[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F3145:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":330},false,[6],"سیمونتا استفانلی","Simonetta Stefanelli (born 30 November 1954) is an Italian actress, entrepreneur and fashion designer. Internationally, she is best known for her performance as Apollonia Vitelli-Corleone in the 1972 film The Godfather, directed by Francis Ford Coppola. Her other roles include appearances in Moses the Lawgiver, Scandal in the Family and Three Brothers. In 1992, Stefanelli made her last film appearance in the drama Le amiche del cuore (Close Friends) directed by her then husband Michele Placido. Description above from the Wikipedia article Jack Black, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1954-11-30",null,1,3145,"nm0824940","Acting","Simonetta Stefanelli","Rome, Lazio, Italy",1.9824,"\u002FqcBJaSf8Rs6ka5zBP5STEs8hKf1.jpg",{"cast":19,"crew":329},[20,37,51,67,79,90,101,112,120,131,144,154,166,181,197,208,221,231,247,257,272,285,293,304,319],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002F8tXULIpKJG7rMzJUrvHphoVe2Go.jpg",[23],36,2526,"Moses the Lawgiver","en","",1.91,"\u002FsR0w2QuCGhDgJAX3Vdz7wpiWGmw.jpg","1976-03-26",5.7,11,"Cotbi","52fe435cc3a36847f804e879",13,"movie",{"adult":4,"backdrop_path":9,"genre_ids":38,"id":40,"title":41,"original_language":42,"original_title":41,"overview":27,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":47,"character":48,"credit_id":49,"order":50,"media_type":36},[39],18,64546,"Il falco e la colomba","it",1.5194,"\u002FswxiZ8uxhCmoHHHrnGmyA06s5Qp.jpg","1981-03-21",3.8,4,"Rita Alemani","52fe46dec3a368484e0a8421",2,{"adult":4,"backdrop_path":52,"genre_ids":53,"id":55,"title":56,"original_language":26,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":62,"vote_count":63,"character":64,"credit_id":65,"order":66,"media_type":36},"\u002FejdD20cdHNFAYAN2DlqPToXKyzx.jpg",[39,54],80,238,"Le Parrain","The Godfather","La Seconde Guerre mondiale vient de s'achever. À New York, le « parrain » Don Corleone, l'un des chefs respectés de la mafia, se sent vieillir. Il refuse de s'adapter à son temps et de se lancer, comme ses pairs, dans le trafic de drogue. Une frilosité qui entrave la bonne marche des affaires des autres « familles » et qui lui vaut d'être la cible d'un attentat. Don Corleone survit à ses blessures, mais reste très diminué. Mike, son plus jeune fils, qui jusque-là se tenait à l'écart des affaires de son père, devient le plus dévoué de ses héritiers. 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Il arrivera presque à ses fins, mais sa vie passée et ses anciens ennemis le rattraperont plus vite. Michael Corleone est fatigué. Il veut prendre ses distances avec les activités mafieuses de sa famille. Il veut convertir ces activités en affaires légales. Kay, son ex-femme, lui fait même accepter que leur fils devienne un chanteur d'opéra et ne reprenne pas les activités familiales. Pendant ce temps, la fille de Michael, Mary, et son neveu, le fils de Sonny, Vincent, nouent une idylle qui n'est pas la bienvenue dans la famille. Il décide d'aider le Vatican à renflouer ses caisses et reçoit en échange le contrôle d'une entreprise immobilière leur appartenant. Attisant la jalousie de ses pairs, Michael échappe de justesse à un attentat commis par l'un d'eux. Vincent se propose alors pour reprendre les affaires de la famille en main.",32.7219,"\u002F6qDyBIl9vizY5pneZ2tREaa86UC.jpg","1990-12-25",7.412,7130,"Apollonia Vitelli-Corleone","5a60ce9cc3a3685360000c08",49,{"adult":4,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":42,"original_title":251,"overview":27,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":255,"vote_count":47,"character":27,"credit_id":256,"order":10,"media_type":36},"\u002FrrUHYUVvH5hSdvhzFROlNPEp3FO.jpg",[39],552171,"La profanazione",1.1751,"\u002FnUlXHj6MxD6NfvFcBSAUXBOKThQ.jpg","1974-10-05",4.25,"5bb6c7cc9251410dc601abe1",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":42,"original_title":262,"overview":263,"popularity":264,"poster_path":265,"release_date":266,"softcore":4,"video":4,"vote_average":267,"vote_count":268,"character":269,"credit_id":270,"order":271,"media_type":36},"\u002FrePwHcfSRaq2tZzrn4haWcPsYm6.jpg",[92,39,54],65573,"Au nom du peuple italien","In nome del popolo italiano","Un