[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F223233:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":418},false,[],"Jacques Kébadian is a French filmmaker of Armenian descent. He began his career assisting director Robert Bresson on Mouchette (1967). Kébadian has directed several documentaries and feature films, often focusing on social and political themes. His works include Nous avons bu la même eau (1995) and Retour en Arménie (2007), exploring Armenian identity and history. Kébadian is also known for his involvement in film education and workshops.","1940-04-20",null,2,223233,"nm0477727","Directing","Jacques Kébadian","Valence, Drome, France",0.6325,"\u002FdGUqRxMU3JZTbkqhdFgc6S9tagD.jpg",{"cast":18,"crew":64},[19,37,50],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002Fbmkamz54GT5jqI6koWwybFzpdOh.jpg",[22,23],10749,18,55836,"Une femme douce","fr","Un homme revoit sa vie passée aux côtés de sa compagne.",2.4906,"\u002FcYxjf9NGSK9CTw4WEMNZe0EmDsG.jpg","1969-08-27",6.8,89,"Le dragueur","52fe48e2c3a36847f817e987",4,"movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":40,"title":41,"original_language":26,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":35,"vote_count":46,"character":47,"credit_id":48,"order":49,"media_type":36},"\u002FdwZSCpaXzc6cyTgJNGXUHwVp08w.jpg",[23],665295,"Paradis Perdu","De jeunes femmes trans font des rues de Paris leur cabaret. Leurs rêves sont rapidement rattrapés par la réalité.",1.4228,"\u002F5RjVJMrO4l9yz1G8lNZr0rF70UJ.jpg","1975-06-06",3,"","62bb7e804fd141006156e3da",7,{"adult":4,"backdrop_path":51,"genre_ids":52,"id":53,"title":54,"original_language":26,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":60,"character":61,"credit_id":62,"order":63,"media_type":36},"\u002F6sW8ur14W1zb26cTgBFxzDJr2p0.jpg",[23],65885,"Les Baisers de secours","Pour son nouveau film, un cinéaste choisit de confier le premier rôle féminin à une actrice connue. Sa femme, également comédienne, prend cette décision comme une trahison, d'autant que le scénario est largement autobiographique.",1.8812,"\u002FfWQG0J7GpG0JyHwDMrgwbI0TnFu.jpg","1989-05-31",7.4,14,"Paul","598b95b0c3a368636c000667",6,[65,81,91,99,107,115,128,136,139,152,155,167,175,184,192,200,210,218,226,234,242,250,257,265,273,281,288,296,304,312,320,329,334,342,345,355,358,363,366,375,384,391,399,410],{"adult":4,"backdrop_path":66,"genre_ids":67,"id":70,"title":71,"original_language":26,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":77,"credit_id":78,"department":79,"job":80,"media_type":36},"\u002FwBxESVkzhsbI08YxZsvOevRwBuP.jpg",[68,69],99,36,531070,"Les Révoltés","Ouvriers, étudiants et jeunes s’opposent, en mai 1968, à la morale et au pouvoir en place. Les facultés et les usines sont occupées. Les barricades sont dressées. Les pavés sont lancés. La parole cède la place aux actes. C’est l’affrontement. Ces images témoignent des hommes et des femmes qui, indignés jusque-là, marchent vers leur revolution.",0.8265,"\u002FqtT2fl5YFYfCSSTBbBxeaalAdEA.jpg","2019-01-09",5,1,"6096f6ec3dd126003ff06681","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":82,"id":83,"title":84,"original_language":26,"original_title":84,"overview":85,"popularity":86,"poster_path":8,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":89,"department":12,"job":90,"media_type":36},[60],969771,"L' Œuf noir du soldat blanc","Un soldat blanc donne vie à une créature. Cette dernière, ligotée les bras en croix, devient la proie de tourments insoutenables.",0.6846,"1973-01-01",0,"626e4cd3162bc30066adff6e","Director",{"adult":4,"backdrop_path":8,"genre_ids":92,"id":93,"title":94,"original_language":26,"original_title":94,"overview":95,"popularity":96,"poster_path":8,"release_date":97,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":98,"department":12,"job":90,"media_type":36},[68],969770,"Le Droit à la parole","L'expression spontanée en 68. Le joli mai où les étudiants refaisaient le monde