[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F37842:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":203},false,[6],"Miguel Picazo de Dios","Miguel Picazo de Dios (27 March 1927 – 23 April 2016)[1] was a Spanish film director, screenwriter and actor. He is best known for his first feature film La tía Tula (Aunt Tula) (1964).\n\nBorn in Cazorla (Jaén), Picazo was raise in Guadalajara and studied law. Interested in filmmaking, he entered Spain's national film school, Intituto de investigaciones y Experiencias Cinematográficas, graduating as director in 1960 with a practice film entitled Habitación de alquiler (Rented Room). He then became a teacher in the newly restructured Escuela Oficial de Cine (EOC) and eventually he was able to direct his first film, La tía Tula (Aunt Tula) (1964). An updated adaptation of the well known novel by Miguel de Unamuno, portraying the oppressive and puritanical environment of provincial life in Spain. The film, helped by a strong performance in the lead by Aurora Bautista as the sexually repressed title character, was a critical and commercial success and brought Picazo to the forefront of the new Spanish cinema.\n\nDespite the success of his debut film, it took Picazo three years to make his second film, Oscuros sueños de agosto (Dark dreams of August) (1967), a film marred by cuts by the censors and the death of the film's producer, Cesáreo González which hampered commercial distribution. This failure put Picazo away from filming for the next nine years.","1927-03-27","2016-04-23",2,null,37842,"nm0681467","Acting","Miguel Picazo","Cazorla, Jaén, Spain",1.093,"\u002F3cnMncz91UyL8wvLenVQpIeRgMM.jpg",{"cast":20,"crew":117},[21,40,56,71,82,94,104],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":29,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":36,"credit_id":37,"order":38,"media_type":39},"\u002F4vbL72K9uVaMLhnvmdg1So7kqex.jpg",[24,25],18,14,4495,"L'Esprit de la ruche","es","El espíritu de la colmena","Espagne, 1940 ; peu après la fin de la guerre civile. Un cinéma itinérant projette Frankenstein dans un petit village perdu du plateau castillan. Les enfants sont fascinés par le monstre et, parmi eux, la petite Ana, 8 ans, se pose mille et une questions sur ce personnage terrifiant. Sa grande soeur, Isabel, a beau lui expliquer que ce n'est qu'un \"truc\" de cinéma, elle prétend pourtant avoir rencontré l'esprit de Frankenstein rôdant non loin du village.Les filles partagent leur solitude dans une grande maison obscure. Leurs parents sont rarement présents, pris chacun dans des rituels adultes incompréhensibles : le père, insomniaque, passe ses journées à étudier les abeilles, arrangeant la maison familiale comme si c'était une ruche ; la mère, quant à elle, s'est réfugiée dans une nostalgie stérile, rédigeant des lettres à un prétendu amant qui demeure invisible et silencieux. Pour fuir ce monde mort, Ana et Isabel s'inventent un univers parallèle.",5.327,"\u002F7U7uBvtAL0QmbazOQE5vo1pyXQw.jpg","1973-10-08",7.6,419,"Médico","52fe43c6c3a36847f806eae3",5,"movie",{"adult":4,"backdrop_path":41,"genre_ids":42,"id":45,"title":46,"original_language":28,"original_title":46,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":53,"credit_id":54,"order":55,"media_type":39},"\u002FvqSnB2T6qgU3in8scPkAYqV7kBR.jpg",[43,44],27,53,9299,"Tesis","Angela est étudiante en communication de l'image et prépare une thèse sur la violence audiovisuelle. Son professeur se propose de l'aider à chercher des films extrêmement violents à la vidéothèque de la faculté. Le lendemain, il est retrouvé mort dans une salle de projection. Avec Chema, un camarade de classe, elle décide de visionner la cassette qui se trouvait dans le magnétoscope : c'est un snuff movie, l'enregistrement d'un meurtre réel ! 