[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F37613:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":745},false,[6,7],"Jaime Chavarri ","Jaime Chávarri de la Mora","Spanish film director born in Madrid. Graduated in Law, he never practiced as a lawyer. He later studied for two years at the Escuela Oficial de Cinematografía and worked as a film critic for the magazine Film Ideal while making several short films in super-8. His first solo feature film was Los viajes escolares (1974).  In 1976 he released El desencanto, a biographical documentary about the poet Leopoldo Panero. The film was awarded the Best Film Award by the Círculo de Escritores Cinematográficos. A un dios desconocido (1977) starred Héctor Alterio and its script was written by Elías Querejeta. It was followed by Dedicatoria (1980) and Bearn o la sala de las muñecas (1983), starring Fernando Rey, Imanol Arias and Ángela Molina. One of his most recognized works is Las bicicletas son para el verano (1984), based on a play by Fernando Fernán Gómez. The film, starring Agustín González, Victoria Abril, Marisa Paredes and Gabino Diego, is set during the Spanish Civil War. El río de oro (1986) stars Ángela Molina. It is followed by Las cosas del querer (1989), in whose script Fernando Colomo participated. Tierno verano de lujurias y azoteas (1992) is a comedy starring Gabino Diego, Marisa Paredes and Imanol Arias. In 1994 he directed the sequel to Las cosas del querer with the same actors.\n\nA year later he released Gran Slalom (1996), with a script by Rafael Azcona. The film stars Juanjo Puigcorbé and Pilar Bardem, among others. The following year he directed a Spanish-Argentine co-production entitled Sus ojos se cerraron y el mundo sigue andando (1997). In 2002 he directed Besos para todos, starring Emma Suárez and Eloy Azorín and in 2004 El año del diluvio, an adaptation of the novel by Eduardo Mendoza.  His latest feature film was Camarón (2005), for which he co-wrote the script with Álvaro del Amo. The film is based on the biography of the flamenco singer José Monje Cruz, Camarón de la Isla, who is given life by the actor Óscar Jaenada in a splendid characterization. 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María, fascinée par l'art de Diego, tue ses partenaires sexuels comme lui ses taureaux. Ángel, l'un des élèves de Diego, est un garçon étrange qui souffre de vertiges et de l'autoritarisme d'une mère fanatique de l'Opus Dei. Malgré toute sa bonne volonté, il ne pourra sauver María et Diego de leur destin.",3.1846,"\u002FdAeSZmwMQaxsT3ffsM5svJhiWY4.jpg","1986-03-07",6.704,309,"Priest","61581d7b69eb90002a24369b",22,"movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":43,"title":44,"original_language":28,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":51,"character":52,"credit_id":53,"order":37,"media_type":38},"\u002Fdgp3j52f2MeNVrp7PY8A1pCtRZT.jpg",[42,24],35,8221,"Qu'est-ce que j'ai fait pour mériter ça !","¿Qué he hecho yo para merecer esto?","Gloria, femme de ménage débordée et dépressive, vit avec sa belle-mère, son mari et ses deux fils dans son appartement de 40m². Un jour, la pharmacienne lui refuse des amphétamines et là, Gloria craque... Pour son 4ème film, Pedro Almodovar nous emmène dans une escapade dans son monde underground : une comédie noire sur la famille, dans lequel il dirige l'une de ses actrices fétiches : Carmen Maura.",3.7867,"\u002FultGkano9jI3i7JRAhWFp2HAQ2D.jpg","1984-10-25",7.103,276,"Cliente 