[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1650:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":13,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":1541},false,[6,7,8],"프랑수아 트뤼포","弗朗索瓦·特吕弗","프랑소와 트뤼포","François Truffaut, né le 6 février 1932 à Paris 17e et mort à 52 ans le 21 octobre 1984 à Neuilly-sur-Seine, est un cinéaste français, figure majeure de la Nouvelle Vague et auteur de vingt et un longs-métrages qui ont contribué à révolutionner la narration cinématographique.\n\nInitialement critique à Arts-Lettres-Spectacles et aux Cahiers du cinéma il passe, dès l'âge de vingt-deux ans, de l'écriture à une carrière de scénariste et réalisateur autodidacte, suivant la politique du cinéma d'auteur qu'il défendait dans ses écrits. Il s'est fait acteur pour plusieurs films et a été aussi un producteur favorisant, contre un cinéma de divertissement purement commercial, la «politique des auteurs» espérée par Marcel L'Herbier.\n\nFrançois Truffaut naît le 6 février 1932 de père inconnu chez une sage femme, rue Léon-Cogniet dans le 17ème arrondissement de Paris. Au terme d'une grossesse qu'elle a cachée, sa mère, Jeanine de Monferrand, secrétaire au journal L'Illustration, confie le bébé à une nourrice, à Montmorency puis à Boissy-Saint-Léger. La position de fille-mère, dans le milieu bourgeois et catholique dont elle est issue, est un objet de scandale.\n\nLe 9 novembre 1933, sa mère épouse Roland Truffautnote, dessinateur dans un cabinet d'architecte-décorateur, qu'elle a rencontré au Club alpin, dont son père est vice-président, et qui a reconnu l'enfant à l'état civil le 24 octobre précédent. Au printemps, moins de neuf mois après le mariage, elle met au monde un petit René, qui ne survit pas plus de huit semaines. Le deuil de l'enfant légitime inscrit définitivement le petit François dans la position d'enfant rejeté. À l'âge de trois ans, François est retiré de chez sa nourrice mais, le plus souvent, il est confié à ses grands-parents, Jean et Geneviève de Montferrand, qui habitent 21 rue Henry-Monnier, dans le 9e arrondissement. Ses parents habitent à quarante mètres, dans un immeuble moins bourgeois. Ils gagnent peu, même si Roland Truffaut a trouvé un emploi stable aux Éclaireurs de France, rue de la Chaussée d'Antin, où il est chargé de concevoir l'aménagement des locaux utilisés pour les activités de scoutisme, tels que des chalets. L'enfant va à l'école maternelle 12 rue Clauzel puis à l'école élémentaire du lycée Rollin, où il est bien noté.\n\nDès 1939, le jeune François Truffaut, qui a pris goût à la lecture auprès de sa grand mère, fréquente aussi les cinémas, le soir et souvent pendant les heures de classe. Il collectionne près de trois cents dossiers constitués d'articles de journaux découpés et de photographies volées dans les cinémas sur les cinéastes, Renoir, Gance, Cocteau, Vigo, Clair, Allégret, Clouzot, Autant Lara... Quand la guerre éclate, celui qu'il croit son père est mobilisé et il reste un an avec ses grands-parents à Ty Rosen, la maison que chaque été ceux-ci louent à Binic. ...\n\nSource: Article \"François Truffaut\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1932-02-06","1984-10-21",2,null,1650,"nm0000076","Directing","François Truffaut","Paris, France",1.7965,"\u002F3bXLtipaybsje01LlQvHvuUAZNq.jpg",{"cast":22,"crew":974},[23,42,57,70,84,100,114,124,134,141,154,165,177,189,202,212,226,233,242,253,264,275,285,293,302,316,327,336,345,354,361,371,380,394,405,413,421,428,438,447,454,468,479,488,499,509,522,535,545,556,564,574,582,595,602,613,623,633,646,654,665,674,685,694,703,717,727,737,749,759,768,779,786,796,807,817,829,842,854,867,880,891,904,918,930,941,953,964],{"adult":4,"backdrop_path":24,"genre_ids":25,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002F9JJqO2yNfoE4uAbu5FDhIhwbqpq.jpg",[26,27,28],35,18,10749,258,"Domicile conjugal","fr","Antoine Doinel a finalement épousé Christine Dabon. Le jeune homme est embauché dans une entreprise d'hydraulique après avoir quitté son travail de teinturier pour fleurs. Peu de temps après, Antoine rencontre Kyoko, une Japonaise avec qui il trompe Christine alors que celle-ci vient de mettre au monde leur fils Alphonse.",3.4782,"\u002FpkxOyYjtmb7dtep6CC7lruG91uX.jpg","1970-09-09",7.1,319,"Le Marchand de Journaux (voice) (uncredited)","52fe422ec3a36847f800a4e5",11,"movie",{"adult":4,"backdrop_path":43,"genre_ids":44,"id":46,"title":47,"original_language":31,"original_title":47,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":53,"character":54,"credit_id":55,"order":56,"media_type":41},"\u002Fsiuwx1J6sQ1Hqe3KHQ270CaHGky.jpg",[27,45],36,1627,"L'Enfant sauvage","Après avoir été capturé par des paysans, un enfant sauvage est amené au Docteur Itard, à Paris. La plupart du monde scientifique le considère comme un enfant attardé, mais le Docteur Itard va réussir à éveiller ses capacités intellectuelles. La marge est étroite entre la sauvagerie civilisée de la vie parisienne et les règles brutales de vie dans la nature. Victor trouve un semblant d'équilibre près des fenêtres qui marquent la transition entre l'enfermement et le dehors. Les bougies et les airs de mandoline jouent aussi les médiateurs. Mais Victor paie son adaptation à des relations sociales en perdant sa capacité à vivre comme un sauvage.",3.0444,"\u002F9NvH9QobZ0F1XovHoZgeSzywiJN.jpg","1970-02-26",7.06,318,"Le Dr Jean Itard","52fe4306c3a36847f8034a07",1,{"adult":4,"backdrop_path":58,"genre_ids":59,"id":60,"title":61,"original_language":31,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":36,"vote_count":66,"character":67,"credit_id":68,"order":69,"media_type":41},"\u002FgoBPr2y6uMU063J08bXuJjCAlil.jpg",[26,27],1660,"L'Argent de poche","À Thiers, dans le Puy de Dôme, une poignée d’enfants vivent les dernières semaines de l’année scolaire en attendant les vacances avec impatience : Bruno, Patrick, Laurent, Mathieu ou encore Franck, sans oublier Martine… Tous vivent à leur rythme et donnent une âme à ce village où les deux instituteurs, Mlle Petit et M. Richet, tentent tant bien que mal de capter leur attention à l’approche de la colonie de vacances.",2.1485,"\u002Fly48oTQc1m0Zhbfg4yYG7MvoUrB.jpg","1976-03-17",171,"Martine's father","52fe430ac3a36847f8035ced",12,{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":31,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":81,"credit_id":82,"order":83,"media_type":41},"\u002F6MbFN88F27WvGC9WhAXq5KUIgTj.jpg",[26,27],1675,"La Nuit américaine","Ferrand, célèbre metteur en scène, commence le tournage de son nouveau film, « Je vous présente Pamela », aux studios de la Victorine, à Nice. Il a rassemblé autour de lui Bertrand, son producteur, Alphonse, le jeune premier, Julie Baker, une actrice américaine dépressive accompagnée de son mari, le docteur Nelson, Séverine, qui noie les outrages de l'âge dans la boisson, Alexandre, un acteur quinquagénaire et, bien sûr, toute son équipe technique. Le tournage se révèle long et difficile, d'autant plus que tous ces personnages accumulent intrigues, passions et éclats, devant et derrière les caméras…",3.3641,"\u002Fb4lrRaLFdOn6zy57EhDMQ34HGfF.jpg","1973-05-24",7.8,685,"Ferrand, the Director","52fe430bc3a36847f80362bd",7,{"adult":4,"backdrop_path":85,"genre_ids":86,"id":88,"title":89,"original_language":90,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"character":98,"credit_id":99,"order":56,"media_type":41},"\u002FyBCekmb7vK70xUhtsRQBcTu65sB.jpg",[87,27],878,840,"Rencontres du troisième type","en","Close Encounters of the Third Kind","Des faits étranges se produisent un peu partout dans le monde : des avions qui avaient disparu durant la Seconde Guerre mondiale sont retrouvés au Mexique en parfait état de marche, un cargo est découvert échoué au beau milieu du désert de Gobi. Dans l'Indiana, pendant qu'une coupure d'électricité paralyse la banlieue, Roy Neary, un réparateur de câbles, voit une \"soucoupe volante\" passer au-dessus de sa voiture. D'autres personnes sont également témoins de ce type de phénomène : Barry Guiler, un petit garçon de quatre ans, est réveillé par le bruit de ses jouets qui se mettent en route. Cherchant à savoir d'où proviennent ces ovnis, Roy Neary se heurte aux rigoureuses consignes de silence imposées par le gouvernement fédéral. Obsédé par ce qu'il a vu et hanté par une image de montagne qu'il essaie désespérément de reconstituer, il est abandonné par sa femme Ronnie et ses enfants. Il n'y a que Jillian, la mère de Barry, qui le comprenne.",13.7851,"\u002FjznNbJ80WvvlbLdGEjNsvwycDZC.jpg","1977-12-14",7.351,4892,"Claude Lacombe","52fe427ec3a36847f802349d",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":104,"title":105,"original_language":31,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":111,"credit_id":112,"order":113,"media_type":41},"\u002FvELrVWiWOu1flMkMoygl5QS5mci.jpg",[103],99,877537,"Catherine Deneuve à l'aventure ou une certaine blondeur","",1.3526,"\u002FrzwSv20DxaB81k9hme0COMViegw.jpg","1978-09-18",0,"Self","614f9dc6bbcae0008fb6a249",4,{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":31,"original_title":118,"overview":106,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":122,"credit_id":123,"order":69,"media_type":41},"\u002FesxF8hGBAFYo79CUnS4RdaCaYEM.jpg",[103],554535,"Il était une fois... « Les enchaînés »",1.4807,"\u002Fezcw33qEBI4amOBP21JptF6izju.jpg","2009-06-29","Self (archive footage)","63d97e86c15b5500a053993f",{"adult":4,"backdrop_path":13,"genre_ids":125,"id":126,"title":127,"original_language":90,"original_title":127,"overview":106,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"character":122,"credit_id":133,"order":132,"media_type":41},[103],4297,"Monsieur Truffaut Meets