[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F37302:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":484},false,[],"Georges Franju est un réalisateur français, né le 12 avril 1912 à Fougères et mort le 5 novembre 1987 à Paris 16e.\n\nNé en 1912, il exerce différents métiers dont décorateur de théâtre, mais surtout rencontre en 1934 Henri Langlois, passionné de cinéma comme lui. Ils réalisent ensemble un court-métrage, Le Métro, sorti en 1935. Puis il participe en 1936, toujours avec Langlois, à la création de la Cinémathèque française, bénéficiant du soutien de Paul-Auguste Harlé. Il devient en 1938 secrétaire exécutif de la Fédération internationale des archives du film (FIAF).\n\nAprès la Seconde Guerre mondiale, Georges Franju se fait connaître avec des courts métrages documentaires, d'un réalisme sans concession, mais avec de courts passages surréalistes et poétiques, comme Le Sang des bêtes sur le monde des abattoirs mais avec des images d'une péniche qui semble glisser sur la terre ferme, En passant par la Lorraine sur les aciéries mosellanes, ou encore Hôtel des Invalides sur les «gueules cassées», comprenant aussi des images d'une armée d'armures vides, etc. De 1945 à 1953, il est aussi secrétaire général d'un Institut de cinématographie scientifique, créé par Jean Painlevé.\n\nOn retrouve ce style de mise en scène froid et cette poésie un peu fantastique dans ses longs métrages comme La Tête contre les murs (interprété par Jean-Pierre Mocky, auteur du scénario), qui se déroule dans un asile psychiatrique, ou son chef-d'œuvre Les Yeux sans visage, authentique film d'horreur dont certaines scènes annoncent le cinéma gore (qui apparaîtra trois ans plus tard avec Orgie sanglante de Herschell Gordon Lewis), mais sans son versant grand-guignol. George A. Romero s'inspirera d'ailleurs de cette œuvre pour son film Bruiser, avec le masque blanc neutre comme dans celui de Franju.\n\nDans Judex tourné en 1963 avec Edith Scob et Francine Bergé, il affiche son penchant pour l'insolite et affirme son goût d'une mise en scène expressionniste.\n\nEn 1965, par l'intermédiaire de l'éditeur et ancien repris de justice Georges Figon, il rencontre le journaliste Philippe Bernier, qui travaille sur un projet de film documentaire consacré à la décolonisation. C'est dans ces circonstances qu'il est impliqué malgré lui dans l'affaire Ben Barka.\n\nIl adapte aussi Thérèse Desqueyroux de François Mauriac (1962) et La Faute de l'abbé Mouret d'Émile Zola(1970).\n\nMort à 75 ans le 5 novembre 1987, il est inhumé à Dourdan (Essonne).\n\nSource: Article \"Georges Franju\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1912-04-12","1987-11-05",2,null,37302,"nm0290802","Directing","Georges Franju","Fougères, Ille-et-Vilaine, France",0.9286,"\u002FbPFoB5dMdoiYcTeIskOf1TEB4OW.jpg",{"cast":19,"crew":118},[20,33,46,55,66,81,90,108],{"adult":4,"backdrop_path":10,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":10,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":30,"credit_id":31,"order":29,"media_type":32},[22],99,1095993,"Franju, l'avion et la DS","fr","À la table de montage, Georges Franju, commente deux séquences de son film, Les Yeux sans visage.",0.9002,"1987-01-01",0,"Self","6405e19267dcc900abe062a5","movie",{"adult":4,"backdrop_path":10,"genre_ids":34,"id":35,"title":36,"original_language":25,"original_title":36,"overview":37,"popularity":38,"poster_path":39,"release_date":40,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"character":43,"credit_id":44,"order":45,"media_type":32},[22],1101292,"Une histoire du cinéma fantastique français","",1.1437,"\u002FlOPnojwzKas8TT3AMbZXRtjTZWQ.jpg","2019-01-31",6,1,"Self (archive footage)","64147484ede1b028635e3bf8",10,{"adult":4,"backdrop_path":10,"genre_ids":47,"id":48,"title":49,"original_language":25,"original_title":49,"overview":37,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":9,"character":30,"credit_id":54,"order":41,"media_type":32},[22],261915,"La Nouvelle Vague par elle-même",1.2608,"\u002F3okFZRnN0IUD04SrwPw6QyOpL9w.jpg","1964-05-19",8,"533646c3c3a3680e9f0006bc",{"adult":4,"backdrop_path":10,"genre_ids":56,"id":57,"title":58,"original_language":59,"original_title":58,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":42,"character":43,"credit_id":65,"order":29,"media_type":32},[22],261920,"Georges Franju - Le visionnaire","en","En