'Striptease'","52fe4498c3a36847f809f001",{"adult":4,"backdrop_path":55,"genre_ids":56,"id":58,"title":59,"original_language":28,"original_title":59,"overview":60,"popularity":61,"poster_path":10,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"character":60,"credit_id":65,"order":64,"media_type":38},"\u002Fh2XL7qEwnOxUjZgSspLD1wIH743.jpg",[57],99,189403,"Un cine como tú en un país como éste","",1.1404,"2010-10-26",6.3,3,"535f8df00e0a264fe1007a94",{"adult":4,"backdrop_path":10,"genre_ids":67,"id":68,"title":69,"original_language":28,"original_title":69,"overview":60,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":60,"credit_id":74,"order":73,"media_type":38},[57],1229000,"Howard Hawks, San Sebastián 1972",1.0533,"\u002FdiHzoSrC1eTTobfsg4Joz7Ftt8a.jpg","2003-01-01",0,"659e723ecb75d100eed748a7",{"adult":4,"backdrop_path":76,"genre_ids":77,"id":79,"title":80,"original_language":28,"original_title":80,"overview":60,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":86,"credit_id":87,"order":88,"media_type":38},"\u002FiNZSEog9RFNzFvAhyUidNjPKYeU.jpg",[57,78],36,903026,"Berlanga!!",1.1123,"\u002F8UBsC1ux1zJyFmjmf7jEB055rg4.jpg","2021-10-26",8,1,"Self - Filmmaker","635e7509efd3c2007f01fb18",28,{"adult":4,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":28,"original_title":93,"overview":60,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":64,"character":98,"credit_id":99,"order":100,"media_type":38},"\u002FmlfPxM7qZgqrZfMc7z7iIUzorqs.jpg",[57],107669,"La noche que no acaba",1.1003,"\u002Fe3jpSmZBnsFair9hrQphtx6wC2B.jpg","2010-09-21",6.7,"Self","63b7e0c7f44f27007d707e4b",7,{"adult":4,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":28,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"character":113,"credit_id":114,"order":84,"media_type":38},"\u002F6fL4XlguD7R47Os6kCLG8EsuhGn.jpg",[42,24],351097,"Dieu, ma Mère et Moi","El apóstata","Gonzalo Tamayo, madrilène d'une trentaine d'années, poursuit toujours ses études de philosophie, sans grande conviction. Au tournant de sa vie d'adulte, Gonzalo pense qu'un obstacle entrave son aspiration à réinventer sa vie : on ne lui a jamais demandé son consentement pour être baptisé ! Il décide donc d'apostasier et entreprend des démarches pour être radié des livres de l’Eglise. Il voit dans cette rupture radicale la fin de ses tourments et de son attachement à sa mère. Il entre alors dans une course folle, de prélat en cardinal, entraînant dans son sillage un doux chaos. A travers cette quête irraisonnée aux yeux de tous, il revisite son passé et est envahi par de drôles de visions. Va-t-il accéder à sa liberté ?",1.4212,"\u002F4QgOVCJ7DNGEmUstmdn84TPSOgz.jpg","2015-10-02",5.4,38,"Padre Quirós","56028fcd9251411d9a00033c",{"adult":4,"backdrop_path":10,"genre_ids":116,"id":117,"title":118,"original_language":28,"original_title":118,"overview":60,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":85,"character":60,"credit_id":123,"order":73,"media_type":38},[24],1302511,"A flor de piel (C)",1.0766,"\u002FwtRTsbUki44kbbhgHVWDm8ea7l1.jpg","1974-04-07",9,"66661f18847390e412b9aaca",{"adult":4,"backdrop_path":10,"genre_ids":125,"id":126,"title":127,"original_language":28,"original_title":127,"overview":60,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":122,"character":132,"credit_id":133,"order":88,"media_type":38},[42],383081,"Cuentos 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Querejeta",1.196,"\u002F5TjRqaYaGa8gPZpsEPhEHYIM0e8.jpg","2012-12-14",6,"5901f3d892514155c600c192",{"adult":4,"backdrop_path":10,"genre_ids":157,"id":158,"title":159,"original_language":28,"original_title":159,"overview":60,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":163,"vote_count":154,"character":60,"credit_id":164,"order":154,"media_type":38},[24],458912,"Ida y