[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F2213787:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":8,"known_for_department":11,"name":12,"place_of_birth":13,"popularity":14,"profile_path":15,"combined_credits":16,"images":127},false,[],"Born March 4th 1953, Jane Forth dropped out of School at 15 and moved to New York. Forth's acting career came as a result of her relationship with Jay Johnson, who introduced her to Andy Warhol and the factory (where she initially worked as a secretary.) Her first role was Trash (1970), her role, like the majority of the actors, was completely ad-libbed. She was also an extremely successful model appearing in Vogue, Harper's Bazaar and being a muse of Antonio Lopez. She followed up with a small role in Women in Revolt (1971), before starting alongside fellow model Donna Jordan in L'amour (1973, shot in 1970) Forth retired from the industry after giving birth to her son in 1971 and took up make up artistry.","1953-03-04",null,1,2213787,"Acting","Jane Forth","St. Clair Shores, Michigan, USA",0.5211,"\u002Ft0U8tqZ5TmPCQ88m8ihrgC9FzMD.jpg",{"cast":17,"crew":126},[18,36,50,61,77,86,97,109],{"adult":4,"backdrop_path":19,"genre_ids":20,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},"\u002FyYfU70WDfza91naL3pWqcw3VMdH.jpg",[21,22],18,35,112234,"Women in Revolt","en","Le film fait la satire du Mouvement de libération des femmes (MLF) américain et fait allusion à Valerie Solanas et au SCUM Manifesto[1]. Holly et Jackie forment un petit groupe de féministes du MLF. Elles convainquent Candy, une riche mondaine qui entretient une relation incestueuse avec son frère, de se joindre à elles lors de leurs réunions. Le groupe a besoin de l'adhésion de Candy pour apporter de l'argent et du « glamour » à leur cause.",1.4404,"\u002F9hlI1Ij8MdgUcPpWfWzk3b50MVQ.jpg","1971-12-01",5,14,"Jane","63e7e23e12777800895f1a4b",17,"movie",{"adult":4,"backdrop_path":8,"genre_ids":37,"id":39,"title":40,"original_language":25,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"character":47,"credit_id":48,"order":49,"media_type":35},[38],99,430623,"Warhol","",0.8724,"\u002FylgbEq7S6TEZrV7kS92I03kxSMc.jpg","1973-03-27",8,4,"Self","63e7e2a66c849200c7727fc1",10,{"adult":4,"backdrop_path":51,"genre_ids":52,"id":53,"title":54,"original_language":25,"original_title":54,"overview":41,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":9,"character":47,"credit_id":59,"order":60,"media_type":35},"\u002F91sjr1a9yhdV0ohKxDZbkrJRGhO.jpg",[38],298071,"Andy Warhol",0.8149,"\u002FqGCoxmaPZcRW6ddRQWQZGTiFVTE.jpg","1972-01-02",7,"62ef24464557a0007d4ff17b",12,{"adult":4,"backdrop_path":62,"genre_ids":63,"id":66,"title":67,"original_language":25,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"character":74,"credit_id":75,"order":76,"media_type":35},"\u002FbTIuMOGh4RW3jLyHvVjrrKi7jY7.jpg",[64,22,65],27,80,66489,"Bad","Hazel tient un salon de beauté chez elle, mais gagne un peu plus d'argent en offrant à des femmes sans pitié la possibilité d'exécuter des contrats. L.T. est un parasite qui contacte Hazel pour trouver du travail après avoir dépensé tout son argent. Elle hésite à l'utiliser pour un contrat, car elle préfère employer des femmes, mais décide de lui donner sa chance à titre d'essai. Pendant ce temps, le policier qu'elle paie veut procéder à une arrestation pour donner l'impression qu'il fait son travail, mais Hazel ne veut sacrifier aucun de ses « associés ». 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Joe, impuissant à satisfaire ses partenaires féminines, se réfugie dans des paradis artificiels et sombre inexorablement dans la déchéance.",2.4485,"\u002FbQAICaVkVQoeCAQLNbrVng6WVt0.jpg","1970-10-05",5.7,40,"60ec6f0579b3d4005fece9ea",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":113,"origin_country":114,"original_language":25,"original_name":116,"overview":41,"popularity":117,"poster_path":118,"first_air_date":119,"softcore":4,"name":116,"vote_average":120,"vote_count":121,"character":122,"credit_id":123,"episode_count":9,"first_credit_air_date":124,"media_type":125},"\u002FfvNn1mQS4ecSph1QVSpKCQNyh47.jpg",[112],10767,9890,[115],"US","The Dick Cavett Show",62.8478,"\u002FuDkndfnwbEGeSY4YmZbTRg4U5RQ.jpg","1968-06-06",6.8,22,"Self - Guest","5e028044c5840d001309d5cd","1970-05-22","tv",[],{"profiles":128},[129],{"aspect_ratio":130,"height":131,"iso_3166_1":8,"iso_639_1":8,"file_path":15,"vote_average":132,"vote_count":132,"width":133},0.671,805,0,540]