et tentaient le dialogue avec les ouvriers.",0.646,"1968-06-01","626e4a5ed7107e4aa0cc1325",{"adult":4,"backdrop_path":8,"genre_ids":100,"id":101,"title":102,"original_language":26,"original_title":102,"overview":103,"popularity":104,"poster_path":8,"release_date":105,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":106,"department":12,"job":90,"media_type":36},[],969772,"Blanche et claire","Court-métrage.",0.6727,"1987-01-01","626e4dc7d7107e4aa2d84be2",{"adult":4,"backdrop_path":8,"genre_ids":108,"id":109,"title":110,"original_language":26,"original_title":110,"overview":111,"popularity":112,"poster_path":8,"release_date":113,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":114,"department":12,"job":90,"media_type":36},[68],969775,"Ce n'est qu'un début","Premier film diffusé autour de mai 1968, conçu dès la première quinzaine de mai, \"Ce n'est qu'un début\" inscrit la première \"nuit des barricades\" dans la continuité des grèves \"sauvages\" de Caen et Redon et de l'action des étudiants de Nanterre.",0.5779,"1968-05-31","626e522ecb71b813f6639574",{"adult":4,"backdrop_path":116,"genre_ids":117,"id":118,"title":119,"original_language":26,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":59,"vote_count":124,"credit_id":125,"department":126,"job":127,"media_type":36},"\u002Fmokd2Atv5tiGVtkIhqnqQJRmS3T.jpg",[22,23],166694,"Une femme en Afrique","Un journaliste au repos, dans un hôtel au bord de la mer rouge, rencontre une femme désemparée. Il l'invite à partager sa chambre, elle accepte.",0.861,"\u002FiLkPDgA3bvqMAEBSWXaNcO8fcTv.jpg","1985-10-14",8,"52fe4ca2c3a36847f8237d2d","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":129,"id":130,"title":131,"original_language":26,"original_title":131,"overview":132,"popularity":133,"poster_path":8,"release_date":134,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":135,"department":12,"job":90,"media_type":36},[],1181310,"Buvards","Les peintures d'Aïda Kédabian racontent des histoires. Ce montage d'œuvres d'art en livre quelques-unes.",1.1444,"1979-01-01","650b603dd6c30000cce15b77",{"adult":4,"backdrop_path":8,"genre_ids":137,"id":130,"title":131,"original_language":26,"original_title":131,"overview":132,"popularity":133,"poster_path":8,"release_date":134,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":138,"department":126,"job":127,"media_type":36},[],"650b6057cadb6b00c4f78e0d",{"adult":4,"backdrop_path":140,"genre_ids":141,"id":142,"title":143,"original_language":26,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":149,"credit_id":150,"department":12,"job":151,"media_type":36},"\u002F7LPz7NEYtLXcV44j0kRLLkZ54yH.jpg",[23],20108,"Au hasard Balthazar","Balthazar est un âne qui change de maître au fil des jours. Il s'agit d'abord de la caressante Marie, encore enfant. Il passe ensuite dans les mains violentes de Gérard, un livreur de pain, puis dans celles d'Arnold, alcoolique, qui le soigne. Tantôt bête de foire, tantôt bête de somme, tantôt compagnon, le mystérieux Balthazar traverse la vie en silence, sans résistance, spectateur de sa vie et de celle des autres, dont il révèle la bonté ou la laideur.",3.8021,"\u002FwI0TyRjiWWMpxP1TVOzSJnxQbn3.jpg","1966-05-25",7.548,532,"613bcfead7107e0062aeba16","Assistant Director",{"adult":4,"backdrop_path":20,"genre_ids":153,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"credit_id":154,"department":12,"job":151,"media_type":36},[22,23],"62ead4a925cd85005802b343",{"adult":4,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":26,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":59,"vote_count":164,"credit_id":165,"department":12,"job":166,"media_type":36},"\u002FuwF6l5rNtxwkgA2TuXoSJXJrchD.jpg",[23],1561,"Mouchette","Mouchette, au seuil de l'adolescence, vit dans une campagne miserable. Elle est temoin d'une dispuste entre le garde-champetre et un braconnier.",3.3938,"\u002F8HAn6m2cKZRkCh4VU0AoJ2X6WSZ.jpg","1967-03-28",289,"62ead45dea84c7005ecefd8b","First