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The bulk of his work focuses on the role of race, gender, and class in American society and the means by which people act and react to their \"radical conditionedness\". 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D'ici quelques heures, 250 000 Sentinelles programmées pour anéantir notre espèce envahiront la dernière enclave humaine de la Terre. Mais Morpheus galvanise les citoyens de Sion en leur rappelant la Parole de l'Oracle : il est encore temps pour l’Élu d'arrêter la guerre contre les Machines. Tous les espoirs se reportent dès lors sur Neo. Au long de sa périlleuse plongée au sein de la Matrice et de sa propre destinée, ce dernier sera confronté à une résistance croissante, une vérité encore plus aveuglante, un choix encore plus douloureux que tout ce qu'il avait jamais imaginé.",31.4197,"\u002FlF5HiiRmBlL3mc5SnO4QsdmlvOb.jpg","2003-05-15",7.086,12430,"Councillor West","52fe425cc3a36847f80183b3",60,"movie",{"adult":4,"backdrop_path":42,"genre_ids":43,"id":44,"title":45,"original_language":29,"original_title":46,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":37,"credit_id":53,"order":54,"media_type":40},"\u002F533xAMhhVyjTy8hwMUFEt5TuDfR.jpg",[24,25,26],605,"Matrix Revolutions","The Matrix Revolutions","La longue quête de liberté des rebelles culmine en une bataille finale explosive. Tandis que l'armée des Machines sème la désolation sur Sion, ses citoyens organisent une défense acharnée. Mais pourront-ils retenir les nuées implacables des Sentinelles en attendant que Neo s'approprie l'ensemble de ses pouvoirs et mette fin à la guerre ? L'agent Smith est quant à lui parvenu à prendre possession de l'esprit de Bane, l'un des membres de l'équipage de l'aéroglisseur. 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Le féminisme, l'anticapitalisme, la transidentité ou la justice raciale sont encodés dans des scènes d'action en trench-coat ou dans des métaphores chargées de symboles. Les deux soeurs, aussi intransigeantes dans leurs combats sociétaux que dans leur esthétique expérimentale, sont une heureuse anomalie hollywoodienne, une véritable faille dans la matrice, qu'il est temps de redécouvrir.",0.8288,"\u002FkAsd3BvvSh5RkrpJ6FygpG4kFEF.jpg","2024-05-31",6.8,"Self - Postcolonialism Philosopher","66773ba8d0870e3e15f20ce4",{"adult":4,"backdrop_path":243,"genre_ids":244,"id":245,"title":246,"original_language":29,"original_title":246,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":4,"video":4,"vote_average":67,"vote_count":251,"character":252,"credit_id":253,"order":254,"media_type":40},"\u002FkgUgjHh4LZaICxc8cwfEBSBcheA.jpg",[58,92],411012,"Chasing Trane","Ayant pour toile de fond le paysage social, politique et culturel de son époque, « Chasing Trane » dépeint John Coltrane dans toute son humanité, nous conviant à sa rencontre en tant qu'homme et en tant qu'artiste. Écrit et réalisé par John Scheinfeld et narré par Denzel Washington, le film a été produit avec le consentement absolu de la famille Coltrane en plus du soutien de toutes les maisons de disque avec lesquelles Coltrane a enregistré et collaboré.",1.9343,"\u002Fpb09v5koCU7GrxCJNfRnliPRIKD.jpg","2017-04-14",67,"Self - Philosopher","58f92326c3a36839c5000459",21,{"adult":4,"backdrop_path":9,"genre_ids":256,"id":257,"title":258,"original_language":29,"original_title":258,"overview":95,"popularity":259,"poster_path":260,"release_date":261,"softcore":4,"video":4,"vote_average":89,"vote_count":173,"character":69,"credit_id":262,"order":10,"media_type":40},[58],490045,"The Black Bloc: Inside America’s Hard Left",1.2535,"\u002FxU46L1HqE8yNFnJtvQciUvPLnBd.jpg","2017-11-02","5a1ff55e0e0a264cd008d1d9",{"adult":4,"backdrop_path":264,"genre_ids":265,"id":266,"title":267,"original_language":29,"original_title":267,"overview":95,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":271,"vote_count":68,"character":69,"credit_id":272,"order":143,"media_type":40},"\u002Fq6kLenJ3j3TgfQjtPaaNJVOPEau.jpg",[58],459116,"No Safe Spaces",1.4556,"\u002Fn1VkwnPcU7KjbgGiotLgcDZKA6B.jpg","2019-10-25",7,"5aed08dbc3a368344c004c5e",{"adult":4,"backdrop_path":274,"genre_ids":275,"id":276,"title":277,"original_language":29,"original_title":278,"overview":279,"popularity":280,"poster_path":281,"release_date":282,"softcore":4,"video":4,"vote_average":283,"vote_count":209,"character":252,"credit_id":284,"order":173,"media_type":40},"\u002Fg4dzFv7NFpMaVUAproi7P60bxvr.jpg",[58],562722,"Trump et le coup d'État des multinationales","The Corporate Coup D'État","Et si le 45e président des États-Unis n’était pas le symbole d’une ère nouvelle, mais au contraire l’aboutissement d’un processus entamé depuis de longues années ? Alors que la journaliste canadienne Naomi Klein a récemment comparé l’administration Trump à un \"coup d'État des grandes entreprises\", son compatriote philosophe John Saul (Mort de la globalisation, éd. Payot) estime, lui, que la confiscation de la démocratie et des biens publics par les intérêts privés a débuté dès la fin des années 1970, la première élection de Ronald Reagan en 1981 la rendant effective. 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