Mr. Hitchcock",1.5337,"\u002Fy4vF1vFBicCSX4qw9m6eQ6sB0Bj.jpg","1999-08-05",6.8,5,"52fe43b9c3a36847f806ad6f",{"adult":4,"backdrop_path":13,"genre_ids":135,"id":136,"title":137,"original_language":90,"original_title":137,"overview":106,"popularity":138,"poster_path":13,"release_date":139,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":111,"credit_id":140,"order":110,"media_type":41},[103],5774,"Omnibus: François Truffaut",1.3347,"1973-12-02","52fe4422c3a36847f80841e1",{"adult":4,"backdrop_path":142,"genre_ids":143,"id":144,"title":145,"original_language":31,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":4,"video":4,"vote_average":150,"vote_count":151,"character":152,"credit_id":153,"order":110,"media_type":41},"\u002FvTG5rpUcNGl28iKsf6Pd3G312pp.jpg",[27],8070,"La Chambre verte","Un homme vit dans le souvenir de sa femme morte et a amenagé, dans sa maison, une chambre consacrée à son épouse.",2.0505,"\u002FjKImNyTwLleoaOpHsfB9D76MWlI.jpg","1978-04-05",6.7,94,"Julien Davenne","52fe4491c3a36847f809d613",{"adult":4,"backdrop_path":155,"genre_ids":156,"id":157,"title":158,"original_language":31,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":163,"vote_count":56,"character":122,"credit_id":164,"order":113,"media_type":41},"\u002Fo7Xf3fK2penlysk6UGaxn9mv96O.jpg",[103],1089525,"Les cahiers du cinéma, la création d'une empreinte","De 1951 à 1959, Jean-Luc Godard, François Truffaut, Claude Chabrol, Eric Rohmer, Jacques Rivette, entre autres, révolutionnèrent la critique tout en accomplissant leur éducation cinématographique. Tous voulaient devenir réalisateurs. Ces autodidactes, passés par aucune autre formation que la critique, devinrent les figures de proue de ce mouvement qu’on appellera la Nouvelle Vague.",1.1077,"\u002F9aNv9Jr4wr8FG2Q1Hzm1ljCfddm.jpg","2021-05-10",8,"63f3da54a24c500078c9f608",{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":31,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":4,"video":4,"vote_average":174,"vote_count":175,"character":122,"credit_id":176,"order":132,"media_type":41},"\u002Fx17y9CVoOHY3lxBgtBTwcecioWj.jpg",[103],869954,"Sous le soleil de Pialat","Colérique, anticonformiste, d’une rare exigence dans son art... : William Karel, qui fut son ami et son photographe de plateau pendant près de vingt ans, raconte Maurice Pialat. À partir de cette relation privilégiée, de ses archives personnelles inédites, de témoignages des plus célèbres acteurs du cinéma français, portrait d’un immense cinéaste qui fut aussi un homme blessé",1.9296,"\u002FlfILgYLG3iipjJ046YLImiSPVA7.jpg","2021-10-18",6.5,6,"616e921e1089ba1d5d207610",{"adult":4,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":31,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":186,"vote_count":187,"character":122,"credit_id":188,"order":56,"media_type":41},"\u002Ff3msuhRMpTgqVZtu3jo2Dwk7B37.jpg",[103],64074,"Deux de la Vague","Deux de la vague est l'histoire d'une amitié. Jean-Luc Godard est né en 1930, François Truffaut deux ans plus tard, et ils se rencontrent par amour du cinéma. Ils écrivent dans les mêmes revues, Les Cahiers du cinéma et Arts. Quand le cadet devient cinéaste, avec Les Quatre Cents Coups, qui triomphent à Cannes en 1959, il aide son aîné à passer à la réalisation, lui offrant son scénario déjà intitulé À bout de souffle. Tout au long des années 1960, ils se serrent les coudes. C'est l'histoire et la politique qui les séparent, en 68 et après, quand Godard s'engage dans la révolution et Truffaut continue comme avant. Entre eux, Jean-Pierre Léaud est comme un enfant déchiré. Cette amitié et cette rupture forment un roman incarné du cinéma français. En revisitant les archives et les films des deux cinéastes, en feuilletant la presse contemporaine, Deux de la Vague fait revivre une prodigieuse décade dont l'influence allait irriguer le monde entier.",1.4867,"\u002FjKXmvqjWz60inDcMOehj5MAZiCY.jpg","2010-05-19",6.3,19,"52fe46c8c3a368484e0a3759",{"adult":4,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":31,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":198,"vote_count":199,"character":122,"credit_id":200,"order":201,"media_type":41},"\u002FkcDyzBiXrcpLaVpFVGvRgT7gcxk.jpg",[103],1005409,"Godard, seul le cinéma","Jean-Luc Godard, c'est le cinéma, sa quintessence. A tout juste 91 ans, il a réalisé plus de 140 films. C'est un personnage public autant qu'un homme enveloppé de mystère. Il n'est pas facile de s'emparer d'un géant aussi légendaire et énigmatique. L'itinéraire de Godard ne suit qu'une seule direction : un renouvellement constant de son art. Il voit l'acte créatif comme un acte nécessaire de critique et de déconstruction. Ce portrait veut nous emmener au-delà des clichés d'un mythe devenu parfois caricatural, à la rencontre d'un homme plus sentimental qu'il n'y paraît, un homme habité, parfois dépassé, par son art.",1.538,"\u002Fcz5DGkSyAfoe31AY5yV855Lx2zR.jpg","2023-06-05",5.6,14,"643a234cb6c264044239a0b9",20,{"adult":4,"backdrop_path":13,"genre_ids":203,"id":205,"title":206,"original_language":90,"original_title":206,"overview":106,"popularity":207,"poster_path":13,"release_date":208,"softcore":4,"video":4,"vote_average":209,"vote_count":210,"character":122,"credit_id":211,"order":83,"media_type":41},[103,204],10770,929052,"Cinéma! Cinéma! The French New Wave",1.1386,"1992-06-18",3.3,3,"61e8f4483a99370073c14037",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":31,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":221,"vote_count":222,"character":223,"credit_id":224,"order":225,"media_type":41},"\u002F9fTuRksyQvCAzyuzktof4kDc5Xt.jpg",[27,45],1829,"L'Histoire d'Adèle H.","Le destin d'Adèle est plus méconnu que celui de sa sœur, Léopoldine, fille aînée de Victor Hugo. Elle partageait avec son père un même talent pour l'écriture. Pourtant, c'est l'enfièvrement amoureux et non l'ambition littéraire qui l'animait. N'écoutant que sa passion, elle quitta l'île de Guernesey où est réfugiée sa famille pour rejoindre son ancien amant sur l'île d'Halifax. Elle eut alors pour unique désir que de reconquérir les grâces de ce lieutenant séduisant, même au prix de sa dignité et de sa raison.",3.2925,"\u002FtoTM3mrwlocuLIrGTdwK5iOTK44.jpg","1975-10-08",6.947,247,"Officer (uncredited)","61fe6588c5840d001d3bb64c",22,{"adult":4,"backdrop_path":13,"genre_ids":227,"id":228,"title":229,"original_language":90,"original_title":229,"overview":106,"popularity":230,"poster_path":13,"release_date":231,"softcore":4,"video":4,"vote_average":83,"vote_count":56,"character":122,"credit_id":232,"order":110,"media_type":41},[103],98646,"Looking for Truffaut",1.1181,"2009-01-01","52fe4a1e9251416c750de619",{"adult":4,"backdrop_path":234,"genre_ids":235,"id":236,"title":237,"original_language":90,"original_title":237,"overview":106,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":4,"vote_average":150,"vote_count":175,"character":111,"credit_id":241,"order":12,"media_type":41},"\u002FoSzZ8JHFkM4hHdAe8Z9WObHqFa.jpg",[103],204269,"I'm a Stranger Here Myself",1.081,"\u002FlXdYua24GDu1JHGDc1jWzqxbhB1.jpg","1975-01-17","52fe4cf0c3a368484e1ce127",{"adult":4,"backdrop_path":243,"genre_ids":244,"id":245,"title":246,"original_language":31,"original_title":246,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":4,"video":4,"vote_average":251,"vote_count":132,"character":122,"credit_id":252,"order":210,"media_type":41},"\u002F51uIx1VkBwsNVWsJetqE7cA1Vav.jpg",[103],1122965,"Godard par Godard","Pour le monde entier, Jean-Luc Godard est synonyme de cinéma. Depuis son décès, le grand public comme les plus fins connaisseurs de son oeuvre gigantesque savent que c'est la fin d'une période, que s'achève avec lui une époque où le cinéma était encore au centre de la société, le divertissement préféré de tout le monde, à la fois industriel et personnel, commercial et expérimental, spectaculaire et capable de profondeur. Le parcours de Godard, fait de brusques décrochages et de retours fracassants, est unique. Godard ne s'est jamais retourné sur son passé et n'a jamais cessé d'expérimenter.",1.5549,"\u002FbT3dDMz11CwtF8IdakwG0ILpyYu.jpg","2023-05-17",7.2,"64fba147a35c8e00e2565168",{"adult":4,"backdrop_path":254,"genre_ids":255,"id":256,"title":257,"original_language":258,"original_title":257,"overview":106,"popularity":259,"poster_path":260,"release_date":261,"softcore":4,"video":4,"vote_average":131,"vote_count":262,"character":111,"credit_id":263,"order":210,"media_type":41},"\u002FuBK94meT1EyEKVzAoIBSPPJMSB8.jpg",[103],234301,"Carl Th. Dreyer","da",1.382,"\u002F8GznEpCDpI58vg4TlwDW6AwjgNr.jpg","1966-11-14",13,"52fe4e30c3a36847f8282ca9",{"adult":4,"backdrop_path":265,"genre_ids":266,"id":267,"title":268,"original_language":31,"original_title":268,"overview":269,"popularity":270,"poster_path":271,"release_date":272,"softcore":4,"video":4,"vote_average":79,"vote_count":132,"character":273,"credit_id":274,"order":12,"media_type":41},"\u002Fj4U7SYBDKSKddUDXbckwzrOhzxk.jpg",[103,45,204],1173464,"Fanny Ardant : naissance d'une passion","Portrait de la célèbre actrice française Fanny Ardant, qui a travaillé avec de grandes figures du cinéma comme Agnès Varda, Alain Resnais, Michelangelo Antonioni, Sydney Pollack et, surtout, François Truffaut (1932-84), avec qui elle a eu une relation sentimentale et dont la mort a marqué le reste de sa vie.",1.6073,"\u002FqhqNAyUpsyUaz2ytS7PuiExNIaH.jpg","2023-09-27","Self - Filmmaker (archive footage)","6515473c93bd6900c4ddb794",{"adult":4,"backdrop_path":276,"genre_ids":277,"id":278,"title":279,"original_language":31,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":251,"vote_count":175,"character":122,"credit_id":284,"order":210,"media_type":41},"\u002FreLI1E3HWGi1zhT9NO2gcvVsmFq.jpg",[103],1186800,"Catherine Deneuve à son image","Longtemps réduite à sa blondeur glacée, Catherine Deneuve s’est émancipée des fantasmes et clichés par des choix de carrière audacieux. En archives, extraits de films et entretiens, un passionnant retour sur sa vie de cinéma, narré