[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F17087:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":14,"birthday":15,"deathday":16,"gender":17,"homepage":18,"id":19,"imdb_id":20,"known_for_department":21,"name":22,"place_of_birth":23,"popularity":24,"profile_path":25,"combined_credits":26,"images":1225},false,[6,7,8,9,10,11,12,13],"Michael Francis Moore ","Maikeru mūa","マイケル・フランシス・ムーア","Maikeru Furanshisu mūa","Mài kě·mó'ěr","Maykl Mur","maikeul mueo","maykil mur","Michael Francis Moore, né le 23 avril 1954 à Flint dans le Michigan (États-Unis), est un cinéaste, auteur et commentateur politique libéral américain.  Moore critique la mondialisation, les grandes entreprises, la possession d'armes d'assaut, les présidents américains Bill Clinton et George W. Bush, la guerre en Irak et le système de santé américain dans ses œuvres écrites et cinématographiques.\n\nIl est le réalisateur et producteur de Bowling for Columbine, Fahrenheit 9\u002F11, Sicko et Capitalism: A Love Story, quatre des dix documentaires les plus rentables de tous les temps.  En septembre 2008, il a diffusé son premier film gratuit sur Internet, Slacker Uprising, documentant sa croisade personnelle visant à encourager davantage d'Américains à voter aux élections présidentielles. Il a également écrit et joué dans les émissions télévisées TV Nation et The Awful Truth.","1954-04-23",null,2,"https:\u002F\u002Fwww.michaelmoore.com",17087,"nm0601619","Directing","Michael Moore","Flint, Michigan, USA",2.0587,"\u002Fm5YViuBUXfKAHNEUObGpzhzQPgE.jpg",{"cast":27,"crew":916},[28,45,59,71,83,97,109,124,136,149,165,174,186,198,210,223,235,245,256,266,278,289,299,311,320,329,341,354,364,377,392,407,417,429,440,451,460,470,477,489,499,510,521,529,538,546,554,562,571,583,600,616,632,649,661,674,687,699,712,723,736,748,761,772,785,798,812,826,837,849,861,872,886,895,900,905],{"adult":4,"backdrop_path":29,"genre_ids":30,"id":32,"title":33,"original_language":34,"original_title":33,"overview":35,"popularity":36,"poster_path":37,"release_date":38,"softcore":4,"video":4,"vote_average":39,"vote_count":40,"character":41,"credit_id":42,"order":43,"media_type":44},"\u002FpxxzW2MeLILDlsblFOEeK4o9xyI.jpg",[31],99,41815,"This Divided State","en","",1.4659,"\u002Fv3S9N3FG7aejJDmttT5pRVFEV5l.jpg","2005-08-19",7.5,17,"Self","613d80249653f60093cda040",11,"movie",{"adult":4,"backdrop_path":46,"genre_ids":47,"id":49,"title":50,"original_language":34,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":55,"vote_count":56,"character":41,"credit_id":57,"order":58,"media_type":44},"\u002F70uUnpfe7en9x011UjpZoub101l.jpg",[31,48],18,1430,"Bowling for Columbine","Michael Moore enquête sur la violence provoquée par les armes à feu aux Etats-Unis. Son point de départ est la tragédie du lycée Columbine dans le Colorado en 1999. Des dizaines de lycéens avaient alors été assassinés par deux de leurs camarades.",5.8409,"\u002F3PQRrboqRunXPG8dxlGnfYJi98p.jpg","2002-10-09",7.524,1766,"52fe42f6c3a36847f8030325",0,{"adult":4,"backdrop_path":16,"genre_ids":60,"id":62,"title":63,"original_language":34,"original_title":63,"overview":35,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":67,"vote_count":68,"character":41,"credit_id":69,"order":70,"media_type":44},[61,31],35,124109,"Two Mikes Don't Make a Wright",1.2744,"\u002FjAnBciSXdomDvI3RVBxwFfDokwl.jpg","1993-04-05",5.3,3,"63d7480512b10e00851c8364",1,{"adult":4,"backdrop_path":72,"genre_ids":73,"id":74,"title":75,"original_language":34,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":81,"character":41,"credit_id":82,"order":58,"media_type":44},"\u002FcLZxnkj75cGBK1tLTMyIudOZYZk.jpg",[31],1777,"Fahrenheit 9\u002F11","Prenant pour point de départ l'élection controversée de 2000, Michael Moore retrace l'improbable ascension d'un médiocre pétrolier texan devenu maître du monde libre. Puis il ouvre la boîte de Pandore du Président et révèle les liens personnels et financiers qui unissent la famille Bush à celle de Ben Laden. Michael Moore y dénonce également les méfaits du Patriot Act et les souffrances provoquées par la guerre en Irak.",4.5937,"\u002F3KNkRd8vcwq1i55AzDA1gqN7tCO.jpg","2004-06-25",7.09,1582,"52fe4314c3a36847f8038b29",{"adult":4,"backdrop_path":84,"genre_ids":85,"id":87,"title":88,"original_language":34,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":95,"character":41,"credit_id":96,"order":58,"media_type":44},"\u002F1TFrt5rlgbAS7WdHfCp142NPt4s.jpg",[31,86,61],36,1779,"Roger