[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F15127:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":831},false,[6,7],"Luchino Visconti di Modrone","루키노 비스콘티","Luchino Visconti di Modrone, comte de Lonate Pozzolo, est un réalisateur de cinéma, directeur de théâtre, metteur en scène et écrivain italien, né le 2 novembre 1906 à Milan et mort le 17 mars 1976 à Rome.\n\nDescendant de l'illustre maison Visconti qui régna sur Milan, il est considéré comme l'un des réalisateurs les plus importants du cinéma européen, ayant notamment contribué à fonder le néoréalisme italien dans les années 1940, avec le film Les Amants diaboliques. Plus tard, ses films sont principalement consacrés à des sujets tels que la beauté, la décadence, la mort et l'histoire européenne, et tout particulièrement le déclin de la noblesse et de la bourgeoisie, thème évoqué à plusieurs reprises dans ses films, comme dans Le Guépard (avec sa fameuse réplique «il faut que tout change pour que rien ne change»), ainsi que dans la trilogie allemande.\n\nLuchino Visconti est le fils de Giuseppe Visconti di Modrone, duc de Grazzano Visconti (1879-1941), et de Carla Erba (née en 1879 et morte à Cortina d'Ampezzo le 17 janvier 1939).\n\nPar son père, il descend de la grande aristocratie italienne: la famille Visconti régna en effet sur Milan jusqu'au XVe siècle. Par sa mère, il est apparenté au compositeur Giulio Ricordi, petit-fils de l'illustre fondateur de la maison d'édition musicale établie à Milan, ainsi qu'au richissime patron d'industrie pharmaceutique Carlo Erba.\n\nLuchino était le quatrième de sept enfants: Guido (1901-1942), duc de Grazzano Visconti, marié à Franca Viviani Della Robbia (sans postérité), eut également une liaison avec l'actrice Elsa De Giorgi, et mourut à la bataille d'El Alamein; Anna (1903-1977), mariée par la suite au prince Adolfo Caracciolo; Luigi (1905-1967), duc de Grazzano Visconti à la suite de son frère aîné, épousa Madina Arrivabene Valenti Gonzaga (dont postérité), puis l'actrice Laura Adani; Luchino; Edoardo (1908-1980), père du futur réalisateur Eriprando Visconti; Ida Pace (1916-2008), dite «Nane»; Uberta (6 avril 1918, Milan – 30 juillet 2003, Rome), mariée le 30 avril 1940 au réalisateur Renzo Avanzo et, en secondes noces, au compositeur et chef d'orchestre Franco Mannino, fréquent collaborateur de Luchino.\n\nAprès la séparation de ses parents, le jeune Luchino Visconti grandit avec sa mère. Passionné de chevaux, il s'occupait, pendant sa jeunesse, d'une écurie de sa propriété. Il fréquentait en outre activement le monde de l'opéra et du mélodrame, qui l'influença beaucoup. La famille Visconti avait sa loge attitrée à La Scala de Milan (son père le duc Giuseppe Visconti, était l'un des plus importants mécènes du théâtre; ils habitaient, en outre, via Cerva, non loin du fameux théâtre), et le salon de sa mère était fréquenté, entre autres, par le célèbre chef d'orchestre Arturo Toscanini; c'est à cette époque que Luchino Visconti fit aussi la connaissance du compositeur Giacomo Puccini (mort en 1924) et de l'écrivain Gabriele D'Annunzio (mort en 1938). La famille possédait aussi une grande villa de style néo-Renaissance au bord du lac de Côme, la villa Erba, à Cernobbio, où l'on se retrouvait pour les grandes vacances et de petits séjours et où le duc Visconti aimait à monter des pièces de théâtre en amateur. ...\n\nSource: Article \"Luchino Visconti\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1906-11-02","1976-03-17",2,null,15127,"nm0899581","Directing","Luchino Visconti","Milan, Lombardy, Italy",1.2276,"\u002Fg5jT360l0LlvT9WT2UkHnQo2DhE.jpg",{"cast":21,"crew":409},[22,37,52,66,79,91,102,114,122,131,142,157,166,174,184,193,205,215,226,235,245,255,264,275,284,299,310,319,328,340,350,361,371,387,397],{"adult":4,"backdrop_path":12,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":11,"character":33,"credit_id":34,"order":35,"media_type":36},[24],99,1087778,"Cinéma et Réalité","fr","Dans ce long métrage documentaire réalisé par Georges Dufaux et Clément Perron, des géants du cinéma italien tels que Rossellini, De Sica, Fellini et Zavattini évoquent l’importance du cinéma en Italie après la Seconde Guerre mondiale et ses grands moments de révoltes sociales. Ce film donne la parole aux créateurs du néo-réalisme italien.",1.1704,"\u002FE8XpWSnDJeYA0vrJ5KEUuElvHC.jpg","1967-01-01",6.5,"Self","63eeb1a8cddbbc00969782ff",10,"movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":40,"title":41,"original_language":42,"original_title":41,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"character":49,"credit_id":50,"order":51,"media_type":36},"\u002F8vpk62jwkLH6PJdE6BP4bh4IV3z.jpg",[24],88446,"1960","it","À l'aide d'images d'archives et de son histoire personnelle, le réalisateur Gabriele Salvatores brosse un tableau de l'essor économique et créatif de l'Italie en 1960.",1.4247,"\u002FuHjSvtMYcC0K5MlgjRYaLL3stPD.jpg","2010-09-05",5.2,9,"Self (archive footage)","61d6fd216c1e04006788fd86",14,{"adult":4,"backdrop_path":53,"genre_ids":54,"id":56,"title":57,"original_language":27,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":62,"vote_count":63,"character":49,"credit_id":64,"order":65,"media_type":36},"\u002FzeDh4IgXC4PjXBlyQC8Js6xYEuY.jpg",[24,55],10770,869950,"Trintignant par Trintignant","Le portrait d'un homme d'une élégance rare et d'un charme énigmatique, polyvalent et couronné de succès : Jean-Louis Trintignant, l'un des acteurs français les plus acclamés par la critique au cours des soixante dernières années, connu pour ses nombreux rôles sur scène et à l'écran.",1.9842,"\u002FoJp5ymSlP0bE3ubaromzIexC15Q.jpg","2021-10-11",6.8,5,"61e49210c613ce0042228547",20,{"adult":4,"backdrop_path":67,"genre_ids":68,"id":69,"title":70,"original_language":71,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":62,"vote_count":77,"character":49,"credit_id":78,"order":11,"media_type":36},"\u002FeyuOjC22vAlPp3KAKz0eyT0VWVa.jpg",[24],1132588,"Helmut Berger - Ma vie","de","Helmut Berger - Mein Leben","En 2005, Helmut Berger revenait sur les lieux importants de sa carrière, à Rome et sur l'île d'Ischia. Celui qui fut la muse du cinéaste Luchino Visconti se souvient de sa vie mouvementée, de ses succès, mais aussi de ses crises et de ses échecs.",1.2349,"\u002F9nfUWVP2JWv96LoaxKW19wN1wuO.jpg","2005-01-01",3,"6476e7ea89d97f00bec4d4cb",{"adult":4,"backdrop_path":12,"genre_ids":80,"id":81,"title":82,"original_language":83,"original_title":82,"overview":84,"popularity":85,"poster_path":12,"release_date":86,"softcore":4,"video":87,"vote_average":88,"vote_count":89,"character":49,"credit_id":90,"order":63,"media_type":36},[24],451014,"Visconti: La verdad del melodrama","es","",0.8894,"2001-03-12",true,8,1,"6482e1bb99259c00accbd55a",{"adult":4,"backdrop_path":92,"genre_ids":93,"id":94,"title":95,"original_language":42,"original_title":95,"overview":84,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":99,"vote_count":77,"character":49,"credit_id":100,"order":101,"media_type":36},"\u002Fs0h6EkLRshSfDIsXg46WKMF62M9.jpg",[24],834130,"Gli angeli nascosti di Luchino Visconti",0.9664,"\u002FnVfJpG6A8fmmhKY8nFAlJyJHk4O.jpg","2008-02-22",6,"6485a3e099259c00accd23a3",0,{"adult":4,"backdrop_path":103,"genre_ids":104,"id":105,"title":106,"original_language":27,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":77,"character":49,"credit_id":112,"order":113,"media_type":36},"\u002F7uAHDiwMgxvrxuABTqnnpiu7kxA.jpg",[24],781228,"Alain Delon, l'ombre au tableau","Pourquoi Alain Delon, star mondiale hors catégorie, mais d'abord acteur exceptionnel passionnément attaché à son art, a-t-il choisi, il y a près d'un demi-siècle, de se figer dans un rôle, le sien, aussi spectaculaire à la ville qu'oubliable à l'écran ?",1.541,"\u002F96hjIGfInAC3amQc0XaU514Qubq.jpg","2019-05-07",6.7,"62677205614c6d00505ffbf9",18,{"adult":4,"backdrop_path":12,"genre_ids":115,"id":116,"title":117,"original_language":42,"original_title":117,"overview":84,"popularity":118,"poster_path":12,"release_date":119,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"character":120,"credit_id":121,"order":11,"media_type":36},[24],278751,"La tenda in piazza",0.7961,"1972-02-19","Self (uncredited)","53ac5411c3a3686357000247",{"adult":4,"backdrop_path":12,"genre_ids":123,"id":124,"title":125,"original_language":42,"original_title":125,"overview":84,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"character":129,"credit_id":130,"order":11,"media_type":36},[24],1015257,"Anna Magnani - Recitare la verità",1.1637,"\u002FcPwO3iOlnBglZ2y9CGofwuxJ6Go.jpg","2008-03-07","(archive footage)","630225357d41aa0081538a21",{"adult":4,"backdrop_path":132,"genre_ids":133,"id":135,"title":136,"original_language":137,"original_title":136,"overview":84,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":62,"vote_count":63,"character":49,"credit_id":141,"order":99,"media_type":36},"\u002FkZ0hCsKBFFa8Ajnp32R1oRjJptm.jpg",[24,134],36,309539,"Callas