par sa voix et celles de grands cinéastes.",1.9815,"\u002Fa2rxqyFfj6brYXoCeIcy4YULOSs.jpg","2023-10-22","651bbd78967cc734246827ff",{"adult":4,"backdrop_path":13,"genre_ids":286,"id":287,"title":288,"original_language":31,"original_title":288,"overview":106,"popularity":289,"poster_path":290,"release_date":291,"softcore":4,"video":4,"vote_average":163,"vote_count":12,"character":111,"credit_id":292,"order":163,"media_type":41},[103],261915,"La Nouvelle Vague par elle-même",1.257,"\u002F3okFZRnN0IUD04SrwPw6QyOpL9w.jpg","1964-05-19","533646dcc3a3680e8f000780",{"adult":4,"backdrop_path":13,"genre_ids":294,"id":295,"title":296,"original_language":31,"original_title":296,"overview":297,"popularity":298,"poster_path":299,"release_date":300,"softcore":4,"video":4,"vote_average":83,"vote_count":56,"character":122,"credit_id":301,"order":199,"media_type":41},[103],470219,"Il était une fois... « Rome, ville ouverte »","Ecrit avec la collaboration de Federico Fellini, tourné alors que la guerre n’est pas terminée, le film sort en septembre 1945 et obtient la Palme d’or du festival de Cannes 1946. C’est le plus gros succès de Roberto Rossellini.",1.4448,"\u002Fz0bUbrJUeHHAUPUMd9yys77sf93.jpg","2006-05-27","62f54df25b2f47007ffc1f29",{"adult":4,"backdrop_path":303,"genre_ids":304,"id":305,"title":306,"original_language":31,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":310,"softcore":4,"video":4,"vote_average":311,"vote_count":312,"character":313,"credit_id":314,"order":315,"media_type":41},"\u002Fcy7ymUaMEWRoig7LWXpfzaaw2vv.jpg",[27],147,"Les Quatre Cents Coups","Antoine a une adolescence turbulente. Il ment à ses parents indifférents à son sort, vole, fugue. Son seul réconfort, il fait les quatre cents coups avec son ami René. Un jour, la police s'en mêle.",9.5044,"\u002FvbfNOX9cCsgv2I2PMSLY21hf5xr.jpg","1959-06-03",7.995,2413,"Homme dans une fête foraine (non crédité)","5457f0e5c3a368399d00014c",29,{"adult":4,"backdrop_path":317,"genre_ids":318,"id":319,"title":320,"original_language":31,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":325,"vote_count":113,"character":122,"credit_id":326,"order":110,"media_type":41},"\u002F4xaotOc6GQYN8QfXF3EGl0dCYOW.jpg",[103],416653,"Truffaut \u002F Godard, scénario d'une rupture","Jean-Luc Godard et François Truffaut sont les icônes de la Nouvelle Vague, ce mouvement qui a révolutionné le cinéma français à partir de 1958. Au gré des témoignages, Claire Duguet revient sur l'amitié entre ces deux monstres sacrés du 7e art et surtout, sur l'origine de leurs antagonismes.",1.3919,"\u002FxGWKy6etsFNdVhk2CwiwLswJoW6.jpg","2016-05-12",7.5,"632af5a02dffd8007f224026",{"adult":4,"backdrop_path":13,"genre_ids":328,"id":329,"title":330,"original_language":31,"original_title":330,"overview":106,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":175,"vote_count":56,"character":334,"credit_id":335,"order":12,"media_type":41},[103],650666,"Alfred Hitchcock, films de jeunesse",1.418,"\u002FpqNyAXkDOAiQy0ks0B94Qq5braT.jpg","2004-11-24","Self (audio archival footage)","633b076338469a00824110b1",{"adult":4,"backdrop_path":13,"genre_ids":337,"id":338,"title":339,"original_language":340,"original_title":339,"overview":106,"popularity":341,"poster_path":342,"release_date":343,"softcore":4,"video":4,"vote_average":163,"vote_count":56,"character":111,"credit_id":344,"order":210,"media_type":41},[103],363898,"Nouvelle Vague : El cine sin dogmas","es",1.3579,"\u002FgXamyK4tBLfD33qrL2UaGuJdHJS.jpg","2000-04-02","561eb68192514171cb0009cf",{"adult":4,"backdrop_path":13,"genre_ids":346,"id":347,"title":348,"original_language":90,"original_title":348,"overview":106,"popularity":349,"poster_path":350,"release_date":351,"softcore":4,"video":4,"vote_average":352,"vote_count":210,"character":122,"credit_id":353,"order":56,"media_type":41},[103],386097,"François Truffaut: The Man Who Loved Cinema - The Wild Child",1.0326,"\u002FLumoHEqqcL0t5BzASv3FA2gctt.jpg","1996-01-01",7.7,"56dc715dc3a368766300024f",{"adult":4,"backdrop_path":13,"genre_ids":355,"id":356,"title":357,"original_language":90,"original_title":357,"overview":106,"popularity":358,"poster_path":359,"release_date":351,"softcore":4,"video":4,"vote_average":352,"vote_count":210,"character":122,"credit_id":360,"order":56,"media_type":41},[103],386098,"François Truffaut: The Man Who Loved Cinema - Love & Death",1.0908,"\u002Fpo0LVJg50pKI6Mzu80CWxPQYtAb.jpg","56dc72ffc3a368765100028b",{"adult":4,"backdrop_path":362,"genre_ids":363,"id":364,"title":365,"original_language":31,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":83,"vote_count":56,"character":111,"credit_id":370,"order":110,"media_type":41},"\u002FeebCwAcTTNgWlo07U6cSnmGWScA.jpg",[103,204],757328,"François Truffaut: Des films d'amour !","« Je ne filme que des gens qui sont toujours actifs. Même si leur activité est étrange, bizarre.” L'activité ainsi qualifiée par François Truffaut, c'est  l'amour - L'amour sentimental ou filial. L'amour comme acte éducatif, politique et social. L'amour imaginé par un cinéaste qui voulait montrer combien aimer, c'est à la portée de tous !  Réunir les formules truffaldiennes dans un documentaire, ravive à quel point Truffaut transmet l'essentiel.",1.2029,"\u002Fm1DafTmmcdUPUrVNiGgW9YReXDy.jpg","2020-10-01","6659c536f9452ec2981d6154",{"adult":4,"backdrop_path":13,"genre_ids":372,"id":373,"title":374,"original_language":90,"original_title":374,"overview":106,"popularity":375,"poster_path":376,"release_date":377,"softcore":4,"video":4,"vote_average":378,"vote_count":210,"character":111,"credit_id":379,"order":132,"media_type":41},[103],421509,"Langlois",1.6792,"\u002F5zNi1JMM8OaKxouUxDzYFgnWDgA.jpg","1970-09-19",5.3,"5802ece99251417a33007452",{"adult":4,"backdrop_path":381,"genre_ids":382,"id":383,"title":384,"original_language":31,"original_title":384,"overview":385,"popularity":386,"poster_path":387,"release_date":388,"softcore":4,"video":4,"vote_average":389,"vote_count":390,"character":391,"credit_id":392,"order":393,"media_type":41},"\u002Fn2lLL7epkunVFtAYiHLDScvvx9l.jpg",[27,26,28],1421,"L'Homme qui aimait les femmes","Bertrand travaille dans une entreprise d'aérodynamisme. Il est autant amoureux des femmes que de l'idée même de la femme. Pour lui, toutes les femmes sont uniques et irremplaçables. Elles sont à la fois l'œuvre de sa vie, son inspiration artistique et la cause de sa mort. Mais si Bertrand est un amoureux insatiable, c'est que deux profondes blessures sont restées en lui. Celle que lui a causé une mère distante et froide, tout d'abord, et dont il ne parviendra jamais à se faire aimer. Et puis celle que lui a infligée Véra en le quittant. Depuis que Véra est partie, Bertrand erre de femme en femme, les collectionnant pour ne pas s'y attacher. Au fil du temps, il se souvient de toutes les femmes qu'il a rencontrées. Il compose un livre à partir de tous ses souvenirs.",2.3754,"\u002FmQIGRSTmMmdrpssbKcyb8YEzEkD.jpg","1977-04-27",7.118,225,"Un homme aux fénérailles (uncredited)","5853fad7c3a368258f027654",51,{"adult":4,"backdrop_path":395,"genre_ids":396,"id":398,"title":399,"original_language":340,"original_title":399,"overview":106,"popularity":400,"poster_path":13,"release_date":401,"softcore":4,"video":4,"vote_average":402,"vote_count":40,"character":403,"credit_id":404,"order":110,"media_type":41},"\u002FeKaA1kH82rGzLulMhvBN1qTNRL5.jpg",[397,26],80,435872,"Los 4 Golpes",0.8838,"1962-08-17",5.9,"The Assassin","58801139c3a36831060018c3",{"adult":4,"backdrop_path":13,"genre_ids":406,"id":407,"title":408,"original_language":409,"original_title":408,"overview":106,"popularity":410,"poster_path":13,"release_date":411,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":111,"credit_id":412,"order":56,"media_type":41},[103],436034,"Die Geburt der Kinder Des Olymp","de",1.0259,"1967-01-01","58813a4bc3a368145b002cb3",{"adult":4,"backdrop_path":13,"genre_ids":414,"id":415,"title":416,"original_language":31,"original_title":416,"overview":106,"popularity":417,"poster_path":418,"release_date":419,"softcore":4,"video":4,"vote_average":325,"vote_count":12,"character":111,"credit_id":420,"order":110,"media_type":41},[103],461471,"Cinéastes de notre temps : François Truffaut ou l'esprit critique",1.4995,"\u002FqbxRLOOuPNaH7xUprKeYlbTi4vU.jpg","1965-12-02","593d4a4cc3a3680f5901df30",{"adult":4,"backdrop_path":13,"genre_ids":422,"id":423,"title":17,"original_language":31,"original_title":17,"overview":106,"popularity":424,"poster_path":425,"release_date":426,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":111,"credit_id":427,"order":110,"media_type":41},[103],515787,1.0003,"\u002F4jExnbzNLt2vtc3ntdVHwxHWbrO.jpg","1961-01-01","5ac3001e0e0a260c4d02df8e",{"adult":4,"backdrop_path":13,"genre_ids":429,"id":430,"title":431,"original_language":31,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":436,"vote_count":56,"character":111,"credit_id":437,"order":110,"media_type":41},[103],514408,"Cinéastes de notre temps : François Truffaut : Dix ans, dix films","Entre des scènes de tournage de L’Enfant sauvage, François Truffaut reprend, là où il l’avait laissée en 1965 dans François Truffaut ou l’esprit critique, l’analyse et la critique de son travail, en parlant de Fahrenheit 451, La mariée était en noir, La Sirène du Mississipi, Baisers volés et Domicile conjugal.",1.1555,"\u002Fy67msNuLes9N4Zmyjg4orzsFNI.jpg","1970-01-26",9,"5ab9b89bc3a36871ce00d947",{"adult":4,"backdrop_path":13,"genre_ids":439,"id":440,"title":441,"original_language":31,"original_title":441,"overview":442,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":111,"credit_id":446,"order":110,"media_type":41},[103],529040,"Postface à l’Atalante","Entretien avec François Truffaut mené par Éric Rohmer à propos de l'Atalante de Jean