[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F20024:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":895},false,[],"From Wikipedia, the free encyclopedia.\n\nAmos Gitai (born 11 October 1950 in Haifa, Israel) is an Israeli film director.\n\nDescription above from the Wikipedia article Amos Gitai, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1950-10-11",null,2,20024,"nm0321159","Directing","Amos Gitai","Haifa, Israele",1.0198,"\u002FwazopTRd6hDUVhe5jTpsMoyfwSk.jpg",{"cast":18,"crew":163},[19,35,45,54,67,81,95,107,119,130,140,149],{"adult":4,"backdrop_path":8,"genre_ids":20,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"character":31,"credit_id":32,"order":33,"media_type":34},[21,22],99,18,159297,"Lullaby to my Father","fr","Nous suivons le parcours de Munio Gitai, né en 1909 en Pologne. A l’ âge de 18 ans, Munio part à Berlin rejoindre Walter Gropius, Kandinsky et Paul Klee au Bauhaus. En 1933, le Bauhaus est fermé par les nazis. Munio est emprisonné puis expulsé à Bâle. Il part alors pour Haïfa (Palestine) où il devient architecte.",1.2311,"\u002FkX42vQfAJk0YHitxUnmfuwZv4hw.jpg","2012-10-30",7.5,"Narrator (voice)","52fe4c0d9251416c910ee10d",1,"movie",{"adult":4,"backdrop_path":8,"genre_ids":36,"id":37,"title":38,"original_language":39,"original_title":38,"overview":40,"popularity":41,"poster_path":8,"release_date":40,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":43,"credit_id":44,"order":9,"media_type":34},[],1044919,"Schegge di cinema e filosofia","it","",0.9631,0,"Self","63673a5596e30b00827a43bd",{"adult":4,"backdrop_path":8,"genre_ids":46,"id":47,"title":48,"original_language":39,"original_title":48,"overview":40,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":40,"credit_id":52,"order":53,"media_type":34},[],1059389,"Marco Melani: The Man with the Golden Eye",1.537,"\u002FbnCihg9My4LjVWkNT8AkBczQvg.jpg","2021-12-09","63938f776e0d72007f7fa6b0",8,{"adult":4,"backdrop_path":8,"genre_ids":55,"id":57,"title":58,"original_language":59,"original_title":58,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":65,"character":40,"credit_id":66,"order":53,"media_type":34},[56,21],36,206521,"Carmel","he","« C’est un poème sur les gens\r Ce qu'ils croient et ce qu'ils veulent\r Et ce qu'ils croient vouloir\r Même si peu nombreuses sont les choses sur cette terre\r Qui méritent notre intérêt\r Et c'est un poème sur ce que les hommes font\r Car ce qu’ils font\r Est plus important que ce qu’ils n’ont pas fait\r Et c’est un poème sur les êtres humains\r Sur ce qu’ils ressentent dans la nuit bleue\r Qui chante l’hymne des caravanes\r Et comment ils goûtent au sable\r Dans l'avion en flammes\r Qui s’abat en sifflant\r Comme un chant de deuil ardent\r Et pour finir\r Ce sont des poèmes de guerre\r Ecrits sur un bureau\r Alors qu'elle fait rage\r Sans pitié. »\r Poème de Nathan Zach, extrait du film, lu par Jeanne Moreau",2.4624,"\u002FnW5nn919igMxxkpOHmj7wwV1Ra7.jpg","2009-07-12",7,6,"580fd30d925141680f00e418",{"adult":4,"backdrop_path":8,"genre_ids":68,"id":69,"title":70,"original_language":71,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":78,"character":79,"credit_id":80,"order":42,"media_type":34},[21],453279,"À l'ouest du Jourdain","en","West of the Jordan River","Amos Gitai revient dans les territoires occupés pour la première fois depuis son documentaire de 1982 FIELD DIARY. À L'OUEST DU JORDANIE décrit les efforts des citoyens, Israéliens et Palestiniens, qui tentent de surmonter les conséquences de l'occupation. Le film de Gitai montre les liens humains tissés par les militaires, les militants des droits humains, les journalistes, les mères en deuil et même les colons juifs. Face à l'échec de la politique à résoudre le problème de l'occupation, ces hommes et ces femmes se lèvent et agissent au nom de leur conscience civique. Cette énergie humaine est une proposition de changement attendue depuis