Assoluta","en",1.8608,"\u002FvnbUM5d53WeCtLx3z4QEMPqqlqx.jpg","2007-12-20","54883ad392514151fd0011ee",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":42,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":153,"character":154,"credit_id":155,"order":156,"media_type":36},"\u002FfwtG7TrqR2JLHj3QQEXa4KDPexD.jpg",[113],43445,"La terre tremble","La terra trema","Dans les années 1920-30 à Aci Trezza, un petit village de pêcheurs situé sur la côte est de Sicile. L'histoire se concentre sur une famille traditionnelle, les Valastro, et a pour thème l'exploitation des pêcheurs par les grossistes.\r Le fils aîné, ’Ntoni, excédé par l'attitude des grossistes qui s'arrangent pour acheter à un prix dérisoire le produit de leurs pêches, décide de réaliser une hypothèque sur la maison familiale afin de pouvoir acheter leur propre bateau et éviter ainsi de passer par un intermédiaire pour vendre leurs poissons.",2.4593,"\u002F9S7cSBwuGodLB9ssLOVQkVYD1aY.jpg","1949-12-03",7.8,180,"Narrator (voice) (uncredited)","65abf3102ceb5301710ed4ad",31,{"adult":4,"backdrop_path":158,"genre_ids":159,"id":160,"title":161,"original_language":27,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":31,"softcore":4,"video":4,"vote_average":35,"vote_count":89,"character":33,"credit_id":165,"order":11,"media_type":36},"\u002FfN83NQVEs50i3nSVTzzCc1HBfGd.jpg",[24],1245972,"A Propos D'Un Crime","En 1967, Visconti vint à Alger pour le tournage de l’Étranger avec Mastroianni et Anna Karina.  Camus, de son vivant, avait toujours refusé qu’un de ses romans fût porté à l’écran. Sa famille a pris une autre décision. Le tournage du film fut vécu à Alger, comme un retour posthume de l’écrivain à Alger. Pendant le tournage, un jeune cinéaste spécialisé dans le documentaire Gérard Patris s'essaye à un reportage sur l’impact du tournage de l’Étranger sur les Algériens. Entrecoupé de séquences du tournage du film de Visconti, il filme Poncet, Maisonseul, Bénisti et Sénac, amis de Camus, en pleine discussions pour situer Camus et son oeuvre dans un contexte sociologique et historique. \"L'idée nous est venue de montrer les gens, les autres, nous-mêmes comme si tous pouvions être Meursault, ou du moins les témoins concernés de son drame\".",1.3912,"\u002FwOeyZkjXPz91ilsExxsA9NtmMNQ.jpg","65d028ea2dda89017bdc08b3",{"adult":4,"backdrop_path":12,"genre_ids":167,"id":168,"title":16,"original_language":42,"original_title":16,"overview":84,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":63,"character":49,"credit_id":173,"order":101,"media_type":36},[24],421948,1.1102,"\u002FkG5xFJTPEhsk2dE6H5WwvrLj42U.jpg","2002-06-23",7,"638d8fce8d77c400cad2bfcf",{"adult":4,"backdrop_path":175,"genre_ids":176,"id":177,"title":178,"original_language":27,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":89,"vote_count":11,"character":49,"credit_id":183,"order":101,"media_type":36},"\u002F3WsVfi30j8yiURqlCh43cBWHvGK.jpg",[24],451335,"Luchino Visconti, entre vérité et passion","Quarante ans après sa disparition, ce documentaire rend hommage à l’un des cinéastes majeurs du cinéma italien, à une œuvre originale qui continue d’inspirer le cinéma d’aujourd’hui. Issu de l’une des plus grandes familles de l’aristocratie italienne, il aurait pu n’être qu’un homme riche et cultivé, vivre dans l’opulence et l’oisiveté, mais Luchino voulait un autre destin. C’est cette histoire que la réalisatrice Elisabeth Kapnist et Christian Dumais-Lvowski ont voulu raconter. Le comte Visconti di Modrone porte les habits d’une légende qu’il n’a cessé de façonner tout au long de sa vie. Ce documentaire recompose la trame d’une existence brillante, dédiée à l’art ; théâtre, opéra, et cinéma. Cette œuvre artistique est aussi celle d’un homme engagé, qui fut un compagnon de route du parti communiste, et qui résista au fascisme.",1.3956,"\u002FbfARCRfFXgaVmGWYVKqvj1CQ9Bu.jpg","2016-11-15","638d87bb2dc9dc007f0b7656",{"adult":4,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":137,"original_title":188,"overview":84,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":35,"vote_count":89,"character":33,"credit_id":192,"order":101,"media_type":36},"\u002F2Hf6c2ZT1xOL5fePfoNwB8UKWB.jpg",[24],675373,"Bailey on