Assistant Director",{"adult":4,"backdrop_path":8,"genre_ids":168,"id":169,"title":170,"original_language":26,"original_title":170,"overview":47,"popularity":171,"poster_path":172,"release_date":173,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":174,"department":12,"job":90,"media_type":36},[68],1042717,"Pierre Guyotat, le don de soi",0.7083,"\u002Fao1rAExm9KdgvhvoB4atpn0RUCz.jpg","2022-07-06","636048c2532acb007dcfa2a2",{"adult":4,"backdrop_path":8,"genre_ids":176,"id":177,"title":178,"original_language":26,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":76,"vote_count":46,"credit_id":183,"department":12,"job":90,"media_type":36},[69],409953,"Trotsky","Récit de la vie d’un homme hors du commun, qui avec Lénine, fut le symbole de la Révolution de 1917.",0.816,"\u002F1eW65YnMQQc66MGngs2F3CmK755.jpg","1967-01-01","57b8960b925141429500d358",{"adult":4,"backdrop_path":8,"genre_ids":185,"id":186,"title":187,"original_language":26,"original_title":187,"overview":188,"popularity":189,"poster_path":8,"release_date":190,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":191,"department":12,"job":90,"media_type":36},[68],420234,"Cérémonie pour une victoire","Evocation de la bataille de Stalingrad à partir des œuvres du sculpteur Jean Ipousteguy.",0.5652,"1966-01-01","57f9cbe2c3a3681b8f003395",{"adult":4,"backdrop_path":8,"genre_ids":193,"id":194,"title":195,"original_language":26,"original_title":195,"overview":196,"popularity":197,"poster_path":8,"release_date":198,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":199,"department":12,"job":90,"media_type":36},[],1076229,"Les Cinq Soeurs","Quand elle a commencé a peindre, la mère du réalisateur avait 70 ans. Veuve elle vivait recluse dans son appartement à Montreuil. Pendant de nombreuses années, elle a su telle une moderne Shéhérazade, peignant à profusion, captiver avec ses couleurs, raconter son histoire.",0.5717,"1984-07-19","63c933fd142ef100bd1916c1",{"adult":4,"backdrop_path":8,"genre_ids":201,"id":202,"title":203,"original_language":26,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":63,"credit_id":209,"department":126,"job":127,"media_type":36},[22,23,60],330443,"Paris, mon petit corps est bien las de ce grand monde","Lunettes et Myope sont deux façons de résister au monde. Identiques et contraires, face a face ou le plus souvent dos a dos, dans une petite pièce, et un temps hors du temps; jumelles et adversaires, ces deux filles n'en sont qu'une. Lunettes se sert de ses carreaux comme d'un outil qui l'aide sinon a comprendre le monde, du moins a l'accepter, Myope, elle, ne voit pas, voit en elle-même et, abimée dans son expérience floue mais aiguë du monde, refuse et se révolte a tout bout de champ.",1.2123,"\u002F6WSxrT56gG15u4vpshKIef8E3Zl.jpg","2000-06-07",6.2,"640dcd09323eba007cb72739",{"adult":4,"backdrop_path":8,"genre_ids":211,"id":212,"title":213,"original_language":26,"original_title":213,"overview":214,"popularity":215,"poster_path":8,"release_date":216,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":217,"department":12,"job":90,"media_type":36},[68],1279628,"Berlin 68 - Rudi Dutschke","Ce film est un portrait de Rudi Dutschke, grande figure du mouvement étudiant Ouest-allemand durant mai 68, et qui sera victime d'un attentat le 11 avril, juste après le tournage du film.",0.6051,"1968-05-01","66296488cb6db50163b08279",{"adult":4,"backdrop_path":8,"genre_ids":219,"id":220,"title":221,"original_language":26,"original_title":221,"overview":222,"popularity":223,"poster_path":8,"release_date":224,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":225,"department":12,"job":90,"media_type":36},[],1279635,"Germaine Tillion : la république des cousins","Cette deuxième partie de l'autoportrait de Germaine Tillion fait la part belle aux recherches menées par la spécialiste du Maghreb. Après avoir livré son analyse de la terrible sécheresse frappant l'Afrique, elle revient sur les thèmes explorés