longtemps.",1.4518,"\u002Fx63pHROfI7z9KHy8ZZ2vRJzQbkE.jpg","2018-03-15",5.6,5,"Himself","5aa02194925141580c014f7c",{"adult":4,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":25,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"character":92,"credit_id":93,"order":94,"media_type":34},"\u002Fat6icjcP5o8AGJ88PBP8zdNW20k.jpg",[22],17925,"Désengagement","En 2005, suite à la mort de leur père, Ana retrouve Uli, son demi-frère israélien qui vient la retrouver en France. Elle décide de retourner en Israël à la recherche de sa fille qu’elle a abandonnée à la naissance 20 ans plus tôt. Sur place, Ana et Uli sont pris dans le désengagement de Gaza.",1.9358,"\u002F7zXQY7klMf1tCY65DkBq9CbPLOv.jpg","2007-09-07",4.9,14,"Dani","5b5aaffc9251412aad007fb8",11,{"adult":4,"backdrop_path":8,"genre_ids":96,"id":97,"title":98,"original_language":59,"original_title":99,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":4,"video":4,"vote_average":104,"vote_count":105,"character":40,"credit_id":106,"order":105,"media_type":34},[21],538619,"Lettre à un ami à Gaza","A Letter to a Friend in Gaza","\"Quand tu mènes tes guerres, pense aux autres. (N’oublie pas ceux qui réclament la paix)\", écrivait Mahmoud Darwich, figure de proue de la poésie palestinienne dans Pense aux autres (2007). Dans la bouche de l’actrice arabe israélienne Clara Khoury (La fiancée syrienne), le texte résonne comme un puissant cri politique. Alors que la poésie jaillit, le mur de béton érigé le long de la frontière avec la bande de Gaza défile en toile de fond. Aux reportages d’actualité sur le conflit israélo-palestinien se mêlent de poignantes lectures, par Amos Gitaï lui-même et les comédiens Makram Khoury et Hilla Vidor, de textes en arabe et en hébreu signés S. Yizhar, Emile Habibi et Amira Hass.",0.9519,"\u002F10MVUPNPgDCqeVYqCOoqEZCgzLS.jpg","2018-09-03",4,3,"5d822ef8f6787a00159dff78",{"adult":4,"backdrop_path":108,"genre_ids":109,"id":110,"title":111,"original_language":59,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":117,"credit_id":118,"order":33,"media_type":34},"\u002F7Gc2V5GZrPpO1voTIKRHgFokwys.jpg",[22],271559,"Devarim","זכרון דברים","Tel-Aviv, un jour d'avril. Caesar et Israël apprennent la mort du père de leur ami Goldman. Ils ont l'intention de se rendre aux funérailles, mais ignorant le lieu d'inhumation, ils errent de cimetière et cimetière et ratent la cérémonie. A travers cette errance, \"Devarim\" raconte l'histoire de ces trois amis qui mènent une existence mélancolique, inéluctablement condamnée au questionnement. Ils méprisent leur entourage, sont nostalgiques de leur passe. Ils appartiennent à cette génération des années soixante-dix, où ils s'efforçaient de donner un sens à leur vie.  Nota : Les premiers dialogues du film, bizarrement, ne sont pas sous-titrés. Toutefois, on comprend qu’il s’agit des dernières volontés du défunt.",1.2513,"\u002Ft7MOoJQGP15wV9w2rkuH1AQwj8H.jpg","1995-01-01","Goldman","60e24697a4af8f002ea8c802",{"adult":4,"backdrop_path":8,"genre_ids":120,"id":121,"title":122,"original_language":59,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":128,"vote_count":64,"character":40,"credit_id":129,"order":42,"media_type":34},[21],184874,"Journal de campagne","יומן שדה","Le récit de divers voyages à travers les territoires occupés par Israël en Cisjordanie et dans la Bande de Gaza au cours des mois qui ont précédé l'invasion du Liban par l'état hébreu.",1.0265,"\u002Fi6UevgjJIXCFrmbWSThXE4b4yHn.jpg","1982-04-10",6.1,"69b96e6c80804128fd08fa5c",{"adult":4,"backdrop_path":8,"genre_ids":131,"id":132,"title":133,"original_language":134,"original_title":133,"overview":40,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":33,"character":40,"credit_id":139,"order":42,"media_type":34},[21],502922,"War and Peace in Vesoul","ar",1.1124,"\u002FjIpjWTJaaTtJUs7tlRrfBshMpWz.jpg","1997-02-04",10,"69b97519bdcda3dc66020832",{"adult":4,"backdrop_path":8,"genre_ids":141,"id":142,"title":143,"original_language":39,"original_title":143,"overview":144,"popularity":145,"poster_path":8,"release_date":146,"softcore":4,"video":4,"vote_average":65,"vote_count":33,"character":147,"credit_id":148,"order":104,"media_type":34},[],1678329,"Marco