magistrat incorruptible, le juge Bonifazi, poursuit de son zèle un riche industriel romain, corrupteur et corrompu, Lorenzo Santenicito, dont il est convaincu qu'il est le meurtrier d'une call-girl. . Au départ, un petit juge intègre et un gros bonnet de l'industrie lié au pouvoir politique, accumulant les fraudes et les trafics, président de 36 sociétés, promoteur véreux, capitaine d'industrie pollueuse, mauvais mari, fils indigne. Le bien et le mal. Mais peut-on condammer quelqu'un pour ce qu'il représente ? Santenicito reprochera au juge Bonifazi d'avoir des préjugés contre lui, une phrase perdue dans la logorrhée chronique du personnage qui se drogue aux mots pour calmer son angoisse de la mort. Paradoxalement, c'est dans un tête à tête où tout les deux mentent qu'un brin de sincérité va réunir les deux hommes qui déjeunent dans un modeste restaurant sur la plage, Lorenzo Santeniceto semble rechercher un peu d'estime dans le seul homme non corrompu qu'il rencontre dans sa vie.",2.4651,"\u002FcV1BIoiyg6QIb3yfcYjzOdL7fve.jpg","1971-12-18",7.2,123,"'Giugi' Santenocito","5e7fbc0da4f03c0012b52e53",9,{"adult":4,"backdrop_path":273,"genre_ids":274,"id":275,"title":276,"original_language":26,"original_title":276,"overview":27,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":280,"vote_average":281,"vote_count":282,"character":244,"credit_id":283,"order":284,"media_type":36},"\u002FtYjyk4Ij7CwVOn2ovcXdRYffR9k.jpg",[54,39],364150,"The Godfather Trilogy: 1901-1980",3.0022,"\u002FrwEP0RwpF2mKGRbs7jerdC4aeMB.jpg","1992-10-21",true,8.885,182,"6a4a0c6a62360ec00f2001fc",34,{"adult":4,"backdrop_path":9,"genre_ids":286,"id":287,"origin_country":288,"original_language":148,"original_name":41,"overview":27,"popularity":290,"poster_path":9,"first_air_date":45,"softcore":4,"name":41,"vote_average":78,"vote_count":78,"character":48,"credit_id":291,"episode_count":10,"first_credit_air_date":45,"media_type":292},[39],76952,[289],"IT",1.3797,"5a7d96890e0a263e88006726","tv",{"adult":4,"backdrop_path":9,"genre_ids":294,"id":296,"origin_country":297,"original_language":42,"original_name":298,"overview":27,"popularity":299,"poster_path":300,"first_air_date":301,"softcore":4,"name":298,"vote_average":100,"vote_count":10,"character":302,"credit_id":303,"episode_count":47,"first_credit_air_date":301,"media_type":292},[295],10765,74907,[289],"Ho incontrato un'ombra",2.0588,"\u002FvVLRy1yM2XoJna8phKJsVRembMU.jpg","1974-02-23","Gal Fabian","5a959a1c9251415639003f3f",{"adult":4,"backdrop_path":305,"genre_ids":306,"id":307,"origin_country":308,"original_language":26,"original_name":310,"overview":311,"popularity":312,"poster_path":313,"first_air_date":314,"softcore":4,"name":315,"vote_average":316,"vote_count":317,"character":244,"credit_id":318,"episode_count":47,"first_credit_air_date":314,"media_type":292},"\u002Fev3DavWp8CEuNBTicb6UAS7Lwvv.jpg",[54,39],39651,[309],"US","Mario Puzo's The Godfather: The Complete Novel for Television","En quatre épisodes (trois de 93 minutes et un de 140), le Parrain et le Parrain 2e partie furent remontés dans un ordre chronologique et expurgé pour la télé de la violence, des scènes de sexe et de la vulgarité et bien sûr agrémenté de 70 minutes de scènes inédites (ou du moins coupées au montage des films) afin de présenter au public télé l’adaptation des romans de Mario Puzo.",6.9256,"\u002FzqIfrXlz3xT31uem2jA2acXinr7.jpg","1977-11-12","La Saga du Parrain",8.6,95,"5fd5e9eddd47e1003faa9f94",{"adult":4,"backdrop_path":320,"genre_ids":321,"id":322,"origin_country":323,"original_language":42,"original_name":324,"overview":27,"popularity":325,"poster_path":326,"first_air_date":327,"softcore":4,"name":324,"vote_average":78,"vote_count":78,"character":33,"credit_id":328,"episode_count":100,"first_credit_air_date":327,"media_type":292},"\u002F5eJnQELAnHs7ztReQ7foNEhu5SX.jpg",[39],288111,[289],"Mosè",4.4492,"\u002Fhss2gWzRj5w5LDUwbwsEkhKzSdP.jpg","1974-12-22","67ee5555b5b1c5a4c3a7b5ed",[],{"profiles":331},[332,337],{"aspect_ratio":333,"height":334,"iso_3166_1":9,"iso_639_1":9,"file_path":17,"vote_average":335,"vote_count":10,"width":336},0.667,1251,3.334,834,{"aspect_ratio":333,"height":338,"iso_3166_1":9,"iso_639_1":9,"file_path":339,"vote_average":340,"vote_count":50,"width":341},450,"\u002FsVDrhgxuE6SHnj7q07OG6ywPUYR.jpg",1.75,300]