[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F4415:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":14,"birthday":15,"deathday":16,"gender":17,"homepage":18,"id":19,"imdb_id":20,"known_for_department":21,"name":22,"place_of_birth":23,"popularity":24,"profile_path":25,"combined_credits":26,"images":1577},false,[6,7,8,9,10,11,12,13],"Il Maestro","FeFe","フェデリコ・フェリーニ","费德里柯·费里尼","เฟเดรีโก เฟลลีนี","페데리코 펠리니","فيديريكو فليني","فدریکو فلینی","Federico Fellini est un réalisateur de cinéma et scénariste italien né à Rimini le 20 janvier 1920 et mort à Rome le 31 octobre 1993.\n\nIl est l'un des plus grands et célèbres réalisateurs italiens du xxe siècle et l'un des cinéastes les plus illustres de l'histoire du cinéma, au même titre que Charlie Chaplin, Ingmar Bergman, Akira Kurosawa, John Ford, Alfred Hitchcock ou encore Orson Welles. Il a gagné la Palme d'or au Festival de Cannes 1960 pour La dolce vita et quatre fois l'Oscar du meilleur film en langue étrangère à Hollywood (pour La strada, Les Nuits de Cabiria, Huit et demi et Amarcord), un record qu'il partage avec son compatriote Vittorio De Sica.\n\nMarquée à ses débuts par le néoréalisme, l'œuvre de Fellini évolue, dans les années 1960, vers une forme singulière, liée à la modernité cinématographique européenne à laquelle Ingmar Bergman, Michelangelo Antonioni, Alain Resnais, Jean-Luc Godard ou encore Andreï Tarkovski sont rattachés. Ses films se caractérisent alors par le foisonnement des thèmes et du récit, l'artificialité revendiquée de la mise en scène et l'absence totale de frontière entre le rêve, l'imaginaire, l'hallucination et le monde de la réalité.\n\nEn 1993, un Oscar d'honneur pour l'ensemble de sa carrière, « en appréciation de l'un des maîtres-conteurs de l'écran », lui est attribué par la prestigieuse Académie des arts et sciences du cinéma.","1920-01-20","1993-10-31",2,"https:\u002F\u002Fwww.federicofellini.it\u002F",4415,"nm0000019","Directing","Federico Fellini","Rimini, Emilia-Romagna, Italy",2.0818,"\u002Fr0GTpMWUrxgPRbMmv38mNggOBvA.jpg",{"cast":27,"crew":849},[28,46,55,70,82,98,111,127,134,142,155,165,174,182,189,203,217,228,235,246,257,266,277,289,298,307,319,328,341,349,362,370,379,388,396,408,418,426,436,446,453,460,469,478,487,496,510,519,527,535,543,551,561,573,581,591,600,611,620,627,636,645,653,663,672,681,690,700,707,714,727,740,753,768,781,794,806,818,828,837],{"adult":4,"backdrop_path":29,"genre_ids":30,"id":33,"title":34,"original_language":35,"original_title":34,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"character":42,"credit_id":43,"order":44,"media_type":45},"\u002FxAUbHkOnqihO6SAZHGdySDMqtu9.jpg",[31,32],35,18,364833,"Конец прекрасной эпохи","ru","",1.3193,"\u002Fc9pR2PbPwY5SqwkXky4wIiyweY3.jpg","2015-06-07",6.4,19,"Self (archive footage) (uncredited)","6139ee8eaaf8970062b10707",49,"movie",{"adult":4,"backdrop_path":47,"genre_ids":48,"id":49,"title":50,"original_language":51,"original_title":50,"overview":36,"popularity":52,"poster_path":47,"release_date":36,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":36,"credit_id":54,"order":53,"media_type":45},null,[],874268,"Interviews for \"INTERVISTA\"","pl",0.7728,0,"6140e30556b9f700637ec3d2",{"adult":4,"backdrop_path":47,"genre_ids":56,"id":59,"title":60,"original_language":61,"original_title":60,"overview":36,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":69,"media_type":45},[57,58],99,10770,645113,"Anthony Quinn: An Original","en",1.5699,"\u002F20eKIKRz6nhamlE39DTTwZzwcNB.jpg","1990-09-10",6.8,4,"Self","6154b7929f5dfb008a80fd12",1,{"adult":4,"backdrop_path":47,"genre_ids":71,"id":72,"title":73,"original_language":74,"original_title":73,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":17,"character":67,"credit_id":80,"order":81,"media_type":45},[57],1087778,"Cinéma et Réalité","fr","Dans ce long métrage documentaire réalisé par Georges Dufaux et Clément Perron, des géants du cinéma italien tels que Rossellini, De Sica, Fellini et Zavattini évoquent l’importance du cinéma en Italie après la Seconde Guerre mondiale et ses grands moments de révoltes sociales. Ce film donne la parole aux créateurs du néo-réalisme italien.",1.0796,"\u002FE8XpWSnDJeYA0vrJ5KEUuElvHC.jpg","1967-01-01",6.5,"63eeb20a0f0da500f0de4ae5",15,{"adult":4,"backdrop_path":83,"genre_ids":84,"id":85,"title":86,"original_language":87,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"character":95,"credit_id":96,"order":97,"media_type":45},"\u002FlEvdinLO1qmc6dAHsRArExHtjYw.jpg",[58,31],42590,"Les Clowns","it","I Clowns","Depuis sa précoce enfance, Fellini est attiré, voire subjugué, par le cirque. Il entreprend ici une sorte de voyage nostalgique à la rencontre des anciens clowns et de leurs souvenirs.",2.7753,"\u002FmU3QB8Et33rfc1b1TuusWZHlGwR.jpg","1970-12-27",6.84,103,"Federico Fellini (uncredited)","52fe460bc3a36847f80e91b9",45,{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":87,"original_title":102,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":4,"video":4,"vote_average":107,"vote_count":108,"character":109,"credit_id":110,"order":69,"media_type":45},"\u002Fa3DKApUt7uv7uJhP1Iw3HgZJiBH.jpg",[32],43444,"L'Amore","Une femme que son amant vient de quitter se retrouve seule chez elle, avec sa chienne, et tente désespérément, après une tentative de suicide, de retenir l'homme, au travers d'une longue conversation téléphonique avec lui. Ailleurs, Nannina, une paysanne naïve, rencontre un berger qu'elle prend pour Saint Joseph ; celui-ci en profite pour abuser d'elle. Bientôt, Nannina est la risée du village, car elle se retrouve enceinte et continue à croire au « miracle ».",1.391,"\u002F89R0Smol9XWOLsZeOaQwWVBRuY8.jpg","1948-11-02",6.7,82,"The Tramp (segment \"Il miracolo\") (uncredited)","52fe4648c3a36847f80f6503",{"adult":4,"backdrop_path":112,"genre_ids":113,"id":115,"title":116,"original_language":87,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":123,"character":124,"credit_id":125,"order":126,"media_type":45},"\u002FzNjp6eolIcpGx11tDbE5eekeHEG.jpg",[32,114],10752,8429,"Païsa","Paisà","Lors du débarquement en Sicile, des soldats américains sont guidés par une jeune Italienne. À Naples, un noir se fait voler ses chaussures par un gamin, un « sciuscià », dont il découvre la misère. Déambulant dans Rome, un G.I. accepte d'être conduit chez une prostituée qui n'est autre que la jeune fille dont il vient de tomber amoureux. À Florence, la ville est coupée en deux. Une infirmière anglaise tente de rejoindre un partisan en traversant l'Arno. En Romagne, un prêtre, un pasteur et un rabbin sont hébergés dans un couvent franciscain. Hiver 44, des parachutistes et des maquisards sont massacrés dans les marais pontins…",3.5972,"\u002FbRJEaveNHjrN0TdrSoh1sl9Z8tI.jpg","1946-12-10",7.5,367,"Man in Crowd (uncredited)","642c4069d100b600f58c2c18",20,{"adult":4,"backdrop_path":47,"genre_ids":128,"id":129,"title":130,"original_language":87,"original_title":130,"overview":36,"popularity":131,"poster_path":47,"release_date":132,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":36,"credit_id":133,"order":69,"media_type":45},[57],922331,"La dolce vita 20 anni dopo",1.1032,"1980-05-08","61d1900e7b7b4d0094fc7bf3",{"adult":4,"backdrop_path":47,"genre_ids":135,"id":136,"title":137,"original_language":61,"original_title":137,"overview":36,"popularity":138,"poster_path":47,"release_date":139,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":140,"credit_id":141,"order":81,"media_type":45},[57],1120358,"Stupor Mundi: Livre 1, Rituel de décapitation du pape",1.4431,"2016-03-13","Self (archive footage)","644f3a162fccee02dccde040",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":87,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"character":140,"credit_id":153,"order":154,"media_type":45},"\u002F8vpk62jwkLH6PJdE6BP4bh4IV3z.jpg",[57],88446,"1960","À l'aide d'images d'archives et de son histoire personnelle, le réalisateur Gabriele Salvatores brosse un tableau de l'essor économique et créatif de l'Italie en 1960.",1.4268,"\u002FuHjSvtMYcC0K5MlgjRYaLL3stPD.jpg","2010-09-05",5.2,9,"61d6f35f899da2001b2adf37",6,{"adult":4,"backdrop_path":47,"genre_ids":156,"id":157,"title":158,"original_language":74,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":67,"credit_id":163,"order":164,"media_type":45},[57],733143,"Il était une fois… La dolce vita","Documentaire sur le film LA DOLCE VITA réalisé en 1960 par Federico Fellini. A l'aide de photos et d'images d'archives, ainsi que d'interviews, ce documentaire revient sur le film de Federico Fellini et le replace dans le contexte historique de son époque.",1.3334,"\u002FfuBKBLxtgGsWFkLmH97dzb08P4.jpg","2009-10-29","62175c157fcab30042c7e412",3,{"adult":4,"backdrop_path":47,"genre_ids":166,"id":167,"title":168,"original_language":169,"original_title":168,"overview":36,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":79,"vote_count":66,"character":140,"credit_id":173,"order":17,"media_type":45},[57],135294,"Zwischen Kino und Konzert - Der Komponist Nino Rota","nl",1.1238,"\u002FjgcduHlrPyWkwP7nH0vZeW08Zp5.jpg","1993-01-01","52fe4bf3c3a368484e19fbf5",{"adult":4,"backdrop_path":47,"genre_ids":175,"id":176,"title":177,"original_language":61,"original_title":177,"overview":36,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":140,"credit_id":181,"order":69,"media_type":45},[57],135375,"Fellini's Homecoming",1.0502,"\u002FaY9gW6GO9QfY05n1t1aBPKQtT86.jpg","2006-09-05","52fe4bf6c3a368484e1a0425",{"adult":4,"backdrop_path":47,"genre_ids":183,"id":184,"title":185,"original_language":87,"original_title":185,"overview":36,"popularity":186,"poster_path":47,"release_date":187,"softcore":4,"video":4,"vote_average":122,"vote_count":69,"character":67,"credit_id":188,"order":53,"media_type":45},[57],190965,"Fellini nel cestino",1.0852,"1983-01-01","52fe4c749251416c910f5695",{"adult":4,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":87,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":199,"vote_count":200,"character":140,"credit_id":201,"order":202,"media_type":45},"\u002FleUE6jCaQuOtwgYVhnfCMMuu6HG.jpg",[57],203252,"Fellini, je suis un grand menteur","Fellini: Je suis un grand menteur","Un portrait lyrique, divertissant et singulier de Federico Fellini explorant sa créativité exubérante, mais aussi les côtés profondément contradictoires d'un cinéaste décrit comme la géniale combinaison de Proust et de Picasso.",1.4593,"\u002FtXmaEfooeFFT3zRBVPZ8NBJvuwS.jpg","2003-04-02",6.2,29,"52fe4cdbc3a368484e1ca10f",10,{"adult":4,"backdrop_path":204,"genre_ids":205,"id":206,"title":207,"original_language":87,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":213,"vote_count":214,"character":215,"credit_id":216,"order":69,"media_type":45},"\u002FuG8W54SXv3ENAOKaFUfxSK8symO.jpg",[32],215741,"Qu’il est étrange de s’appeler Federico","Che strano chiamarsi Federico","À l’occasion du vingtième anniversaire de la disparition d’il Maestro, Qu’il est étrange de s’appeler Federico est un film hommage à Federico Fellini, à son art, sa personnalité. Ettore Scola fait revivre leur rencontre au journal Marc’Aurelio dans les Années 50, leurs amis communs, parmi lesquels Marcello Mastroianni, et surtout le plaisir partagé de faire des films.",1.393,"\u002Fq1KIakw9mvtsBii8tTRTe058lst.jpg","2013-09-12",7.2,36,"Sé stesso (materiale d'archivio)","52fe4e08c3a368484e20a72b",{"adult":4,"backdrop_path":218,"genre_ids":219,"id":220,"title":221,"original_language":87,"original_title":221,"overview":36,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":65,"vote_count":225,"character":226,"credit_id":227,"order":202,"media_type":45},"\u002FwCpbGKbGBDTxtwXDdbvsoXjtwlH.jpg",[57,214],254547,"Walt Disney e l'Italia - Una storia d'amore",1.2716,"\u002FzeczzX0C2qKbTsd4QKwbqqEuy4l.jpg","2014-02-10",5,"Himself (archive footage)","52fe4ec39251416c9113ce9f",{"adult":4,"backdrop_path":47,"genre_ids":229,"id":230,"title":231,"original_language":87,"original_title":231,"overview":36,"popularity":232,"poster_path":47,"release_date":233,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":22,"credit_id":234,"order":69,"media_type":45},[],1186209,"Zavoli racconta Fellini",0.7035,"1964-04-01","651aec4bc50ad200ad817b43",{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":87,"original_title":239,"overview":36,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":164,"character":244,"credit_id":245,"order":53,"media_type":45},"\u002FsR0yMedKkvB0rUGkLqbjLp1Ldvn.jpg",[57],254284,"L'ultima sequenza",1.1312,"\u002F1pXWC6ST1If2iNtqLeefjfe3YPS.jpg","2003-04-22",6.3,"Self (voice) (archive footage)","5309297ac3a36863b1002833",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":74,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":255,"vote_count":225,"character":67,"credit_id":256,"order":53,"media_type":45},"\u002FfaRfVYc9gBXpy6yCYN0I79RJXyz.jpg",[57],1195521,"Fellini, confidences retrouvées","Le 31 octobre 2023 marque le 30e anniversaire de la mort de Federico Fellini. Il fut l'un des réalisateurs les plus irrévérencieux de l'histoire du cinéma. Reposant sur une longue interview inédite du maître, réalisée par Jean-Christophe Rosé en 1981, des extraits de ses films et des making-off de ses tournages, ce documentaire dresse un portrait intime de Fellini par lui-même.",0.875,"\u002FvLevmdMpb5z6f7bhp3ZRjIQOAcd.jpg","2023-10-29",7.8,"653788d7f495ee011c23a724",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":87,"original_title":261,"overview":36,"popularity":262,"poster_path":263,"release_date":264,"softcore":4,"video":4,"vote_average":79,"vote_count":108,"character":22,"credit_id":265,"order":152,"media_type":45},"\u002F69DftbueAw5AtpEILiwMw1cI1n1.jpg",[31],60038,"Il