[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F545339:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":477},false,[],"Gilles Carle est un graphiste plasticien, réalisateur, scénariste, monteur et producteur québécois né le 31 juillet 1928 à Maniwaki (Canada) et mort le 28 novembre 2009 au Centre hospitalier de Granby, étant alors résident de Saint-Paul d'Abbotsford.\n\nÉlevé à Rouyn-Noranda en Abitibi-Témiscamingue, il déménage à 16 ans à Montréal pour étudier le dessin à l'École des beaux-arts puis à l'École des arts graphiques de Montréal. Après avoir étudié en lettres à l'Université de Montréal, il participe dans les années 1950 à la création de la maison d'édition l'Hexagone qui publie notamment à l'époque les œuvres de poètes comme Gaston Miron. Puis il travaille comme graphiste à Radio-Canada à partir de 1955, et joint ensuite l'Office national du film du Canada (ONF), en 1960, où il est d'abord documentaliste, puis scénariste avant de réaliser plusieurs documentaires dont Percé on the Rocks en 1964. En 1965, il y signe son premier long métrage de fiction (d'environ 75 minutes), La Vie heureuse de Léopold Z., alors qu'on ne l'avait autorisé qu'à réaliser un simple documentaire (d'environ 15 ou 20 minutes) portant sur l'enlèvement de la neige à Montréal.\n\nEn 1966, semoncé par son employeur pour avoir transformé en long métrage ce projet de documentaire, il quitte l'ONF pour les Productions Onyx avec lesquelles il scénarise et réalise Le Viol d'une jeune fille douce (en 1968), Red (en 1970) et Les Mâles (en 1971). Puis, avec Pierre Lamy, il fonde les Productions Carle-Lamy au début des années 1970 et réalise au cours de cette décennie La Vraie Nature de Bernadette (en 1972), La Mort d'un bûcheron (en 1973) et La Tête de Normande St-Onge (en 1976). Au cours des années 1980, il adapte deux classiques de la littérature québécoise au grand écran, Les Plouffe (en 1981) et Maria Chapdelaine (en 1983). Gilles Carle réalise ses derniers longs métrages de fiction au cours des années 1990, avant que la maladie ne le réduise à des travaux plus solitaires, d'écriture et d'art plastique, puis à l'inaction totale.\n\nIl a été président de la Société des auteurs et compositeurs dramatiques Canada (SACD) de 1987 à 1992 ainsi que président d'honneur de 1993 à 2009. Dans cette société, il a notamment veillé aux intérêts moraux et matériels des auteurs en négociant pour eux les licences d'exploitation avec les chaines de télévision et les producteurs de théâtre.\n\nAtteint de la maladie de Parkinson et de la maladie d'Alzheimer, Gilles Carle meurt le 28 novembre 2009. Le Québec lui réserve des funérailles nationales.\n\nGilles Carle nait le 31 juillet 1928, de Georges Carle et d'Yvonne Clément, à Maniwaki mais passe la majeure partie de sa petite enfance à Northfield, également en Outaouais. Gilles Carle a grandi dans une famille de 6 enfants, son père est laitier puis mineur et sa mère est institutrice. Gilles Carle serait un «métis algonquin» (de 5e génération: 1 ancêtre sur 32) et «métis montagnais ou huron» (de 8e génération: 1 ancêtre sur 256), et aurait donc 3,5 % d'ancêtres amérindiens (9 sur 256) et 96,5 % d'ancêtres européens. En 1935, toute la famille déménage à Rouyn-Noranda en Abitibi, il y vivra jusqu'à l'âge de 16 ans. ...