dans l'ouvrage qui lui valut sa consécration dans le monde de l'ethnologie, Le harem et les cousins.",0.6485,"1974-01-01","6629669b176a94017f8385ab",{"adult":4,"backdrop_path":8,"genre_ids":227,"id":228,"title":229,"original_language":26,"original_title":229,"overview":230,"popularity":231,"poster_path":8,"release_date":232,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":233,"department":12,"job":90,"media_type":36},[68],1279632,"Ipoustéguy et son oeuvre sculptée","Documentaire sur l'œuvre de l'artiste sculpteur Ipousteguy",0.5074,"1975-01-01","662965d462f335017dddf88b",{"adult":4,"backdrop_path":8,"genre_ids":235,"id":236,"title":237,"original_language":26,"original_title":237,"overview":238,"popularity":239,"poster_path":8,"release_date":240,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":241,"department":12,"job":90,"media_type":36},[],1279637,"Histoire d’une sculpture","Deux Hivers en Italie... décrit la genèse, la création et la fonte en bronze de l'œuvre monumentale L'homme construit sa ville réalisée en Italie pour la ville de Berlin.\r Trans Europe... est l'histoire de son voyage jusqu'à son lieu d'exposition : Berlin.",0.6292,"1980-01-01","6629678baf959001646a4850",{"adult":4,"backdrop_path":8,"genre_ids":243,"id":244,"title":245,"original_language":26,"original_title":245,"overview":246,"popularity":247,"poster_path":8,"release_date":248,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":249,"department":12,"job":90,"media_type":36},[68],1280041,"Arménie 1900","À la recherche de ses origines, le réalisateur reconstitue, à l'aide de photos, gravures, cartes et dessins anciens l'itinéraire probable d'une famille arménienne au début du siècle jusqu'au génocide par les Turcs en 1915. Ce récit fictif, énoncé à la première personne, informe sur le contexte économique et social de l'Arménie de cette époque.",0.6378,"1981-01-01","662a7d40d18b24009dde28c6",{"adult":4,"backdrop_path":8,"genre_ids":251,"id":252,"title":253,"original_language":26,"original_title":253,"overview":254,"popularity":255,"poster_path":8,"release_date":232,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":256,"department":12,"job":90,"media_type":36},[68],1280159,"Portrait de Michel Chion","« Après Madame music je présume que j'ai réalisé au Service de la Recherche sur un scénario de Michel Chion, portrait du compositeur et de sa musique.» (Jacques Kebadian)",0.4636,"662aa6c9eea34d011d678d21",{"adult":4,"backdrop_path":8,"genre_ids":258,"id":259,"title":260,"original_language":26,"original_title":260,"overview":261,"popularity":262,"poster_path":8,"release_date":263,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":264,"department":12,"job":90,"media_type":36},[68],1280180,"Calle San Luis Potosi","Mexico, rue San Luis Potosi. Quelques personnages au milieu de vingt millions d'habitants, vision intimiste de la plus grande ville du monde, documentaire subjectif parce qu'il n'y a pas de regard sans voyeur.",0.6655,"1990-01-01","662aaa4ceea34d011e678cfe",{"adult":4,"backdrop_path":8,"genre_ids":266,"id":267,"title":268,"original_language":26,"original_title":268,"overview":269,"popularity":270,"poster_path":8,"release_date":271,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":272,"department":12,"job":90,"media_type":36},[68],1280182,"Le mystère des pyramides","Les pharaons de l’Ancien Empire vont régner huit siècles. De cette époque prestigieuse, une architecture étonnante sort des sables. Khéops, la grande pyramide, était dans l’antiquité la première des sept merveilles du monde antique…",0.5469,"1992-01-01","662aaaf5f9183a011d30a97a",{"adult":4,"backdrop_path":8,"genre_ids":274,"id":275,"title":276,"original_language":26,"original_title":276,"overview":277,"popularity":278,"poster_path":8,"release_date":279,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":280,"department":12,"job":90,"media_type":36},[68],1280185,"Mémoire Arménienne","Troisième et dernière partie