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Miguel Picazo dresse le portrait de l'une de ces petites villes de province où il ne se passe jamais rien.",1.354,"\u002FuQlNxfK4AEARqL62s5BwkrSfVmi.jpg","1964-09-20",6.7,25,"52fe4b76c3a368484e18a003",{"adult":4,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":28,"original_title":147,"overview":62,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"credit_id":153,"department":128,"job":129,"media_type":39},"\u002FmPI0gmIof5NcQumV0HFq33IaD6X.jpg",[24,106],259435,"Extramuros",1.2964,"\u002FqRNniKx7NUaZCeVsT4nD7ICGglY.jpg","1985-09-01",5.2,10,"5325b37a9251411439001d06",{"adult":4,"backdrop_path":144,"genre_ids":155,"id":146,"title":147,"original_language":28,"original_title":147,"overview":62,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"credit_id":156,"department":157,"job":158,"media_type":39},[24,106],"5375223cc3a3681ee9000127","Writing","Screenplay",{"adult":4,"backdrop_path":11,"genre_ids":160,"id":161,"title":162,"original_language":28,"original_title":162,"overview":62,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":70,"credit_id":167,"department":128,"job":129,"media_type":39},[24],362993,"Oscuros sueños de agosto",1.3064,"\u002Fwt00VSFCLMEicmG5IvyxdXV4HAu.jpg","1967-07-01",5.4,"56155f8f92514167f90004bf",{"adult":4,"backdrop_path":11,"genre_ids":169,"id":161,"title":162,"original_language":28,"original_title":162,"overview":62,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":70,"credit_id":170,"department":157,"job":171,"media_type":39},[24],"56155fb9c3a368682401a6c0","Writer",{"adult":4,"backdrop_path":11,"genre_ids":173,"id":174,"title":175,"original_language":28,"original_title":175,"overview":62,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":38,"vote_count":55,"credit_id":179,"department":128,"job":129,"media_type":39},[24],511412,"Los claros motivos del deseo",0.9672,"\u002FanVjbsCdXva84H3RuqDQCuBMoLb.jpg","1977-06-01","5aa7c5c00e0a263dc701d4ac",{"adult":4,"backdrop_path":11,"genre_ids":181,"id":174,"title":175,"original_language":28,"original_title":175,"overview":62,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":38,"vote_count":55,"credit_id":182,"department":157,"job":171,"media_type":39},[24],"5aa7c5c60e0a263dca01ddae",{"adult":4,"backdrop_path":11,"genre_ids":184,"id":185,"title":186,"original_language":28,"original_title":186,"overview":62,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":93,"credit_id":191,"department":128,"job":129,"media_type":39},[24],237201,"El hombre que supo amar",1.3513,"\u002Fq1VljqSWqK71vR6Fbn8kQ1rDclM.jpg","1976-09-19",6.3,"5b1893370e0a261faa00240c",{"adult":4,"backdrop_path":11,"genre_ids":193,"id":194,"origin_country":195,"original_language":28,"original_name":197,"overview":62,"popularity":198,"poster_path":199,"first_air_date":200,"softcore":4,"name":197,"vote_average":126,"vote_count":126,"credit_id":201,"department":128,"episode_count":10,"first_credit_air_date":200,"job":129,"media_type":202},[],336904,[196],"ES","Escrito en América",0.8889,"\u002FeXL7KO3vo64X3zWROzQrTu0EYIB.jpg","1979-06-03","6abc0c4551c4742c7319ce2d","tv",{"profiles":204},[205,211],{"aspect_ratio":206,"height":207,"iso_3166_1":11,"iso_639_1":11,"file_path":18,"vote_average":208,"vote_count":209,"width":210},0.667,900,3.334,1,600,{"aspect_ratio":206,"height":207,"iso_3166_1":11,"iso_639_1":11,"file_path":212,"vote_average":213,"vote_count":209,"width":210},"\u002FhP0oCLekOt9p0sq6WUMLrhLi85m.jpg",0.166]