Melani - The Man With The Golden Eye : Scheggia dall'ultima versione","Scènes de la nouvelle version.",1.5442,"2026-04-12","Self - film critic","69e7b0222853002937b27b56",{"adult":4,"backdrop_path":8,"genre_ids":150,"id":153,"origin_country":154,"original_language":39,"original_name":156,"overview":157,"popularity":158,"poster_path":8,"first_air_date":159,"softcore":4,"name":156,"vote_average":42,"vote_count":42,"character":40,"credit_id":160,"episode_count":33,"first_credit_air_date":161,"media_type":162},[21,151,152],10767,10768,293024,[155],"IT","Parola (su una data)","Enrico Ghezzi invite une personnalité à s'exprimer sur le 11 Septembre 2001.",2.1327,"2003-01-01","683ff6488a6ded62b368a942","2003-01-22","tv",[164,178,193,198,201,215,219,231,243,256,259,272,275,288,291,298,311,314,319,322,325,336,347,350,353,361,364,376,384,393,405,415,418,429,432,443,453,456,459,462,472,475,478,488,500,503,512,515,524,533,536,546,549,559,566,574,577,580,588,601,604,607,614,617,625,628,638,641,648,655,663,669,676,682,685,688,691,694,697,705,708,711,714,717,721,724,727,738,741,752,759,762,765,768,775,778,785,788,791,800,803,809,812,820,828,831,839,842,846,850,853,856,859,862,865,868,874,880,889,892],{"adult":4,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":25,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":4,"video":4,"vote_average":174,"vote_count":175,"credit_id":176,"department":12,"job":177,"media_type":34},"\u002FmpCIVcb4ywBGU6K0Qt1DCIcKoJp.jpg",[22],1926,"11'09''01 - September 11","11’09”01 – September 11","Pour évoquer l'ampleur de l'onde de choc du 11 septembre, pour témoigner de la résonance de l'événement dans le monde entier, pour mieux saisir la dimension humaine de cette tragédie, pour que la réflexion accompagne l'émotion, pour donner la parole à chacun, un film collectif : 11 réalisateurs d'origine et de culture différentes, 11 regards sur les évènements tragiques survenus à New York le 11 septembre 2001, 11 points de vue engageant leur conscience individuelle.",2.4822,"\u002Ft8BsiZfIP3fQ15H3xhXukYSHEIc.jpg","2002-09-04",6.409,126,"52fe4322c3a36847f803cf83","Director",{"adult":4,"backdrop_path":179,"genre_ids":180,"id":182,"title":183,"original_language":25,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":188,"vote_count":189,"credit_id":190,"department":191,"job":192,"media_type":34},"\u002Fwi6Pblw018aQtlN6vU8WPJHLuxS.jpg",[22,181],10770,22560,"Plus tard tu comprendras","Alors que débute le procès de Klaus Barbie, à la veille de la mort de sa mère, Victor rompt le silence qu'elle a gardé sur la déportation de ses parents et renoue avec ses origines juives. Au-delà de l'évocation de la Shoah et de l'histoire personnelle de Jérôme Clément, ce film reflète l'universalité des rapports mère-fils.",1.5075,"\u002FacqC2mw5Wd1B9uIdfsKoPhenYAu.jpg","2008-01-01",5.7,9,"52fe4446c3a368484e019c15","Writing","Adaptation",{"adult":4,"backdrop_path":179,"genre_ids":194,"id":182,"title":183,"original_language":25,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":188,"vote_count":189,"credit_id":195,"department":196,"job":197,"media_type":34},[22,181],"52fe4446c3a368484e019c21","Production","Producer",{"adult":4,"backdrop_path":179,"genre_ids":199,"id":182,"title":183,"original_language":25,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":188,"vote_count":189,"credit_id":200,"department":12,"job":177,"media_type":34},[22,181],"52fe4446c3a368484e019c09",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":205,"title":206,"original_language":59,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":212,"vote_count":213,"credit_id":214,"department":12,"job":177,"media_type":34},"\u002F1mnOvu1goRyEZZskvyqjibLwK99.jpg",[204,22],35,30735,"Alila","עלילה","La vie de douze personnes vivant dans le même immeuble de