d'une série de films consacrés à la diaspora arménienne en France, à partir d'archives et de témoignages recueillis par le CRDA. Ce film est consacré à la manière dont les survivants du génocide se sont intégrés à la société française. Des regroupements se sont opérés aboutissant à la constitution de véritables communautés arméniennes avec leurs associations, leurs églises, leurs commerces. Si certains d'entre eux sont retournés par la suite en Arménie soviétique, la naturalisation française est intervenue pour la plupart en 1947. Mais le sentiment d'une sécurité, d'une tranquillité ultime, au soir de la vie, se mêlent au souvenir d'une langue et d'une couleur qui se perdent à jamais.",0.4844,"1993-01-01","662aabc49ac535011c8ed1c4",{"adult":4,"backdrop_path":8,"genre_ids":282,"id":283,"title":284,"original_language":26,"original_title":284,"overview":285,"popularity":286,"poster_path":8,"release_date":248,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":287,"department":12,"job":90,"media_type":36},[68],1280167,"Histoire d’amour : Colombe et Avedis","Colombe et Avedis est le récit sous forme d’enquête d’une émouvante histoire d’amour qui a duré 57 ans et embrassé l’histoire dramatique de l’Arménie",0.8274,"662aa7c6c1ffbd011d6bc43f",{"adult":4,"backdrop_path":8,"genre_ids":289,"id":290,"title":291,"original_language":26,"original_title":291,"overview":292,"popularity":293,"poster_path":8,"release_date":294,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":295,"department":12,"job":90,"media_type":36},[68],1280172,"Que sont mes camarades devenus","En 1982, lors d’un voyage dans son pays natal, Serge Avedikian va tenter de retrouver ses anciens camarades de classe et ses copains de quartier. Retrouvailles parfois arrosées, photos jaunies d’écoliers en uniformes, témoignages et confidences, c’est une jolie palette de souvenirs et d’émotions que nous offrent les deux réalisateurs, Jacques Kébadian et Serge Avedikian. Ils nous entraînent aussi tous les deux dans le quotidien d’Erevan, ses joies et ses peines, ses difficultés et ses espoirs. Derrière cette quête de deux compères, se dessine un morceau de la grande mosaïque de l’identité arménienne, et un tableau très tendre de l’amitié.",0.7141,"1983-01-01","662aa8a6764841011b2be9a6",{"adult":4,"backdrop_path":8,"genre_ids":297,"id":298,"title":299,"original_language":26,"original_title":299,"overview":300,"popularity":301,"poster_path":8,"release_date":302,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":303,"department":12,"job":90,"media_type":36},[68],1280177,"Apsaras","Les Apsaras sont les danseuses du ballet Khmer. Parmi elles la princesse Buppha Devi, fille du prince Sihanouk.",0.4917,"1989-01-01","662aa974b54002011e03d5d8",{"adult":4,"backdrop_path":8,"genre_ids":305,"id":306,"title":307,"original_language":26,"original_title":307,"overview":308,"popularity":309,"poster_path":8,"release_date":310,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":311,"department":12,"job":90,"media_type":36},[],1280233,"Ipoustéguy, l'âge de la décision","En l'an 2000, Jean-Robert Ipoustéguy célèbre ses 80 ans. Une oeuvre monumentale mise en lumière par Jacques Kebadian qui entretient avec le sculpteur depuis presque 40 ans une relation d'amitié. Filmé dans sa maisonn atelier de Choisy le roi,  au travail ou face à la caméra, au cours de pauses réflexives, Ipoustéguy dévoile ses souvenirs et pensées intimes. Tendant un miroir à son sujet, le cinéaste projette des extraits des différents films qu'il a tournés sur l'artiste; Ici, Ipoustéguy se prête au jeu de la distanciation critique. Peu à peu, par fragments, au détour d'une confidence, le profil de l'artiste se précise : une vocation précoce, un esprit libre penseur, une statuaire figurative et expressionniste, des oeuvres mues par la volonté de puissance, et la quête esthétique pour une approche de la nudité. Les volumes sculptées dans le marbre ou le bronze sont morcelées, fragmentées, et révèlent leur dimension dans un environnement architecturé.",0.8045,"2000-01-01","662abbc59ac535011d8ed3f8",{"adult":4,"backdrop_path":8,"genre_ids":313,"id":314,"title":315,"original_language":26,"original_title":315,"overview":316,"popularity":317,"poster_path":8,"release_date":318,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":319,"department":12,"job":90,"media_type":36},[68],1280238,"20 ans après","La famille Hovanessian a émigré aux États-Unis en hiver de l’année 1994.  