Visconti",1.4531,"\u002F29JUyY1OOApTs4FP2gi0RpeFV7B.jpg","1972-01-01","638ed8a35800c400834492c4",{"adult":4,"backdrop_path":194,"genre_ids":195,"id":196,"title":197,"original_language":27,"original_title":197,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":4,"video":4,"vote_average":202,"vote_count":99,"character":49,"credit_id":203,"order":204,"media_type":36},"\u002F6BU2MHqsomy0XQ8JxiX6T7xlupU.jpg",[24,134,55],837552,"Cinecittà, de Mussolini à la Dolce Vita","Mythique cité du cinéma italien, souvent appelée « La fabbrica dei sogni « (la fabrique des rêves), Cinecittà se situe dans un quartier populaire du sud-est de Rome. Westerns, films antiques, séries télévisées, grosses productions américaines, classiques italiens : les studios ont vu défiler des milliers de films. L'idée de sa naissance émerge en 1930 : le gouvernement italien fasciste sous le joug de Mussolini souhaite industrialiser le cinéma italien afin de concurrencer le succès et le quasi-monopole d'Hollywood. Mais les studios de Cinecittà représentent surtout une importante machine de propagande fasciste.",1.3806,"\u002F9x0j0Fc23r9i0TaWpakNHyEol7S.jpg","2021-05-16",7.3,"63a537630398ab00a0c09696",11,{"adult":4,"backdrop_path":12,"genre_ids":206,"id":207,"title":208,"original_language":42,"original_title":209,"overview":84,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"character":213,"credit_id":214,"order":101,"media_type":36},[24],1296354,"E trema ancora, l'autre voix de Luchino Visconti","E trema ancora - L’altra voce di Luchino Visconti",0.9956,"\u002Fd7dBgSQvCi6gSLZemLs6yb3QFvA.jpg","2024-05-16","Self(archive footage)","66545881626406bc46994092",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":218,"title":219,"original_language":42,"original_title":219,"overview":84,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":223,"vote_count":224,"character":120,"credit_id":225,"order":11,"media_type":36},"\u002FqFSqdlqtYnidXu4xWL1L8LJFO0V.jpg",[24,55],335202,"Alla ricerca di Tadzio",1.3869,"\u002F5LOjmwrH3BWi0559AUnKcTx6L10.jpg","1970-06-07",6.6,15,"57d0129fc3a3686490002804",{"adult":4,"backdrop_path":12,"genre_ids":227,"id":228,"title":229,"original_language":137,"original_title":229,"overview":84,"popularity":230,"poster_path":231,"release_date":232,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"character":233,"credit_id":234,"order":89,"media_type":36},[24],478660,"Man of Three Worlds: Luchino Visconti",1.1941,"\u002F9gRIBVytqXut4osulYuT1XLNAXJ.jpg","1966-04-24","Self - Interviewee","59ce879f9251416c4301d82c",{"adult":4,"backdrop_path":12,"genre_ids":236,"id":237,"title":238,"original_language":42,"original_title":238,"overview":84,"popularity":239,"poster_path":240,"release_date":241,"softcore":4,"video":4,"vote_average":242,"vote_count":77,"character":49,"credit_id":243,"order":244,"media_type":36},[24],377956,"Io sono Anna Magnani",1.2693,"\u002Fn3BxVHCd4v1QHEbXS8lihQMczvr.jpg","1980-09-30",8.7,"5a28e5610e0a264cca10c66e",13,{"adult":4,"backdrop_path":246,"genre_ids":247,"id":249,"title":250,"original_language":137,"original_title":250,"overview":84,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":172,"vote_count":77,"character":33,"credit_id":254,"order":77,"media_type":36},"\u002FxuGrzVlIHfCxnaTu2kzXqLLQfQ.jpg",[24,248],10402,318173,"Callas: A Documentary",1.4961,"\u002Fuwq9fURclFPbFzpwwcKHUaq0q52.jpg","1978-09-16","5b5954d30e0a2611f30070f9",{"adult":4,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":42,"original_title":259,"overview":84,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":87,"vote_average":99,"vote_count":11,"character":49,"credit_id":263,"order":88,"media_type":36},"\u002FeEfnWKYaqi9anfFp5mEwVlnL3vg.jpg",[],542824,"Luchino Visconti: La quête de l'impossible",1.2161,"\u002FmTvCuGDHqGXTfdMtZodgx8UCjxo.jpg","2013-07-18","5b76c2c3c3a368754e02af3c",{"adult":4,"backdrop_path":265,"genre_ids":266,"id":267,"title":268,"original_language":27,"original_title":268,"overview":269,"popularity":270,"poster_path":271,"release_date":272,"softcore":4,"video":4,"vote_average":63,"vote_count":89,"character":273,"credit_id":274,"order":88,"media_type":36},"\u002F3pUCWYTO4zYc5i9PJlEHBElArgC.jpg",[24],514964,"Anna Karina, souviens-toi","Actrice incontournable de la Nouvelle Vague, muse et épouse un temps de Jean-Luc Godard, belle et moderne, libre et sensuelle, Anna Karina a mené une carrière internationale au cinéma. Des réalisateurs