Vigo.",0.8978,"\u002FveNFUBoYHM4im9iKJ40m6n2sGTW.jpg","2025-06-07","5b1b277f0e0a261f970185fe",{"adult":4,"backdrop_path":13,"genre_ids":448,"id":449,"title":450,"original_language":90,"original_title":450,"overview":106,"popularity":451,"poster_path":13,"release_date":452,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":122,"credit_id":453,"order":12,"media_type":41},[103],571135,"To Be... A Classic",1.0324,"2012-01-01","5c25404e925141418adeb0fe",{"adult":4,"backdrop_path":455,"genre_ids":456,"id":457,"title":458,"original_language":31,"original_title":458,"overview":459,"popularity":460,"poster_path":461,"release_date":462,"softcore":4,"video":4,"vote_average":463,"vote_count":464,"character":465,"credit_id":466,"order":467,"media_type":41},"\u002F5Saqb7pFZWPqCltEBoWhrSw7AQ.jpg",[26],99275,"Tire-au-flanc 62","Jean Lerat commence son service militaire dans un camp de l'armée. Malgré les tentatives de sa tante pour tirer quelques cordes à son avantage, le malheureux Lerat parvient à obtenir du mauvais côté de son colonel d'intimidation ...",1.747,"\u002FejbSBiK6bapLmXavI7ILNTVMgeE.jpg","1960-11-25",5.4,10,"Le taulard passionné de lecture","5c8329800e0a264310616e29",23,{"adult":4,"backdrop_path":469,"genre_ids":470,"id":471,"title":472,"original_language":31,"original_title":472,"overview":473,"popularity":474,"poster_path":475,"release_date":476,"softcore":4,"video":4,"vote_average":477,"vote_count":113,"character":122,"credit_id":478,"order":12,"media_type":41},"\u002FxaVaeYyA9n9nprbhtZuukHyUWtw.jpg",[103],625556,"François Truffaut l'insoumis","Pour beaucoup, François Truffaut incarne l'image d'un homme sage et rangé, d'un cinéaste devenu classique.  Mais la façade «petite-bourgeoise» d'un artiste uniquement préoccupé par le cinéma est trompeuse, tant l'homme fut un écorché vif, aux nombreux engagements politiques.  Recoupant les témoignages de ses proches (dont Jean-François Stévenin et Georges Kiejman) avec des archives télévisées, Alexandre Moix compose le portrait diffracté d'un Truffaut méconnu, en colère contre son époque.  Il prit position avec Simone de Beauvoir pour la légalisation de l'avortement, soutint les déserteurs en Algérie et alerta l'opinion sur l'enfance maltraitée.",1.9819,"\u002FfU9BlPPlj8KV9dYJgWyXkbJhPJa.jpg","2014-11-02",5.8,"5d60639f9d6e330016b2dc3b",{"adult":4,"backdrop_path":13,"genre_ids":480,"id":481,"title":482,"original_language":31,"original_title":482,"overview":483,"popularity":484,"poster_path":485,"release_date":486,"softcore":4,"video":4,"vote_average":198,"vote_count":163,"character":122,"credit_id":487,"order":110,"media_type":41},[103],128743,"François Truffaut: Portraits volés","Ce film inaugure un genre cinématographique : celui de l'essai sur un auteur. L'ambition est de raconter la vie et l'oeuvre de François Truffaut, cinéaste célèbre mais personnage méconnu. Le récit est celui de l'enquête : d'où les nombreux témoignages d'amis ou collaborateurs, membres de la famille du cinéaste, mais également acteurs et actrices, ou ceux d'autres cinéastes se sentant proches de lui. Le montage entrelace les différents points de vue aux extraits de films, documents d'archives et photos inédites, autorisant une certaine forme de récit où la parole des uns répond à celle des autres, soit pour contredire ou nuancer tel propos, soit pour rebondir et enrichir un point de vue.",2.2019,"\u002F5XLdflYRN0dltzuYB7CgO8ge6Tn.jpg","1993-05-14","5d74e468c6006d000e486d49",{"adult":4,"backdrop_path":489,"genre_ids":490,"id":491,"title":492,"original_language":31,"original_title":492,"overview":493,"popularity":494,"poster_path":495,"release_date":496,"softcore":4,"video":4,"vote_average":175,"vote_count":210,"character":273,"credit_id":497,"order":498,"media_type":41},"\u002Fdm5ShXScRmoJHRWVPx28xyLjlDW.jpg",[103,45,204],638333,"André Malraux : l'épreuve du pouvoir","Écrivain, journaliste, explorateur, cinéaste, militant communiste, combattant de la liberté. Vérités et mensonges. Un rebondissement. Homme politique. L'ombre du général De Gaulle. Accablé par le poids du pouvoir. Les nombreux exploits d'André Malraux (1901-1976).",1.6014,"\u002FykV0ylCy6Df1ShgSgMxn98l6oQe.jpg","2019-10-02","5da174f6afe2240013e86f29",16,{"adult":4,"backdrop_path":500,"genre_ids":501,"id":502,"title":503,"original_language":31,"original_title":503,"overview":106,"popularity":504,"poster_path":505,"release_date":506,"softcore":4,"video":4,"vote_average":477,"vote_count":69,"character":507,"credit_id":508,"order":40,"media_type":41},"\u002FwsiCjvMntHvqDMgHVHAVCGdUEKA.jpg",[27,28],101984,"À tout prendre",1.1887,"\u002Ft6TTtwcedrmEfpI4lzKJQoXBHL3.jpg","1963-08-09","Self (uncredited)","5de4b0a93faba000150f5441",{"adult":4,"backdrop_path":510,"genre_ids":511,"id":512,"title":513,"original_language":31,"original_title":513,"overview":514,"popularity":515,"poster_path":516,"release_date":517,"softcore":4,"video":4,"vote_average":518,"vote_count":519,"character":520,"credit_id":521,"order":225,"media_type":41},"\u002F9yPgh3v4itb0ah4XWgGM4BdAtNa.jpg",[27,28],1719,"La Peau douce","Un écrivain célèbre, marié à une femme charmante et heureux en ménage, tombe amoureux d'une autre femme.",3.0741,"\u002F9bHHaK5ehIcEWvQc24WgHQYtMeR.jpg","1964-04-20",7.154,227,"Le Pompiste (voice) (uncredited)","5e2277578f26bc001175829f",{"adult":4,"backdrop_path":523,"genre_ids":524,"id":525,"title":526,"original_language":31,"original_title":526,"overview":527,"popularity":528,"poster_path":529,"release_date":530,"softcore":4,"video":4,"vote_average":531,"vote_count":532,"character":533,"credit_id":534,"order":225,"media_type":41},"\u002FtXoYHLjqZYNIWeLc6g8QCaMNsG8.jpg",[27,28],42513,"Les Deux Anglaises et le Continent","À Paris, à la fin du XIXe siècle. Claude Roc, jeune bourgeois couvé par sa mère, aime l'art et la littérature. Il fait la connaissance d'Anne Brown, une étudiante britannique qui devient rapidement son amie. La jeune fille l'invite à passer quelques jours au Pays de Galles, chez ses parents. Elle se réjouit de lui présenter Muriel, sa sœur chérie. Entre les deux jeunes femmes, Claude goûte les charmes d'un séjour enchanteur. Séduit par l'humeur sombre de la mystique Muriel, il lui propose le mariage. Sa mère exige un an de mise à l'épreuve. Claude met cette année à profit pour oublier Muriel tandis que celle-ci, d'abord indifférente, s'éprend graduellement du « continent », surnom que les deux sœurs ont donné à Claude...",2.3657,"\u002FzUy1kqMq4szlfHWLnsVuWfI0h8H.jpg","1971-11-18",6.9,172,"Narrator (voice) (uncredited)","5e38e56398f1f1000f0841a6",{"adult":4,"backdrop_path":536,"genre_ids":537,"id":538,"title":539,"original_language":31,"original_title":539,"overview":540,"popularity":541,"poster_path":542,"release_date":543,"softcore":4,"video":4,"vote_average":402,"vote_count":163,"character":122,"credit_id":544,"order":40,"media_type":41},"\u002FfxJYqQ4dJDxuzEsgIoIQm30QhFV.jpg",[103],433117,"Vadim Mister Cool","En tant qu'affiche de l'hédonisme, toute sa vie a été une grande fête. Journaliste, cinéaste, réalisateur, producteur, acteur, romancier, homme à femmes et père prolifique... Roger Vladimir Plémiannikov, alias Roger Vadim, a tout tenté jusqu'à sa mort en 2000. Portrait d'un homme à la pointe de la mode et des tendances .",0.9722,"\u002F7VABe7pG4feLrRRPT3FMqgqXQxe.jpg","2016-12-28","5e44df363dd12600165aece6",{"adult":4,"backdrop_path":546,"genre_ids":547,"id":548,"title":549,"original_language":31,"original_title":549,"overview":550,"popularity":551,"poster_path":552,"release_date":553,"softcore":4,"video":4,"vote_average":554,"vote_count":210,"character":122,"credit_id":555,"order":110,"media_type":41},"\u002FjU18aE5UDIuPwPFirajiNW27bPK.jpg",[103],725486,"Les secrets de François Truffaut","Soixante ans après la sortie du film \"Les 400 Coups\", un nouveau public a découvert le cinéma mythique de François Truffaut pendant le confinement. Le réalisateur y évoque, comme dans ses autres films, des thèmes qui lui sont chers comme son récit de l'enfance, sa passion des femmes et sa vision de l'homme. Ce documentaire révèle, à travers les témoignages de ceux qui l'ont fréquenté, ceux qui l'ont analysé et ceux qui l'ont passionnément aimé, un regard neuf sur l'œuvre d'un réalisateur plus que jamais intemporel.",1.385,"\u002FyKa4EwDJRkajBRsfypdtTkdrHGd.jpg","2020-07-05",7.3,"5f13166343d9b1003a5df74d",{"adult":4,"backdrop_path":13,"genre_ids":557,"id":558,"title":559,"original_language":90,"original_title":559,"overview":106,"popularity":560,"poster_path":561,"release_date":562,"softcore":4,"video":4,"vote_average":163,"vote_count":27,"character":111,"credit_id":563,"order":69,"media_type":41},[103,204],195861,"The Secret of the Wild Child",1.2609,"\u002F9bKnonKGinuQIcdRjRIeYy7XWAN.jpg","1994-10-18","5f3700398f26bc0035bc8489",{"adult":4,"backdrop_path":565,"genre_ids":566,"id":567,"title":568,"original_language":31,"original_title":568,"overview":569,"popularity":570,"poster_path":571,"release_date":572,"softcore":4,"video":4,"vote_average":83,"vote_count":175,"character":273,"credit_id":573,"order":163,"media_type":41},"\u002FyValNdxxeeCdHtQ2cu4M6ZCFVw7.jpg",[103,204],595713,"Jeanne Moreau, l'affranchie","Un récit de la vie de l'actrice Jeanne Moreau (1928-2017), véritable icône de la Nouvelle Vague et l'une des stars françaises les plus idolâtrées du cinéma.",1.7678,"\u002Fx3pTA6VhdTrRi7N5XNaANay49Jb.jpg","2018-04-02","5f377262c4f552003210c3aa",{"adult":4,"backdrop_path":13,"genre_ids":575,"id":576,"title":577,"original_language":578,"original_title":577,"overview":106,"popularity":579,"poster_path":13,"release_date":580,"softcore":4,"video":4,"vote_average":110,"vote_count":56,"character":122,"credit_id":581,"order":40,"media_type":41},[103],753663,"Uuden aallon jäljillä","fi",1.1451,"2009-03-14","5f889b853af92900394bf194",{"adult":4,"backdrop_path":583,"genre_ids":584,"id":585,"title":586,"original_language":31,"original_title":586,"overview":587,"popularity":588,"poster_path":589,"release_date":590,"softcore":4,"video":4,"vote_average":591,"vote_count":592,"character":593,"credit_id":594,"order":163,"media_type":41},"\u002FgN5UhjmvWxeZGqyaoANttDJphts.jpg",[27],256105,"La