J’ai pu partager avec Vartan et Anahide les dernières journées avant leur départ d’Erevan. La jeune République d’Arménie, encore sous le choc du tremblement de terre et en conflit avec l’Azerbaidjan pour l’autonomie du Karabagh, était alors asphyxiée par un blocus qui rendait la vie difficile. Vartan, Anahide et Mardiros, je les ai connus en 1983 lorsque je réalisais avec Serge Avedikian Que sont mes camarades devenus.  Au printemps 2001, je suis allé à New York pour raconter cette histoire, celle d'une famille agissant comme un révélateur du désordre mondial.",0.4892,"2003-01-01","662abdade295b4011c139944",{"adult":4,"backdrop_path":8,"genre_ids":321,"id":322,"title":323,"original_language":26,"original_title":323,"overview":324,"popularity":325,"poster_path":326,"release_date":327,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":328,"department":12,"job":90,"media_type":36},[68],1280236,"Germaine Tillion et Geneviève de Gaulle Anthonioz","Ce film a été tourné durant l’été 2000 dans la maison de Germaine Tillion à Saint Mandé. Il s’agit d’échanges, de conversations graves, tendres, parfois drôles, de toute façon fondamentales entre Germaine Tillion et Geneviève de Gaulle Anthonioz. Elles parlent de la prison, du camp de déportation de Ravensbrück, de la libération du camp. Il s’agit de comprendre toujours \"qu’est-ce qui fait qu’on devient un bourreau, qu’est-ce qui fait qu’on devient un frère\".",0.5562,"\u002Fp9Qg03oo56pByXyD107OILqC6Tw.jpg","2002-02-02","662abce991b530011f8db0df",{"adult":4,"backdrop_path":8,"genre_ids":330,"id":306,"title":307,"original_language":26,"original_title":307,"overview":308,"popularity":309,"poster_path":8,"release_date":310,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":331,"department":332,"job":333,"media_type":36},[],"662abc0301b1ca011be38fe1","Camera","Camera Operator",{"adult":4,"backdrop_path":8,"genre_ids":335,"id":336,"title":337,"original_language":26,"original_title":337,"overview":338,"popularity":339,"poster_path":8,"release_date":340,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"credit_id":341,"department":12,"job":90,"media_type":36},[68],1286529,"Paradjanov Libéré","Serge Avédikian et Jacques Kébadian retrouvent Paradjanov à sa sortie de prison",0.9161,"1982-01-01","663a3b9e813cb601248a6467",{"adult":4,"backdrop_path":66,"genre_ids":343,"id":70,"title":71,"original_language":26,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":77,"credit_id":344,"department":12,"job":90,"media_type":36},[68,69],"5b290d960e0a2659d1005bd9",{"adult":4,"backdrop_path":8,"genre_ids":346,"id":347,"title":348,"original_language":26,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":77,"credit_id":354,"department":12,"job":90,"media_type":36},[68],1150336,"La Fragile Armada","Ce matin de 2001, la montagne grouille : un convoi hétéroclite prend la route. Escortés par une caravane de tous les horizons, les zapatistes sortent du Chiapas pour un voyage de 3 000 km jusqu'à Mexico pour exiger l'application des accords sur les droits des peuples