renommés, à l'instar de Fassbinder ou Schlöndorff, qu'elle fascine, l'ont réclamée dans leurs films, tout comme George Cukor, dont elle devient proche, Visconti ou Tony Richardson. De façon peut-être un peu moins provocante que Brigitte Bardot, autre grande star des années 1960, l'actrice incarne à l'écran une nouvelle féminité.",1.5577,"\u002Fi5aJ1PdVvV4bqi2oSFFAvvNr6r4.jpg","2020-06-13","Self (archive footage) (uncredited)","5ea109d338e5100025da36d1",{"adult":4,"backdrop_path":12,"genre_ids":276,"id":277,"title":278,"original_language":71,"original_title":278,"overview":84,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":99,"vote_count":11,"character":49,"credit_id":282,"order":283,"media_type":36},[24],576254,"Helmut Berger, meine Mutter und ich",0.9885,"\u002Fu958XyXoElNzOYogmWFLLaJop1f.jpg","2019-03-07","5f0f635460620a003383648f",16,{"adult":4,"backdrop_path":285,"genre_ids":286,"id":287,"title":288,"original_language":289,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":202,"vote_count":295,"character":296,"credit_id":297,"order":298,"media_type":36},"\u002FpOCS7XWZ2gD53EaEiLU2br1DK4h.jpg",[24],730028,"L'ange blond de Visconti","sv","Världens vackraste pojke","Il a été et sera pour l'éternité le jeune adolescent de \"Mort à Venise\". Sacrifié sur l'autel du septième art, le \"plus beau garçon du monde\", selon Visconti, a vécu sa vie dans l'ombre d'un double immortalisé sur pellicule. Un documentaire pudique sur l'hiver d'un homme qui a trop tôt donné l'absolu.",4.5639,"\u002Fa5TOEGbQVGA63M9T5rttUFvll13.jpg","2021-07-30",61,"Self (archival footage)","60173896cb8028003f14e32a",19,{"adult":4,"backdrop_path":300,"genre_ids":301,"id":302,"title":303,"original_language":42,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":47,"vote_count":11,"character":49,"credit_id":309,"order":35,"media_type":36},"\u002FpeztBWHtlRSyHV0pbdmiBoCsALN.jpg",[24],383792,"Marcello : Une douce vie","Marcello, una vita dolce","Une vie vécue avec douceur, ce doux regard et ce sourire narquois, cette légendaire paresse. Aujourd’hui encore, dire Mastroianni ou Marcello évoque une époque : un monde fait de bravoure, de beauté, de charme, de gentillesse.  Au travers d’interviews de ses proches et de ses collaborateurs, d’extraits de films et d’images d’archives, ce documentaire narré par Sergio Castellitto veut raconter un homme qui a été le plus grand acteur italien et a vécu de façon extraordinaire avec le succès, en pensant souvent qu’il n’était peut-être qu’en train de rêver.",1.4644,"\u002FyUS3lYWJMBD5O3yLZBUo16rxiwC.jpg","2006-05-21","6055f7756e3deb0054e65605",{"adult":4,"backdrop_path":12,"genre_ids":311,"id":312,"title":313,"original_language":137,"original_title":313,"overview":84,"popularity":314,"poster_path":315,"release_date":316,"softcore":4,"video":87,"vote_average":317,"vote_count":89,"character":33,"credit_id":318,"order":89,"media_type":36},[24],832864,"Visconti's Venice",0.8354,"\u002Fi38JW634LkqFefZRG7gBUDqiCHY.jpg","1970-07-01",4,"60ab19f007e2810056d4595f",{"adult":4,"backdrop_path":320,"genre_ids":321,"id":322,"title":323,"original_language":42,"original_title":323,"overview":84,"popularity":324,"poster_path":325,"release_date":326,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"character":49,"credit_id":327,"order":317,"media_type":36},"\u002FdURi44pb4EJeuMdGBnINFbt5to0.jpg",[24],1359895,"Ciao Marcello - Mastroianni l'antidivo",1.1964,"\u002FwTeipcy2VmbgVB0arxqntDKkzUC.jpg","2024-10-17","672200881d0b571b8a5c1de6",{"adult":4,"backdrop_path":329,"genre_ids":330,"id":331,"title":332,"original_language":27,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":337,"vote_count":88,"character":338,"credit_id":339,"order":88,"media_type":36},"\u002FfrSU2mhPGrUdG5zvN8YcmR9kFNk.jpg",[24],658078,"Claudia Cardinale, la créature du secret","Claudia Cardinale, la jeune Tunisoise sauvage et garçon manqué, farouche et timide, ne s'est jamais imaginée sous l'œil des caméras ; elle a pourtant tourné avec messieurs Mario Moncelli, Blake Edwards, Sergio Leone, Henri Verneuil, Robert Enrico, José Giovanni, Philippe de Broca, Federico Fellini, Luchino Visconti, Mario Monicelli, Michel Lang. À l'écran elle a imposé une image inédite de femme naturelle et sauvage, à la voix éraillée et au rire franc.",1.4085,"\u002F8jAGXbMtY8VVT3wDbtufElR6HxV.jpg","2019-12-31",7.2,"Self - Réalisateur (archive