tassinaro",1.7893,"\u002F5IxltKoCcV4lUJRHOxzAH29TgbP.jpg","1983-12-21","62e30156b0040a0064db63e7",{"adult":4,"backdrop_path":267,"genre_ids":268,"id":269,"title":270,"original_language":87,"original_title":270,"overview":36,"popularity":271,"poster_path":272,"release_date":273,"softcore":4,"video":4,"vote_average":199,"vote_count":32,"character":274,"credit_id":275,"order":276,"media_type":45},"\u002FsFgiwjr70n4L0SCBVv8I8NBZ5nA.jpg",[57],806495,"Fellinopolis",1.7831,"\u002FqA3WQU0sE5lCKsKS2O8hwmillOX.jpg","2021-06-10","Self - Filmmaker (archive footage)","62e34dadf1b571005a93a3a6",7,{"adult":4,"backdrop_path":278,"genre_ids":279,"id":280,"title":281,"original_language":87,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":65,"vote_count":286,"character":95,"credit_id":287,"order":288,"media_type":45},"\u002Fau9b2tTuEC9T57rB2JAaEGReqky.jpg",[32,31],47715,"Intervista","L'aube point sur Cinecittà. Le Maestro s’apprête a réaliser son nouveau film inspiré de \"l’Amérique\" de Kafka. C'est alors que surgit une équipe de télévision japonaise venue interviewer Federico Fellini. La suite est un délire autobiographique dont Cinecittà est le centre. \"C'est un film dans lequel la caméra est utilisée comme un crayon, un pinceau qui tracerait des hiéroglyphes. C'est une idée graphique, picturale, visuelle, le contraire du cinéma qui raconte une histoire.\" Prix du 40e anniversaire du Festival de Cannes. Grand prix festival de Moscou 1987.",2.3328,"\u002F4a6VwRgKP4Ntg9AdPwGW9jKoWQ3.jpg","1987-10-01",96,"62ed4626706e56007dd1a25f",44,{"adult":4,"backdrop_path":47,"genre_ids":290,"id":291,"title":292,"original_language":74,"original_title":292,"overview":293,"popularity":294,"poster_path":295,"release_date":296,"softcore":4,"video":4,"vote_average":276,"vote_count":69,"character":140,"credit_id":297,"order":164,"media_type":45},[57],470219,"Il était une fois... « Rome, ville ouverte »","Ecrit avec la collaboration de Federico Fellini, tourné alors que la guerre n’est pas terminée, le film sort en septembre 1945 et obtient la Palme d’or du festival de Cannes 1946. C’est le plus gros succès de Roberto Rossellini.",1.1435,"\u002Fz0bUbrJUeHHAUPUMd9yys77sf93.jpg","2006-05-27","62f54cdbc3bffe00877678a0",{"adult":4,"backdrop_path":299,"genre_ids":300,"id":301,"title":302,"original_language":61,"original_title":302,"overview":36,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":213,"vote_count":152,"character":67,"credit_id":306,"order":53,"media_type":45},"\u002FrUg6LMUxoJYJQlxv926UG1zw750.jpg",[57],42534,"Ciao, Federico!",0.7296,"\u002FaLxyVDhGEQCmttwnL5OxOpBjyht.jpg","1970-10-28","5422fd5c0e0a263b84001ae6",{"adult":4,"backdrop_path":308,"genre_ids":309,"id":310,"title":311,"original_language":74,"original_title":311,"overview":312,"popularity":313,"poster_path":314,"release_date":315,"softcore":4,"video":4,"vote_average":316,"vote_count":154,"character":140,"credit_id":317,"order":318,"media_type":45},"\u002F6BU2MHqsomy0XQ8JxiX6T7xlupU.jpg",[57,214,58],837552,"Cinecittà, de Mussolini à la Dolce Vita","Mythique cité du cinéma italien, souvent appelée « La fabbrica dei sogni « (la fabrique des rêves), Cinecittà se situe dans un quartier populaire du sud-est de Rome. Westerns, films antiques, séries télévisées, grosses productions américaines, classiques italiens : les studios ont vu défiler des milliers de films. L'idée de sa naissance émerge en 1930 : le gouvernement italien fasciste sous le joug de Mussolini souhaite industrialiser le cinéma italien afin de concurrencer le succès et le quasi-monopole d'Hollywood. Mais les studios de Cinecittà représentent surtout une importante machine de propagande fasciste.",1.495,"\u002F9x0j0Fc23r9i0TaWpakNHyEol7S.jpg","2021-05-16",7.3,"63a5385f38765100b8d35fa6",23,{"adult":4,"backdrop_path":320,"genre_ids":321,"id":322,"title":323,"original_language":87,"original_title":323,"overview":36,"popularity":324,"poster_path":325,"release_date":326,"softcore":4,"video":4,"vote_average":79,"vote_count":164,"character":67,"credit_id":327,"order":318,"media_type":45},"\u002F4EYRhu0UPTfKMVqFagWlJdY2Zsd.jpg",[57],336878,"L'addio a Enrico Berlinguer",1.6811,"\u002FpjZ6N2y1yM41EJuJrp0Zc0LbDp3.jpg","1984-09-08","65fcc7e781140f017e100ade",{"adult":4,"backdrop_path":329,"genre_ids":330,"id":331,"title":332,"original_language":87,"original_title":333,"overview":334,"popularity":335,"poster_path":336,"release_date":337,"softcore":4,"video":4,"vote_average":338,"vote_count":339,"character":22,"credit_id":340,"order":81,"media_type":45},"\u002F2Kkqmy3EpXqBDqv1vvsNXX3pwww.jpg",[32,31],42269,"Nous nous sommes tant aimés","C'eravamo tanto amati","En 1945, trois amis qui ont pris part à la Résistance italienne célèbrent la chute du fascisme et la fin de la guerre. La République remplace la monarchie et tous trois poursuivent leur chemin séparément. Antonio reprend sa place de brancardier dans un hôpital romain, tandis que Nicola s'en va enseigner en province et que Gianni entre comme stagiaire chez un illustre avocat. Antonio s'éprend de la belle Luciana, qui partage un temps sa vie, avant de lui préférer l'ambitieux Gianni. 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Pour faire renaitre le souvenir de ce grand réalisateur, Gérald Morin fait appel à certains de ses anciens collaborateurs. Ensemble ils évoquent ce merveilleux créateur d’images et d’univers baroques qu’était Fellini, ce metteur en scène qui maniait avec tant de brio le sens de la démesure, cet imposant dictateur démocratique qui ne rougissait que lorsqu’il disait la vérité. Dans les décors magiques de la ville de Rome, ils nous emmènent dans les endroits favoris de Fellini et nous racontent les années 70, période de sa trilogie autobiographique : \"Roma\", \"Amarcord\" et \"Casanova\". 