité peut-elle être dite dans ce français figé par le Code ?",0.9069,"\u002F3nYckfSrgSvG25j8xFIbnJOMaDP.jpg","1999-03-31","54351f22c3a368114300b354",{"adult":4,"backdrop_path":397,"genre_ids":398,"id":399,"title":400,"original_language":25,"original_title":400,"overview":401,"popularity":402,"poster_path":403,"release_date":404,"softcore":4,"video":4,"vote_average":30,"vote_count":328,"credit_id":405,"department":13,"job":195,"media_type":35},"\u002F3OaoxBxkXWvriSuMQF6Nru3VrIO.jpg",[22],110740,"San Clemente","Raymond Depardon et Sophie Ristelhuerber connaisent bien l'hôpital psychiatrique de San Clemente près de Venise pour y avoir effectué plusieurs reportages photographiques. Ils y retournent en 1980 avec une caméra. Il est question de fermer l'établissement.",0.9867,"\u002FFp5eR0CxL62CeYXr1VkRvNrxfJ.jpg","1981-09-06","555a2c649251410b39004414",{"adult":4,"backdrop_path":407,"genre_ids":408,"id":409,"title":410,"original_language":25,"original_title":410,"overview":411,"popularity":412,"poster_path":413,"release_date":414,"softcore":4,"video":4,"vote_average":415,"vote_count":416,"credit_id":417,"department":13,"job":195,"media_type":35},"\u002Fe0ePYHdJQpTySDWp8ekfJ9JQUrR.jpg",[22],393710,"Les Habitants","Raymond Depardon part à la rencontre des Français pour les écouter parler. De Charleville-Mézières à Nice, de Sète à Cherbourg, il invite des gens rencontrés dans la rue à poursuivre leur conversation devant nous, sans contraintes en toute liberté.",1.6086,"\u002F1zenYbv6r4Z8qpaMrUCHs7EKYWX.jpg","2016-04-27",6.1,15,"5717655f9251417a22006a5f",{"adult":4,"backdrop_path":352,"genre_ids":419,"id":354,"title":355,"original_language":25,"original_title":355,"overview":356,"popularity":357,"poster_path":358,"release_date":359,"softcore":4,"video":4,"vote_average":132,"vote_count":328,"credit_id":420,"department":421,"job":422,"media_type":35},[22],"577e4c3892514169c500040a","Crew","Cinematography",{"adult":4,"backdrop_path":352,"genre_ids":424,"id":354,"title":355,"original_language":25,"original_title":355,"overview":356,"popularity":357,"poster_path":358,"release_date":359,"softcore":4,"video":4,"vote_average":132,"vote_count":328,"credit_id":425,"department":426,"job":426,"media_type":35},[22],"577e4c459251416935000420","Sound",{"adult":4,"backdrop_path":428,"genre_ids":429,"id":430,"title":431,"original_language":25,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":436,"vote_count":122,"credit_id":437,"department":13,"job":195,"media_type":35},"\u002Fru9iXX4Li8CAI8ROyzMEb1Vt7dN.jpg",[22],406628,"À propos de Nice, la suite","Soixante-cinq ans après la sortie en 1930 du film de Jean Vigo « À propos de Nice », sept réalisateurs lui rendent hommage en revisitant la ville, sa façade et ses faces cachées.",1.5852,"\u002F8bpnyTSdpuZfJwW1a8L79qO8out.jpg","1995-09-13",5.6,"578961929251413f080013bb",{"adult":4,"backdrop_path":439,"genre_ids":440,"id":441,"title":442,"original_language":25,"original_title":442,"overview":32,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"credit_id":446,"department":447,"job":448,"media_type":35},"\u002Fs3WXNDYTjXprpVs84Mzn7jf5fZM.jpg",[22],409225,"Tibesti Too",1.062,"\u002FzoNYh3GqXsmnZtd1KSKmqa3o7tQ.jpg","1976-01-02","579fdfa292514102bf000283","Production","Producer",{"adult":4,"backdrop_path":439,"genre_ids":450,"id":441,"title":442,"original_language":25,"original_title":442,"overview":32,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"credit_id":451,"department":13,"job":195,"media_type":35},[22],"579fdfbb925141065000012b",{"adult":4,"backdrop_path":439,"genre_ids":453,"id":441,"title":442,"original_language":25,"original_title":442,"overview":32,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"credit_id":454,"department":421,"job":