sonate à Kreutzer","Un jeune architecte promis au succès, qui s'est consacré à son ambition sociale, décide d'épouser une jeune fille rencontrée dans une cave de Saint-Germain-des-Prés.",1.4108,"\u002F2zAixEsFiWarNKXRMv93xiAc40Z.jpg","1956-01-01",6.074,27,"Cameo (uncredited)","5fe569f1160e73003eac81e3",{"adult":4,"backdrop_path":13,"genre_ids":596,"id":597,"title":598,"original_language":90,"original_title":598,"overview":106,"popularity":599,"poster_path":13,"release_date":600,"softcore":4,"video":4,"vote_average":83,"vote_count":56,"character":122,"credit_id":601,"order":83,"media_type":41},[103],783712,"Roberto Rossellini: Il mestiere di uomo",1.0936,"1997-02-01","5ff76477bbcae0003eabd1f4",{"adult":4,"backdrop_path":603,"genre_ids":604,"id":605,"title":606,"original_language":31,"original_title":606,"overview":607,"popularity":608,"poster_path":609,"release_date":610,"softcore":4,"video":4,"vote_average":531,"vote_count":498,"character":122,"credit_id":611,"order":612,"media_type":41},"\u002F3NC6J6B5rU2TMqTuZaI1Hqzqukz.jpg",[103,45],200011,"L'Univers de Jacques Demy","« Après avoir fait un film de fiction sur l'enfance de Jacques, mon intention a été de faire un documentaire – relativement objectif – sur Jacques Demy, adulte et cinéaste. J'ai recueilli des témoignages et suscité des réactions. J'ai moi-même apporté des souvenirs et des documents sur lui mais j'ai souvent passé le relais à ses amis, à ses proches, aux acteurs et actrices qui ont travaillé avec lui, à des \"fans\" et à trois demoiselles qui ne l'ont pas connu mais qui circulent naturellement dans son univers. » (Agnès Varda)",2.7634,"\u002FfppXMHaBWA0JC6O2pKWcGZlqpuy.jpg","1995-09-22","607107f92dda89004032a5c6",25,{"adult":4,"backdrop_path":614,"genre_ids":615,"id":616,"title":617,"original_language":31,"original_title":617,"overview":618,"popularity":619,"poster_path":620,"release_date":621,"softcore":4,"video":4,"vote_average":36,"vote_count":163,"character":273,"credit_id":622,"order":210,"media_type":41},"\u002FcjPdZT2dhNypcv64gCEA1Annhae.jpg",[103,204],761892,"John Travolta, le miraculé d'Hollywood","Star planétaire à l'ère disco puis un temps has been, John Travolta a su se réinventer, notamment grâce à Quentin Tarantino. L'électrisant portrait d'un virtuose du come-back et du déhanché, meilleur acteur que ses déboires ne le laissaient paraître.",1.7337,"\u002F32UxBFn2RoK6VhDyQfIw1qbwelm.jpg","2017-03-19","609fffd46c1e04007aab37e2",{"adult":4,"backdrop_path":624,"genre_ids":625,"id":626,"title":627,"original_language":31,"original_title":627,"overview":628,"popularity":629,"poster_path":630,"release_date":631,"softcore":4,"video":4,"vote_average":251,"vote_count":113,"character":122,"credit_id":632,"order":201,"media_type":41},"\u002FxO8lwcDnIJVPosFd0AleaGULB9n.jpg",[103],719482,"Catherine Deneuve, belle et bien là","Catherine Deneuve se fiche éperdument d'être une célébrité, mais la célébrité a fait d'elle une icône depuis longtemps et elle occupe une place particulière dans notre imaginaire. La star n'est pas du genre à se laisser trop approcher, mais lorsqu'elle vous fait confiance, elle tient parole. Si la carrière de Deneuve couvre un demi-siècle de cinéma, elle témoigne aussi de la force d'une génération qui a connu la plus profonde transformation des mœurs. Ce portrait lui ressemble pleinement. L'histoire d'un mystère et d'une aventure.",1.1919,"\u002FuIhO3e2ZET07DANzIc7RBuOhDyx.jpg","2010-04-11","60afe86851f99a002a4590bc",{"adult":4,"backdrop_path":634,"genre_ids":635,"id":636,"title":637,"original_language":31,"original_title":637,"overview":638,"popularity":639,"poster_path":640,"release_date":641,"softcore":4,"video":4,"vote_average":642,"vote_count":643,"character":644,"credit_id":645,"order":113,"media_type":41},"\u002Fd2QwC8TydbA36zXpyJlg4aORAtL.jpg",[26,27],49701,"Le Coup du berger","Un amant offre à sa maîtresse un manteau de fourrure, mais celle-ci ne sait pas comment justifier ce présent auprès de son époux.",1.894,"\u002FqBOO0VS2dlVFvTldPucL4LXE68q.jpg","1956-11-01",6.6,33,"Party guest (uncredited)","60bae4198d2f8d002a0e4fbe",{"adult":4,"backdrop_path":13,"genre_ids":647,"id":648,"title":649,"original_language":90,"original_title":649,"overview":106,"popularity":650,"poster_path":651,"release_date":652,"softcore":4,"video":4,"vote_average":175,"vote_count":56,"character":122,"credit_id":653,"order":83,"media_type":41},[103],845304,"Françoise Dorléac, une promesse",1.4644,"\u002Fx5QRGt0xyw2QmnMw82vEZ7WG5TN.jpg","2018-07-10","60da36cd955c650074cf6f8f",{"adult":4,"backdrop_path":655,"genre_ids":656,"id":658,"title":659,"original_language":31,"original_title":659,"overview":660,"popularity":661,"poster_path":662,"release_date":663,"softcore":4,"video":4,"vote_average":36,"vote_count":163,"character":273,"credit_id":664,"order":225,"media_type":41},"\u002F88hDIuNIqXoRDPWemz2C9gaHTdv.jpg",[103,45,657,204],10402,845594,"Jim Morrison : derniers jours à Paris","Paris, rue Beautreillis, 3 juillet 1971. Le corps de la star du rock Jim Morrison est retrouvé dans une baignoire, dans l'appartement de sa petite amie Pamela Courson. La chronique des derniers mois de la vie du poète, chanteur et leader charismatique du groupe américain The Doors, l'un des plus influents de l'histoire du rock.",1.2999,"\u002FwiiAFN0HPM4YVhyhViwMHNvoYTN.jpg","2021-07-02","60f92a3ff056d5005e708318",{"adult":4,"backdrop_path":666,"genre_ids":667,"id":668,"title":669,"original_language":90,"original_title":669,"overview":106,"popularity":670,"poster_path":671,"release_date":672,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":122,"credit_id":673,"order":132,"media_type":41},"\u002F2a9HhUm7q1PkWlWj5i2cLGeTbym.jpg",[103],634565,"When Hitchcock met O'Casey",1.5726,"\u002FcSa8BOEX0j462e0fJsrA0KaZxPw.jpg","2019-09-27","66e1a540751437271840a60f",{"adult":4,"backdrop_path":675,"genre_ids":676,"id":677,"title":678,"original_language":31,"original_title":678,"overview":679,"popularity":680,"poster_path":681,"release_date":682,"softcore":4,"video":4,"vote_average":683,"vote_count":163,"character":122,"credit_id":684,"order":83,"media_type":41},"\u002Fymj4CubzIa2kVjBflo9Z3x2b3uL.jpg",[103,45],1280477,"François Truffaut : le scénario de ma vie","Le légendaire cinéaste français François Truffaut avait 52 ans lorsqu'il est décédé et, quelques mois auparavant, il avait commencé à raconter l'histoire de sa jeunesse à son vieil ami Claude de Givray, en approfondissant l'histoire de sa famille. Mais le temps jouait contre lui et il n'a pas pu terminer son autobiographie.",1.6438,"\u002FvMf5j3c1zL7ZEIs3DzZe7zF7fl6.jpg","2024-05-16",6.4,"6710d2926f7707af40fa8737",{"adult":4,"backdrop_path":13,"genre_ids":686,"id":687,"title":688,"original_language":31,"original_title":688,"overview":689,"popularity":690,"poster_path":13,"release_date":691,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":692,"credit_id":693,"order":113,"media_type":41},[103,204],1540405,"Rossellini, un Prométhée franciscain","Documentaire télévisé.",1.241,"1996-06-18","Self  - film critic, filmmaker (archive footage)","68b72d10d8e3857cde3f0af9",{"adult":4,"backdrop_path":13,"genre_ids":695,"id":696,"title":697,"original_language":90,"original_title":697,"overview":106,"popularity":698,"poster_path":699,"release_date":700,"softcore":4,"video":4,"vote_average":464,"vote_count":56,"character":701,"credit_id":702,"order":56,"media_type":41},[103],647293,"Introducing My Father, François Truffaut",1.0879,"\u002F8rgeCJ60AdM0AOMludDXm92EFmt.jpg","2019-11-11","Self (Archive Footage)","6908427cb257dca5f90817eb",{"adult":4,"backdrop_path":704,"genre_ids":705,"id":706,"title":707,"original_language":31,"original_title":708,"overview":709,"popularity":710,"poster_path":711,"release_date":712,"softcore":4,"video":4,"vote_average":713,"vote_count":714,"character":715,"credit_id":716,"order":27,"media_type":41},"\u002F8Smr9xgJjULayKV9V04mJkz9OEE.jpg",[26,397],4683,"Une Belle fille comme moi","Une belle fille comme moi","Un professeur en sociologie interviewe, pour les besoins de sa thèse, une séduisante détenue, accusée des meurtres de son mari et de son amant, qui parvient à le convaincre de son innocence.",2.7321,"\u002FyAjJouE6uG8tt5OR4dvzqdR0VES.jpg","1972-09-13",6.198,96,"Journalist (voice) (uncredited)","6961b77733b7c612f81d8512",{"adult":4,"backdrop_path":718,"genre_ids":719,"id":720,"title":721,"original_language":31,"original_title":721,"overview":722,"popularity":723,"poster_path":724,"release_date":725,"softcore":4,"video":4,"vote_average":174,"vote_count":83,"character":106,"credit_id":726,"order":69,"media_type":41},"\u002F62eMKZ3CGn5XZAOsLVqOdWUPQiy.jpg",[103],404436,"Bernadette Lafont : Et Dieu créa la femme libre","Une traversée en compagnie de Bernadette Lafont, l'actrice la plus atypique du cinéma français. De la pin-up nature, modèle de liberté sexuelle révélée par la Nouvelle Vague à la mamie dealeuse du film Paulette en passant par La Fiancée du Pirate et Les Stances à Sophie, rôles emblématiques du féminisme joyeux des années soixante-dix, le film balaie sa vie et son parcours artistique étourdissant. Ses petites-filles Anna, Juliette et Solène, reparcourent les rêves de Bernadette, dans la maison ancestrale des Cévennes où elles ont grandi, comme elle. Ses amis proches, Bulle Ogier et Jean-Pierre Kalfon, évoquent leur complicité artistique et humaine.",2.472,"\u002Fa2lxZHVQAq0QYPMirx1nhnsPUgM.jpg","2016-05-18","69652aeacdfeb74199db252b",{"adult":4,"backdrop_path":13,"genre_ids":728,"id":729,"title":730,"original_language":31,"original_title":730,"overview":731,"popularity":732,"poster_path":733,"release_date":734,"softcore":4,"video":4,"vote_average":735,"vote_count":132,"character":122,"credit_id":736,"order":83,"media_type":41},[103],935219,"Deneuve, la