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Le film qui l'a fait connaître au niveau international est Orfeu Negro, de Marcel Camus, film qui s’est vu attribuer la Palme d'or au festival de Cannes de 1959 et l’Oscar du meilleur film en langue étrangère en 1960.\n\nNée en 1933, elle a 16 ans lorsqu’elle rencontre Abdias do Nascimento, fondateur du Teatro Experimental do Negro (le TEN, ou Théâtre Expérimental du Noir) dont la troupe est composée exclusivement de personnes de la population brésilienne noire, employés, ouvriers et habitants des favelas. Le TEN a un objectif culturel, artistique, et social. Léa Garcia fait l’école buissonnière pour suivre les travaux d’Abdias do Nascimento dont elle finit par tomber amoureuse et chez qui elle emménage.\n\nElle fait ses débuts sur les planches en 1952 dans une pièce d’Abdias: Rapsódia Negra. En 1956, elle interprète le rôle de Mira dans la pièce de théâtre de Vinícius de Moraes, Orfeu da Conceição, pièce transposant le mythe d'Orphée dans les favelas brésiliennes. En 1958, elle quitte Abdias do Nascimento, avec qui elle a eu deux enfants. Lorsque Marcel Camus reprend le même thème d’Orphée au cinéma, en tournant à Rio de Janeiro, elle est retenue dans la distribution. Elle n’obtient pas le rôle de Mira mais celui plus enjoué, de Sérafina, la cousine d’Eurydice, qui n’existait pas dans la transposition théâtrale. Son interprétation est remarquée. Le film, dont elle garde un souvenir nolstalgique, est bien accueilli et devient un succès mondial, couronné à Cannes par la Palme d'or en 1959 et aux États-Unis par l’Oscar du meilleur film étranger en 1960. Elle participe également à un autre film de Marcel Camus, Os Bandeirantes, tourné également au Brésil, qui n’obtient qu’un succès d’estime. Puis à un film d’un autre français, Robert Mazoyer, ancien assistant de Marcel Camus. 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