422,"media_type":35},[22],"579fe072c3a36877bc00013a",{"adult":4,"backdrop_path":8,"genre_ids":456,"id":104,"title":105,"original_language":25,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":457,"department":13,"job":195,"media_type":35},[22],"57b0b557c3a368434e00049f",{"adult":4,"backdrop_path":90,"genre_ids":459,"id":92,"title":93,"original_language":25,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":99,"credit_id":460,"department":314,"job":315,"media_type":35},[22],"5810e8ce925141574300b545",{"adult":4,"backdrop_path":462,"genre_ids":463,"id":464,"title":465,"original_language":25,"original_title":465,"overview":32,"popularity":466,"poster_path":467,"release_date":468,"softcore":4,"video":4,"vote_average":469,"vote_count":58,"credit_id":470,"department":13,"job":195,"media_type":35},"\u002FvyKCsrM1O2vek4G8AO4RM744GaC.jpg",[],445516,"Jan Palach",0.7926,"\u002F64KSMECE0DIKREjwT7tBh8PbaD3.jpg","1969-03-07",5.8,"58be6a4fc3a3680d6800cff0",{"adult":4,"backdrop_path":331,"genre_ids":472,"id":333,"title":334,"original_language":25,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":58,"vote_count":111,"credit_id":473,"department":426,"job":426,"media_type":35},[22],"63f28fcd33a53300d40fc145",{"adult":4,"backdrop_path":331,"genre_ids":475,"id":333,"title":334,"original_language":25,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":58,"vote_count":111,"credit_id":476,"department":260,"job":261,"media_type":35},[22],"63f28fc315376c0083368cdf",{"adult":4,"backdrop_path":478,"genre_ids":479,"id":480,"title":481,"original_language":25,"original_title":481,"overview":482,"popularity":483,"poster_path":484,"release_date":485,"softcore":4,"video":4,"vote_average":486,"vote_count":487,"credit_id":488,"department":13,"job":195,"media_type":35},"\u002Fr3CtKVXMbKAE5CMFGdjFkS5VC2Q.jpg",[22],452221,"12 jours","Avant 12 jours, les personnes hospitalisées en psychiatrie sans leur consentement sont présentées en audience, d’un côté un juge, de l’autre un patient, entre eux naît un dialogue sur le sens du mot liberté et de la vie.",1.2567,"\u002FsVVu9qO7uhLpsjNDser7AZXCEwA.jpg","2017-11-29",7.1,55,"58ffa83192514161aa001bf4",{"adult":4,"backdrop_path":490,"genre_ids":491,"id":492,"title":493,"original_language":25,"original_title":493,"overview":32,"popularity":494,"poster_path":495,"release_date":496,"softcore":4,"video":4,"vote_average":132,"vote_count":189,"credit_id":497,"department":13,"job":195,"media_type":35},"\u002FsXOejKZh3yWz9zCZI7ydfWvBXaa.jpg",[22],451334,"Contacts",0.8293,"\u002FgNaqjBVEefcrHTMniExUBWCWMBY.jpg","1990-04-28","58ea0f5cc3a368731a0773fe",{"adult":4,"backdrop_path":8,"genre_ids":499,"id":500,"title":501,"original_language":25,"original_title":501,"overview":502,"popularity":503,"poster_path":504,"release_date":505,"softcore":4,"video":4,"vote_average":58,"vote_count":9,"credit_id":506,"department":13,"job":195,"media_type":35},[22],456090,"Sida propos (ou Paroles d'appelés)","Seuls ou par deux, des appelés du contingent parlent du sida, de leurs relations sentimentales et sexuelles, de leur peur de la maladie. Ce film de commande a servi de support à la prévention contre le sida dans les armées. Formellement réalisé pour laisser la parole libre, ces paroles d'appelés sont toujours d'actualité.",1.1174,"\u002FgcG5AA4QMUXXmyiPcUM49x1wZYL.jpg","1994-12-01","590c6c719251415a4d00c029",{"adult":4,"backdrop_path":8,"genre_ids":508,"id":509,"title":510,"original_language":25,"original_title":510,"overview":32,"popularity":511,"poster_path":512,"release_date":513,"softcore":4,"video":4,"vote_average":58,"vote_count":113,"credit_id":514,"department":13,"job":195,"media_type":35},[22],461026,"8e étage",1.7878,"\u002FdpDEaYz7eeyyKabfybFAao3AZyT.jpg","2014-05-10","59395055c3a36878ae00f45a",{"adult":4,"backdrop_path":8,"genre_ids":516,"id":517,"title":518,"original_language":25,"original_title":518,"overview":519,"popularity":520,"poster_path":521,"release_date":522,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":523,"department":13,"job":195,"media_type":35},[22],461024,"Au bonheur des maths","Face à la caméra de Raymond Depardon et Claudine Nougaret, neuf mathématiciens de toute nationalité relèvent le défi d’exposer, chacun en quatre minutes, leur passion pour les mathématiques.