reine Catherine","Catherine Deneuve à la réputation de ne rien laisser percer de ses pensées intimes, de sa vie privée, de ses joies et de ses tourments. Pourtant, les entretiens donnés par la comédienne, depuis ses débuts jusqu’à aujourd’hui, nous permettent de découvrir une femme très différente de l’image iconique généralement véhiculée. Une actrice qui a toujours su choisir ses rôles en fonction des mœurs de l’époque, mêlant l’histoire du cinéma et la place de la femme dans la société.",1.8375,"\u002F9hwGMClrao2eESqtb6hNzccdW5X.jpg","2022-01-19",7.6,"69653082e9fb4296747b1c9a",{"adult":4,"backdrop_path":738,"genre_ids":739,"id":740,"title":741,"original_language":31,"original_title":741,"overview":742,"popularity":743,"poster_path":744,"release_date":745,"softcore":4,"video":746,"vote_average":150,"vote_count":210,"character":122,"credit_id":747,"order":748,"media_type":41},"\u002Fw4TDiUVWIW8BGuV5epk7cl6OFU7.jpg",[103],393076,"Histoires de festival","Le festival de Cannes lève le rideau sur ses coulisses et ses secrets dans un document exceptionnel en trois volets réalisé par son président Gilles Jacob. \"Histoires de festival\" raconte les origines, les temps forts et les évolutions du festival de Cannes, de 1946 à 2001. Ses heures de gloire aussi, avec ses moments mouvementés, ses récompenses, ses rebondissements, parfois tragiques ou parfois cocasses.",1.4885,"\u002FoOWpZ3SSwaN8KCWKrswmMRAhVZ7.jpg","2002-04-16",true,"696d3886e76a441b6baaa91c",30,{"adult":4,"backdrop_path":13,"genre_ids":750,"id":751,"title":752,"original_language":90,"original_title":752,"overview":753,"popularity":754,"poster_path":755,"release_date":756,"softcore":4,"video":4,"vote_average":757,"vote_count":113,"character":122,"credit_id":758,"order":40,"media_type":41},[103],191728,"Un voyageur","A 85 ans, Marcel Ophüls, réalisateur du « Chagrin et la Pitié », nous lègue avec ce documentaire ses mémoires audiovisuels. Sous forme d'autoportrait, il cherche à transmettre ce qu'a été son monde, à travers les lieux de sa vie et les images qui s'y rattachent. Une escapade à la fois gaie et amère à travers le siècle et le cinéma.",3.0348,"\u002F3yezcC6fFIJ0ZfwFaBfMapTi5WM.jpg","2013-05-16",6.2,"69a49a36c26004adcb4187eb",{"adult":4,"backdrop_path":13,"genre_ids":760,"id":761,"title":762,"original_language":31,"original_title":762,"overview":763,"popularity":764,"poster_path":765,"release_date":663,"softcore":4,"video":4,"vote_average":12,"vote_count":56,"character":106,"credit_id":766,"order":767,"media_type":41},[103],847138,"Morceaux de Cannes","Du Festival de Cannes, on croyait avoir tout vu, tout lu, tout entendu, entre paillettes et bruits de couloirs, scandales et censures. Et pourtant, Morceaux de Cannes d’Emmanuel Barnault, grand spécialiste du cinéma italien et français, nous convainc du contraire. Le troisième événement planétaire (avec les Jeux Olympiques et la Coupe du monde de football) ne livre ses secrets qu’avec parcimonie, son film en témoigne. Fruit d’une recherche passionnée dans les archives de l’INA, ces 52 minutes sans interviews ni voix off, enchaînent des séquences rares et certaines inconnues. Mises bout à bout, elles racontent une histoire du Festival surprenante, originale et chaleureuse. Sur la plage, au coin d’une rue, dans un restaurant ou dans l’intimité d’une chambre d’hôtel, ces archives oubliées convoquent les plus grands cinéastes, comédiennes et comédiens des soixante-dix dernières années, de Jean Cocteau à David Lynch, pour une anthologie de l’histoire du Festival.",2.7349,"\u002Fas5HrR2xYEko9jY1QQHwKfJImy6.jpg","69c574ca83a08cd81b8ac013",88,{"adult":4,"backdrop_path":769,"genre_ids":770,"id":771,"title":772,"original_language":31,"original_title":772,"overview":773,"popularity":774,"poster_path":775,"release_date":776,"softcore":4,"video":4,"vote_average":163,"vote_count":56,"character":777,"credit_id":778,"order":132,"media_type":41},"\u002F29YCSBaaU09OyigDM7qVuDJW8qR.jpg",[103],1020292,"Françoise Dorléac, de L'Homme de Rio aux Demoiselles de Rochefort","Retour sur la carrière de Françoise Dorléac par le biais d'images d'archives méconnues et de témoignages de ses proches.",1.1987,"\u002FegfAV3ArZ3fe5rhVc3z9FvtDrVE.jpg","2021-12-31","archive footage","69d820113a722f26d9123356",{"adult":4,"backdrop_path":13,"genre_ids":780,"id":781,"title":17,"original_language":90,"original_title":17,"overview":106,"popularity":782,"poster_path":783,"release_date":784,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":111,"credit_id":785,"order":56,"media_type":41},[103,204],1700647,0.9944,"\u002FyOLSLf9vdcgnqux53CZoAJplT1O.jpg","1977-10-30","6a10c06c98c4570ba7af9c13",{"adult":4,"backdrop_path":13,"genre_ids":787,"id":788,"title":789,"original_language":31,"original_title":789,"overview":790,"popularity":791,"poster_path":792,"release_date":793,"softcore":4,"video":4,"vote_average":464,"vote_count":56,"character":794,"credit_id":795,"order":12,"media_type":41},[204,103],685068,"Léaud l'unique","Après le tournage de L’Affaire Marcorelle, fasciné par Jean-Pierre Léaud, Serge Le Péron décide de réaliser un portrait de l’acteur, symbole de la Nouvelle Vague. À travers un subtil montage d’images d’archives entrecoupées d’entretiens inédits, le cinéaste embrasse l’ensemble de la carrière du comédien pour mieux en analyser sa dimension mythique. L’acteur, qui se prête très rarement au jeu des interviews, apparaît ici en grande confiance, se dévoile librement et décrit son approche du métier.",1.2966,"\u002F5IgCUOYgNo7C4wJjgS94RvWcBIe.jpg","2001-10-25","Self (archive) - filmmaker","6a2172a50604d88e71805456",{"adult":4,"backdrop_path":797,"genre_ids":798,"id":799,"title":800,"original_language":801,"original_title":800,"overview":106,"popularity":802,"poster_path":803,"release_date":804,"softcore":4,"video":4,"vote_average":163,"vote_count":12,"character":122,"credit_id":805,"order":806,"media_type":41},"\u002F8ZWRIEANRMFT0mPLya9f2zGSeAV.jpg",[103],1477121,"I huvudet på Bo","sv",1.627,"\u002FiL9e1W6YKoyg73ojydCUQzrgjhh.jpg","2025-07-02","6a2eeaf1466a453e68dbef83",21,{"adult":4,"backdrop_path":808,"genre_ids":809,"id":810,"title":811,"original_language":31,"original_title":811,"overview":106,"popularity":812,"poster_path":813,"release_date":814,"softcore":4,"video":4,"vote_average":110,"vote_count":110,"character":815,"credit_id":816,"order":12,"media_type":41},"\u002FslRq5ZAaR5A8eBPXcGI88QWpnXb.jpg",[26],1729729,"Determination",1.9558,"\u002Fd2Ck40tB65jAwOVB606xuwG26Om.jpg","2026-07-11","Self (archival footage)","6a51b7729f26bad9cc240753",{"adult":4,"backdrop_path":818,"genre_ids":819,"id":820,"title":821,"original_language":90,"original_title":821,"overview":822,"popularity":823,"poster_path":824,"release_date":825,"softcore":4,"video":4,"vote_average":826,"vote_count":827,"character":111,"credit_id":828,"order":69,"media_type":41},"\u002FoYNKh0FwArUfryI6GaKcbfWVPl4.jpg",[103],339751,"Hitchcock\u002FTruffaut","En 1962, Hitchcock et Truffaut s’enferment pendant une semaine à Hollywood pour mettre à jour les secrets de la mise en scène au cinéma. A partir des enregistrements originaux de cette rencontre qui servirent à élaborer le livre mythique Le Cinéma selon Hitchcock, ce film met en image la plus grande leçon de cinéma de tous les temps, et nous plonge dans l’univers de l’auteur de Psychose, Les Oiseaux et Sueurs froides.",2.1762,"\u002FhzNasVeTKenNnS8eS4EOtQA5TVY.jpg","2015-09-05",7.22,259,"6aad37c9bfa483e1d15bd4f7",{"adult":4,"backdrop_path":13,"genre_ids":830,"id":832,"origin_country":833,"original_language":90,"original_name":835,"overview":106,"popularity":836,"poster_path":837,"first_air_date":838,"softcore":4,"name":835,"vote_average":131,"vote_count":69,"character":111,"credit_id":839,"episode_count":56,"first_credit_air_date":840,"media_type":841},[831],10767,6744,[834],"US","The Merv Griffin Show",90.1784,"\u002FpF9rFdF6Gd4dNJ0Rh4mFsaFTi3m.jpg","1962-10-01","60132a743009aa003eb484ca","1963-03-20","tv",{"adult":4,"backdrop_path":843,"genre_ids":844,"id":845,"origin_country":846,"original_language":31,"original_name":848,"overview":849,"popularity":850,"poster_path":851,"first_air_date":852,"softcore":4,"name":848,"vote_average":464,"vote_count":56,"character":122,"credit_id":853,"episode_count":56,"first_credit_air_date":300,"media_type":841},"\u002FiUceTxMsVQHlDjqkP81rznPw0my.jpg",[103],100307,[847],"FR","Un film et son époque","\"Un film et son époque\" se compose de 10 volets documentaires sur 10 films mythiques, avec des entretiens exclusifs et des archives inédites. Les films, a fortiori les plus grands, sont toujours des documents exceptionnels pour témoigner d’une époque. Raconter leur genèse, leur fabrication, leur accueil, les replacer dans leur contexte historique et culturel, permet de mieux les comprendre mais aussi de mieux appréhender la période de leur création. Pour paraphraser le titre d’une célébrissime émission de la télévision d’autrefois : la caméra du documentaire «?Il était une fois…?» explore le temps du film…",4.8879,"\u002FkNWnaz8rX0KDBlo5bdKofpsZps6.jpg","2003-05-17","60323fc5fab3fa003cff67db",{"adult":4,"backdrop_path":855,"genre_ids":856,"id":857,"origin_country":858,"original_language":31,"original_name":859,"overview":860,"popularity":861,"poster_path":862,"first_air_date":863,"softcore":4,"name":859,"vote_average":864,"vote_count":12,"character":111,"credit_id":865,"episode_count":113,"first_credit_air_date":866,"media_type":841},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[831],244224,[847],"Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen… les plus grandes stars du cinéma ont été reçues par Christian Defaye dans son émission Spécial cinéma. Entre confessions intimes des comédiens et immersion dans l'univers