Tel-Aviv.",1.527,"\u002FyB1Uv65gPuGXM9KEfVZkKvfWg5q.jpg","2003-06-06",5.3,19,"52fe44389251416c91008f8d",{"adult":4,"backdrop_path":202,"genre_ids":216,"id":205,"title":206,"original_language":59,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":212,"vote_count":213,"credit_id":217,"department":191,"job":218,"media_type":34},[204,22],"52fe44389251416c91008f9b","Writer",{"adult":4,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":71,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":228,"vote_count":229,"credit_id":230,"department":12,"job":177,"media_type":34},"\u002F9MIVMcFo5B8R5pNuCg9gkc82mzZ.jpg",[22],7483,"Free Zone","A la suite d'un concours de circonstances, deux femmes sont amenées à se rencontrer. A cause d'une bagarre avec sa belle-mère, Rebecca fuit l'hôtel dans lequel elle était domiciliée. Embarquant dans un taxi, elle rencontre Hanna. Elle arrive à convaincre cette dernière de l'emmener avec elle hors d'Israël, jusqu'à la Free zone.",3.5513,"\u002F8jXFwu5R4SptZWXh2X4EduKcOrG.jpg","2005-06-18",5.583,60,"52fe447fc3a36847f8099b29",{"adult":4,"backdrop_path":232,"genre_ids":233,"id":235,"title":236,"original_language":59,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":4,"vote_average":90,"vote_count":104,"credit_id":241,"department":191,"job":242,"media_type":34},"\u002F9TwMT8rYEryPtHaKfjT1uJAqcjP.jpg",[56,234,204],10749,728107,"לילה בחיפה","Une nuit, dans la zone portuaire qui longe la voie ferrée à Haïfa, une ville du nord d’Israël. C’est là, entre le Mont Carmel et la Méditerranée, qu’est installé le Club, un lieu qui attire chaque soir tout ce que Haïfa et sa région comptent de noctambules. Dans cette région contaminée par la haine et la violence, le club est un refuge pour tous ceux qui n’ont pas envie de se laisser enfermer dans des catégories toutes faites, qu’ils soient hommes ou femmes, homos ou hétéros, juifs ou arabes, palestiniens ou israéliens. À travers un moment de la vie de cinq femmes, c’est tout un microcosme humain qui se déploie, multicolore, intense et contrasté, entre rencontres et ruptures amoureuses, affirmations et hésitations, engagement et indifférence, vérités et mensonges.",2.0473,"\u002FzO1vp8CWFp0ekMpfJL17rzCGyr7.jpg","2021-09-01","6079a2811b1f3c0057ba0c03","Screenplay",{"adult":4,"backdrop_path":244,"genre_ids":245,"id":246,"title":247,"original_language":59,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":4,"video":4,"vote_average":253,"vote_count":254,"credit_id":255,"department":12,"job":177,"media_type":34},"\u002FwaEKuyRge5fdmqUgqa2xcGTbzXZ.jpg",[22,234],40476,"Kadosh","קדוש‎","Meir et Rivka sont maries depuis dix ans. Ils s'aiment passionnement mais n'ont pas d'enfants ce qui n'est pas du gout du rabbin qui demande a Meir de repudier sa femme et d'epouser Haya pour assurer sa descendance. Malka, la soeur de Rivka, est amoureuse de Yaakov mais ce dernier a choisi de vivre en dehors de la communaute juive orthodoxe, au rand dam du rabbin. Malka va donc epouser Yossef, son fidele assistant. Si Rivka demenage et sombre lentement dans la solitude, Malka trouve une autre issue: la rebellion.",1.2644,"\u002FmQkAe7HW5crcTDZJbCxrAKgiecj.jpg","1999-06-10",5.9,28,"52fe4593c3a36847f80cef49",{"adult":4,"backdrop_path":244,"genre_ids":257,"id":246,"title":247,"original_language":59,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":4,"video":4,"vote_average":253,"vote_count":254,"credit_id":258,"department":191,"job":218,"media_type":34},[22,234],"52fe4593c3a36847f80cef4f",{"adult":4,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":25,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":269,"vote_count":270,"credit_id":271,"department":12,"job":177,"media_type":34},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[204,22],36108,"Chacun son cinéma","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Film anniversaire réalisé à l'occasion des 60 ans du Festival de Cannes. 