\r Comment expliquer ce désir des documentaristes de rendre compréhensible, à la porté de chacun, ce qui semble si abstrait et insaisissable ?\r Et pourquoi les mathématiciens se sont-ils prêtés au jeu ?",0.7947,"\u002FuguiI3hwgg6dG27f1rqgMpy1kBM.jpg","2011-10-21","59394cae92514108990111c7",{"adult":4,"backdrop_path":8,"genre_ids":525,"id":526,"title":527,"original_language":25,"original_title":527,"overview":32,"popularity":528,"poster_path":8,"release_date":529,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":530,"department":531,"job":532,"media_type":35},[22],1283921,"Malraux",0.8391,"1996-01-01","6633ab1c6611b401276684d0","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":534,"id":526,"title":527,"original_language":25,"original_title":527,"overview":32,"popularity":528,"poster_path":8,"release_date":529,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":535,"department":13,"job":195,"media_type":35},[22],"6633aa670f5265012bba6182",{"adult":4,"backdrop_path":77,"genre_ids":537,"id":79,"title":80,"original_language":25,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":538,"department":260,"job":261,"media_type":35},[22],"6646da288cd8de4dba1cf258",{"adult":4,"backdrop_path":8,"genre_ids":540,"id":541,"title":542,"original_language":25,"original_title":542,"overview":32,"popularity":543,"poster_path":544,"release_date":545,"softcore":4,"video":4,"vote_average":44,"vote_count":113,"credit_id":546,"department":13,"job":195,"media_type":35},[22],498250,"Amour",1.1859,"\u002FzmXCXqrseYxQcpaXGjplNP28DBN.jpg","1997-01-01","5a5a48f70e0a267fe600e8b2",{"adult":4,"backdrop_path":8,"genre_ids":548,"id":281,"title":282,"original_language":25,"original_title":282,"overview":32,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":71,"vote_count":171,"credit_id":549,"department":421,"job":422,"media_type":35},[22],"5a55c28d9251417a9701e754",{"adult":4,"backdrop_path":63,"genre_ids":551,"id":65,"title":66,"original_language":25,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"credit_id":552,"department":314,"job":315,"media_type":35},[22],"6655484ec3523a4c04e36e1f",{"adult":4,"backdrop_path":63,"genre_ids":554,"id":65,"title":66,"original_language":25,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"credit_id":555,"department":260,"job":261,"media_type":35},[22],"665546dd725c9506f1f7c610",{"adult":4,"backdrop_path":90,"genre_ids":557,"id":92,"title":93,"original_language":25,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":99,"credit_id":558,"department":260,"job":261,"media_type":35},[22],"665b23e75ac48ce1dc17ac86",{"adult":4,"backdrop_path":8,"genre_ids":560,"id":127,"title":128,"original_language":25,"original_title":128,"overview":32,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":9,"credit_id":561,"department":260,"job":261,"media_type":35},[22],"6655726080e8a57e3873f576",{"adult":4,"backdrop_path":8,"genre_ids":563,"id":127,"title":128,"original_language":25,"original_title":128,"overview":32,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":9,"credit_id":564,"department":13,"job":195,"media_type":35},[22],"5a6572d2c3a3687fa302f1e4",{"adult":4,"backdrop_path":8,"genre_ids":566,"id":567,"title":568,"original_language":25,"original