\n\nSource: Article \"Gilles Carle\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1928-07-31","2009-11-28",2,null,545339,"nm0137345","Directing","Gilles Carle","Maniwaki, Quebec, Canada",0.9445,"\u002Fb2yyNq0mHyXLux9LknUmbFv6wAj.jpg",{"cast":19,"crew":85},[20,37,45,56,72],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002FqJr6pvzNzuS7oAcZ388DEDVQeAN.jpg",[23],99,613208,"Moi j'me fais mon cinéma","fr","",1.0626,"\u002F8ZEmrxGH9mhiX0K6n9MmMWF2H9o.jpg","1999-01-01",9,1,"Self","5d1e955c55b0c0678f6c6389",0,"movie",{"adult":4,"backdrop_path":10,"genre_ids":38,"id":39,"title":40,"original_language":26,"original_title":40,"overview":27,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":33,"credit_id":44,"order":35,"media_type":36},[23],654540,"Gilles Carle ou l'indomptable imaginaire",0.7648,"\u002FbRl3KjYYYlYcXUGADUjMWYH1hoG.jpg","2005-09-23","5dedd54b303c850018b27511",{"adult":4,"backdrop_path":46,"genre_ids":47,"id":48,"title":49,"original_language":26,"original_title":49,"overview":27,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":32,"character":54,"credit_id":55,"order":35,"media_type":36},"\u002F5bfGBT6nrpP4pfx7xvsPBcPSS24.jpg",[23],1456380,"Cinéma, cinéma",1.2807,"\u002FwchMYjL1nPA4cjIpgPuj0Owrnkj.jpg","1985-01-01",7,"Host - Self","68837f5085d545c06438f26c",{"adult":4,"backdrop_path":57,"genre_ids":58,"id":60,"origin_country":61,"original_language":26,"original_name":63,"overview":64,"popularity":65,"poster_path":66,"first_air_date":67,"softcore":4,"name":63,"vote_average":68,"vote_count":9,"character":33,"credit_id":69,"episode_count":32,"first_credit_air_date":70,"media_type":71},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[59],10767,244224,[62],"FR","Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen… les plus grandes stars du cinéma ont été reçues par Christian Defaye dans son émission Spécial cinéma. Entre confessions intimes des comédiens et immersion dans l'univers des plus grands cinéastes, Christian Defaye a entraîné, durant près de trente ans, les téléspectateurs dans cet univers fascinant du Septième art.",79.3018,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65b50f6cb1131f0172291815","1982-03-01","tv",{"adult":4,"backdrop_path":73,"genre_ids":74,"id":76,"origin_country":77,"original_language":26,"original_name":78,"overview":79,"popularity":80,"poster_path":81,"first_air_date":82,"softcore":4,"name":78,"vote_average":31,"vote_count":9,"character":33,"credit_id":83,"episode_count":32,"first_credit_air_date":84,"media_type":71},"\u002FAi9b5AfppAsM3aLeFR2cPuKqj5K.jpg",[75],10764,112791,[62],"Midi Première","Midi Première est une émission de variétés française présentée par Danièle Gilbert, réalisée par Jacques Pierre et diffusée du 6 janvier 1975 jusqu'au 1er janvier 1982 sur TF1. L'émission était diffusée généralement entre 12h15 et 12h55 pour laisser place ensuite au journal TV de 13h00. Cependant, l'horaire de diffusion pouvait évoluer, en fonction des invités, et du cadre ou était tournée l'enregistrement de l'émission. Certaines prestations d'artistes devenues sont devenues cultes comme celle où Ringo en interprétation bouscule avec un manifestant (1977), celle de Dalida avec le titre Il y a toujours une chanson avec la bande-son qui ne part pas, par deux fois, à la bonne vitesse (1978), Claude François et ses Clodettes, qui, en province, n'arrivent pas à rejoindre \"le plateau\" afin d'interpréter sa chanson, ce dernier étant pris par la foule de fans en délire (été 1977). Le groupe Supertramp s'y produisit avec le titre \"Dreamer\" le 8 mars 1975.",52.6126,"\u002FiiPXeiJHsljoyl2ZXft8Cf7pLnc.jpg","1975-01-06","63a5950131032500d11f2eb7","1976-05-18",[86,100,115,118,129,140,155,166,169,180,192,203,214,217,228,231,241,250,262,265,268,278,289,297,305,313,320,329,332,342,353,356,364,367,375,383,386,395,398,401,404,407,418,427,430,433,436,439,442,449,453,463,472],{"adult":4,"backdrop_path":87,"genre_ids":88,"id":90,"title":91,"original_language":26,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"credit_id":98,"department":13,"job":99,"media_type":36},"\u002FcYGQ7kCltMwAWiLjEPYpl8Vgn9y.jpg",[89],18,66764,"Les