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À l'écran elle a imposé une image inédite de femme naturelle et sauvage, à la voix éraillée et au rire franc.",1.4707,"\u002F8jAGXbMtY8VVT3wDbtufElR6HxV.jpg","2019-12-31","696549416b3717fb0ed8cb4a",{"adult":4,"backdrop_path":664,"genre_ids":665,"id":666,"title":667,"original_language":87,"original_title":667,"overview":36,"popularity":668,"poster_path":669,"release_date":670,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":36,"credit_id":671,"order":81,"media_type":45},"\u002FkBN5Ygq1XH29Ytlf0KWm2AJ87Pr.jpg",[57],709440,"Hollywood sul Tevere",1.1691,"\u002F2GnGLSg1FGbC9dGpw8BQgFgU6yy.jpg","2009-09-07","69654af067bcaafc4e934e11",{"adult":4,"backdrop_path":673,"genre_ids":674,"id":675,"title":676,"original_language":87,"original_title":676,"overview":36,"popularity":677,"poster_path":678,"release_date":679,"softcore":4,"video":4,"vote_average":154,"vote_count":69,"character":140,"credit_id":680,"order":69,"media_type":45},"\u002FgA1nmQVT08ugdlwjbchrbQiHyGe.jpg",[57],652041,"Hollywood Invasion",1.6072,"\u002FAaMnO1BvUAk8Az1YQKu3sNd7cFu.jpg","2011-09-01","696a662ca82066b5d594be97",{"adult":4,"backdrop_path":682,"genre_ids":683,"id":684,"title":685,"original_language":87,"original_title":685,"overview":36,"popularity":686,"poster_path":687,"release_date":688,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":67,"credit_id":689,"order":53,"media_type":45},"\u002FhF1BEeb6aGfJZGl8iBoDvghtFE7.jpg",[57],1650344,"Federico Fellini: Fabbricante di Illusioni",1.9107,"\u002FbKj4xsgQIqW7OpQ92uKsA6GYmZr.jpg","2025-10-07","69b27b5c4d69b5b1339d5dac",{"adult":4,"backdrop_path":47,"genre_ids":691,"id":692,"title":693,"original_language":74,"original_title":693,"overview":694,"popularity":695,"poster_path":696,"release_date":697,"softcore":4,"video":4,"vote_average":17,"vote_count":69,"character":36,"credit_id":698,"order":699,"media_type":45},[57],847138,"Morceaux de Cannes","Du Festival de Cannes, on croyait avoir tout vu, tout lu, tout entendu, entre paillettes et bruits de couloirs, scandales et censures. Et pourtant, Morceaux de Cannes d’Emmanuel Barnault, grand spécialiste du cinéma italien et français, nous convainc du contraire. Le troisième événement planétaire (avec les Jeux Olympiques et la Coupe du monde de football) ne livre ses secrets qu’avec parcimonie, son film en témoigne. Fruit d’une recherche passionnée dans les archives de l’INA, ces 52 minutes sans interviews ni voix off, enchaînent des séquences rares et certaines inconnues. Mises bout à bout, elles racontent une histoire du Festival surprenante, originale et chaleureuse. Sur la plage, au coin d’une rue, dans un restaurant ou dans l’intimité d’une chambre d’hôtel, ces archives oubliées convoquent les plus grands cinéastes, comédiennes et comédiens des soixante-dix dernières années, de Jean Cocteau à David Lynch, pour une anthologie de l’histoire du Festival.",1.7115,"\u002Fas5HrR2xYEko9jY1QQHwKfJImy6.jpg","2021-07-02","69c571de0601e8adc17cafde",39,{"adult":4,"backdrop_path":47,"genre_ids":701,"id":702,"title":703,"original_language":35,"original_title":703,"overview":36,"popularity":704,"poster_path":47,"release_date":705,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":67,"credit_id":706,"order":152,"media_type":45},[57],1685357,"Георгий Данелия. 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Les films, a fortiori les plus grands, sont toujours des documents exceptionnels pour témoigner d’une époque. Raconter leur genèse, leur fabrication, leur accueil, les replacer dans leur contexte historique et culturel, permet de mieux les comprendre mais aussi de mieux appréhender la période de leur création. Pour paraphraser le titre d’une célébrissime émission de la télévision d’autrefois : la caméra du documentaire «?Il était une fois…?» explore le temps du film…",3.92,"\u002FkNWnaz8rX0KDBlo5bdKofpsZps6.jpg","2003-05-17","60323ef596e30b0040243d5f","tv",{"adult":4,"backdrop_path":47,"genre_ids":728,"id":730,"origin_country":731,"original_language":61,"original_name":733,"overview":36,"popularity":734,"poster_path":735,"first_air_date":736,"softcore":4,"name":733,"vote_average":65,"vote_count":737,"character":67,"credit_id":738,"episode_count":69,"first_credit_air_date":739,"media_type":726},[729],10767,6744,[732],"US","The Merv Griffin Show",100.4828,"\u002FpF9rFdF6Gd4dNJ0Rh4mFsaFTi3m.jpg","1962-10-01",12,"6015e1634df291003e1fb08e","1965-11-15",{"adult":4,"backdrop_path":741,"genre_ids":742,"id":744,"origin_country":745,"original_language":74,"original_name":746,"overview":747,"popularity":748,"poster_path":749,"first_air_date":750,"softcore":4,"name":746,"vote_average":417,"vote_count":164,"character":67,"credit_id":751,"episode_count":69,"first_credit_air_date":752,"media_type":726},"\u002FetNtSeEcl3XpVnKIvV3PrnFwihd.jpg",[729,743],10763,120589,[719],"Le Grand Échiquier","Le Grand Échiquier est une émission de télévision de variétés française créée et présentée par Jacques Chancel. Elle est diffusée à 20 h 30 sur la première chaîne de l'ORTF du 12 janvier 1972 au 12 juillet 1972, puis la deuxième chaîne couleur de l'ORTF de septembre 1972 à décembre 1974, enfin sur Antenne 2 de janvier 1975 au 21 décembre 1989. L'émission fait son retour sur France 2 le 20 décembre 2018 et est animée par Anne-Sophie Lapix.",35.1924,"\u002FhWsFrkYyPwCz4rt2lpiKmqkgxRp.jpg","1972-01-12","604a8874982f740044ba73f5","1972-07-12",{"adult":4,"backdrop_path":754,"genre_ids":755,"id":756,"origin_country":757,"original_language":61,"original_name":758,"overview":759,"popularity":760,"poster_path":761,"first_air_date":762,"softcore":4,"name":763,"vote_average":764,"vote_count":765,"character":67,"credit_id":766,"episode_count":17,"first_credit_air_date":767,"media_type":726},"\u002FAvydGD3Y03ad7QLxQ3tAZ3VVkng.jpg",[],27023,[732],"The Oscars","Les Oscars du cinéma (Academy Awards) sont des récompenses cinématographiques américaines décernées chaque année depuis 1929 à Los Angeles et destinées à saluer l'excellence des productions américaines du cinéma. L'attribution de ces distinctions dans les domaines choisis pour représenter les métiers de la création cinématographique (réalisation, interprétation, scénario, technique) est organisée, gérée et dirigée par l'association professionnelle Academy of Motion Picture Arts and Sciences.",34.4043,"\u002FhcCV0bGpuqZfcd8t1kYYcD8PiAK.jpg","1953-03-19","Cérémonie des Oscars",7.1,87,"525882e7760ee346613eb038","1964-04-13",{"adult":4,"backdrop_path":769,"genre_ids":770,"id":771,"origin_country":772,"original_language":74,"original_name":773,"overview":774,"popularity":775,"poster_path":776,"first_air_date":777,"softcore":4,"name":773,"vote_average":778,"vote_count":17,"character":67,"credit_id":779,"episode_count":17,"first_credit_air_date":780,"media_type":726},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[729],244224,[719],"Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen… les plus grandes stars du cinéma ont été reçues par Christian Defaye dans son émission Spécial cinéma. Entre confessions intimes des comédiens et immersion dans l'univers des plus grands cinéastes, Christian Defaye a entraîné, durant près de trente ans, les téléspectateurs dans cet univers fascinant du Septième art.",59.7899,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65ae8d2b158c85010aa0430d","1976-02-04",{"adult":4,"backdrop_path":782,"genre_ids":783,"id":785,"origin_country":786,"original_language":74,"original_name":787,"overview":788,"popularity":789,"poster_path":790,"first_air_date":791,"softcore":4,"name":787,"vote_average":415,"vote_count":164,"character":67,"credit_id":792,"episode_count":17,"first_credit_air_date":793,"media_type":726},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[57,784,729],10751,79313,[719],"Cinépanorama","Pendant