vuelta",0.8787,"\u002FmDPc3XbfnVCHZ95LI6lN92C9OKl.jpg","1968-05-23",6.5,"59254cba9251413b5400cc4a",{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":28,"original_title":169,"overview":60,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":98,"credit_id":173,"order":11,"media_type":38},"\u002F8cNL0RhFSwnWfpYlYZ1DotyiZKH.jpg",[57],230219,"Writing Heads: Hablan los guionistas",1.2093,"\u002F3JXsOorsk1ub5DSABcYcsN8bpEO.jpg","2013-09-19","5caf086a0e0a2626c8c237ef",{"adult":4,"backdrop_path":10,"genre_ids":175,"id":176,"title":177,"original_language":28,"original_title":177,"overview":60,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":181,"vote_count":85,"character":182,"credit_id":183,"order":11,"media_type":38},[],665838,"Cuento Chino",1.0467,"\u002Fre9w7muphUWa73MS4z1hKMRWIgZ.jpg","2019-09-16",10,"Paco","5e274b9b2dda890019564227",{"adult":4,"backdrop_path":10,"genre_ids":185,"id":186,"title":187,"original_language":28,"original_title":187,"overview":60,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"character":191,"credit_id":192,"order":193,"media_type":38},[42],146771,"El pecador impecable",1.0952,"\u002F2rnFEFomYxtOQHiedvPlxLbt4T0.jpg","1987-08-13","El cura","5e83b2bfbf0f630017b84c26",31,{"adult":4,"backdrop_path":195,"genre_ids":196,"id":198,"title":199,"original_language":28,"original_title":199,"overview":60,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":11,"character":204,"credit_id":205,"order":11,"media_type":38},"\u002F5c9tevtxQ8eWaWNocwCnFWlZG9Y.jpg",[57,197],10402,628259,"Aute retrato",1.2244,"\u002F6XwOVzPA5rb0Q9Pp3YfUd2N5tlU.jpg","2019-09-13",7.5,"Himself","5f63ea2b87f3f2003a831765",{"adult":4,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":28,"original_title":210,"overview":60,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"character":216,"credit_id":217,"order":24,"media_type":38},"\u002FvSEBCxaGSWG1sRtwF1liIhE4TTo.jpg",[197,42],258459,"Un, dos, tres, al escondite inglés",1.2025,"\u002F4kUqtbcbhBKWsgTbXxDxiI7edxG.jpg","1969-03-23",5.7,12,"Spot Producer (uncredited)","5f7edce2dd926a003895dfd0",{"adult":4,"backdrop_path":219,"genre_ids":220,"id":221,"title":222,"original_language":28,"original_title":223,"overview":60,"popularity":224,"poster_path":225,"release_date":226,"softcore":4,"video":4,"vote_average":227,"vote_count":88,"character":60,"credit_id":228,"order":229,"media_type":38},"\u002FpMfWX66NOzhNOQislqAOyRseDtC.jpg",[42],98609,"Patrimoine National","Patrimonio nacional",1.6136,"\u002FjZcvlPYhtVt2pEXZn2oJjhCOt8O.jpg","1981-03-26",7.1,"5f97ef745bce9e0038aed91d",14,{"adult":4,"backdrop_path":10,"genre_ids":231,"id":232,"title":233,"original_language":28,"original_title":233,"overview":60,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":237,"vote_count":64,"character":60,"credit_id":238,"order":11,"media_type":38},[],535025,"Sombras y luces: Cien años de cine español",1.0252,"\u002Fpq04rXtxCoOviFQzhSKsegQmaVs.jpg","1996-05-14",8.3,"5ffd5d41470ead003ebaa21d",{"adult":4,"backdrop_path":10,"genre_ids":240,"id":241,"title":242,"original_language":28,"original_title":242,"overview":60,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":181,"vote_count":85,"character":60,"credit_id":246,"order":73,"media_type":38},[137,25],1198779,"La casa de los retratos",1.1786,"\u002FgfkdZ1F6mmQYdaJCtUZU6Byk7j7.jpg","2023-03-06","66ea9bf482ff873f7d1f3169",{"adult":4,"backdrop_path":248,"genre_ids":249,"id":251,"title":252,"original_language":28,"original_title":252,"overview":60,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":256,"credit_id":257,"order":85,"media_type":38},"\u002FAZoDIGSWJCW4jaEionsdWHCvTO.jpg",[250],80,1371619,"Cerré los ojos