Plouffe","À la fin des années 1930,les membres d'une famille habitants la basse-ville de Québec affrontent diverses situations.",0.9582,"\u002F7JDOdpe0KySDhQyeMVj4bm3SRir.jpg","1981-04-07",6.9,16,"52fe474ac3a368484e0beb47","Director",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":104,"title":105,"original_language":26,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":112,"department":113,"job":114,"media_type":36},"\u002FnYiyfG4ScRZ9aVOXdVPnGEebEAU.jpg",[89,103,89],35,171216,"La vraie nature de Bernadette","Bernadette, femme d'avocat, quitte la vie urbaine pour aller vivre à la campagne avec son fils de 5 ans. Elle y rencontre Thomas, un paysan qui conteste les monopoles dans l’agro-alimentaire. Dans sa représentation naïve, le retour à la terre, fort populaire chez les intellectuels des années 1970, fournit la principale cible à l’ironie de Gilles Carle.",1.0909,"\u002FgIq0Bjl6kn0g9bmj0TyLAounELi.jpg","1972-05-06",6.1,8,"52fe4d06c3a36847f824a8c3","Writing","Writer",{"adult":4,"backdrop_path":101,"genre_ids":116,"id":104,"title":105,"original_language":26,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":117,"department":13,"job":99,"media_type":36},[89,103,89],"52fe4d06c3a36847f824a8bd",{"adult":4,"backdrop_path":119,"genre_ids":120,"id":121,"title":122,"original_language":26,"original_title":122,"overview":123,"popularity":124,"poster_path":125,"release_date":126,"softcore":4,"video":4,"vote_average":127,"vote_count":111,"credit_id":128,"department":13,"job":99,"media_type":36},"\u002F6S4XEhUekP7sjTPugAXmsa29jY1.jpg",[103,89],171208,"Le viol d'une jeune fille douce","Une jeune fille de l'est de Montréal déménage dans un milieu très libre de l'ouest. Sa famille n'accepte pas cette rupture d'avec ses origines. «J'ai essayé de montrer, à travers la vie d'une jeune fille normale, dans une société anormale par son contenu de violence latente et de mépris calculé, comment la vie peut se dégrader imperceptiblement",1.3151,"\u002Favkdouay8jHdUOwEeFlcuP99dzb.jpg","1968-05-26",5.6,"52fe4d06c3a36847f824a765",{"adult":4,"backdrop_path":130,"genre_ids":131,"id":132,"title":133,"original_language":26,"original_title":133,"overview":27,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":137,"vote_count":138,"credit_id":139,"department":13,"job":99,"media_type":36},"\u002Fzb0cDJgr5SKt4awa6J7Mpk8EDUD.jpg",[103],171212,"Les mâles",2.0061,"\u002FbcHNSKUZYHFGk1TCbg86oelULXz.jpg","1971-03-03",5,12,"52fe4d06c3a36847f824a79d",{"adult":4,"backdrop_path":141,"genre_ids":142,"id":145,"title":146,"original_language":26,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":153,"credit_id":154,"department":13,"job":99,"media_type":36},"\u002FwOVxlrPDA30fDmu3UkaaCxqIPGU.jpg",[143,89,144],10749,14,171217,"L'Ange et la Femme","L'ange et la femme","Donnée pour morte, une femme revit au contact d'un ange.",1.3203,"\u002F9lcGkFHMYnmCx2eMkt1S3yRIf3Z.jpg","1977-04-07",4.5,11,"52fe4d06c3a36847f824a8cd",{"adult":4,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":26,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":31,"credit_id":165,"department":113,"job":114,"media_type":36},"\u002FkH6vuoqutujN7G7gFINk5Vl2xow.jpg",[89],171219,"La mort d'un bûcheron","Tancrède Chapdelaine, un bûcheron, a disparu alors qu'il travaillait pour la Canadian International Paper. Vingt ans plus tard, Marie, sa fille, rêve de retrouver ce père qu'elle n'a jamais