réunissant six entrevues accordées par Georges Franju (1912-1987) entre 1964 et 1987 – soit un laps de temps qui recouvre une partie importante de la carrière du cinéaste – André S. Labarthe fait part de la difficulté de composer un tel document pour approcher l'homme et sa filmographie. D'autant que le film mêle le cadre varié des différentes interviews et quelques extraits de films.",0.9979,"\u002FtfrGhK5azFucdaoogm4xUIC7UZd.jpg","1998-09-02",7,"53364f80c3a3680e69000812",{"adult":4,"backdrop_path":67,"genre_ids":68,"id":70,"title":71,"original_language":25,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":77,"character":78,"credit_id":79,"order":80,"media_type":32},"\u002F3YdKGZHLsjEgjlwDIxyrtKciK5v.jpg",[22,69],10402,620039,"Le Regard de Charles","En 1948, ‪Edith Piaf‬ offre sa première caméra à ‪Charles Aznavour‬, une Paillard Bolex qui ne le quittera plus. Jusqu’en 1982 Charles filmera des heures de pellicules qui formeront le corpus de son journal filmé. Aznavour filme sa vie et vit comme il filme. Partout où il va, sa caméra est là, avec lui. Elle enregistre tout : les moments de vie, les lieux qu’il traverse, ses amis, ses amours, ses emmerdes…",2.332,"\u002FhxLOdAbOA3CVUolobqNeK8o68RH.jpg","2019-10-02",6.8,17,"Self - Filmmaker (archive footage)","5d9de41ab6c264004871e81f",11,{"adult":4,"backdrop_path":10,"genre_ids":82,"id":83,"title":84,"original_language":25,"original_title":84,"overview":85,"popularity":86,"poster_path":87,"release_date":88,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":30,"credit_id":89,"order":42,"media_type":32},[22],771211,"Rendez-vous avec Fantômas","Avant d'être Jean Marais et son masque bleu, Fantômas était un génie du mal et incarnait «la peur, l’impunité et l’audace dans le crime». Écoutons Marcel Allain, son co-auteur avec Pierre Souvestre, raconter la naissance de ce personnage mythique en 1911 et le processus créatif derrière ses aventures toujours plus rocambolesques…",1.0931,"\u002Fow5Vig4B1KuV3dvS9OzmvgRD8VW.jpg","1966-09-15","5fc86c4e68188800421e636a",{"adult":4,"backdrop_path":91,"genre_ids":92,"id":95,"origin_country":96,"original_language":25,"original_name":98,"overview":99,"popularity":100,"poster_path":101,"first_air_date":102,"softcore":4,"name":98,"vote_average":103,"vote_count":104,"character":30,"credit_id":105,"episode_count":42,"first_credit_air_date":106,"media_type":107},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[22,93,94],10751,10767,79313,[97],"FR","Cinépanorama","Pendant dix ans, le grand reporter (et ancien correspondant de guerre) François Chalais offre un regard décalé et des interviews surprenantes des grands mythes du cinéma, souvent en compagnie de France Roche. Composée de reportages et d’entretiens, cette émission révèle les acteurs et cinéastes en toute confidence. Le ton de Chalais et sa verve le rendent parfois irrévérencieux. ",19.4239,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04",8.7,3,"63b052821d1bf4007dbc4012","1958-09-27","tv",{"adult":4,"backdrop_path":10,"genre_ids":109,"id":110,"origin_country":111,"original_language":25,"original_name":112,"overview":113,"popularity":114,"poster_path":115,"first_air_date":116,"softcore":4,"name":112,"vote_average":29,"vote_count":29,"character":30,"credit_id":117,"episode_count":104,"first_credit_air_date":116,"media_type":107},[22],328500,[97],"Pour le plaisir","« Je voudrais que tous ceux qui participent à l’émission soient plus heureux après avoir réalisé un reportage qu’avant » déclare en 1964 son producteur Roger Stéphane. Théâtre, littérature, cinéma, histoire des objets du quotidien… Les auteurs de ce magazine culturel traitent de sujets variés qui leur tiennent à cœur. Leur plaisir est visible et contagieux !",6.3913,"\u002Fi9iCdQwd2m876zwgbBwe84w7em3.jpg","1964-11-04","6a55370e16afa4c691d41577",[119,134,139,152,165,177,189,201,212,215,228,240,251,254,263,273,277,288,298,306,309,319,322,326,334,337,347,356,367,370,380,383,386,389,397,406,411,414,417,425,434,437,444,447,457,460,463,470,480],{"adult":4,"backdrop_path":120,"genre_ids":121,"id":124,"title":125,"original_language":25,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":131,"credit_id":132,"department":13,"job":133,"media_type":32},"\u002FejILlAn9ekPpUnRKC0jvKSjkvVN.jpg",[122,123],27,53,4443,"Nuits rouges","L’historien Maxime de Borrego, passionné par l’Ordre des Templiers et son légendaire