footage)","696548f1f39403b5dbdb24e7",{"adult":4,"backdrop_path":341,"genre_ids":342,"id":343,"title":344,"original_language":27,"original_title":344,"overview":345,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"character":84,"credit_id":349,"order":99,"media_type":36},"\u002F72HiQ3ls5NdDHCdi3DN59lntb6N.jpg",[24],927304,"Hossein, Ronet, Trintignant : Confidences de trois acteurs inoubliables","Robert Hossein, Maurice Ronet et Jean-Louis Trintignant font partie des figures du cinéma français. On retrouve l'un ou l'autre de ces grands acteurs dans un très grand nombre de classiques des années 50 et 60. Les trois ensemble se sont retrouvés à l'affiche du même film en 1966, \"La Longue Marche\" d'Alexandre Astruc, une histoire de Résistance dans le Vercors. Ce documentaire dresse le portrait croisé des trois hommes, dont seul nous reste Jean-Louis Trintignant, après la mort de Ronet en 1983 et celle d'Hossein en 2020.",1.1223,"\u002FrnrYmsOskeeS3O7OWe9qKSlPd2.jpg","2021-01-15","69654fc65532373621dc4cbd",{"adult":4,"backdrop_path":351,"genre_ids":352,"id":353,"title":354,"original_language":27,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":99,"vote_count":77,"character":359,"credit_id":360,"order":172,"media_type":36},"\u002Fu7yRgTpYhl3Ey4jzED5hb2zoZME.jpg",[24],970364,"Romy, femme libre","Le 29 mai 1982, il y a 40 ans, disparaissait Romy Schneider. Cette actrice d'origine allemande accompagne les spectateurs français depuis si longtemps qu'il semble l'avoir toujours connue. Elle a plusieurs fois changé de vie, quitté des hommes et des pays pour tout recommencer ailleurs. Elle a arraché les rôles qu'elle voulait, en attirant sur elle le regard des plus grands cinéastes de son époque. Mais au-delà de l'icône qu'elle est devenue, Romy Schneider était d'abord une femme libre, qui n'a jamais cessé d'avancer.",1.3773,"\u002F22VIhAHH87tZ535MZ8hdKEhIqRU.jpg","2022-05-18","archive footage","6a0852b276948da00c635697",{"adult":4,"backdrop_path":362,"genre_ids":363,"id":364,"title":365,"original_language":289,"original_title":365,"overview":84,"popularity":366,"poster_path":367,"release_date":368,"softcore":4,"video":4,"vote_average":88,"vote_count":11,"character":49,"credit_id":369,"order":370,"media_type":36},"\u002F8ZWRIEANRMFT0mPLya9f2zGSeAV.jpg",[24],1477121,"I huvudet på Bo",1.6959,"\u002FiL9e1W6YKoyg73ojydCUQzrgjhh.jpg","2025-07-02","6a2eec183d2c2c46c4e4978e",26,{"adult":4,"backdrop_path":372,"genre_ids":373,"id":375,"origin_country":376,"original_language":27,"original_name":378,"overview":379,"popularity":380,"poster_path":381,"first_air_date":382,"softcore":4,"name":378,"vote_average":383,"vote_count":11,"character":49,"credit_id":384,"episode_count":89,"first_credit_air_date":385,"media_type":386},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[374],10767,244224,[377],"FR","Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen… les plus grandes stars du cinéma ont été reçues par Christian Defaye dans son émission Spécial cinéma. Entre confessions intimes des comédiens et immersion dans l'univers des plus grands cinéastes, Christian Defaye a entraîné, durant près de trente ans, les téléspectateurs dans cet univers fascinant du Septième art.",75.9108,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65b4ede2b6cff10149f5f462","1981-03-17","tv",{"adult":4,"backdrop_path":12,"genre_ids":388,"id":390,"origin_country":391,"original_language":71,"original_name":393,"overview":84,"popularity":394,"poster_path":12,"first_air_date":395,"softcore":4,"name":393,"vote_average":101,"vote_count":101,"character":33,"credit_id":396,"episode_count":89,"first_credit_air_date":191,"media_type":386},[389],10763,106306,[392],"DE","Treffpunkte",3.8528,"1970-05-26","5f175e3a78570e003266aff7",{"adult":4,"backdrop_path":398,"genre_ids":399,"id":400,"origin_country":401,"original_language":27,"original_name":402,"overview":403,"popularity":404,"poster_path":405,"first_air_date":406,"softcore":4,"name":402,"vote_average":63,"vote_count":11,"character":33,"credit_id":407,"episode_count":89,"first_credit_air_date":408,"media_type":386},"\u002FcB7Pu89RjN2DfAdNUgXrQqYEEhF.jpg",[24],272018,[377],"Reflets de Cannes","François Chalais est une légende. Dès les années 50, le chroniqueur le plus célèbre du Festival de Cannes décrypte, avec son ton caustique, toutes les facettes de la Croisette : réceptions somptueuses, tapis rouge, starlettes en quête de