et moi","Roger & Me","Michael Moore relate la suppression de 30 000 emplois dans les usines General Motors dans sa ville natale, Flint dans le Michigan, et leurs conséquences sur la population.",2.5969,"\u002Fj8SnEd0w1VdU66WeGgrZGjTHBtH.jpg","1989-09-01",7.099,329,"52fe4314c3a36847f8038be3",{"adult":4,"backdrop_path":98,"genre_ids":99,"id":100,"title":101,"original_language":34,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":106,"vote_count":107,"character":41,"credit_id":108,"order":58,"media_type":44},"\u002FjpauygSFjJA4NCWQptFlybfoph7.jpg",[31],1774,"The Big One","Durant la tournée de promotion de son livre \"Downsize This!\" à travers les États-Unis, Moore montre à chaque ville traversée la réalité sociale et le chômage en allant à la rencontre des salariés et des dirigeants d'entreprise. Il dénonce les pratiques de multinationales qui licencient leur personnel alors qu'elles font des bénéfices, ou comme Nike, dont certains sous-traitants utilisent le travail des enfants.",1.3218,"\u002Fw7Hyu2XXb2yljXOSq9jcwF4AjqU.jpg","1997-09-06",6.7,88,"52fe4314c3a36847f8038a2f",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":34,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":120,"character":121,"credit_id":122,"order":123,"media_type":44},"\u002Fc4vkEcwWiRAg5TAb4sbuIElSR4T.jpg",[61],1775,"Opération Canadian Bacon","Canadian Bacon","L'économie américaine est au plus mal et la côte de popularité du président est en baisse. Il faudrait donc une bonne guerre ! Le problème est que la guerre froide est terminée et la Russie n'est plus un ennemi. Les Etats-Unis font donc croire à une guerre avec le Canada. Seul le shériff des chutes du Niagara prend la chose au sérieux.",5.1659,"\u002FvKe84dY42E40MuClFhwwRfScI0N.jpg","1995-06-08",5.74,271,"Redneck Guy #2","52fe4314c3a36847f8038aa3",37,{"adult":4,"backdrop_path":125,"genre_ids":126,"id":127,"title":128,"original_language":34,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":134,"character":41,"credit_id":135,"order":58,"media_type":44},"\u002FyvqAedtvpEXsc4SKrHQ7DkRLGMZ.jpg",[31,61,48],2359,"Sicko","Le système de santé américain est en plein marasme. Car non seulement 47 millions de citoyens n'ont aucune couverture médicale, mais des millions d'autres, pourtant bénéficiaires d'une mutuelle, se heurtent systématiquement aux lourdeurs administratives du système. Au terme d'une enquête sans concession sur le système de santé dans son propre pays, Michael Moore nous offre un tour d'horizon des dispositifs existants au Canada, en Grande-Bretagne et en France, où les citoyens sont soignés gratuitement.",5.8609,"\u002FnOTuU1uBqzimO3Bq8Oa4dbwtuhG.jpg","2007-05-18",7.358,817,"52fe4351c3a36847f804b239",{"adult":4,"backdrop_path":137,"genre_ids":138,"id":139,"title":140,"original_language":34,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":146,"character":147,"credit_id":148,"order":17,"media_type":44},"\u002F6sIRxzsPNWfM8zID4C1kySYaqcw.jpg",[61,31],3396,"The Yes Men","En 1999, Andy Bichlbaum et Mike Bonanno créent un site internet parodique qui imite celui de la toute-puissante Organisation Mondiale du Commerce. Leur imitation n’est pas trop mauvaise puisque, rapidement, des gens commencent à visiter leur site sans réaliser qu’il s’agit d’une plaisanterie ! Certains n’hésitent pas à poser des questions sur la libéralisation du commerce, et nos joyeux imposteurs décident d’y répondre de leur mieux…",1.5209,"\u002FlbwXEMe4fz6hj3ySwgstRJx38Wz.jpg","2003-09-07",6.813,107,"Himself","52fe4391c3a36847f805e22f",{"adult":4,"backdrop_path":150,"genre_ids":151,"id":153,"title":154,"original_language":34,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":161,"character":162,"credit_id":163,"order":164,"media_type":44},"\u002FaZmSjtNzSqgSE9ZDW1fe3EPvS6e.jpg",[61,152],80,10783,"Le Bon Numéro","Lucky Numbers","Présentateur météo à la télévision locale converti en vendeur de motoneiges, Russ Richards mène une vie insipide à Harrisburg, en Pennsylvanie. L'hiver ne durant que quelques mois, son commerce de motoneiges ne lui rapporte pas la fortune escomptée. L'argent ne fait peut-être pas le bonheur, mais Russ aimerait bien en avoir un peu plus pour arrondir ses fins de mois. Si seulement il pouvait décrocher le gros lot... Sur ce, il décide de séduire Crystal Latroy, une potiche coanimatrice de la loterie nationale. Grâce à elle, Russ élabore une escroquerie leur permettant d'obtenir les bons chiffres au prochain tirage. Devenus riches, ils pourront enfin vivre la vie qu'ils souhaitent...",3.7605,"\u002F7kITbtlIaArfAFhRKnKA6Cvette.jpg","2000-10-27",5.2,201,"Walter","52fe43b69251416c7501b36f",8,{"adult":4,"backdrop_path":16,"genre_ids":166,"id":167,"title":168,"original_language":34,"original_title":168,"overview":35,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":106,"vote_count":172,"character":147,"credit_id":173,"order":70,"media_type":44},[31],22808,"Michael & Me",1.1129,"\u002FnPb4QYaGjpUKnj93c22LXKaoQCG.jpg","2004-01-01",6,"52fe4450c3a368484e01c203",{"adult":4,"backdrop_path":175,"genre_ids":176,"id":177,"title":178,"original_language":34,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"character":41,"credit_id":185,"order":58,"media_type":44},"\u002F2cBCFvMDLZowXKvMaCGot5dmHUz.jpg",[31,86],22074,"Capitalism: A Love Story","Michael Moore revient sur la question qu'il a examinée tout au long de sa carrière : l'impact désastreux de la domination des entreprises sur la vie quotidienne des Américains (et, par défaut, sur le reste du monde). Michael Moore s'attaque à la crise financière et prend d'assaut Wall Street, en dénonçant \"la plus grande escroquerie de l'histoire américaine\".",5.0139,"\u002F2SpEHm4B1ZF4cR8Owldw7a5hCwo.jpg","2009-09-06",7.1,594,"52fe4432c3a368484e015271",{"adult":4,"backdrop_path":187,"genre_ids":188,"id":189,"title":190,"original_language":34,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":195,"vote_count":196,"character":41,"credit_id":197,"order":68,"media_type":44},"\u002F2JJkxOfwjyTeNOyKl46jlgG7fDL.jpg",[31],11420,"The Corporation","Ce documentaire montre l'évolution des \"Sociétés Anonymes\" (appelées Corporations en anglais) aux USA, reprenant leur histoire depuis leur apparition avec la Révolution industrielle, où elles étaient conçues pour répondre au bien public mais furent détournées de cet objectif par la recherche du profit.",2.7075,"\u002FaN7LHIKHkq6x16a4pXlaiB7PHiP.jpg","2003-09-10",7.6,291,"52fe443c9251416c7502d959",{"adult":4,"backdrop_path":199,"genre_ids":200,"id":201,"title":202,"original_language":34,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":39,"vote_count":208,"character":41,"credit_id":209,"order":172,"media_type":44},"\u002FwX3s5HW7u5qT4FoYdZ6FRibHq73.jpg",[31,86],33203,"Orwell rolls in his grave","Orwell Rolls in His Grave","État des lieux sans concession du système médiatique américain par des journalistes de renom, des professeurs d'université, un membre du Congrès, l'ancien procureur de Los Angeles, Michael Moore, des producteurs de TV et d'autres intervenants directement concernés. Un immanquable pour qui veut toucher du doigt l'état de dépendance des médias au pouvoir.",1.481,"\u002FrM8XHRNDITDCKtqoaqn8eyZYXtf.jpg","2003-10-23",22,"52fe45049251416c9102499d",{"adult":4,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":34,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":221,"character":41,"credit_id":222,"order":58,"media_type":44},"\u002FvnmOVJbzS546L1lnxtO2EgRzAXN.jpg",[31],27827,"Michael Moore, Polémique Système","Manufacturing Dissent","Si le fond des combats de Michael Moore semble légitime, ses méthodes de travail ne le sont pas toujours. Remontant jusqu'aux débuts de la carrière du très médiatique réalisateur de \"Fahrenheit 9\u002F11\", \"Bowling for Columbine\" et \"Sicko\", ce documentaire livre un éclairage édifiant sur les méthodes de Moore pour rendre ses documentaires toujours plus efficaces : se mettre lui-même en scène, pratiquer des raccourcis commodes, sortir une interview de son contexte, biaiser... Il use ainsi, lui aussi, d'un arsenal discutable pour servir autant son propos que ses intérêts : avec ce documentaire, c'est l'arroseurs arrosé !",1.306,"\u002Fh43w3x4EsUqV9djlybzl8sXKu9P.jpg","2007-02-11",5.4,26,"52fe4568c3a368484e058e85",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":34,"original_title":228,"overview":35,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":67,"vote_count":232,"character":233,"credit_id":234,"order":17,"media_type":44},"\u002FiYcYlFINz3vCFRlYl87yjeq4IhJ.jpg",[31],13516,"Le soulèvement flemmard","Slacker Uprising",1.7038,"\u002F8MUTTEYChFsIa4CLohmgNQh9cyR.jpg","2007-09-07",43,"Self - Narrator","52fe45749251416c7505724b",{"adult":4,"backdrop_path":16,"genre_ids":236,"id":237,"title":238,"original_language":34,"original_title":238,"overview":35,"popularity":239,"poster_path":240,"release_date":241,"softcore":4,"video":4,"vote_average":220,"vote_count":242,"character":41,"credit_id":243,"order":244,"media_type":44},[31,86],60383,"Stupidity",1.2541,"\u002FundzoKFk12WeYqF4Rw24kWisDsK.jpg","2003-01-01",13,"52fe4622c3a368484e080851",7,{"adult":4,"backdrop_path":246,"genre_ids":247,"id":248,"title":249,"original_language":34,"original_title":249,"overview":35,"popularity":250,"poster_path":251,"release_date":252,"softcore":4,"video":4,"vote_average":220,"vote_count":253,"character":254,"credit_id":255,"order":244,"media_type":44},"\u002FwznFWFoRcOKvXkFGuWObIJ2e5L3.jpg",[48],64192,"The Fever",2.0898,"\u002FfXLee26yjmFAZG3ZEZwZ8eTcPJ7.jpg","2004-09-24",16,"The War Correspondent","52fe46ccc3a368484e0a46cd",{"adult":4,"backdrop_path":16,"genre_ids":257,"id":258,"title":259,"original_language":34,"original_title":259,"overview":35,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":263,"vote_count":70,"character":264,"credit_id":265,"order":70,"media_type":44},[31],900441,"2020: The Dumpster Fire",1.4128,"\u002FoTOpG3BCUwgpLewDldfXKTAq9ZZ.jpg","2021-12-07",5,"Contributor","61dcb60470b4440042a5b24c",{"adult":4,"backdrop_path":16,"genre_ids":267,"id":268,"title":269,"original_language":34,"original_title":269,"overview":35,"popularity":270,"poster_path":271,"release_date":272,"softcore":4,"video":4,"vote_average":273,"vote_count":274,"character":275,"credit_id":276,"order":277,"media_type":44},[31],41856,"...So Goes the Nation",1.5966,"\u002FrxsauQkTVVnWJCUZOsI79OXJgOl.jpg","2006-10-04",6.9,9,"Self (archive 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State",1.3669,"\u002Fob5HFn2SsjlMYahGw3p2fvCP1eB.jpg","2005-06-08",true,12,"620607a538e5100114ea44e5",{"adult":4,"backdrop_path":290,"genre_ids":291,"id":292,"title":293,"original_language":34,"original_title":293,"overview":35,"popularity":294,"poster_path":295,"release_date":296,"softcore":4,"video":4,"vote_average":273,"vote_count":297,"character":41,"credit_id":298,"order":164,"media_type":44},"\u002FaI0cRhsqcClmgN4jhy4KNhPeH33.jpg",[31],57510,"Ethos",1.3611,"\u002Fq9103y3olGV23NknJHFXQOSXqUL.jpg","2011-02-10",24,"52fe4937c3a36847f818f3df",{"adult":4,"backdrop_path":300,"genre_ids":301,"id":302,"title":303,"original_language":34,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":309,"vote_count":242,"character":41,"credit_id":310,"order":58,"media_type":44},"\u002FoBNF9ftpIJG58clu6X2rnUYgjv5.jpg",[31],123097,"De compagnie ou de consommation : le retour à Flint","Pets or Meat: The Return to Flint","Michael Moore revient dans sa ville natale de Flint, dans le Michigan, afin de retrouver certains des personnages de \"Roger & Me\", son précédent film.\r Le titre du film fait référence à Rhonda Britton, une résidente de Flint apparaissant dans les deux films, qui vend des lapins soit comme animaux de compagnie, soit comme viande...",1.4444,"\u002F8uatVKyLQvLCUsSVuqQcK52XMx6.jpg","1992-09-11",6.8,"52fe4a8cc3a368484e159dff",{"adult":4,"backdrop_path":312,"genre_ids":313,"id":314,"title":315,"original_language":34,"original_title":315,"overview":35,"popularity":316,"poster_path":317,"release_date":318,"softcore":4,"video":4,"vote_average":273,"vote_count":164,"character":41,"credit_id":319,"order":17,"media_type":44},"\u002FpLdPmaJadrD3hWMpFNUyYWQ2FfW.jpg",[31,61],18520,"Al Franken: God Spoke",1.5509,"\u002F5vPgRp5F4jBQUE6PE7DnIce857C.jpg","2006-01-01","6520d12a5b124000ad696903",{"adult":4,"backdrop_path":16,"genre_ids":321,"id":322,"title":323,"original_language":34,"original_title":323,"overview":35,"popularity":324,"poster_path":325,"release_date":326,"softcore":4,"video":4,"vote_average":327,"vote_count":164,"character":35,"credit_id":328,"order":48,"media_type":44},[31],21754,"Fahrenhype 9\u002F11",0.9939,"\u002Fs48v4v5zJ4oy18XB5cqQMsql7Zp.jpg","2004-10-05",4.5,"65578af67f054018d78f0064",{"adult":4,"backdrop_path":330,"genre_ids":331,"id":333,"title":334,"original_language":34,"original_title":334,"overview":35,"popularity":335,"poster_path":336,"release_date":337,"softcore":4,"video":4,"vote_average":309,"vote_count":338,"character":339,"credit_id":340,"order":172,"media_type":44},"\u002FguSb6lfH0lLYJQ9QSQn60jeBMKz.jpg",[31,332],10770,253639,"And the Oscar Goes To...",1.9819,"\u002FrRL4xf3Z6kgLUyb5vbGKErlzP4h.jpg","2014-02-01",60,"Self - Interviewee","5526e91f9251417248004cc5",{"adult":4,"backdrop_path":342,"genre_ids":343,"id":344,"title":345,"original_language":34,"original_title":346,"overview":347,"popularity":348,"poster_path":349,"release_date":350,"softcore":4,"video":4,"vote_average":351,"vote_count":352,"character":41,"credit_id":353,"order":58,"media_type":44},"\u002Fu0MkKzk3WwfrV7GgRTXVoFTP5TA.jpg",[31,61],352208,"Where to invade next","Where to Invade Next","Dans son nouveau documentaire, Michael Moore décide de s'amuser à envahir le monde pour déterminer ce que les États-Unis peuvent apprendre des autres pays.",3.2322,"\u002FrXBkKLAQM8z01WhJTDSctDscYa8.jpg","2015-12-23",7.246,556,"55b93b14c3a3684aeb0027e7",{"adult":4,"backdrop_path":355,"genre_ids":356,"id":358,"title":359,"original_language":34,"original_title":359,"overview":35,"popularity":360,"poster_path":361,"release_date":362,"softcore":4,"video":4,"vote_average":164,"vote_count":17,"character":147,"credit_id":363,"order":274,"media_type":44},"\u002FoLqrUEE3Ml0DdsSUNMpeO95L7nw.jpg",[357,31],10402,386669,"Beyond Barricades",1.0579,"\u002F8ekabSRyRzzAzxdFaQHOFJlUz9n.jpg","2020-10-03","57ade27dc3a3683f7f0003bf",{"adult":4,"backdrop_path":365,"genre_ids":366,"id":367,"title":368,"original_language":34,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":4,"video":4,"vote_average":374,"vote_count":375,"character":41,"credit_id":376,"order":17,"media_type":44},"\u002FsaPa9r2LUTRFc0KbgX9accXzZ2o.jpg",[31],421851,"Michael Moore à TrumpLand","Michael Moore in TrumpLand","Seul sur scène dans un théâtre de l'Ohio, devant un public acquis à Donald Trump, Michael Moore aborde, avec sa verve habituelle, tous les grands thèmes de la campagne électorale américaine. Ce show politico-satirique apporte un éclairage inédit sur des élections plutôt atypiques.",1.8453,"\u002F34SMkpy0NcLnlbcDsUlIHS0Puad.jpg","2016-10-18",5.853,102,"5806897a9251415a7a00aee4",{"adult":4,"backdrop_path":378,"genre_ids":379,"id":380,"title":381,"original_language":34,"original_title":382,"overview":383,"popularity":384,"poster_path":385,"release_date":386,"softcore":4,"video":4,"vote_average":387,"vote_count":388,"character":389,"credit_id":390,"order":391,"media_type":44},"\u002Fut0D7P0UGHAmEje50QuFeCIyN3b.jpg",[61],11374,"En direct sur Ed TV","EDtv","Vendeur dans un vidéo-club à San Francisco, Ed voit sa vie chamboulée du jour au lendemain en acceptant d'être le héros d'un nouveau concept de télé-réalité. La chaîne câblée Canal Vérité lui propose de le suivre au quotidien jour et nuit. Bien qu'il s'adapte rapidement a cette intrusion visuelle, Ed sera confronté à une notoriété voyeuriste et devra assumer devant toute l'Amérique sa relation sentimentale avec la petite amie de son frère, ou encore celle avec une actrice aussi sexy qu'ambitieuse.",4.3962,"\u002FzumMJzrkqBv0bhJiHgUUItguChR.jpg","1999-03-26",5.961,727,"Panel Member","5963aba89251410a590f5c01",46,{"adult":4,"backdrop_path":393,"genre_ids":394,"id":395,"title":396,"original_language":34,"original_title":397,"overview":398,"popularity":399,"poster_path":400,"release_date":401,"softcore":4,"video":4,"vote_average":402,"vote_count":403,"character":404,"credit_id":405,"order":406,"media_type":44},"\u002FzUHoX7CBqKpFQuLFbvxn7uJ1Iy8.jpg",[31],410205,"Tous les gouvernements mentent","All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone","Isador Feinstein Stone, alias \"I. F.\" ou \"Izzy\" Stone (1907-1989) est l’une des figures les plus glorieuses du journalisme américain. Farouchement indépendant et engagé à gauche, il a battu en brèche durant des décennies la propagande politique, les abus du Maccartisme, la ségrégation raciale, la guerre du Vietnam et la collusion avec l’industrie.  Au nom de sa devise, \"Tous les gouvernements mentent\", il a défendu âprement la liberté et la démocratie promises par la Constitution dans un bulletin hebdomadaire austère et dépourvu de toute publicité. Placé sous son autorité tutélaire, ce documentaire part à la rencontre de ses héritiers dans l’Amérique d’aujourd’hui – engagée au moment du tournage dans une campagne qui n’avait pas encore été couronnée par la victoire de Trump, mais avait déjà vu éliminer le candidat à l’investiture démocrate Bernie Sanders.",2.2115,"\u002Fv4y9Ch9ffA5uRiIS3VG3jdahQB4.jpg","2016-11-04",7.4,19,"Self - Independent