trésor, est assassiné par un homme masqué qui ne parvient pas à lui soutirer ses secrets .Tandis que la confrérie des Templiers prépare sa vengeance, la police mène l’enquête, bientôt aidée par le neveu de la victime, son amie Martine, et le détective Séraphin Beauminon. Malgré leurs efforts, l’assassin échappe à tous leurs pièges et poursuit sa quête du trésor. Car l’homme sans visage est aussi l’homme aux cent visages…",1.557,"\u002F4o6dVF4VLKAYwiwfP8oc3xdo3T4.jpg","1974-11-20",5.9,24,"52fe43c2c3a36847f806d5ef","Director",{"adult":4,"backdrop_path":120,"genre_ids":135,"id":124,"title":125,"original_language":25,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":131,"credit_id":136,"department":137,"job":138,"media_type":32},[122,123],"52fe43c2c3a36847f806d601","Sound","Original Music Composer",{"adult":4,"backdrop_path":140,"genre_ids":141,"id":143,"title":144,"original_language":25,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":149,"vote_count":150,"credit_id":151,"department":13,"job":133,"media_type":32},"\u002FwlqwUNYHMuswEdGo3nSZ9i0LIlc.jpg",[142,122,123],18,31417,"Les Yeux sans visage","Le professeur Génessier, célèbre chirurgien spécialisé dans les transplantations, est responsable d'un accident de voiture dont sa fille Christiane, qu'il adore, est sortie vivante mais le visage horriblement mutilé. À l'aide d'une assistante dévouée, il attire des jeunes filles dans son pavillon-laboratoire, pour prélever la peau de leur visage et l'appliquer sur les plaies de sa fille. Une opération si difficile que Génessier est obligé de la répéter régulièrement, après chaque échec des greffons. Christiane, un masque sur le visage, ne se doute encore de rien...",7.5703,"\u002FwDXPNt695ZvQ8GA9pOCL3W9Ss51.jpg","1960-01-11",7.585,836,"52fe447c9251416c91012623",{"adult":4,"backdrop_path":153,"genre_ids":154,"id":156,"title":157,"original_language":25,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":162,"vote_count":163,"credit_id":164,"department":13,"job":133,"media_type":32},"\u002FaMXbo0X8RNHozagv1Gm15rtazkC.jpg",[155],9648,65610,"Pleins feux sur l'assassin","Le comte de Kerauden, vieil original délaissé par tous depuis longtemps, décide de quitter le monde des vivants et se cache pour mourir. Ses héritiers, prévenus par le médecin, apprennent qu'il leur faudra attendre cinq ans un héritage dont ils avaient bien besoin. Ils imaginent, pour payer les frais d'entretien du domaine dont ils ont la charge, d'organiser un spectacle son et lumière. Pendant les répétitions, commence une série de morts mystérieuses.",3.3276,"\u002FuTrkzYsNh4QFdLKkRzEAI1rXu6W.jpg","1961-03-31",6.5,21,"52fe4711c3a368484e0b355d",{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":25,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":4,"video":4,"vote_average":174,"vote_count":175,"credit_id":176,"department":13,"job":133,"media_type":32},"\u002FnsYpQwr3eJx8sDwaiQAJbvoA81P.jpg",[142],65901,"La Faute de l'abbé Mouret","Serge Mouret, le jeune curé d'un petit village, se heurte au frère Archangias, véritable monument de fanatisme. Épuisé, Mouret tombe malade et son médecin le fait transporter au Paradou, où il sera soigné par la belle Albine. Amnésique, l'abbé qui a oublié jusqu'à ses vœux, tombe amoureux de la jeune femme.",1.3649,"\u002F3a1sLHPEL5WMIDtwiNrboXMAdUs.jpg","1970-10-14",4.3,12,"52fe471fc3a368484e0b62ef",{"adult":4,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":25,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":186,"vote_count":187,"credit_id":188,"department":13,"job":133,"media_type":32},"\u002FxptEFtH35Q7zLf99PuK1rdlZr6l.jpg",[142],80476,"Thérèse Desqueyroux","Thérèse Desqueyroux, accusée d'avoir tenté d'empoisonner son époux Bernard, obtient un non-lieu grâce aux dépositions de son mari qui a préféré faire un faux témoignage à la souillure de son nom. Tandis qu'elle revient vers Argelouse, leur domaine, Thérèse essaie de préparer la confession qu'elle estime devoir à Bernard. Elle repense à son adolescence jusqu'à son accusation en passant par son mariage.",1.347,"\u002FzoBCx2Lsjb8PYy7UdzsopUFWgwD.jpg","1962-09-21",6.7,33,"52fe47c29251416c91074d8f",{"adult":4,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":25,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":198,"vote_count":199,"credit_id":200,"department":13,"job":133,"media_type":32},"\u002Feof4FfAgUVVxKFxz00nNPo0RNcE.jpg",[22],91262,"Le