_title":568,"overview":32,"popularity":569,"poster_path":570,"release_date":571,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":572,"department":13,"job":195,"media_type":35},[22],500368,"Bolivie",0.7824,"\u002Fq0XtWqS5s7eiKcMXj2HCrmY4Xm9.jpg","1998-01-07","5a66d68d0e0a26194b00661c",{"adult":4,"backdrop_path":8,"genre_ids":574,"id":145,"title":146,"original_language":25,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":71,"vote_count":111,"credit_id":575,"department":314,"job":315,"media_type":35},[101],"5b2b8ae8c3a3687d20006a9c",{"adult":4,"backdrop_path":8,"genre_ids":577,"id":145,"title":146,"original_language":25,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":71,"vote_count":111,"credit_id":578,"department":421,"job":422,"media_type":35},[101],"5b2b8b4c92514164ca004a35",{"adult":4,"backdrop_path":478,"genre_ids":580,"id":480,"title":481,"original_language":25,"original_title":481,"overview":482,"popularity":483,"poster_path":484,"release_date":485,"softcore":4,"video":4,"vote_average":486,"vote_count":487,"credit_id":581,"department":421,"job":422,"media_type":35},[22],"5cdaa289925141301dd12c94",{"adult":4,"backdrop_path":8,"genre_ids":583,"id":584,"title":585,"original_language":25,"original_title":585,"overview":586,"popularity":587,"poster_path":588,"release_date":589,"softcore":4,"video":590,"vote_average":44,"vote_count":9,"credit_id":591,"department":13,"job":195,"media_type":35},[22],615839,"Numéros zéro","A la veille de la parution du numéro zéro du quotidien Le Matin de Paris, plongée au coeur d'une rédaction en ébullition, dirigée par Claude Perdriel.",1.1206,"\u002F5KHAx8NuENihr48jsEj2bID8ItV.jpg","1981-02-04",true,"5da36387e860170017b07589",{"adult":4,"backdrop_path":593,"genre_ids":594,"id":595,"title":596,"original_language":25,"original_title":596,"overview":597,"popularity":598,"poster_path":599,"release_date":600,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":601,"department":13,"job":195,"media_type":35},"\u002Fg474CMqf8epYfQXLSt8UN6YhzYu.jpg",[],713447,"Chasseurs et Chamans","Installation. Raymond Depardon se rend dans l'état d'Amazonas, au Brésil, à la rencontre des indiens Yanomami. Film à l'initiative de la Fondation Cartier pour l'art contemporain.",0.721,"\u002FuRzoHeinCJgqXqvl1AXu0FEY5x1.jpg","2003-01-01","5edd38ee8d52c90023a5e1a6",{"adult":4,"backdrop_path":226,"genre_ids":603,"id":228,"title":229,"original_language":25,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":234,"vote_count":31,"credit_id":604,"department":421,"job":422,"media_type":35},[22],"5feba2e12d3721003fc73dec",{"adult":4,"backdrop_path":8,"genre_ids":606,"id":607,"title":608,"original_language":25,"original_title":608,"overview":609,"popularity":610,"poster_path":611,"release_date":612,"softcore":4,"video":4,"vote_average":328,"vote_count":113,"credit_id":613,"department":426,"job":426,"media_type":35},[22],803901,"Tchad 3","En juin 1976, un an après le tournage de Tchad 2, Depardon filme un second entretien où Françoise Claustre réagit différemment face à la caméra, mettant plus en scène son propre drame. Elle a été libérée après 30 mois de détention en 1977.",1.0175,"\u002Fh4SPxBzaLkFt9ZJYVslaKhjCvR9.jpg","1976-06-01","6046d865c8a5ac00304bff7b",{"adult":4,"backdrop_path":8,"genre_ids":615,"id":616,"title":617,"original_language":25,"original_title":617,"overview":618,"popularity":619,"poster_path":620,"release_date":621,"softcore":4,"video":4,"vote_average":171,"vote_count":113,"credit_id":622,"department":426,"job":426,"media_type":35},[22],803899,"Tchad 1 : L'Embuscade","Ce documentaire tourné en 1970 décrit l'attaque dont sont victimes les Toubous qu'accompagnent Raymond Depardon, Gilles Caron et Michel Honorin dans la palmeraie d'Aozou. Les