y me hablaron las hormigas",1.2366,"\u002FgDoBGMS8UC0bVgmowfdaelOYAdo.jpg","2023-06-05","Julio","670e632db15d97b1a93d8abc",{"adult":4,"backdrop_path":259,"genre_ids":260,"id":261,"title":262,"original_language":28,"original_title":262,"overview":60,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":154,"vote_count":11,"character":98,"credit_id":266,"order":73,"media_type":38},"\u002F6hAPSPq51fsSmGTcY1QUfQrYIY7.jpg",[57,78],1513017,"El último arrebato",1.0684,"\u002Fld1cipZphi3xBHTIQkfSpPJv5Qv.jpg","2025-09-21","6874e3d0a1aab494bc705991",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":270,"title":271,"original_language":28,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":277,"vote_count":278,"character":279,"credit_id":280,"order":154,"media_type":38},"\u002Fl2Fk70FTuBPDx32gTsVUrRvF8jC.jpg",[24,25],1275151,"Un fantôme dans la bataille","Un fantasma en la batalla","Une jeune agente abandonne tout pour se faire passer pour un membre de l'ETA et risque sa vie afin de découvrir les caches des terroristes dans le sud de la France.",4.741,"\u002F2683po6ywlvOA6UTKWhBNszZNWd.jpg","2025-10-03",6.69,124,"Txiki el Viejo","68f25b4fca8c293dc8b231ad",{"adult":4,"backdrop_path":10,"genre_ids":282,"id":283,"title":284,"original_language":28,"original_title":284,"overview":60,"popularity":285,"poster_path":10,"release_date":286,"softcore":4,"video":4,"vote_average":143,"vote_count":287,"character":60,"credit_id":288,"order":287,"media_type":38},[57],413140,"Arrebatos",1.4279,"1998-06-01",4,"697ad9a9b1c7bdf59bc21603",{"adult":4,"backdrop_path":10,"genre_ids":290,"id":292,"origin_country":293,"original_language":28,"original_name":295,"overview":60,"popularity":296,"poster_path":297,"first_air_date":298,"softcore":4,"name":295,"vote_average":73,"vote_count":73,"character":299,"credit_id":300,"episode_count":85,"first_credit_air_date":301,"media_type":302},[291],10767,22770,[294],"ES","Lo + plus",12.8141,"\u002F22QPBqR0C6Yr0ooaoL0DZcEBhzs.jpg","1995-04-04","Self - Guest","666d7d36bad32c1a73d2a0f6","1996-02-23","tv",[304,319,330,340,354,365,369,378,385,395,398,410,413,422,430,440,443,451,461,472,483,486,489,492,495,505,514,517,525,528,531,541,548,551,560,563,573,576,583,591,595,607,615,623,633,642,650,659,662,665,670,675,678,691,694,697,704,707,714,722,728,731],{"adult":4,"backdrop_path":305,"genre_ids":306,"id":307,"title":308,"original_language":28,"original_title":309,"overview":310,"popularity":311,"poster_path":312,"release_date":313,"softcore":4,"video":4,"vote_average":314,"vote_count":315,"credit_id":316,"department":317,"job":318,"media_type":38},"\u002F4vbL72K9uVaMLhnvmdg1So7kqex.jpg",[24,229],4495,"L'Esprit de la ruche","El espíritu de la colmena","Espagne, 1940 ; peu après la fin de la guerre civile. Un cinéma itinérant projette Frankenstein dans un petit village perdu du plateau castillan. Les enfants sont fascinés par le monstre et, parmi eux, la petite Ana, 8 ans, se pose mille et une questions sur ce personnage terrifiant. Sa grande soeur, Isabel, a beau lui expliquer que ce n'est qu'un \"truc\" de cinéma, elle prétend pourtant avoir rencontré l'esprit de Frankenstein rôdant non loin du village.Les filles partagent leur solitude dans une grande maison obscure. Leurs parents sont rarement présents, pris chacun dans des rituels adultes incompréhensibles : le père, insomniaque, passe ses journées à étudier les abeilles, arrangeant la maison familiale comme si c'était une ruche ; la mère, quant à elle, s'est réfugiée dans une nostalgie stérile, rédigeant des lettres à un prétendu amant qui demeure invisible et silencieux. 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