Sang des bêtes","Montrant la mort des animaux dans les abattoirs parisiens de la Villette et de Vaugirard, ce film vériste est un des documentaires les plus directs sur cet univers de travail.",1.5712,"\u002FwXubND1NNqnhOK7needlwW3kXqz.jpg","1949-01-01",7.5,86,"52fe48c99251416c750b35a5",{"adult":4,"backdrop_path":10,"genre_ids":202,"id":203,"title":204,"original_language":25,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":209,"department":210,"job":211,"media_type":32},[22],961998,"Sur le pont d’Avignon","À la découverte du patrimoine de la ville d'Avignon et de la vie quotidienne de ses habitants.",1.1421,"\u002Fxypjept5H9dqUnTGYclWBbKguNI.jpg","1956-01-01","62567ea9389da1009deefcd8","Writing","Writer",{"adult":4,"backdrop_path":10,"genre_ids":213,"id":203,"title":204,"original_language":25,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":214,"department":13,"job":133,"media_type":32},[22],"62567e75389da10051191ddd",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":219,"title":220,"original_language":25,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":225,"vote_count":226,"credit_id":227,"department":13,"job":133,"media_type":32},"\u002FeNQxoousltKctmhf0LesrobK87l.jpg",[218,123,155],80,56800,"Judex","Un banquier véreux reçoit un mystérieux message signé Judex lui enjoignant de distribuer ses biens aux pauvres. Favraux se garde bien d'obéir et commet une nouvelle vilénie. Mais le jour du mariage de sa fille, Jacqueline, le justicier Judex met à exécution ses menaces...",2.1807,"\u002F7pIRCW0eutMGXgtgRA84z5ONaSM.jpg","1963-12-04",6.9,84,"52fe4913c3a36847f8187f95",{"adult":4,"backdrop_path":10,"genre_ids":229,"id":231,"title":232,"original_language":25,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":162,"vote_count":237,"credit_id":238,"department":210,"job":239,"media_type":32},[142,230],10752,102569,"Thomas l'imposteur","Lors de la Première Guerre mondiale, en septembre 1914, dans Paris déserté par ses habitants à cause du risque d'invasion par les troupes allemandes, la princesse de Bormes se fait ambulancière et héberge les soldats blessés dans son hôtel particulier reconverti en hôpital. Thomas, un sous-lieutenant se présentant comme un neveu de l’aristocrate et renommé général de Fontenoy, se propose de l’aider dans sa mission. La sollicitude que le jeune homme porte à la princesse éveille jalousie et curiosité dans l'entourage de celle-ci. C’est ainsi qu’on découvre qu’il n’est qu’un roturier, mais personne ne dévoile la supercherie, car son dévouement est sans limites : Thomas partira combattre au front où la mort l'attend…",1.1066,"\u002FlqanMmzG042Eka9jx1h9s9l55rh.jpg","1965-06-01",16,"60c269d6960cde0040f4a12e","Scenario Writer",{"adult":4,"backdrop_path":241,"genre_ids":242,"id":243,"title":244,"original_language":25,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":76,"vote_count":249,"credit_id":250,"department":13,"job":133,"media_type":32},"\u002Fwpbx3caM5ogiIENUoGalzulRSZo.jpg",[142],77356,"La Tête contre les murs","Un jeune homme passionné et idéaliste, dont l'équilibre est précaire, s'oppose à son père, avocat autoritaire qui le fait enfermer dans un asile.",1.7884,"\u002FxkMo3pHTCuD1mTxvSHhKTO2qW1A.jpg","1959-03-20",41,"52fe4968c3a368484e129de1",{"adult":4,"backdrop_path":10,"genre_ids":252,"id":231,"title":232,"original_language":25,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":162,"vote_count":237,"credit_id":253,"department":13,"job":133,"media_type":32},[142,230],"52fe4a0ac3a36847f81b53fd",{"adult":4,"backdrop_path":10,"genre_ids":255,"id":256,"title":257,"original_language":25,"original_title":257,"overview":37,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":42,"credit_id":262,"department":13,"job":133,"media_type":32},[],843288,"La Discorde",1.269,"\u002Firoqzgz2MAKagcQJ5Ke9dFVLmi1.jpg","1978-03-22",9,"60cffc0e0021340057a41ff3",{"adult":4,"backdrop_path":10,"genre_ids":264,"id":265,"title":266,"original_language":25,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":130,"vote_count":271,"credit_id":272,"department":13,"job":133,"media_type":32},[22],150838,"Hôtel des Invalides","Le documentaire \"Hôtel des Invalides\" est une visite du Musée de l'Armée, au sein de l'Hôtel des Invalides, que le commentaire transforme en un réquisitoire contre les horreurs de la 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