trois journalistes, eux-mêmes pris dans l'embuscade, se rendent et continuent à filmer jusqu'à la fin des combats.",1.0366,"\u002Fja97jqGaIjtOpcyZBObWsfcfQ4C.jpg","1970-01-01","6046d52a2b8a430043706880",{"adult":4,"backdrop_path":8,"genre_ids":624,"id":607,"title":608,"original_language":25,"original_title":608,"overview":609,"popularity":610,"poster_path":611,"release_date":612,"softcore":4,"video":4,"vote_average":328,"vote_count":113,"credit_id":625,"department":13,"job":195,"media_type":35},[22],"6046d85890dde0005a0f809c",{"adult":4,"backdrop_path":8,"genre_ids":627,"id":616,"title":617,"original_language":25,"original_title":617,"overview":618,"popularity":619,"poster_path":620,"release_date":621,"softcore":4,"video":4,"vote_average":171,"vote_count":113,"credit_id":628,"department":13,"job":195,"media_type":35},[22],"6046d4d3a410c8005abca299",{"adult":4,"backdrop_path":8,"genre_ids":630,"id":631,"title":632,"original_language":25,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":171,"vote_count":113,"credit_id":637,"department":13,"job":195,"media_type":35},[22],803900,"Tchad 2 : L'Ultimatum","La deuxième partie de Tchad comporte notamment un entretien de Françoise Claustre, otage française des Toubous et évoque  la vie des combattants rebelles sous la direction de Hissène Habré. Le premier entretien avec Françoise Claustre, fruit d'une longue attente, a été réalisé en août 1975 et donne au film une séquence d'une intensité dramatique exceptionnelle.",1.0868,"\u002F7TsbwoN86YuTnV7s4jpBz5fBk05.jpg","1975-01-01","6046d64ad8e225006f3aa60f",{"adult":4,"backdrop_path":8,"genre_ids":639,"id":640,"title":641,"original_language":25,"original_title":641,"overview":642,"popularity":643,"poster_path":644,"release_date":645,"softcore":4,"video":4,"vote_average":132,"vote_count":113,"credit_id":646,"department":13,"job":195,"media_type":35},[22],803903,"Une histoire très simple","Un documentariste, interprété par Jean Marvier, souhaite réaliser son premier film de fiction. Il propose le rôle principal à l'une de ses amies, Sophie Ristelhueber... Ce court-métrage est la trame du long-métrage Paris qui sortira en 1998.",0.7724,"\u002F4zE8FOICh5YPXkctINd68AelqNc.jpg","1989-01-01","6046dac6fab3fa002cc2c4a0",{"adult":4,"backdrop_path":8,"genre_ids":648,"id":640,"title":641,"original_language":25,"original_title":641,"overview":642,"popularity":643,"poster_path":644,"release_date":645,"softcore":4,"video":4,"vote_average":132,"vote_count":113,"credit_id":649,"department":314,"job":315,"media_type":35},[22],"6046db4835a61e0046bc4b1a",{"adult":4,"backdrop_path":8,"genre_ids":651,"id":631,"title":632,"original_language":25,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":171,"vote_count":113,"credit_id":652,"department":426,"job":426,"media_type":35},[22],"6046d65470b444005a2bfa26",{"adult":4,"backdrop_path":8,"genre_ids":654,"id":655,"title":656,"original_language":25,"original_title":656,"overview":657,"popularity":658,"poster_path":659,"release_date":660,"softcore":4,"video":4,"vote_average":661,"vote_count":189,"credit_id":662,"department":260,"job":261,"media_type":35},[199],568346,"Pékin Central","Yves, 35 ans, journaliste coté, marié, père de famille, vient de décrocher un reportage sur la Chine touristique. Il décide d'emmener avec lui sa petite amie Valérie, 25 ans, espiègle mais aussi sentimentale. Au retour, elle espère habiter avec Yves qui devrait se séparer de sa femme. Avec eux, Bruno, 30 ans, photographe, est un témoin discret et pince-sans-rire. Pour les besoins du reportage, Yves, Valérie et Bruno partent en voyage organisé avec un groupe. Leurs relations vont s’en trouver