Filmmaker","59513f369251412ac700e0b6",40,{"adult":4,"backdrop_path":16,"genre_ids":408,"id":409,"title":410,"original_language":34,"original_title":410,"overview":35,"popularity":411,"poster_path":412,"release_date":413,"softcore":4,"video":4,"vote_average":414,"vote_count":263,"character":415,"credit_id":416,"order":58,"media_type":44},[31],138022,"Blood in the Face",1.556,"\u002Fr3PkGhRgoJB4QnYsF5U6wARd9xT.jpg","1991-02-27",6.4,"Interviewer","59b4b38392514149480026c4",{"adult":4,"backdrop_path":418,"genre_ids":419,"id":420,"title":421,"original_language":34,"original_title":421,"overview":35,"popularity":422,"poster_path":423,"release_date":424,"softcore":4,"video":4,"vote_average":160,"vote_count":425,"character":426,"credit_id":427,"order":428,"media_type":44},"\u002F5wLy105E6V08XScgKu0waCich7Q.jpg",[31],20328,"Michael Moore Hates America",1.6242,"\u002Fp6ruftIefW1QtZdtfqnKV5WHtTl.jpg","2004-09-12",25,"Self (archive footage) (uncredited)","59c3710c9251415b2800e0ad",27,{"adult":4,"backdrop_path":430,"genre_ids":431,"id":432,"title":433,"original_language":34,"original_title":433,"overview":434,"popularity":435,"poster_path":436,"release_date":437,"softcore":4,"video":4,"vote_average":183,"vote_count":438,"character":41,"credit_id":439,"order":58,"media_type":44},"\u002FvBhFCHx3gMQfAdqJTyIiQK3IckS.jpg",[31],532908,"Fahrenheit 11\u002F9","Fahrenheit 11\u002F9 est un documentaire sur l'élection présidentielle américaine de 2016 et la présidence de Donald Trump. Le titre du film fait référence à la date de l'annonce par l'Associated Press de la victoire de Trump et fait également allusion au documentaire Fahrenheit 9\u002F11 du même Moore. La sortie du film est prévue le 21 septembre 2018  avant les élections de mi-mandat.",5.8165,"\u002F7jLdke9mchd1UrYpqeNaq5h0oYo.jpg","2018-09-10",494,"5b3710a59251413c93033251",{"adult":4,"backdrop_path":441,"genre_ids":442,"id":443,"title":444,"original_language":34,"original_title":444,"overview":445,"popularity":446,"poster_path":447,"release_date":448,"softcore":4,"video":4,"vote_average":106,"vote_count":449,"character":275,"credit_id":450,"order":17,"media_type":44},"\u002Fkwccaxm4rN5eVVZzkRIkac8Lba9.jpg",[31],376534,"Cameraperson","Kirsten Johnson, directrice de la photo depuis plus de 25 ans (ayant travaillé sur des documentaires tel que Citizenfour, La Guerre Invisible, The Oath et de nombreux autres), partage avec nous un journal composé de rushes de ses nombreux tournages, pour tenter de comprendre ce que signifie le fait de voir le monde à travers un objectif..",3.1782,"\u002FlqVadNIZZuE7RmpFpsMYSAgbiIA.jpg","2016-09-09",95,"5b592a9f0e0a2611f9003965",{"adult":4,"backdrop_path":16,"genre_ids":452,"id":453,"title":454,"original_language":34,"original_title":454,"overview":35,"popularity":455,"poster_path":456,"release_date":457,"softcore":4,"video":4,"vote_average":458,"vote_count":68,"character":41,"credit_id":459,"order":403,"media_type":44},[31],402813,"The 4%: Film's Gender Problem",1.8008,"\u002F47k7MctSF7EDx3qiLVgcPVOCDOo.jpg","2016-03-08",3.3,"5bda6b890e0a2603b8005878",{"adult":4,"backdrop_path":461,"genre_ids":462,"id":463,"title":464,"original_language":34,"original_title":464,"overview":465,"popularity":466,"poster_path":467,"release_date":468,"softcore":4,"video":4,"vote_average":414,"vote_count":425,"character":41,"credit_id":469,"order":274,"media_type":44},"\u002FpmmPUfLIGa80TFJd8bDSz9SDGzY.jpg",[31],219292,"What Is Cinema?","En utilisant les mots et les idées de grands cinéastes, des interviews d'archives avec Alfred Hitchcock et Robert Bresson aux nouvelles interviews de Mike Leigh, David Lynch et Jonas Mekas, le cinéaste oscarisé Chuck Workman montre ce que ces cinéastes et d'autres font ce qui ne peut pas être exprimé en mots - mais seulement au cinéma.",1.6129,"\u002Fa7lscT93aGgvD6W5Po7dTVLdv19.jpg","2013-09-06","5c512967c3a368576a96b13e",{"adult":4,"backdrop_path":16,"genre_ids":471,"id":472,"title":473,"original_language":34,"original_title":473,"overview":35,"popularity":474,"poster_path":16,"release_date":475,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"character":35,"credit_id":476,"order":70,"media_type":44},[31],581849,"Prescription for Disaster",1.069,"2006-04-21","5c63b64c0e0a2625d1957725",{"adult":4,"backdrop_path":478,"genre_ids":479,"id":480,"title":481,"original_language":34,"original_title":482,"overview":483,"popularity":484,"poster_path":485,"release_date":486,"softcore":4,"video":4,"vote_average":487,"vote_count":221,"character":41,"credit_id":488,"order":68,"media_type":44},"\u002F5VfLKiLh4dvsORsTif710t10yeW.jpg",[31,357],36802,"Madonna: I'm Going to Tell You a Secret","I'm Going to Tell You a Secret","I'm Going to Tell You a Secret est un documentaire suivant la tournée du « Re-Invention Tour » de Madonna. Le spectateur est invité à suivre les auditions des danseurs, suivre les accrocs de la vie quotidienne de la vedette et à assister à l'évolution de son raisonnement politique et spirituel. Le film a été diffusé pour la première fois sur la chaîne américaine MTV le 21 octobre 2005.Le film a été réalisé par Jonas Åkerlund, mieux connu pour être l'auteur de vidéo-clips musicaux, d'annonces publicitaires et du long métrage Spun. Ce documentaire est souvent assimilé comme étant la suite de In Bed with Madonna (Au lit avec Madonna en français) qui a vu le jour quatorze ans auparavant. Dans les deux cas, les scènes de coulisses sont présentées en monochrome alors que les prestations de spectacle sont en couleurs.I'm Going to Tell You a Secret a été distribué le 20 juin 2006 sur support médiatique CD+DVD (boîtier CD), DVD+CD(boîtier DVD) ainsi qu'en téléchargement numérique.",2.5302,"\u002FmtSKvNCJYTbI7vXOk2DGWRz1Awf.jpg","2005-10-18",6.6,"5d5de09e18864b0016fb4cd1",{"adult":4,"backdrop_path":490,"genre_ids":491,"id":492,"title":493,"original_language":34,"original_title":493,"overview":35,"popularity":494,"poster_path":495,"release_date":496,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"character":275,"credit_id":497,"order":498,"media_type":44},"\u002FazMnvabcSeeVq7Ps9ELRcVLzYsJ.jpg",[31,357],730566,"Doot Doola Doot Doo ... Doot Doo!",1.1284,"\u002F8p2GeuXqR9SWiLKc1fN4PMLE4pc.jpg","2006-02-28","5f2c46cb45819900315c2f37",10,{"adult":4,"backdrop_path":500,"genre_ids":501,"id":502,"title":503,"original_language":34,"original_title":503,"overview":35,"popularity":504,"poster_path":505,"release_date":506,"softcore":4,"video":4,"vote_average":507,"vote_count":508,"character":275,"credit_id":509,"order":242,"media_type":44},"\u002FxsIUIFmc7lVmuzOHSm4TKHqpiFb.jpg",[31],47426,"South of the Border",1.8422,"\u002F8JwbicUe7NsPk6azviHzUGpXT41.jpg","2009-09-07",6.102,44,"6035868b223e20003d0334c4",{"adult":4,"backdrop_path":511,"genre_ids":512,"id":513,"title":514,"original_language":34,"original_title":514,"overview":35,"popularity":515,"poster_path":516,"release_date":517,"softcore":4,"video":4,"vote_average":518,"vote_count":519,"character":275,"credit_id":520,"order":58,"media_type":44},"\u002FinRtRgbluqwv4V735g3HctR18QV.jpg",[31],210864,"Celsius 41.11",1.6871,"\u002FlsmYA3XniqkQUHWVPpD9uVb8VX2.jpg","2004-10-22",5.5,4,"605c7125e4c9eb006ab90376",{"adult":4,"backdrop_path":16,"genre_ids":522,"id":523,"title":524,"original_language":34,"original_title":524,"overview":35,"popularity":525,"poster_path":526,"release_date":527,"softcore":4,"video":4,"vote_average":172,"vote_count":68,"character":41,"credit_id":528,"order":498,"media_type":44},[31],806596,"Last Laugh '04",2.2391,"\u002Fl5znVW8ZSQc7WeXaUv6l99MTJi1.jpg","2004-12-12","6050ff7d24b3330073d1fdae",{"adult":4,"backdrop_path":530,"genre_ids":531,"id":532,"title":533,"original_language":34,"original_title":533,"overview":35,"popularity":534,"poster_path":535,"release_date":536,"softcore":4,"video":4,"vote_average":309,"vote_count":287,"character":41,"credit_id":537,"order":68,"media_type":44},"\u002FjpdP7ZcBHrXSnBP915erFxWhVBm.jpg",[31],78529,"Last Party 2000",1.5355,"\u002F7MTdoGNXuOffq08tRTmUsO0K2yB.jpg","2001-11-02","6709de40576497fbd05a4538",{"adult":4,"backdrop_path":16,"genre_ids":539,"id":540,"title":541,"original_language":34,"original_title":541,"overview":35,"popularity":542,"poster_path":543,"release_date":544,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"character":41,"credit_id":545,"order":244,"media_type":44},[31],1456142,"Space Chasers",1.1209,"\u002FksteE9xfzZicS1DurolyVosnMAv.jpg","2025-03-29","67e826b6b5655aac426392b6",{"adult":4,"backdrop_path":16,"genre_ids":547,"id":548,"title":549,"original_language":34,"original_title":549,"overview":35,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":263,"vote_count":68,"character":41,"credit_id":553,"order":70,"media_type":44},[31],333378,"Roseanne for 