dix ans, le grand reporter (et ancien correspondant de guerre) François Chalais offre un regard décalé et des interviews surprenantes des grands mythes du cinéma, souvent en compagnie de France Roche. Composée de reportages et d’entretiens, cette émission révèle les acteurs et cinéastes en toute confidence. Le ton de Chalais et sa verve le rendent parfois irrévérencieux. ",18.4112,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04","63b06fe5266778008c0914ec","1960-03-19",{"adult":4,"backdrop_path":795,"genre_ids":796,"id":797,"origin_country":798,"original_language":61,"original_name":799,"overview":36,"popularity":800,"poster_path":801,"first_air_date":802,"softcore":4,"name":799,"vote_average":65,"vote_count":590,"character":803,"credit_id":804,"episode_count":69,"first_credit_air_date":805,"media_type":726},"\u002FfvNn1mQS4ecSph1QVSpKCQNyh47.jpg",[729],9890,[732],"The Dick Cavett Show",65.4859,"\u002FuDkndfnwbEGeSY4YmZbTRg4U5RQ.jpg","1968-06-06","Self - Guest","5e025ecc75110d0018dae454","1970-01-15",{"adult":4,"backdrop_path":47,"genre_ids":807,"id":808,"origin_country":809,"original_language":811,"original_name":812,"overview":36,"popularity":813,"poster_path":814,"first_air_date":815,"softcore":4,"name":812,"vote_average":79,"vote_count":17,"character":67,"credit_id":816,"episode_count":69,"first_credit_air_date":817,"media_type":726},[743],105058,[810],"DE","de","Titel, Thesen, Temperamente",31.7339,"\u002F9EEwpSrgnNeZuG9pWqDA8TsVrEO.jpg","1967-12-04","5eed2e219661fc00366156bc","1977-02-24",{"adult":4,"backdrop_path":47,"genre_ids":819,"id":820,"origin_country":821,"original_language":74,"original_name":823,"overview":36,"popularity":824,"poster_path":825,"first_air_date":826,"softcore":4,"name":823,"vote_average":152,"vote_count":69,"character":67,"credit_id":827,"episode_count":66,"first_credit_air_date":826,"media_type":726},[57],306715,[822],"BE","Fellini on “Second Look”",1.8141,"\u002Fwgu1lTcCICQGhf3dVXSl5UExmx3.jpg","1960-01-01","6926ff69a3259bb26037152b",{"adult":4,"backdrop_path":47,"genre_ids":829,"id":830,"origin_country":831,"original_language":87,"original_name":833,"overview":36,"popularity":834,"poster_path":47,"first_air_date":835,"softcore":4,"name":833,"vote_average":53,"vote_count":53,"character":67,"credit_id":836,"episode_count":126,"first_credit_air_date":835,"media_type":726},[],309651,[832],"IT","Quelli che il cinema",3.7334,"2025-12-31","695e7ed28b878735a33e6582",{"adult":4,"backdrop_path":47,"genre_ids":838,"id":840,"origin_country":841,"original_language":843,"original_name":844,"overview":36,"popularity":845,"poster_path":47,"first_air_date":846,"softcore":4,"name":844,"vote_average":53,"vote_count":53,"character":847,"credit_id":848,"episode_count":69,"first_credit_air_date":846,"media_type":726},[839],10762,333491,[842],"GR","el","Pesto kai tha Ginei",1.9584,"1985-01-09","Guest","6a96b822664501a26fc85cdd",[850,863,868,881,884,898,901,913,916,919,932,944,947,959,962,975,978,988,1001,1013,1026,1038,1041,1044,1056,1069,1072,1076,1088,1101,1104,1107,1120,1132,1135,1138,1150,1163,1174,1188,1199,1212,1225,1235,1238,1249,1257,1260,1263,1266,1269,1272,1275,1278,1281,1284,1287,1290,1293,1296,1299,1302,1305,1308,1311,1321,1324,1336,1346,1349,1353,1356,1359,1362,1365,1369,1379,1382,1385,1389,1398,1407,1416,1425,1428,1433,1436,1439,1448,1451,1454,1457,1460,1463,1473,1483,1491,1494,1497,1500,1503,1515,1518,1521,1524,1536,1541,1544,1556,1565,1574],{"adult":4,"backdrop_path":851,"genre_ids":852,"id":853,"title":854,"original_language":87,"original_title":854,"overview":855,"popularity":856,"poster_path":857,"release_date":858,"softcore":4,"video":4,"vote_average":859,"vote_count":860,"credit_id":861,"department":21,"job":862,"media_type":45},"\u002Fp6qM3hlviWYIgpPq4zNwrttn6Io.jpg",[32],405,"La strada","Gelsomina a été vendue par sa mère à Zampano, qui la brutalise et ne cesse de la tromper. Ils partent ensemble sur les routes, vivant misérablement du numéro de saltimbanque de Zampano. Surgit Il Matto (le fou), violoniste et poète, qui seul sait parler à Gelsomina.",6.7638,"\u002FeKdSqv9wPPhdzb6cVrcEujSo3lp.jpg","1954-09-23",7.91,1207,"52fe423fc3a36847f800f7ed","Director",{"adult":4,"backdrop_path":851,"genre_ids":864,"id":853,"title":854,"original_language":87,"original_title":854,"overview":855,"popularity":856,"poster_path":857,"release_date":858,"softcore":4,"video":4,"vote_average":859,"vote_count":860,"credit_id":865,"department":866,"job":867,"media_type":45},[32],"52fe423fc3a36847f800f7f3","Writing","Screenplay",{"adult":4,"backdrop_path":869,"genre_ids":870,"id":871,"title":872,"original_language":87,"original_title":873,"overview":874,"popularity":875,"poster_path":876,"release_date":877,"softcore":4,"video":4,"vote_average":878,"vote_count":879,"credit_id":880,"department":21,"job":862,"media_type":45},"\u002Fy2FNZLHynsevBnVTocGW6c3pQpr.jpg",[32],422,"Huit et demi","8½","Un cinéaste dépressif fuit le monde du cinéma et se réfugie dans un univers peuplé de fantasmes.",6.324,"\u002FaW3YxRYgWF806bTRz7WkpIze8Pd.jpg","1963-02-14",8.073,2612,"52fe4241c3a36847f8010101",{"adult":4,"backdrop_path":869,"genre_ids":882,"id":871,"title":872,"original_language":87,"original_title":873,"overview":874,"popularity":875,"poster_path":876,"release_date":877,"softcore":4,"video":4,"vote_average":878,"vote_count":879,"credit_id":883,"department":866,"job":867,"media_type":45},[32],"52fe4241c3a36847f8010107",{"adult":4,"backdrop_path":885,"genre_ids":886,"id":888,"title":889,"original_language":87,"original_title":890,"overview":891,"popularity":892,"poster_path":893,"release_date":894,"softcore":4,"video":4,"vote_average":895,"vote_count":896,"credit_id":897,"department":866,"job":867,"media_type":45},"\u002FkPdvXDdXIbuKKAt9gEy13FNYgbm.jpg",[32,887],14,11163,"Fellini Satyricon","Fellini – satyricon","Satyricon présente une société romaine en pleine décadence, où orgies et autres festins sont courants, la morale y étant absente. Loin des reconstitutions historiques et autres péplums, Federico Fellini nous raconte les pérégrinations de deux jeunes parasites de l'époque néronienne, Encolpe et Ascylte.",3.8685,"\u002F1QX2iVakp3upWmyVaiWs4b4XpBw.jpg","1969-09-18",6.714,372,"52fe44049251416c75026327",{"adult":4,"backdrop_path":885,"genre_ids":899,"id":888,"title":889,"original_language":87,"original_title":890,"overview":891,"popularity":892,"poster_path":893,"release_date":894,"softcore":4,"video":4,"vote_average":895,"vote_count":896,"credit_id":900,"department":21,"job":862,"media_type":45},[32,887],"52fe44049251416c75026321",{"adult":4,"backdrop_path":902,"genre_ids":903,"id":904,"title":905,"original_language":87,"original_title":906,"overview":907,"popularity":908,"poster_path":909,"release_date":910,"softcore":4,"video":4,"vote_average":213,"vote_count":911,"credit_id":912,"department":21,"job":862,"media_type":45},"\u002Flg8qHPCrn3GUsxXHyMbZAprSDcq.jpg",[31,32],5622,"Et