connu. Elle quitte son village natal et arrive à Montréal, une guitare pour tout bagage. Elle s'éprend d'un journaliste, François Paradis, et se lie d'amitié avec Charlotte Juillet, un écrivain engagé. Mais pour gagner sa vie, elle doit accepter de chanter en très petite tenue dans un cabaret country.",1.2531,"\u002FxORPmV8Yf7EdlI3q8COxI3WFwjr.jpg","1973-01-25",4.9,"52fe4d06c3a36847f824a92d",{"adult":4,"backdrop_path":156,"genre_ids":167,"id":158,"title":159,"original_language":26,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":31,"credit_id":168,"department":13,"job":99,"media_type":36},[89],"52fe4d06c3a36847f824a921",{"adult":4,"backdrop_path":170,"genre_ids":171,"id":172,"title":173,"original_language":26,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":153,"credit_id":179,"department":13,"job":99,"media_type":36},"\u002FbD4MWuA8eKEu8OzLKrmeGlEspCp.jpg",[89,144],192684,"La Tête de Normande St-Onge","Normande St-Onge habite un immeuble vétuste de trois étages : au rez-de-chaussée loge un artisan, au-dessus c'est elle en compagnie de Bouliane, son ami et au dernier étage, loge une vieille dame (\"mégère\") alcoolique, sourde et folle, en compagnie de son petit-fils adolescent, Jérémie. Normande poursuit des cours de danse avec l'intention de faire une carrière artistique, travaille comme commis dans une pharmacie pour vivre, supporte financièrement Pierrette, sa soeur qui est asthmatique et plus ou moins droguée, et enfin se débat avec l'asile afin d'y faire sortir sa mère qui y est internée. Un qu'elle est venue chercher de l'aide chez le frère de sa mère, riche avocat, elle fait la connaissance de Carol, jeune garçon un peu fou, mystérieux, illusionniste et magicien. Mis à la porte de chez lui, il ne sait où aller et Normande offre de l'héberger...",1.2029,"\u002FlCxeGTSlaxCd0swj1w2NgnDNZrj.jpg","1975-10-30",6,"52fe4cb19251416c910fd05f",{"adult":4,"backdrop_path":181,"genre_ids":182,"id":184,"title":185,"original_language":26,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":111,"credit_id":191,"department":13,"job":99,"media_type":36},"\u002F5gglzDhtt8J4T2irXHF6XX0HaqF.jpg",[89,183],10402,198504,"Fantastica","Il a été le film d'ouverture du prestigieux Festival de Cannes en 1980.  Une troupe de comédie musicale se déplace à travers la province de Québec. Lorca (Carole Laure) en est la vedette principale et son amant (Lewis Furey), le compositeur et directeur de la troupe. La rencontre d'un vieil ermite écologiste (Serge Reggiani) permet à Lorca de concilier ses aspirations d'artiste et de femme dans un monde où la nature a ses droits.",1.1766,"\u002Fapm4TgBQIrZxU3SfEoXT7RJnqxP.jpg","1980-05-07",6.2,"52fe4d7f9251416c911181ed",{"adult":4,"backdrop_path":193,"genre_ids":194,"id":195,"title":196,"original_language":26,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":9,"credit_id":202,"department":13,"job":99,"media_type":36},"\u002FfukR8FIj5HGE9vLbRKuJx1b6n5f.jpg",[103],196958,"Pudding chômeur","Délibérément fellinienne, cette satire canadienne surréaliste et inégale du réalisateur franco-canadien iconoclaste Gilles Carle propose une plongée épisodique dans un monde anarchique et métaphorique peuplé d'une étrange galerie de personnages excentriques, cinglés et misanthropes. L'histoire s'articule autour des aventures de Yo-Yo, une jeune femme que l'on découvre officiant comme grande prêtresse lors d'une cérémonie liée aux pouvoirs de guérison miraculeux du petit garçon