gloire, confessions intimes… Des images de fête et de rêve mêlées à des séquences d'interviews inoubliables, en extérieur ou dans le studio de l'hôtel Miramar.",7.4963,"\u002Fo5CYSyQHeuhMHMN7YKzxjPbbMnJ.jpg","1954-03-25","66edf684b348bea4eb3ae35a","1963-05-23",[410,424,429,443,446,459,462,475,478,490,495,498,511,524,527,540,552,564,567,570,583,594,597,610,613,626,639,653,656,659,669,672,675,691,701,711,714,717,721,726,729,732,735,738,741,744,748,751,754,757,760,771,774,785,796,805,812,820],{"adult":4,"backdrop_path":411,"genre_ids":412,"id":413,"title":414,"original_language":42,"original_title":415,"overview":416,"popularity":417,"poster_path":418,"release_date":419,"softcore":4,"video":4,"vote_average":420,"vote_count":421,"credit_id":422,"department":15,"job":423,"media_type":36},"\u002Fmyikoqu8Z2gtE7TaBgk9r6fB9MF.jpg",[113],1040,"Le Guépard","Il gattopardo","En 1860, tandis que la Sicile est submergée par les bouleversements de Garibaldi et de ses Chemises Rouges, le prince Salina se rend avec toute sa famille dans sa résidence de Donnafugata. Prévoyant le déclin de l'aristocratie, ce dernier accepte une mésalliance et marie son neveu Tancrède à la fille du maire de la ville, représentant la classe montante.",8.8245,"\u002Fh0YOTruw3MVF5lMUvMrsfBN6mpC.jpg","1963-03-27",7.722,987,"52fe42e5c3a36847f802b1dd","Director",{"adult":4,"backdrop_path":411,"genre_ids":425,"id":413,"title":414,"original_language":42,"original_title":415,"overview":416,"popularity":417,"poster_path":418,"release_date":419,"softcore":4,"video":4,"vote_average":420,"vote_count":421,"credit_id":426,"department":427,"job":428,"media_type":36},[113],"52fe42e5c3a36847f802b185","Writing","Screenplay",{"adult":4,"backdrop_path":430,"genre_ids":431,"id":433,"title":434,"original_language":42,"original_title":435,"overview":436,"popularity":437,"poster_path":438,"release_date":439,"softcore":4,"video":4,"vote_average":440,"vote_count":441,"credit_id":442,"department":427,"job":428,"media_type":36},"\u002Fj1R4wGpgfgY219Z7cDDZQJOM6TI.jpg",[113,432],10749,4286,"L'Innocent","L'innocente","Un couple riche de la fin du siècle dernier vit tragiquement sa révolte contre l'ordre social de la bourgeoisie romaine guindée.",4.2774,"\u002F4MCZnIgOJTzTKpKvJUhi80QZywm.jpg","1976-05-18",6.9,131,"52fe43b8c3a36847f806a871",{"adult":4,"backdrop_path":430,"genre_ids":444,"id":433,"title":434,"original_language":42,"original_title":435,"overview":436,"popularity":437,"poster_path":438,"release_date":439,"softcore":4,"video":4,"vote_average":440,"vote_count":441,"credit_id":445,"department":15,"job":423,"media_type":36},[113,432],"52fe43b9c3a36847f806a8c9",{"adult":4,"backdrop_path":447,"genre_ids":448,"id":449,"title":450,"original_language":137,"original_title":451,"overview":452,"popularity":453,"poster_path":454,"release_date":455,"softcore":4,"video":4,"vote_average":456,"vote_count":457,"credit_id":458,"department":427,"job":428,"media_type":36},"\u002FwkBvfmvGiGGqgn1FTIOhJ9Mdpmb.jpg",[113,134],3478,"Ludwig : Le Crépuscule des dieux","Ludwig","Louis II de Bavière monte sur le trône à l'âge de dix-neuf ans. Dédaignant la politique pour la musique, il rencontre Wagner à qui il voue une admiration sans limite. Conscient de son homosexualité refoulée, il rompt ses fiançailles avec Sophie de Bavière. Mais le peuple s'inquiète…",3.6936,"\u002Fv9lKjP4pMoJqw8BnpBGaGIGDLqD.jpg","1973-03-07",7.5,195,"52fe4395c3a36847f805f70b",{"adult":4,"backdrop_path":447,"genre_ids":460,"id":449,"title":450,"original_language":137,"original_title":451,"overview":452,"popularity":453,"poster_path":454,"release_date":455,"softcore":4,"video":4,"vote_average":456,"vote_count":457,"credit_id":461,"department":15,"job":423,"media_type":36},[113,134],"52fe4395c3a36847f805f79d",{"adult":4,"backdrop_path":463,"genre_ids":464,"id":466,"title":467,"original_language":42,"original_title":468,"overview":469,"popularity":470,"poster_path":471,"release_date":472,"softcore":4,"video":4,"vote_average":456,"vote_count":473,"credit_id":474,"department":427,"job":428,"media_type":36},"\u002F6efjJuY8dUUSmMZ3ERS4CNXEp1j.jpg",[465,113,432],80,5155,"Les Amants diaboliques","Ossessione","Bragana tient un café-garage sur la route qui longe le Po. Gino, chômeur et vagabond, demande du travail à Bragana. D'abord méfiant, celui-ci le prend en amitié quand il découvre ses talents de mécanicien. Gino a d'autres talents et devient