vogue le navire","E la nave va","En 1914, le port de Naples est le théâtre d'événements peu banals. La haute société européenne, artistes et politiciens de renom, s'apprête, au cours d'une croisière, à disperser les cendres de leur diva adulée. Les premières manifestations de la guerre vont frapper de plein fouet les insouciants passagers...",3.4081,"\u002F5PW7ltNIrBjLf2XihRoRlba0Lnw.jpg","1983-10-07",171,"52fe4412c3a36847f808093b",{"adult":4,"backdrop_path":397,"genre_ids":914,"id":399,"title":400,"original_language":87,"original_title":400,"overview":401,"popularity":402,"poster_path":403,"release_date":404,"softcore":4,"video":4,"vote_average":316,"vote_count":405,"credit_id":915,"department":866,"job":867,"media_type":45},[31,32],"52fe43e89251416c75022a7d",{"adult":4,"backdrop_path":397,"genre_ids":917,"id":399,"title":400,"original_language":87,"original_title":400,"overview":401,"popularity":402,"poster_path":403,"release_date":404,"softcore":4,"video":4,"vote_average":316,"vote_count":405,"credit_id":918,"department":21,"job":862,"media_type":45},[31,32],"52fe43e89251416c75022a71",{"adult":4,"backdrop_path":920,"genre_ids":921,"id":923,"title":924,"original_language":87,"original_title":925,"overview":926,"popularity":927,"poster_path":928,"release_date":929,"softcore":4,"video":4,"vote_average":79,"vote_count":930,"credit_id":931,"department":21,"job":862,"media_type":45},"\u002FcLEYNI2wRPnAYV2tKIYCyHzeg23.jpg",[32,922],10749,31293,"L'Amour à la ville","L'amore in città","L'Amour à la ville ou cinq histoires presque vraies, réalisées par cinq grands metteurs en scène italiens sur la misère de l'amour à Rome dans le ton du néoréalisme social. « Suicides manqués » de Michelangelo Antonioni ; « Agence matrimoniale » de Federico Fellini ; « Les Italiens se retournent » d'Alberto Lattuada ; « L'Histoire de Catherine » de Francesco Maselli ; « Le Bal du samedi soir » de Dino Risi",2.7696,"\u002FuKi4Zz1IO4bUdFF4UyIkTBm0neB.jpg","1953-11-27",66,"52fe44719251416c91010d89",{"adult":4,"backdrop_path":933,"genre_ids":934,"id":935,"title":936,"original_language":87,"original_title":937,"overview":938,"popularity":939,"poster_path":940,"release_date":941,"softcore":4,"video":4,"vote_average":276,"vote_count":942,"credit_id":943,"department":21,"job":862,"media_type":45},"\u002Fv3OBPtCS4iHOGKNBwiO22QFfMQ1.jpg",[31,737,887],11936,"La Cité des femmes","La città delle donne","Snaporaz, un séducteur vieillissant, aborde une jeune femme dans un train, mais échoue dans ses manoeuvres d'approche. Le train s'arrête en pleine nature et l'inconnue en descend. Snaporaz quitte sa place à son tour et suit sa mystérieuse compagne de voyage. Il se retrouve dans une maison isolée où se tient un congrès féministe. Il déambule de salle en salle et affronte une étonnante galerie de personnages féminins, depuis la mangeuse d'hommes jusqu'aux homosexuelles militantes. Il croit trouver son salut en accédant à la galerie de portraits de Krossphallus Katzone, l'empereur des séducteurs, fier comme un coq sous les innombrables visages figés des femmes qu'il a aimées...",4.3471,"\u002F84iGoopjGxMKADncmAAh4qZrV7K.jpg","1980-03-28",303,"52fe44a49251416c7503bf15",{"adult":4,"backdrop_path":112,"genre_ids":945,"id":115,"title":116,"original_language":87,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":123,"credit_id":946,"department":866,"job":867,"media_type":45},[32,114],"52fe44a8c3a36847f80a2941",{"adult":4,"backdrop_path":948,"genre_ids":949,"id":950,"title":951,"original_language":87,"original_title":951,"overview":952,"popularity":953,"poster_path":954,"release_date":955,"softcore":4,"video":4,"vote_average":956,"vote_count":957,"credit_id":958,"department":21,"job":862,"media_type":45},"\u002FiFQzlUmO5QmMPcSHHDdfd522x33.jpg",[31,32],7857,"Amarcord","Dans un bourg italien près de la mer, à l'heure du fascisme triomphant, les enfants trainassent, cherchant des victimes pour leurs blagues innocentes. L'un d'eux va connaître, en l'espace d'une année, une série d'expériences tour à tour drôles, savoureuses et poignantes.",4.4715,"\u002FdgZ9sO939Mwnix1CZ452PmABi6j.jpg","1973-12-18",7.866,1257,"52fe4486c3a36847f809af97",{"adult":4,"backdrop_path":948,"genre_ids":960,"id":950,"title":951,"original_language":87,"original_title":951,"overview":952,"popularity":953,"poster_path":954,"release_date":955,"softcore":4,"video":4,"vote_average":956,"vote_count":957,"credit_id":961,"department":866,"job":867,"media_type":45},[31,32],"52fe4486c3a36847f809af9d",{"adult":4,"backdrop_path":963,"genre_ids":964,"id":965,"title":966,"original_language":87,"original_title":967,"overview":968,"popularity":969,"poster_path":970,"release_date":971,"softcore":4,"video":4,"vote_average":972,"vote_count":973,"credit_id":974,"department":21,"job":862,"media_type":45},"\u002FxET9AzXSWFWUFSftW5dtrhDTi4n.jpg",[31,32],12548,"Les Vitelloni","I vitelloni","Dans une petite ville balnéaire animée seulement par le carnaval et la période des vacances, cinq jeunes gens mènent une vie de désœuvrés, d'inutiles, qui leur vaut d'être appelés \"Vitteloni\", \"les grands veaux\".",7.3193,"\u002FpBZwjSW0OJSJPFWQqBaCNqklWQ1.jpg","1953-09-17",7.7,759,"52fe44f99251416c75047505",{"adult":4,"backdrop_path":963,"genre_ids":976,"id":965,"title":966,"original_language":87,"original_title":967,"overview":968,"popularity":969,"poster_path":970,"release_date":971,"softcore":4,"video":4,"vote_average":972,"vote_count":973,"credit_id":977,"department":866,"job":867,"media_type":45},[31,32],"52fe44f99251416c7504750b",{"adult":4,"backdrop_path":979,"genre_ids":980,"id":981,"title":982,"original_language":87,"original_title":982,"overview":36,"popularity":983,"poster_path":984,"release_date":985,"softcore":4,"video":4,"vote_average":986,"vote_count":417,"credit_id":987,"department":866,"job":867,"media_type":45},"\u002Fh5K7lF9tRmj1q0QiAhnL23P8tz8.jpg",[32],221523,"La città dolente",1.0335,"\u002FbSTboVXPtSZVM93MzyWMHUtmML.jpg","1949-03-04",5.9,"607d7fa0f6787a0058fbaf01",{"adult":4,"backdrop_path":989,"genre_ids":990,"id":992,"title":993,"original_language":87,"original_title":993,"overview":994,"popularity":995,"poster_path":996,"release_date":997,"softcore":4,"video":4,"vote_average":998,"vote_count":999,"credit_id":1000,"department":21,"job":862,"media_type":45},"\u002Ftzb3epsqaSJMiBwKtK4GtW25ryq.jpg",[32,991],80,36102,"Il bidone","Augusto est à la tête d'un petit gang d'escrocs qui comprend par ailleurs Carlo «Picasso», un artiste raté, et Roberto, un joyeux luron, routier à ses heures. Tous les trois parcourent la campagne romaine, racontant d'invraisemblables histoires à des paysans crédules