Alphonse.",1.4701,"\u002Fyjp0WDmfvYGH5wZC8yl5Y1kg0NT.jpg","1996-05-26",5.5,"52fe4d409251416c9110fc55",{"adult":4,"backdrop_path":204,"genre_ids":205,"id":206,"title":207,"original_language":26,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":53,"vote_count":212,"credit_id":213,"department":13,"job":99,"media_type":36},"\u002FeWgx9YTOkhte7cxNbMZsi7yKXnR.jpg",[103],208147,"Les corps célestes","Un proxénète québecois déménage dans une ville minière rurale avec un groupe de prostituées pour ouvrir un bordel dans un vieil hôtel décrépit, au milieu des premiers signes avant-coureurs de l'éclatement imminent de la Seconde Guerre mondiale",1.6513,"\u002Fy1v37WkpTdMoEc0mP916NKrZO05.jpg","1973-09-20",3,"52fe4d44c3a368484e1dfe77",{"adult":4,"backdrop_path":204,"genre_ids":215,"id":206,"title":207,"original_language":26,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":53,"vote_count":212,"credit_id":216,"department":113,"job":114,"media_type":36},[103],"52fe4d44c3a368484e1dfe7d",{"adult":4,"backdrop_path":218,"genre_ids":219,"id":220,"title":221,"original_language":26,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":190,"vote_count":226,"credit_id":227,"department":13,"job":99,"media_type":36},"\u002FqzdE3WFNbYBgBZauNV80BGXGgnH.jpg",[89],250831,"Maria Chapdelaine","Première adaptation québécoise de l'oeuvre magistrale de Louis Hémon. «Me voici, pour l'essentiel, rassurée. Le scénario sait être à la fois inventif et fidèle à l'esprit du roman. (...) Une série de belles illustrations qui vient s'ajouter à l'iconographie d'un grand roman peut-être, au fond, inadaptable.» (Francine Laurendeau, 1983)  Nous sommes à Péribonka au début du siècle. Maria Chapdelaine est promise en mariage à Eutrope Gagnon, mais son coeur préfère Francois Paradis, l'aventurier. Maria a aussi un troisieme soupirant, Lorenzo Surprenant, qui lui hésite à retourner chez lui après avoir connu Maria. Pendant l'hiver, Francois meurt en forêt. Plus tard, Maria se résigne et accepte finalement d'épouser son promis, Eutrope.",1.1332,"\u002Fn8EHU4pqD8hgS8O8mDu6ghAEhFW.jpg","1983-04-27",10,"52fe4dff9251416c91123091",{"adult":4,"backdrop_path":218,"genre_ids":229,"id":220,"title":221,"original_language":26,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":190,"vote_count":226,"credit_id":230,"department":113,"job":114,"media_type":36},[89],"52fe4dff9251416c911230a3",{"adult":4,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":236,"original_title":235,"overview":27,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":111,"vote_count":9,"credit_id":240,"department":13,"job":99,"media_type":36},"\u002Fj5o8jA5bKmaoqbf9t7mW68cHihk.jpg",[23],282438,"Patinoire","xx",1.4401,"\u002FuANtGUZT8OK8uxrm941vhuJSoeQ.jpg","1963-05-25","53d9e883c3a3681eee000f63",{"adult":4,"backdrop_path":10,"genre_ids":242,"id":243,"title":244,"original_language":245,"original_title":244,"overview":27,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":53,"vote_count":32,"credit_id":249,"department":13,"job":99,"media_type":36},[23],266077,"Patte mouillée","en",1.2103,"\u002F1Yps7QipJPq3GYevMT2w5pLiGbC.jpg","1964-01-01","53d9e893c3a3681ed5001072",{"adult":4,"backdrop_path":251,"genre_ids":252,"id":253,"title":254,"original_language":26,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":4,"video":4,"vote_average":259,"vote_count":260,"credit_id":261,"department":113,"job":114,"media_type":36},"\u002FsdM1fpawimdFtBZQ22st8fk0PA.jpg",[103],264218,"La vie heureuse de Léopold Z","Les mésaventures de Léo, la veille de Noël. Une tempête de neige s'abat sur Montréal. «Si j'ai adopté le ton de la comédie, c'est beaucoup par goût personnel, mais un peu aussi par souci de prendre du recul par rapport au film. 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