34 cinéastes, issus de 25 pays, ont réalisé chacun un court métrage de 3 minutes autour du thème de la salle de cinéma.",2.9522,"\u002FoqsHDWIh26sJXz9Ua3lPQhUx3lK.jpg","2007-10-31",6.4,163,"52fe45cd9251416c9103edc5",{"adult":4,"backdrop_path":82,"genre_ids":273,"id":84,"title":85,"original_language":25,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"credit_id":274,"department":12,"job":177,"media_type":34},[22],"52fe47539251416c7509569b",{"adult":4,"backdrop_path":276,"genre_ids":277,"id":279,"title":280,"original_language":71,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":286,"vote_count":213,"credit_id":287,"department":12,"job":177,"media_type":34},"\u002FnMX8ajpbCFDnuqNHV6tyItT9Ooc.jpg",[22,278],53,48870,"Terre promise","Ha-Aretz Hamuvtachat","Une nuit dans le désert du Sinaï, au clair de lune, un groupe d'hommes et de femmes se réchauffe autour d'un feu de camp. Les femmes sont d'Europe de l'Est, les hommes sont des bédouins. Demain, ils passeront la frontière en secret et les femmes seront vendues aux enchères. Elles passeront de main en main, victimes d'un réseau international de traite des blanches. Une nuit, dans un club, Diana fait la connaissance de Rose. Elle la supplie de l'aider. Leur rencontre est un signe d'espoir dans la descente aux enfers de ces femmes...",2.5884,"\u002FLhJfQZJwSHE2yKXFRK5SrQUiNp.jpg","2004-10-21",5.1,"52fe4779c3a36847f8137b0b",{"adult":4,"backdrop_path":276,"genre_ids":289,"id":279,"title":280,"original_language":71,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":286,"vote_count":213,"credit_id":290,"department":191,"job":218,"media_type":34},[22,278],"52fe4779c3a36847f8137b2f",{"adult":4,"backdrop_path":8,"genre_ids":292,"id":293,"title":294,"original_language":71,"original_title":294,"overview":40,"popularity":295,"poster_path":8,"release_date":296,"softcore":4,"video":4,"vote_average":64,"vote_count":33,"credit_id":297,"department":12,"job":177,"media_type":34},[],830923,"Charisma",1.285,"1976-01-01","60a3ae85764b9900579156de",{"adult":4,"backdrop_path":299,"genre_ids":300,"id":302,"title":303,"original_language":59,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":212,"vote_count":309,"credit_id":310,"department":12,"job":177,"media_type":34},"\u002Fb7BCGWuXsc68kU7jEkjfhgajm2O.jpg",[22,301],10752,49709,"Kippour","כיפור","Pendant la guerre du Kippour, en octobre 1973, Weinraub et son ami Rousso se précipitent sur le Golan a la recherche d'Egoz, l'unité spéciale dans laquelle ils ont fait leur service militaire. Ils ne la trouvent pas mais rencontrent Klauzner, un médecin qui cherche a rejoindre la base aérienne de Ramat David. Ils décident alors, de leur propre chef, d'intégrer une unité de secouristes de l'armée de l'air.",1.7788,"\u002FeGAIinOoILh25G0rCgnDKBtmBMJ.jpg","2000-09-07",41,"52fe47a2c3a36847f814058f",{"adult":4,"backdrop_path":299,"genre_ids":312,"id":302,"title":303,"original_language":59,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":212,"vote_count":309,"credit_id":313,"department":191,"job":218,"media_type":34},[22,301],"52fe47a2c3a36847f8140595",{"adult":4,"backdrop_path":8,"genre_ids":315,"id":293,"title":294,"original_language":71,"original_title":294,"overview":40,"popularity":295,"poster_path":8,"release_date":296,"softcore":4,"video":4,"vote_average":64,"vote_count":33,"credit_id":316,"department":317,"job":318,"media_type":34},[],"60aba6bed7fbda00299d710d","Crew","Cinematography",{"adult":4,"backdrop_path":8,"genre_ids":320,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":321,"department":196,"job":197,"media_type":34},[21,22],"60c7811edb154f006c8c34cb",{"adult":4,"backdrop_path":8,"genre_ids":323,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":324,"department":317,"job":318,"media_type":34},[21,22],"60c781f4283ed9002af0dbb6",{"adult":4,"backdrop_path":326,"genre_ids":327,"id":328,"title":329,"original_language":71,"original_title":329,"overview":40,"popularity":330,"poster_path":331,"release_date":332,"softcore":4,"video":4,"vote_average":333,"vote_count":334,"credit_id":335,"department":12,"job":177,"media_type":34},"\u002FmRKNcOUdrkl976N5uGeFGveZZ6t.jpg",[22,234,301],99637,"Eden",1.3702,"\u002F2j4ItcoPcly4hBSPNpghAWVu3vF.jpg","2001-08-29",3.1,12,"52fe4a3b9251416c750e215b",{"adult":4,"backdrop_path":337,"genre_ids":338,"id":339,"title":340,"original_language":59,"original_title":340,"overview":341,"popularity":342,"poster_path":343,"release_date":344,"softcore":4,"video":4,"vote_average":78,"vote_count":345,"credit_id":346,"department":12,"job":177,"media_type":34},"\u002FlqOvuikqW4wjgxlY6exH30Bg9nC.jpg",[301,22],125945,"קדמה","Mai 