perturbées.",0.9724,"\u002FjaQMhXpM9bQKJpC0lIZdiNPLT4p.jpg","1986-10-08",3.3,"6751c00884ca928d00c9e5e6",{"adult":4,"backdrop_path":8,"genre_ids":664,"id":665,"title":666,"original_language":25,"original_title":666,"overview":32,"popularity":667,"poster_path":8,"release_date":668,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":669,"department":13,"job":195,"media_type":35},[22],1204570,"Jean-Luc Godard à la Cinémathèque française",1.3128,"1985-11-27","67b3ab66f8cf4734519fa364",{"adult":4,"backdrop_path":8,"genre_ids":671,"id":665,"title":666,"original_language":25,"original_title":666,"overview":32,"popularity":667,"poster_path":8,"release_date":668,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":672,"department":260,"job":261,"media_type":35},[22],"67b3ab6caaac3b1674e0f58c",{"adult":4,"backdrop_path":8,"genre_ids":674,"id":675,"title":676,"original_language":25,"original_title":676,"overview":677,"popularity":678,"poster_path":8,"release_date":32,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":679,"department":13,"job":195,"media_type":35},[],1449020,"Paris, Les inconnues du Saint-Lazare express","Un homme d'image s'apprête à tourner un film et engage une assistante pur l'aider à trouver son actrice...",0.811,"67d5b78f5963ebffde7bc7bf",{"adult":4,"backdrop_path":8,"genre_ids":681,"id":682,"title":683,"original_language":25,"original_title":683,"overview":684,"popularity":685,"poster_path":8,"release_date":686,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":687,"department":13,"job":195,"media_type":35},[22],1499230,"La France de Raymond Depardon","Ce film a été réalisé pour l'exposition \"La France de Raymond Depardon\" présentée à la BnF du 30 septembre 2010 au 9 janvier 2011.",0.9688,"2010-09-30","685043ff7e22f821e41bf846",{"adult":4,"backdrop_path":8,"genre_ids":689,"id":690,"title":691,"original_language":25,"original_title":691,"overview":692,"popularity":693,"poster_path":694,"release_date":32,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":695,"department":260,"job":261,"media_type":35},[22],1598194,"Dégager l'écoute","À l’occasion de l’exposition Claudine Nougaret : « Dégager l’Écoute. Le son dans le cinéma de Raymond Depardon » présentée à la BnF en 2020, un film a été produit spécialement par Claudine Nougaret et Raymond Depardon, illustré par des extraits de leurs réalisations. Les deux artistes commentent l’articulation entre l’image et le son dans leur cinéma, explicitent leur mode opératoire pour retranscrire la réalité du son et reviennent sur trente ans de collaboration.",0.705,"\u002FzfCOo8zmDxl0jRnWzm1QRgnvgBj.jpg","693eb2d00a25a85155f788f5",{"adult":4,"backdrop_path":490,"genre_ids":697,"id":492,"title":493,"original_language":25,"original_title":493,"overview":32,"popularity":494,"poster_path":495,"release_date":496,"softcore":4,"video":4,"vote_average":132,"vote_count":189,"credit_id":698,"department":314,"job":315,"media_type":35},[22],"693fca61a011253a2283eed6",{"adult":4,"backdrop_path":8,"genre_ids":700,"id":701,"title":702,"original_language":25,"original_title":702,"overview":32,"popularity":703,"poster_path":704,"release_date":705,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":706,"department":13,"job":195,"media_type":35},[22],1686784,"Mon arbre",1.144,"\u002FpRgvgZFuLoVTFk82qxxkaCloi7F.jpg","2019-07-12","69f62ac210ef058b1ba1cc38",{"adult":4,"backdrop_path":8,"genre_ids":708,"id":701,"title":702,"original_language":25,"original_title":702,"overview":32,"popularity":703,"poster_path":704,"release_date":705,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":709,"department":314,"job":315,"media_type":35},[22],"69f62ace656e7aa7312a46ce",{"profiles":711},[712],{"aspect_ratio":713,"height":714,"iso_3166_1":8,"iso_639_1":8,"file_path":17,"vote_average":34,"vote_count":34,"width":715},0.667,1701,1134]