indiens...",0.5675,"\u002FlOgHPKkwE892pcK7ydqQ74r9vqK.jpg","2005-01-01",10,"64ac31353e2ec8014f494ddf",{"adult":4,"backdrop_path":8,"genre_ids":356,"id":347,"title":348,"original_language":26,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":77,"credit_id":357,"department":79,"job":80,"media_type":36},[68],"64ac316b6a344800c9fc1105",{"adult":4,"backdrop_path":8,"genre_ids":359,"id":347,"title":348,"original_language":26,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":77,"credit_id":360,"department":361,"job":362,"media_type":36},[68],"64ac31c943494f00aec49530","Crew","Cinematography",{"adult":4,"backdrop_path":8,"genre_ids":364,"id":347,"title":348,"original_language":26,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":77,"credit_id":365,"department":126,"job":127,"media_type":36},[68],"64ac31e8b686b9010e0d21d2",{"adult":4,"backdrop_path":8,"genre_ids":367,"id":368,"title":369,"original_language":26,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":4,"video":4,"vote_average":76,"vote_count":9,"credit_id":374,"department":12,"job":90,"media_type":36},[23],585201,"Albertine ou Les Souvenirs parfumés de Marie-Rose","France, 1972. Albertine, adolescente en rébellion contre l'école, la famille rance et la religion, revendique ses droits pour une sexualité sans entraves ; avec ses copines, elle milite en faveur du droit au plaisir et à l'avortement pour les mineures.",0.5663,"\u002FaqYl76CAl2yAqVwpaDoPrD750lr.jpg","1972-09-13","5c76df780e0a265e7556b8ed",{"adult":4,"backdrop_path":8,"genre_ids":376,"id":377,"title":378,"original_language":26,"original_title":378,"overview":379,"popularity":380,"poster_path":381,"release_date":382,"softcore":4,"video":4,"vote_average":124,"vote_count":77,"credit_id":383,"department":12,"job":90,"media_type":36},[68],626689,"D'une brousse à l'autre","Le réalisateur a suivi pendant six mois les familles africaines évacuées de l'église Saint-Ambroise et regroupees au gymnase Japy. Il les suit sur les lieux de leur lutte, des entrepots de la rue Pajol à l'église Saint-Bernard. Il s'attache à l'un d'eux, Dodo Wague, originaire du Mali. Muni de papiers provisoires, Dodo peut partir au Mali visiter sa famille. Le realisateur le suit dans ce voyage, nous emmenant découvrir son village natal et les raisons de son départ.",0.541,"\u002FtKdgSQ4Kzp5Wd901urC4eFsWDrS.jpg","1998-09-02","5d6644c9b3e6270014fe3350",{"adult":4,"backdrop_path":8,"genre_ids":385,"id":386,"title":387,"original_language":26,"original_title":387,"overview":47,"popularity":388,"poster_path":8,"release_date":389,"softcore":4,"video":4,"vote_average":124,"vote_count":77,"credit_id":390,"department":12,"job":90,"media_type":36},[68],626691,"20 Ans après",0.4757,"2002-01-01","5d6646b558361b001321f86e",{"adult":4,"backdrop_path":8,"genre_ids":392,"id":393,"title":394,"original_language":395,"original_title":394,"overview":47,"popularity":396,"poster_path":397,"release_date":340,"softcore":4,"video":4,"vote_average":49,"vote_count":77,"credit_id":398,"department":12,"job":90,"media_type":36},[],653256,"Un café un!","en",0.6623,"\u002FNpMNZcavv8c2VL0751aHUeYc4E.jpg","5de6b12bcf4b8b0011272732",{"adult":4,"backdrop_path":400,"genre_ids":401,"id":402,"title":403,"original_language":404,"original_title":403,"overview":405,"popularity":406,"poster_path":407,"release_date":408,"softcore":4,"video":4,"vote_average":63,"vote_count":77,"credit_id":409,"department":12,"job":90,"media_type":36},"\u002F44SNo8NHCRLrBKHj8pJNKqXJnTj.jpg",[68,69],697094,"Sans retour possible","hy","« Sans retour possible » : ces trois mots barrent les papiers d'identité des Arméniens partis de Turquie après les massacres de 1915.",0.9463,"\u002F2cSniZS96mNFIQmZlqbOrIJydyp.jpg","2026-04-22","5ea4a671ec455200213fb7f3",{"adult":4,"backdrop_path":411,"genre_ids":412,"id":413,"title":414,"original_language":395,"original_title":414,"overview":47,"popularity":415,"poster_path":8,"release_date":190,"softcore":4,"video":4,"vote_average":124,"vote_count":77,"credit_id":416,"department":417,"job":417,"media_type":36},"\u002FgE42OqAYtxYKAEycBTvF41OQ8y2.jpg",[],885178,"Les pieds dans les nuages (et la tête dans la lune)",0.8253,"6743ccb7aab722bfa7c92d1e","Sound",{"profiles":419},[420],{"aspect_ratio":421,"height":422,"iso_3166_1":8,"iso_639_1":8,"file_path":16,"vote_average":88,"vote_count":88,"width":423},0.667,900,600]