1948, à deux semaines de la fin du Mandat des Britanniques en Palestine, Juifs et Arabes s'affrontent. L'Etat israélien n'est pas encore une réalité.  Un vieux cargo rouillé, le Kedma, s'apprête à déverser de nouveaux immigrants, rescapés de la Shoah, sur le territoire. Mais les Britanniques s'opposent à leur venue, et tentent de les arrêter. Les combattants d'une unité du Palmach, l'armée secrète juive, emmenée par Moussa, s'interposent. Le groupe se disperse, une partie s'échappe, accompagnée des soldats du Palmach. Ils arrivent dans un campement improvisé, non loin de Jérusalem assiégée. Mais la route est encore longue et l'hostilité arabe forte. 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A travers la visite du chantier, avec ses gestes de travail, ses bruits, ses voix perdues, Amos Gitaï met à nu les différentes couches de l'histoire du lieu.",1.0055,"\u002Fcf4LS1zrX8aed54LaJ7XGGQ08M.jpg","1980-01-30",7.8,"52fe4cc59251416c7512510f",{"adult":4,"backdrop_path":8,"genre_ids":377,"id":378,"title":379,"original_language":25,"original_title":379,"overview":380,"popularity":381,"poster_path":8,"release_date":382,"softcore":4,"video":4,"vote_average":53,"vote_count":33,"credit_id":383,"department":12,"job":177,"media_type":34},[21],184706,"Wadi Grand Canyon, 2001","En 2001, Gitai achève sa trilogie qui constitue un fascinant témoignage sur les laissés-pour-compte d'Israël et souligne les problèmes quotidiens de deux peuples qui doivent coopérer pour survivre.",0.985,"2001-04-09","52fe4cc69251416c75125313",{"adult":4,"backdrop_path":8,"genre_ids":385,"id":386,"title":387,"original_language":25,"original_title":388,"overview":389,"popularity":390,"poster_path":8,"release_date":391,"softcore":4,"video":4,"vote_average":189,"vote_count":105,"credit_id":392,"department":12,"job":177,"media_type":34},[21],184704,"Wadi, dix ans après","Wadi 1981 - 1991","Wadi Rushmia est une vallée située à l'est de Haïfa, au nord d'Israël. En 1981, Amos Gitaï y filme la vie de trois familles : une juive, une arabe et un couple mixte. Dix ans plus tard, il retrouve les protagonistes du premier film.",0.791,"1992-04-09","52fe4cc69251416c75125307",{"adult":4,"backdrop_path":394,"genre_ids":395,"id":396,"title":397,"original_language":71,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":403,"vote_count":9,"credit_id":404,"department":12,"job":177,"media_type":34},"\u002Fak6QXhtIXe8MqBh9hcrx5T0n7K7.jpg",[21],184702,"Une maison à Jérusalem","Bait be Yerushalayim","20 ans après \" House \", Amos Gitaï retourne sur les lieux de son premier film. La maison a changé. Le quartier également. 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Un jour, Yael, une jeune journaliste, leur rend visite. Dans leurs abris délabrés, dans un verger rempli de citronniers et entouré de HLM, elle découvre une galerie de personnages aussi éloignés que possible des clichés habituels sur la région. Yael croit avoir découvert une mine d’or. Elle en oublie son travail. Les visages et les mots de Youssef et Miriam, Sarah et Walid, de leurs voisins et amis, lui parlent également de sa propre vie, de ses rêves, ses espoirs, ses histoires d’amour, ses désirs et désillusions. Leur rapport au temps est différent de celui de la ville qui les entoure. Dans ce lieu bricolé et fragile, la coexistence est possible. 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