[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1800639:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":109},false,[],"Lynsey Addario is an American photojournalist. She began photographing professionally for the Buenos Aires Herald in Argentina in 1996. In the late 1990s, she began freelancing in New York City for the Associated Press, where she worked consistently for three years before moving to New Delhi, India, to cover South Asia for the Chrstian Science Monitor, The Boston Globe, and Houston Chronicle. In 2000, Addario first traveled to Afghanistan to document life and oppression of women living under the Taliban, and made three separate trips to the country under Taliban rule before September 11, 2001. Since then,  Addario has covered conflicts, humanitarian crises, and women’s issues in Iraq, Libya, Lebanon, Darfur, South Sudan, Somalia, the Democratic Republic of Congo, Yemen, Syria, and Ukraine. In 2015, she wrote a New York Times best-selling memoir, It's What I Do.","1973-11-13",null,1,"https:\u002F\u002Fwww.lynseyaddario.com",1800639,"nm2761806","Acting","Lynsey Addario","Norwalk, Connecticut, USA",0.4085,"\u002FsPqT2aVR60IN5pE650bysZlaGO7.jpg",{"cast":19,"crew":93},[20,34,49,62,76],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"character":31,"credit_id":32,"order":9,"media_type":33},[22],99,453316,"Refugee","en","",1.789,"\u002FpYPRO49tVUUeyzXXTHIDDBi8XhY.jpg","2016-04-23",5.5,"Self","58fa018892514158ae00afe9","movie",{"adult":4,"backdrop_path":35,"genre_ids":36,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":48,"media_type":33},"\u002FJ5TQCmC8JEQjKaD1foK1T04eVP.jpg",[22,37],10752,1526215,"Love+War","Lauréate du prix Pulitzer, la photographe Lynsey Addario risque sa vie pour immortaliser la réalité des conflits dans le monde très masculin des reporters de guerre. Chaque mission la plonge au cœur du danger, loin de son mari et de ses deux jeunes fils. Derrière l'objectif, Addario est tiraillée entre son engagement pour son métier et les impératifs de sa vie de famille.",4.234,"\u002F7sr2GJyTZpdv8HvSneDCwRbhmFt.jpg","2025-10-24",6.7,13,"Self - Photojournalist","68937db58fe22fc7f811e476",0,{"adult":4,"backdrop_path":50,"genre_ids":51,"id":52,"title":53,"original_language":25,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"character":31,"credit_id":60,"order":61,"media_type":33},"\u002Fr1BmcsQb41zARDGgRSSP2qRthVV.jpg",[22],729779,"The Way I See It","Un regard sans précédent sur les coulisses des présidences de Barack Obama et de Ronald Reagan par le prisme du photographe officiel de la Maison-Blanche, Pete Souza. Ce dernier a été le témoin oculaire des responsabilités qu'impliquent le fait d'être la personne à la tête de la première puissance mondiale.",2.5694,"\u002FjxbjC3Pzs9WTD7yz7aMMzm6fBIE.jpg","2020-09-18",7.8,33,"69050cb3c3e9b87eb5472089",15,{"adult":4,"backdrop_path":8,"genre_ids":63,"id":66,"title":67,"original_language":25,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":74,"character":31,"credit_id":75,"order":9,"media_type":33},[37,22,64,65],18,36,396744,"Tony Vaccaro : filmer la guerre","Underfire: The Untold Story of Pfc. Tony Vaccaro","Tony Vaccaro, soldat et photographe pendant la Seconde Guerre mondiale, ainsi que d'autres preneurs d'images, se confient sur les questions relatives au témoignage et aux prises de vues pendant les conflits,",0.8934,"\u002FnsPqCTVsG3IjgFMaC28DtkTUhZu.jpg","2016-10-06",7.2,14,"69050de84c98c7e15459784c",{"adult":4,"backdrop_path":77,"genre_ids":78,"id":81,"origin_country":82,"original_language":25,"original_name":84,"overview":26,"popularity":85,"poster_path":86,"first_air_date":87,"softcore":4,"name":84,"vote_average":88,"vote_count":89,"character":31,"credit_id":90,"episode_count":9,"first_credit_air_date":91,"media_type":92},"\u002FqtrGIULBsMXXtXP8pyDIKAgIfIh.jpg",[79,80],10767,10768,80715,[83],"US","Firing Line with Margaret Hoover",25.4713,"\u002FmlQw5tYmmwJlKWbcrp6En5FKCKp.jpg","2018-06-22",8,3,"63ce0d887f054000bd001aac","2022-03-25","tv",[94,104],{"adult":4,"backdrop_path":8,"genre_ids":95,"id":96,"title":97,"original_language":25,"original_title":97,"overview":26,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"credit_id":101,"department":102,"job":103,"media_type":33},[22],1572415,"Paradise Without People",0.6693,"\u002FrnwQ61DEruqyAdw8gnEVSDu4tT6.jpg","2019-10-04","69050f3807c9d49a6d4720a3","Production","Producer",{"adult":4,"backdrop_path":8,"genre_ids":105,"id":96,"title":97,"original_language":25,"original_title":97,"overview":26,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"credit_id":106,"department":107,"job":108,"media_type":33},[22],"69050f47782a47ddaf471fda","Camera","Additional Director of Photography",{"profiles":110},[111],{"aspect_ratio":112,"height":113,"iso_3166_1":8,"iso_639_1":8,"file_path":17,"vote_average":48,"vote_count":48,"width":114},0.667,3000,2000]