des plus grands cinéastes, Christian Defaye a entraîné, durant près de trente ans, les téléspectateurs dans cet univers fascinant du Septième art.",79.3018,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65ae813e544c4100ae250dc3","1975-12-10",{"adult":4,"backdrop_path":868,"genre_ids":869,"id":871,"origin_country":872,"original_language":31,"original_name":873,"overview":874,"popularity":875,"poster_path":876,"first_air_date":877,"softcore":4,"name":873,"vote_average":163,"vote_count":210,"character":111,"credit_id":878,"episode_count":56,"first_credit_air_date":879,"media_type":841},"\u002FetNtSeEcl3XpVnKIvV3PrnFwihd.jpg",[831,870],10763,120589,[847],"Le Grand Échiquier","Le Grand Échiquier est une émission de télévision de variétés française créée et présentée par Jacques Chancel. Elle est diffusée à 20 h 30 sur la première chaîne de l'ORTF du 12 janvier 1972 au 12 juillet 1972, puis la deuxième chaîne couleur de l'ORTF de septembre 1972 à décembre 1974, enfin sur Antenne 2 de janvier 1975 au 21 décembre 1989. L'émission fait son retour sur France 2 le 20 décembre 2018 et est animée par Anne-Sophie Lapix.",34.0235,"\u002FhWsFrkYyPwCz4rt2lpiKmqkgxRp.jpg","1972-01-12","6325ec02ae6f090084d72a2c","1982-05-19",{"adult":4,"backdrop_path":13,"genre_ids":881,"id":882,"origin_country":883,"original_language":31,"original_name":884,"overview":885,"popularity":886,"poster_path":887,"first_air_date":888,"softcore":4,"name":884,"vote_average":175,"vote_count":12,"character":111,"credit_id":889,"episode_count":132,"first_credit_air_date":890,"media_type":841},[831],136450,[847],"Les Rendez-vous du dimanche","Au terme d'une carrière journalistique, Michel Drucker présente de 1975 à 1980 l'émission Les Rendez-vous du dimanche, où il reçoit nombre de personnalités de la chanson, du cinéma et du petit écran. L'émission, réalisée par Rémy Grumbach, est enregistrée aux Studios des Buttes Chaumont (studios 11 et 14) le samedi, et diffusée le lendemain après-midi.",37.5994,"\u002FcsEN53LOtSMucpBohRi8YKY27WU.jpg","1975-01-12","63946f049f5dfb0089a187cb","1975-05-04",{"adult":4,"backdrop_path":892,"genre_ids":893,"id":894,"origin_country":895,"original_language":31,"original_name":896,"overview":897,"popularity":898,"poster_path":899,"first_air_date":900,"softcore":4,"name":896,"vote_average":901,"vote_count":113,"character":111,"credit_id":902,"episode_count":210,"first_credit_air_date":903,"media_type":841},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[831],30243,[847],"Apostrophes","Magazine culturel consacré à la littérature. L'émission proposait des discussions ouvertes entre quatre ou cinq auteurs autour d’un sujet commun, mais également des entrevues individuelles avec un seul auteur. En 15 ans d’existence, Apostrophes est devenu l'émission littéraire emblématique à la télévision française de cette période, notamment grâce à la personnalité de son présentateur Bernard Pivot, la diversité et la qualité de ses intervenants, voire des polémiques qui surgirent épisodiquement lors de l'émission.",49.6982,"\u002F8sAKVFRZDoZa51a60BO24Pf6jnb.jpg","1975-01-10",8.5,"63b8068993bd6900a0628d78","1979-05-11",{"adult":4,"backdrop_path":905,"genre_ids":906,"id":908,"origin_country":909,"original_language":31,"original_name":910,"overview":911,"popularity":912,"poster_path":913,"first_air_date":914,"softcore":4,"name":910,"vote_average":915,"vote_count":210,"character":111,"credit_id":916,"episode_count":12,"first_credit_air_date":917,"media_type":841},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[103,907,831],10751,79313,[847],"Cinépanorama","Pendant dix ans, le grand reporter (et ancien correspondant de guerre) François Chalais offre un regard décalé et des interviews surprenantes des grands mythes du cinéma, souvent en compagnie de France Roche. Composée de reportages et d’entretiens, cette émission révèle les acteurs et cinéastes en toute confidence. Le ton de Chalais et sa verve le rendent parfois irrévérencieux. ",20.7609,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04",8.7,"63b059d7be4b3600d7400a97","1959-05-15",{"adult":4,"backdrop_path":919,"genre_ids":920,"id":921,"origin_country":922,"original_language":31,"original_name":923,"overview":924,"popularity":925,"poster_path":926,"first_air_date":927,"softcore":4,"name":923,"vote_average":132,"vote_count":12,"character":111,"credit_id":928,"episode_count":12,"first_credit_air_date":929,"media_type":841},"\u002FcB7Pu89RjN2DfAdNUgXrQqYEEhF.jpg",[103],272018,[847],"Reflets de Cannes","François Chalais est une légende. Dès les années 50, le chroniqueur le plus célèbre du Festival de Cannes décrypte, avec son ton caustique, toutes les facettes de la Croisette : réceptions somptueuses, tapis rouge, starlettes en quête de gloire, confessions intimes… Des images de fête et de rêve mêlées à des séquences d'interviews inoubliables, en extérieur ou dans le studio de l'hôtel Miramar.",7.8056,"\u002Fo5CYSyQHeuhMHMN7YKzxjPbbMnJ.jpg","1954-03-25","66edac232dcb758bbfaddb7c","1959-05-01",{"adult":4,"backdrop_path":931,"genre_ids":932,"id":933,"origin_country":934,"original_language":90,"original_name":936,"overview":106,"popularity":937,"poster_path":938,"first_air_date":939,"softcore":4,"name":936,"vote_average":251,"vote_count":436,"character":111,"credit_id":940,"episode_count":56,"first_credit_air_date":139,"media_type":841},"\u002F76aBJPjJBfZV2mAAvGlGpGMwyc3.jpg",[103],5674,[935],"GB","Omnibus",33.0708,"\u002F8VgL1w0koQ0cJK01OTTg5kkc7qx.jpg","1967-10-13","6821dec14afff0afa72d1a80",{"adult":4,"backdrop_path":13,"genre_ids":942,"id":943,"origin_country":944,"original_language":31,"original_name":945,"overview":946,"popularity":947,"poster_path":948,"first_air_date":949,"softcore":4,"name":945,"vote_average":110,"vote_count":110,"character":950,"credit_id":951,"episode_count":56,"first_credit_air_date":952,"media_type":841},[103],293477,[847],"Les Musiciens de la pellicule","Série documentaire consacrée aux compositeurs français de musique de films",1.7914,"\u002Fsw7ifY2yuTLPBpXxFTi4MRw5YcD.jpg","1974-10-15","lui-même","684716f8cb13e4c617de743a","1974-10-22",{"adult":4,"backdrop_path":13,"genre_ids":954,"id":955,"origin_country":956,"original_language":31,"original_name":957,"overview":958,"popularity":959,"poster_path":960,"first_air_date":961,"softcore":4,"name":957,"vote_average":132,"vote_count":56,"character":111,"credit_id":962,"episode_count":56,"first_credit_air_date":963,"media_type":841},[103],328178,[847],"Ciné regards","Un panorama du cinéma des années 80 mêlé d'archives et de longues réflexion sur le métier de cinéaste : films, acteur·ices, ses réalisateur·ices, anciennes et futures gloires… Une réjouissante plongée dans l'univers d'Hollywood, de la Cinecitta et autres productions, indépendantes ou grand public.",17.1094,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a5264042081d5c5b559614e","1978-04-19",{"adult":4,"backdrop_path":13,"genre_ids":965,"id":966,"origin_country":967,"original_language":31,"original_name":968,"overview":969,"popularity":970,"poster_path":971,"first_air_date":972,"softcore":4,"name":968,"vote_average":110,"vote_count":110,"character":111,"credit_id":973,"episode_count":12,"first_credit_air_date":972,"media_type":841},[103],328500,[847],"Pour le plaisir","« Je voudrais que tous ceux qui participent à l’émission soient plus heureux après avoir réalisé un reportage qu’avant » déclare en 1964 son producteur Roger Stéphane. Théâtre, littérature, cinéma, histoire des objets du quotidien… Les auteurs de ce magazine culturel traitent de sujets variés qui leur tiennent à cœur. Leur plaisir est visible et contagieux !",6.7277,"\u002Fi9iCdQwd2m876zwgbBwe84w7em3.jpg","1964-11-04","6a55374757c21a7bdc83d2d0",[975,979,984,996,999,1011,1014,1017,1028,1031,1046,1049,1053,1056,1059,1071,1074,1087,1090,1093,1096,1099,1102,1115,1118,1121,1124,1127,1139,1142,1153,1156,1159,1170,1173,1176,1179,1182,1192,1196,1208,1211,1214,1225,1228,1232,1235,1244,1256,1267,1275,1284,1295,1298,1310,1323,1326,1330,1333,1336,1339,1348,1361,1372,1381,1384,1392,1401,1405,1408,1411,1414,1417,1420,1423,1426,1429,1432,1443,1446,1449,1452,1455,1458,1461,1464,1467,1479,1482,1496,1505,1517,1520,1523,1526,1529,1532],{"adult":4,"backdrop_path":303,"genre_ids":976,"id":305,"title":306,"original_language":31,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":310,"softcore":4,"video":4,"vote_average":311,"vote_count":312,"credit_id":977,"department":16,"job":978,"media_type":41},[27],"52fe421ec3a36847f8005651","Director",{"adult":4,"backdrop_path":303,"genre_ids":980,"id":305,"title":306,"original_language":31,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":310,"softcore":4,"video":4,"vote_average":311,"vote_count":312,"credit_id":981,"department":982,"job":983,"media_type":41},[27],"52fe421ec3a36847f800565d","Production","Producer",{"adult":4,"backdrop_path":985,"genre_ids":986,"id":987,"title":988,"original_language":31,"original_title":988,"overview":989,"popularity":990,"poster_path":991,"release_date":992,"softcore":4,"video":4,"vote_average":993,"vote_count":994,"credit_id":995,"department":16,"job":978,"media_type":41},"\u002F42pH01hfjrpuKvplFjkLQYOlbmO.jpg",[26,27,28],255,"Baisers volés","La suite des aventures d'Antoine Doinel après son service militaire, ses rencontres et aventures amoureuses.",4.5008,"\u002F3t7gTx6NdBwowySFmdLOtolIyA5.jpg","1968-09-04",7.29,477,"52fe422ec3a36847f800a283",{"adult":4,"backdrop_path":985,"genre_ids":997,"id":987,"title":988,"original_language":31,"original_title":988,"overview":989,"popularity":990,"poster_path":991,"release_date":992,"softcore":4,"video":4,"vote_average":993,"vote_count":994,"credit_id":998,"department":982,"job":983,"media_type":41},[26,27,28],"52fe422ec3a36847f800a2d7",{"adult":4,"backdrop_path":1000,"genre_ids":1001,"id":1002,"title":1003,"original_language":31,"original_title":1003,"overview":1004,"popularity":1005,"poster_path":1006,"release_date":1007,"softcore":4,"video":4,"vote_average":1008,"vote_count":1009,"credit_id":1010,"department":16,"job":978,"media_type":41},"\u002FymtwNtiuZwbYa1Vetp68VOGgrw3.jpg",[28,27,26],256,"Antoine