qu'ils délestent de quelques sous. Ils ont honte de leurs forfaits, non pas parce qu'illégaux, mais parce que trop petits. Un jour, las de cette vie minable, «Picasso» quitte ses complices pour rejoindre son épouse...",2.9789,"\u002Fo31PmPqVimRr2D1jlH5Chca5au3.jpg","1955-10-07",7.291,232,"52fe45cc9251416c9103ec0b",{"adult":4,"backdrop_path":1002,"genre_ids":1003,"id":1005,"title":1006,"original_language":74,"original_title":1006,"overview":1007,"popularity":1008,"poster_path":1009,"release_date":1010,"softcore":4,"video":4,"vote_average":199,"vote_count":1011,"credit_id":1012,"department":21,"job":862,"media_type":45},"\u002Fs8h41U0rqM0PP6qCas8qzBtxeen.jpg",[509,1004,32],9648,41225,"Histoires extraordinaires","1er sketch : Metzengerstein (Vadim). Les étranges rapports d’amour et de haine que la comtesse Frederica, cavalière émérite, entretien avec son cheval, un superbe étalon noir qui va s’avérer être la réincarnation de son amant décédé… 2e sketch : William Wilson (Malle). William Wilson, un officier autrichien despotique, hanté par son double, entame une partie de carte avec la belle Giuseppina, partie qui va révéler les tendances sadiques de Wilson… 3e sketch : Il ne faut jamais parier sa tête avec le diable (Fellini). L’acteur britannique Toby Dammit vient à Rome pour un projet de film, un western à l’italienne. Une soirée médiatique est organisée pour fêter cet évènement. L’attention de Toby, déjà passablement altérée par la drogue et l’alcool, plus que par la bizarre cérémonie romaine où défilent prêtres et journalistes, est surtout attirée par la belle Ferrari qu’on lui fait miroiter pour le séduire et aussi par une étrange fillette qui joue avec une sorte de balle blanche.",5.0679,"\u002FdcIopZVu0rlczxAOeERVH5p7hmN.jpg","1968-05-16",194,"52fe45bdc3a36847f80d7bb5",{"adult":4,"backdrop_path":1014,"genre_ids":1015,"id":1016,"title":1017,"original_language":87,"original_title":1018,"overview":1019,"popularity":1020,"poster_path":1021,"release_date":1022,"softcore":4,"video":4,"vote_average":1023,"vote_count":1024,"credit_id":1025,"department":21,"job":862,"media_type":45},"\u002F7YjjphrUKt9tdtVEcm5mJQZ4DYX.jpg",[31,32],42021,"Ginger et Fred","Ginger e Fred","C'est l'histoire nostalgique, et parfois pathétique, de deux vieux danseurs mondains, un peu fripés, aux prises avec un monde hostile, où tout est dominé par la télévision et qui sont tous les deux convoqués pour exécuter trente ans plus tard un numéro de claquettes dans une gigantesque émission en direct.",2.283,"\u002F1MY0B0R6XKdLUPXlKevAoUgDmKa.jpg","1986-01-22",6.9,144,"52fe45e9c3a36847f80e1a41",{"adult":4,"backdrop_path":1027,"genre_ids":1028,"id":1029,"title":1030,"original_language":87,"original_title":1031,"overview":1032,"popularity":1033,"poster_path":1034,"release_date":1035,"softcore":4,"video":4,"vote_average":1023,"vote_count":1036,"credit_id":1037,"department":21,"job":862,"media_type":45},"\u002Fnn84IU1JFwvfcVhQ08teDM080yd.jpg",[32,214],42236,"Le Casanova de Fellini","Il Casanova di Federico Fellini","Au XVIIIème siècle, à Venise. Les rues, pontons et canaux sont animés par le traditionnel carnaval qui déploie les pompes d’une grande fête païenne. Giacomo Casanova, habillé en Pierrot, se rend à l’invitation que lui a fait parvenir une coquette et coquine religieuse. Leurs ébats érotiques sont observés par l’ambassadeur de France, De Bernis, amant de la nonne et voyeur complaisant. C’est le point de départ d’une série d’aventures galantes et sinistres racontées sans vergogne par le célèbre séducteur.",3.3018,"\u002FmjNoO2sRdPiKJ9l6vLTZyOOZ8xp.jpg","1976-12-10",255,"52fe45f6c3a36847f80e4951",{"adult":4,"backdrop_path":1027,"genre_ids":1039,"id":1029,"title":1030,"original_language":87,"original_title":1031,"overview":1032,"popularity":1033,"poster_path":1034,"release_date":1035,"softcore":4,"video":4,"vote_average":1023,"vote_count":1036,"credit_id":1040,"department":866,"job":867,"media_type":45},[32,214],"52fe45f6c3a36847f80e495d",{"adult":4,"backdrop_path":83,"genre_ids":1042,"id":85,"title":86,"original_language":87,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"credit_id":1043,"department":21,"job":862,"media_type":45},[58,31],"52fe460bc3a36847f80e91b5",{"adult":4,"backdrop_path":1045,"genre_ids":1046,"id":1047,"title":1048,"original_language":61,"original_title":1048,"overview":1049,"popularity":1050,"poster_path":1051,"release_date":1052,"softcore":4,"video":4,"vote_average":1023,"vote_count":1053,"credit_id":1054,"department":866,"job":1055,"media_type":45},"\u002F6WxX5d90NVYyFUciyn4KxaCPSSg.jpg",[31,922,32],42618,"Sweet Charity","Charity Hope est entraîneuse dans une boîte de nuit new-yorkaise. Malgré ses multiples échecs, elle continue à rêver du grand amour. Un soir, elle fait connaissance d'Oscar Lindquist, un timide agent d’assurances. D'abord méfiante, Charity ne tarde pas à tomber follement amoureuse de lui...",3.5307,"\u002FAqiWqYQHEyuxv0cdqD6u4onD1h5.jpg","1969-02-25",98,"52fe460dc3a36847f80e9a55","Original Story",{"adult":4,"backdrop_path":1057,"genre_ids":1058,"id":1059,"title":1060,"original_language":87,"original_title":1061,"overview":1062,"popularity":1063,"poster_path":1064,"release_date":1065,"softcore":4,"video":4,"vote_average":1066,"vote_count":1067,"credit_id":1068,"department":21,"job":862,"media_type":45},"\u002FoSU98IDxfeR8q6IimvKaLmkorro.jpg",[31,922],43361,"Le Cheik blanc","Lo sceicco bianco","Ivan veut profiter de son voyage de noces à Rome pour présenter sa jeune épouse Wanda à sa famille et obtenir une audience du Pape. Wanda préfère partir à la rencontre de son idole, le Cheik blanc, héros de romans-photos dont elle suit assidûment les aventures. Elle découvre qu’il n’est qu’un héros de pacotille, lâche et vulgaire. Ne sachant où elle est, Ivan est désespéré et tente de dissimuler sa disparition à sa famille.",2.0502,"\u002F8vsRR6vqECfjUftRSaO363jkQtd.jpg","1952-09-27",7.151,298,"52fe4642c3a36847f80f4e97",{"adult":4,"backdrop_path":1057,"genre_ids":1070,"id":1059,"title":1060,"original_language":87,"original_title":1061,"overview":1062,"popularity":1063,"poster_path":1064,"release_date":1065,"softcore":4,"video":4,"vote_average":1066,"vote_count":1067,"credit_id":1071,"department":866,"job":867,"media_type":45},[31,922],"52fe4642c3a36847f80f4eb1",{"adult":4,"backdrop_path":1057,"genre_ids":1073,"id":1059,"title":1060,"original_language":87,"original_title":1061,"overview":1062,"popularity":1063,"poster_path":1064,"release_date":1065,"softcore":4,"video":4,"vote_average":1066,"vote_count":1067,"credit_id":1074,"department":866,"job":1075,"media_type":45},[31,922],"52fe4642c3a36847f80f4ec3","Story",{"adult":4,"backdrop_path":1077,"genre_ids":1078,"id":1079,"title":1080,"original_language":87,"original_title":1081,"overview":1082,"popularity":1083,"poster_path":1084,"release_date":1085,"softcore":4,"video":4,"vote_average":1023,"vote_count":1086,"credit_id":1087,"department":21,"job":862,"media_type":45},"\u002Fk6ksC8bISMCB8dSAc6Pt0g1Cs4u.jpg",[32,31],43389,"Les