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One",0.9922,"\u002F3ZqdKgLIZhIgyUJGbE4MYNp8tbY.jpg","2011-01-01","692f1de996fefd56a426f3fc",{"adult":4,"backdrop_path":572,"genre_ids":573,"id":574,"title":575,"original_language":34,"original_title":575,"overview":576,"popularity":577,"poster_path":578,"release_date":579,"softcore":4,"video":4,"vote_average":580,"vote_count":581,"character":275,"credit_id":582,"order":242,"media_type":44},"\u002FiVqXcSZs4ye2HTROwUYQgy3Dx7c.jpg",[31],1098534,"Orwell: 2+2=5","Une plongée dans les derniers mois de la vie d’Orwell et dans son œuvre visionnaire pour explorer les racines des concepts troublants qu’il a révélés au monde dans son chef-d’œuvre dystopique : le double discours, le crime par la pensée, la novlangue, le spectre omniprésent de Big Brother… des vérités sociopolitiques qui résonnent encore plus puissamment aujourd’hui.",3.1613,"\u002FtSDjEaCL8HOTtvkTgKcweeN61b3.jpg","2025-10-03",7.2,50,"6944591c3e3232c49ed579ef",{"adult":4,"backdrop_path":584,"genre_ids":585,"id":586,"origin_country":587,"original_language":34,"original_name":589,"overview":590,"popularity":591,"poster_path":592,"first_air_date":593,"softcore":4,"name":594,"vote_average":595,"vote_count":596,"character":22,"credit_id":597,"episode_count":17,"first_credit_air_date":598,"media_type":599},"\u002FbEjFkaFctIXgCUeYn4ei3ECULQi.jpg",[61],500,[588],"US","Mad About You","La vie de couple n'est jamais facile, et Paul et Jamie se rendent bien compte que la cohabitation est une véritable épreuve : il faut s'adapter aux habitudes et aux manies de l'autre, supporter les amis envahissants et la belle famille, et renoncer à son intimité...",64.2117,"\u002FvvnslQjc1LnERuroGVh8bPdBi2r.jpg","1992-09-23","Dingue de toi",6.786,269,"52537beb19c2957940193523","1997-05-20","tv",{"adult":4,"backdrop_path":601,"genre_ids":602,"id":603,"origin_country":604,"original_language":34,"original_name":605,"overview":606,"popularity":607,"poster_path":608,"first_air_date":609,"softcore":4,"name":610,"vote_average":611,"vote_count":612,"character":613,"credit_id":614,"episode_count":70,"first_credit_air_date":615,"media_type":599},"\u002FjIArNHIekrCSVgdMbKPAXpPY03Y.jpg",[253,61],456,[588],"The Simpsons","Située à Springfield, ville américaine moyenne, la série se concentre sur les singeries et les aventures quotidiennes de la famille Simpson : Homer, Marge, Bart, Lisa et Maggie, ainsi que des milliers d'autres personnages.",406.6591,"\u002Fpy1CAYqgpKKtLBdtctLIXfDYDjW.jpg","1989-12-17","Les Simpson",8.024,11084,"Michael Moore (voice)","5256c33619c2956ff601ea94","2003-11-16",{"adult":4,"backdrop_path":617,"genre_ids":618,"id":620,"origin_country":621,"original_language":34,"original_name":622,"overview":623,"popularity":624,"poster_path":625,"first_air_date":626,"softcore":4,"name":627,"vote_average":628,"vote_count":629,"character":41,"credit_id":630,"episode_count":172,"first_credit_air_date":631,"media_type":599},"\u002FqLMfcvdCcCGD2BNLH8b6ZCBuO7D.jpg",[619,61],10763,2224,[588],"The Daily Show","Trevor Noah et l'équipe de la plus fausse information au monde abordent les plus grandes histoires de l'actualité, de la politique et de la culture pop.",325.1139,"\u002Fnp5l5SGS990ZV6FcP9CCRPq3hSe.jpg","1996-07-22","Le Daily Show",6.422,672,"52572a14760ee3776a2c4335","2002-11-13",{"adult":4,"backdrop_path":633,"genre_ids":634,"id":636,"origin_country":637,"original_language":34,"original_name":638,"overview":639,"popularity":640,"poster_path":641,"first_air_date":642,"softcore":4,"name":643,"vote_average":644,"vote_count":645,"character":646,"credit_id":647,"episode_count":519,"first_credit_air_date":648,"media_type":599},"\u002FtHZsAFdtNsKNxE58jopl9Eh4f7a.jpg",[635],10767,2221,[588],"The View","Cinq femmes avec des perspectives très différentes sur la politique, Hollywood et ses stars, et l'actualité discutent de ces sujets et d'autres sujets de division du jour.",167.6572,"\u002FpEUNIxCMh2jFjUj7u09f4O5CcR4.jpg","1997-08-11","La Vue",4.3,115,"Self - 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Your Roots",30.1034,"\u002F25RJm3FmH8to42K5ZT9cGs6KUhY.jpg","2012-03-24",6.5,20,"604274831c63290044e1f99c","2019-02-26",{"adult":4,"backdrop_path":688,"genre_ids":689,"id":690,"origin_country":691,"original_language":34,"original_name":692,"overview":35,"popularity":693,"poster_path":694,"first_air_date":695,"softcore":4,"name":692,"vote_average":244,"vote_count":696,"character":275,"credit_id":697,"episode_count":70,"first_credit_air_date":698,"media_type":599},"\u002FsuJrd698AXDelnxk5cdwdXz0cMr.jpg",[31],105763,[588],"The New York Times 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