et Colette","Antoine tombe amoureux de Colette, mais elle le traite en copain. Deuxième volet du cycle Antoine Doinel initié avec le film Les 400 Coups.",2.74,"\u002FxCLQTC8COlqJYmzjyvGqM0BGd2I.jpg","1962-06-22",7.159,289,"52fe422ec3a36847f800a337",{"adult":4,"backdrop_path":24,"genre_ids":1012,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"credit_id":1013,"department":16,"job":978,"media_type":41},[26,27,28],"52fe422ec3a36847f800a46f",{"adult":4,"backdrop_path":24,"genre_ids":1015,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"credit_id":1016,"department":982,"job":983,"media_type":41},[26,27,28],"52fe422ec3a36847f800a487",{"adult":4,"backdrop_path":1018,"genre_ids":1019,"id":827,"title":1020,"original_language":31,"original_title":1020,"overview":1021,"popularity":1022,"poster_path":1023,"release_date":1024,"softcore":4,"video":4,"vote_average":1025,"vote_count":1026,"credit_id":1027,"department":16,"job":978,"media_type":41},"\u002F7LmhNfSkSkE296AvQbLZK4jgbnp.jpg",[28,27,26],"L'Amour en fuite","Antoine Doinel a maintenant 35 ans. Après trois années de séparation, Christine et lui, restés bons amis, finissent par divorcer. Antoine est amoureux de Sabine, vendeuse dans un magasin de disques. Il gagne sa vie comme correcteur d'imprimerie. Après l'échec de son premier roman, « Les Salades de l'amour », il décide d'en écrire un autre. Par hasard, il rencontre Colette, un amour d'adolescence. Elle traverse elle aussi une crise sentimentale, mais semble s'intéresser davantage au roman d'Antoine qu'à Antoine lui-même. Il revoit également monsieur Lucien, l'ancien amant de sa mère, qui a perdu sa fougue pour devenir un vieux monsieur respectable…",2.6032,"\u002FpksvWKsPF8XkWXNi43yONMjbTQD.jpg","1979-01-24",7.034,223,"52fe422ec3a36847f800a525",{"adult":4,"backdrop_path":1018,"genre_ids":1029,"id":827,"title":1020,"original_language":31,"original_title":1020,"overview":1021,"popularity":1022,"poster_path":1023,"release_date":1024,"softcore":4,"video":4,"vote_average":1025,"vote_count":1026,"credit_id":1030,"department":982,"job":983,"media_type":41},[28,27,26],"52fe422ec3a36847f800a543",{"adult":4,"backdrop_path":1032,"genre_ids":1033,"id":1035,"title":1036,"original_language":90,"original_title":1037,"overview":1038,"popularity":1039,"poster_path":1040,"release_date":1041,"softcore":4,"video":4,"vote_average":402,"vote_count":1042,"credit_id":1043,"department":1044,"job":1045,"media_type":41},"\u002FxdCPiNCC9ERbc7XJ6z26cRyT9pq.jpg",[28,27,1034],28,1058,"À bout de souffle made in USA","Breathless","Voleur au grand coeur sans foi ni loi, Jesse Jujack, après s'être emparé d'une voiture abat un policier. Dans l'automobile, il découvre l'adresse d'une étudiante française, Monica Poiccard. Jesse en tombe éperdument amoureux.",3.8241,"\u002F97VzQFnKyrBj6ZZfDn5gNeq3mtV.jpg","1983-05-13",281,"52fe42e6c3a36847f802b48d","Writing","Author",{"adult":4,"backdrop_path":381,"genre_ids":1047,"id":383,"title":384,"original_language":31,"original_title":384,"overview":385,"popularity":386,"poster_path":387,"release_date":388,"softcore":4,"video":4,"vote_average":389,"vote_count":390,"credit_id":1048,"department":16,"job":978,"media_type":41},[27,26,28],"52fe42f5c3a36847f802fe39",{"adult":4,"backdrop_path":381,"genre_ids":1050,"id":383,"title":384,"original_language":31,"original_title":384,"overview":385,"popularity":386,"poster_path":387,"release_date":388,"softcore":4,"video":4,"vote_average":389,"vote_count":390,"credit_id":1051,"department":1044,"job":1052,"media_type":41},[27,26,28],"52fe42f5c3a36847f802fe5d","Screenplay",{"adult":4,"backdrop_path":43,"genre_ids":1054,"id":46,"title":47,"original_language":31,"original_title":47,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":53,"credit_id":1055,"department":16,"job":978,"media_type":41},[27,45],"52fe4306c3a36847f8034a2d",{"adult":4,"backdrop_path":43,"genre_ids":1057,"id":46,"title":47,"original_language":31,"original_title":47,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":53,"credit_id":1058,"department":1044,"job":1052,"media_type":41},[27,45],"52fe4306c3a36847f8034a5d",{"adult":4,"backdrop_path":1060,"genre_ids":1061,"id":1062,"title":1063,"original_language":31,"original_title":1063,"overview":1064,"popularity":1065,"poster_path":1066,"release_date":1067,"softcore":4,"video":4,"vote_average":1068,"vote_count":1069,"credit_id":1070,"department":16,"job":978,"media_type":41},"\u002Fo3GSSYr7AzrdcukNpQrqFEJNOjk.jpg",[27,28],1628,"Jules et Jim","Paris, dans les années 1900 : Jules, allemand et Jim, français, deux amis artistes, sont épris de la même femme, Catherine. C'est Jules qui épouse Catherine. La guerre les sépare. Ils se retrouvent en 1918. Catherine n'aime plus Jules et tombe amoureuse de Jim.",3.436,"\u002FiQPk7jK26RrwYgnAYq5l2Ha3iPc.jpg","1962-01-23",7.532,1080,"52fe4306c3a36847f8034abb",{"adult":4,"backdrop_path":1060,"genre_ids":1072,"id":1062,"title":1063,"original_language":31,"original_title":1063,"overview":1064,"popularity":1065,"poster_path":1066,"release_date":1067,"softcore":4,"video":4,"vote_average":1068,"vote_count":1069,"credit_id":1073,"department":982,"job":983,"media_type":41},[27,28],"52fe4306c3a36847f8034ac1",{"adult":4,"backdrop_path":1075,"genre_ids":1076,"id":1078,"title":1079,"original_language":31,"original_title":1079,"overview":1080,"popularity":1081,"poster_path":1082,"release_date":1083,"softcore":4,"video":4,"vote_average":1084,"vote_count":1085,"credit_id":1086,"department":16,"job":978,"media_type":41},"\u002FbEe4xvjFr9kObNeBCw8kce3o047.jpg",[28,27,397,1077],53,1651,"La Sirène du Mississipi","Répondant à l'annonce d'une agence matrimoniale, une femme usurpe la place d'une autre. 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En réalité, Lucas s'est réfugié dans les sous-sols du bâtiment. 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Il est soupçonné, lors d'une partie de chasse, d'avoir assassiné M. Massoulier qui était l'un des amants de Marie-Christine, sa femme. Les faits sont contre lui, d'autant que peu de temps après, Marie-Christine est, elle aussi, assassinée au domicile conjugal. Le commissaire Santelli est chargé d'instruire. Caché dans son agence, Julien Vercel demande à Barbara Becker, sa secrétaire à la personnalité marquée, de mener l'enquête. 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Elle vole tout ce qui lui tombe sous la main avec une préférence pour la lingerie fine et les cigarettes américaines. À l'église, elle vole même l'argent de la quête pour pouvoir aller au cinéma. Un jour, elle quitte l'école et trouve un emploi de bonne dans une famille bourgeoise. Elle noue une liaison avec un homme marié plus âgé ainsi qu'avec un jeune homme de son âge, lui aussi voleur...",2.9069,"\u002FrFdKtfhTqgQQB17Lpql8OVoPFxt.jpg","1988-12-21",76,"64ecc33606f984010c70cdcb","Story",{"adult":4,"backdrop_path":1257,"genre_ids":1258,"id":1259,"title":1260,"original_language":31,"original_title":1260,"overview":1261,"popularity":1262,"poster_path":1263,"release_date":1264,"softcore":4,"video":4,"vote_average":1265,"vote_count":1034,"credit_id":1266,"department":1044,"job":1052,"media_type":41},"\u002FqiZh0JWze6AT6b47YQ9RUt3TMsi.jpg",[27,45,28,1105],186783,"Mata Hari, agent H21","À Paris en 1917, tout le monde connaît Mata-Hari, une superbe danseuse dont on ne compte plus les amants. Mais c'est également une espionne qui travaille pour l'Allemagne. Amoureuse d'un officier français, elle finit devant un peloton d'exécution.",1.5702,"\u002F6oemw4xFK8yTeGNwXpFVbRrqU21.jpg","1964-01-29",5.7,"61122af7cd2046002e570f2c",{"adult":4,"backdrop_path":13,"genre_ids":1268,"id":1269,"title":1270,"original_language":31,"original_title":1270,"overview":1271,"popularity":1272,"poster_path":13,"release_date":1273,"softcore":4,"video":4,"vote_average":464,"vote_count":56,"credit_id":1274,"department":982,"job":983,"media_type":41},[199],994672,"Le scarabée d'or","Le film s’inspire librement de la nouvelle d’Edgar Allan Poe, centrée sur une énigme mystérieuse liée à un scarabée doré.\r Lachenay transpose l’esprit du récit en mettant en scène une atmosphère de mystère et d’aventure, où un jeune protagoniste se retrouve entraîné dans une quête énigmatique autour d’un scarabée aux propriétés intrigantes.",1.1368,"1961-07-01","62bfacc6e942be040d7bb1a1",{"adult":4,"backdrop_path":13,"genre_ids":1276,"id":1277,"title":1278,"original_language":31,"original_title":1278,"overview":1279,"popularity":1280,"poster_path":1281,"release_date":1282,"softcore":4,"video":4,"vote_average":163,"vote_count":12,"credit_id":1283,"department":1044,"job":1195,"media_type":41},[26],325794,"Une grosse tête","Un homme hérite d’une vieille maison en très mauvais état. Avec l’aide d'un jeune mécanicien, il entreprend de la rénover. Mais tous deux vont tomber amoureux d’une même jeune femme.",0.8545,"\u002Fd9mverSB3YMCND1K85rsaDceIbY.jpg","1962-02-09","54e27e0ec3a368087b0023e2",{"adult":4,"backdrop_path":1285,"genre_ids":1286,"id":1287,"title":1288,"original_language":31,"original_title":1288,"overview":1289,"popularity":1290,"poster_path":1291,"release_date":1292,"softcore":4,"video":4,"vote_average":1293,"vote_count":151,"credit_id":1294,"department":982,"job":983,"media_type":41},"\u002FkfcUXzhIwEbNVVYikQWZXc1FRW1.jpg",[27],31345,"L'Enfance nue","Après plusieurs tentatives auprès de familles d'accueil, un gamin de l'Assistance publique trouve compréhension et réconfort auprès d'un vieux couple. Malheureusement il provoque un accident de la circulation. 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