Feux du music-hall","Luci del varietà","Au cœur des années trente, dans des trains et des gares sans confort, une troupe d'actrices et d'acteurs de variétés traverse de part en part une Italie provinciale, pauvre et pittoresque et donne des représentations quand et où elle le peut.",2.2242,"\u002FbNupFxptDyUGjAwPJVYaSBd6rty.jpg","1950-12-06",104,"52fe4644c3a36847f80f5785",{"adult":4,"backdrop_path":1089,"genre_ids":1090,"id":1091,"title":1092,"original_language":87,"original_title":1093,"overview":1094,"popularity":1095,"poster_path":1096,"release_date":1097,"softcore":4,"video":4,"vote_average":1098,"vote_count":1099,"credit_id":1100,"department":866,"job":867,"media_type":45},"\u002F6XLeYldW5jxX6zIOPxXy8Xz1Cum.jpg",[31,922],45267,"Boccace 70","Boccaccio '70","Quatre adaptations modernes des contes pour adultes de Boccace qui mettent en scène des femmes fatales. Le Travail de Luchino Visconti : Pupé exige de son mari, le Comte Ottavio, d'être payée à chaque fois qu'il veut l'honorer. La Loterie de Vittorio De Sica : Zoé, une marchande foraine, organise une loterie dont elle est le gros lot. La Tentation du Dr. Antonio de Federico Fellini : une affiche géante, représentant une somptueuse femme qui vante les bienfaits du lait, perturbe et rend fou le docteur Antonio. Renzo et Luciana de Mario Monicelli : Luciana, la petite secrétaire, et Renzo, le jeune coursier, s'aiment ; mais voilà, le règlement de la société dans laquelle ils travaillent leur interdit de se marier et d'avoir des enfants.",3.8182,"\u002FuC30iCCFKYA0ht8rGqcWwCxjtSy.jpg","1962-02-23",6.859,163,"52fe46b9c3a36847f810eb6d",{"adult":4,"backdrop_path":1089,"genre_ids":1102,"id":1091,"title":1092,"original_language":87,"original_title":1093,"overview":1094,"popularity":1095,"poster_path":1096,"release_date":1097,"softcore":4,"video":4,"vote_average":1098,"vote_count":1099,"credit_id":1103,"department":21,"job":862,"media_type":45},[31,922],"52fe46b9c3a36847f810eb55",{"adult":4,"backdrop_path":278,"genre_ids":1105,"id":280,"title":281,"original_language":87,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":65,"vote_count":286,"credit_id":1106,"department":21,"job":862,"media_type":45},[32,31],"52fe4741c3a36847f812bc87",{"adult":4,"backdrop_path":1108,"genre_ids":1109,"id":1111,"title":1112,"original_language":87,"original_title":1113,"overview":1114,"popularity":1115,"poster_path":1116,"release_date":1117,"softcore":4,"video":4,"vote_average":107,"vote_count":1118,"credit_id":1119,"department":21,"job":862,"media_type":45},"\u002Fo5GFE1PdgnFhak7jGDjkUgppIEA.jpg",[31,32,1110],10402,47850,"Répétition d'orchestre","Prova d'orchestra","Journalistes attentifs, acoustique idéale, musiciens hors-pair, l'atmosphère est recueillie pour cette fameuse répétition. Apparaît le chef d'orchestre qui par ses exigences et injonctions provoque la révolte des musiciens.",3.2287,"\u002FncZTOlAlS2MmbYzUHxpPZRmG66i.jpg","1979-02-22",132,"52fe474ac3a36847f812d57d",{"adult":4,"backdrop_path":1121,"genre_ids":1122,"id":1123,"title":1124,"original_language":87,"original_title":1125,"overview":1126,"popularity":1127,"poster_path":1128,"release_date":1129,"softcore":4,"video":4,"vote_average":213,"vote_count":1130,"credit_id":1131,"department":866,"job":1075,"media_type":45},"\u002F9VeXz4mj4QaOfTNSLy0owJHkWEo.jpg",[31,32,887],19120,"Juliette des esprits","Giulietta degli spiriti","Giulietta, la quarantaine passée, mène une vie de femme au foyer conformiste au sein de la bourgeoisie italienne. Toujours amoureuse de son mari, celui-ci la délaisse, multipliant les excuses pour s'échapper. Les indices de son infidélité se multiplient. Sur les conseils de sa sœur, Giulietta engage un détective privé. Elle fait parallèlement la connaissance de Suzy, une voisine décomplexée qui l'entraîne dans un monde onirique et fantasmagorique, au point que la frontière du réel en vient à disparaître...",4.2632,"\u002FG8NU8LEuAnZs3nKgJLVkh4aphy.jpg","1965-10-22",351,"52fe47bb9251416c750a3b49",{"adult":4,"backdrop_path":1121,"genre_ids":1133,"id":1123,"title":1124,"original_language":87,"original_title":1125,"overview":1126,"popularity":1127,"poster_path":1128,"release_date":1129,"softcore":4,"video":4,"vote_average":213,"vote_count":1130,"credit_id":1134,"department":21,"job":862,"media_type":45},[31,32,887],"52fe47bb9251416c750a3b43",{"adult":4,"backdrop_path":1121,"genre_ids":1136,"id":1123,"title":1124,"original_language":87,"original_title":1125,"overview":1126,"popularity":1127,"poster_path":1128,"release_date":1129,"softcore":4,"video":4,"vote_average":213,"vote_count":1130,"credit_id":1137,"department":866,"job":867,"media_type":45},[31,32,887],"52fe47bc9251416c750a3b71",{"adult":4,"backdrop_path":1139,"genre_ids":1140,"id":1141,"title":1142,"original_language":87,"original_title":1143,"overview":1144,"popularity":1145,"poster_path":1146,"release_date":1147,"softcore":4,"video":4,"vote_average":417,"vote_count":1148,"credit_id":1149,"department":21,"job":862,"media_type":45},"\u002F9yepEBnQNcKzWWyHdUiX8Mnqc6U.jpg",[32,31],19426,"Les Nuits de Cabiria","Le notti di Cabiria","À Rome, Cabiria, une prostituée un peu simplette, échappe à la noyade après avoir été dépouillée par celui qu’elle croyait être son grand amour. Mais elle continue à porter un regard émerveillé sur la vie. Ainsi, après avoir passé une nuit enchanteresse (bien qu’elle l’ait terminée cloîtrée dans la salle de bain) chez le célèbre acteur Alberto Lazzari, elle fait la connaissance du gentil et timide Oscar. C’est de nouveau le grand amour jusqu’au soir où Oscar s’enfuit avec toutes ses économies. Au petit matin, après avoir voulu mourir, Cabiria reprend espoir au son de l’aubade que de jeunes musiciens donnent au nouveau jour.",5.8847,"\u002F26VJNsFVLZauRT6gIYz5B4hXLRD.jpg","1957-10-03",887,"52fe47d89251416c750a7509",{"adult":4,"backdrop_path":1151,"genre_ids":1152,"id":1153,"title":1154,"original_language":87,"original_title":1155,"overview":1156,"popularity":1157,"poster_path":1158,"release_date":1159,"softcore":4,"video":4,"vote_average":1160,"vote_count":1161,"credit_id":1162,"department":866,"job":867,"media_type":45},"\u002FnkDRQOvrJSkVEo0LSY7RQpCTqSS.jpg",[32,214],56518,"Les Onze Fioretti de François d'Assise","Francesco, giullare di Dio","En 1210, le pape Innocent III valide et reconnaît l'ordre franciscain qui prône une pauvreté matérielle absolue. Revenant de Rome, François et ses disciples se retirent dans une petite chapelle bâtie de leurs mains : la Portiuncula de Sainte-Marie des Anges, près de la ville d'Assise. 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