l'amant de la femme de Bragana, Giovanna. Très vite ils vont se débarrasser du mari gênant. Mais ce meurtre transformera leur passion en enfer.",4.2211,"\u002FzDaZRT5GO6KPP1JiF4ZhLbwWiX8.jpg","1943-05-16",277,"52fe43f8c3a36847f807b019",{"adult":4,"backdrop_path":463,"genre_ids":476,"id":466,"title":467,"original_language":42,"original_title":468,"overview":469,"popularity":470,"poster_path":471,"release_date":472,"softcore":4,"video":4,"vote_average":456,"vote_count":473,"credit_id":477,"department":15,"job":423,"media_type":36},[465,113,432],"52fe43f8c3a36847f807afe3",{"adult":4,"backdrop_path":479,"genre_ids":480,"id":481,"title":482,"original_language":42,"original_title":483,"overview":484,"popularity":485,"poster_path":486,"release_date":487,"softcore":4,"video":4,"vote_average":337,"vote_count":488,"credit_id":489,"department":427,"job":428,"media_type":36},"\u002FtyWnJeMatQGLsiLfLsxBV0pp9nk.jpg",[113],6619,"Mort à Venise","Morte a Venezia","Un compositeur vieillissant vient chercher à Venise une atmosphère propice à l'épanouissement de son art. N'y trouvant aucune inspiration, sa passion se réveille à la vue d'un jeune adolescent.",5.0945,"\u002FfmZcIUh3QwgcpJiYxARd0nq4cEC.jpg","1971-03-05",565,"52fe445ec3a36847f8091f21",{"adult":4,"backdrop_path":479,"genre_ids":491,"id":481,"title":482,"original_language":42,"original_title":483,"overview":484,"popularity":485,"poster_path":486,"release_date":487,"softcore":4,"video":4,"vote_average":337,"vote_count":488,"credit_id":492,"department":493,"job":494,"media_type":36},[113],"52fe445ec3a36847f8091f27","Production","Producer",{"adult":4,"backdrop_path":479,"genre_ids":496,"id":481,"title":482,"original_language":42,"original_title":483,"overview":484,"popularity":485,"poster_path":486,"release_date":487,"softcore":4,"video":4,"vote_average":337,"vote_count":488,"credit_id":497,"department":15,"job":423,"media_type":36},[113],"52fe445ec3a36847f8091f1b",{"adult":4,"backdrop_path":499,"genre_ids":500,"id":501,"title":502,"original_language":42,"original_title":503,"overview":504,"popularity":505,"poster_path":506,"release_date":507,"softcore":4,"video":4,"vote_average":508,"vote_count":509,"credit_id":510,"department":15,"job":423,"media_type":36},"\u002F5ekGWawVJRnVzVsOqQMF9UpkZGP.jpg",[113],31332,"L'Étranger","Lo straniero","L'action se déroule à Alger, en 1935. Meursault, un homme apparemment insensible, mène une vie monotone. Lorsque sa vieille mère s'éteint, il ne manifeste aucune émotion visible. Tout semble le laisser indifférent : l'amour de son amie Marie, la promotion proposée par son directeur… Ses relations avec Raymond Sintès, personnage louche aux activités de souteneur, le conduiront pourtant à commettre un meurtre non prémédité. Condamné à mort, il refuse l'absolution proposée par le prêtre. Une adaptation fidèle et méticuleuse du chef-d'œuvre d'Albert Camus.",3.0595,"\u002FqrbgTHejOrHBYd4IG0u28lSQAv3.jpg","1967-10-14",6.773,97,"52fe44749251416c91011501",{"adult":4,"backdrop_path":512,"genre_ids":513,"id":514,"title":515,"original_language":42,"original_title":516,"overview":517,"popularity":518,"poster_path":519,"release_date":520,"softcore":4,"video":4,"vote_average":521,"vote_count":522,"credit_id":523,"department":15,"job":423,"media_type":36},"\u002F26LKQHOk5v7XjUFxm4Pv05nYgln.jpg",[113,432,465],8422,"Rocco et ses frères","Rocco e i suoi fratelli","Fuyant la misère, Rosaria et ses quatre fils quittent l'Italie du Sud pour Milan où vit déjà l'aîné Vincenzo. Chacun tente de s'en sortir à sa façon. Mais l'harmonie familiale est rapidement brisée : Rocco et Simone sont tous les deux amoureux d'une jeune prostituée, Nadia.",10.8828,"\u002F60WZfOuQBEPItG6gU9ll8Gaxicw.jpg","1960-10-07",8.015,687,"52fe44a7c3a36847f80a25ef",{"adult":4,"backdrop_path":512,"genre_ids":525,"id":514,"title":515,"original_language":42,"original_title":516,"overview":517,"popularity":518,"poster_path":519,"release_date":520,"softcore":4,"video":4,"vote_average":521,"vote_count":522,"credit_id":526,"department":427,"job":428,"media_type":36},[113,432,465],"52fe44a7c3a36847f80a25f5",{"adult":4,"backdrop_path":528,"genre_ids":529,"id":531,"title":532,"original_language":42,"original_title":533,"overview":534,"popularity":535,"poster_path":536,"release_date":537,"softcore":4,"video":4,"vote_average":99,"vote_count":538,"credit_id":539,"department":15,"job":423,"media_type":36},"\u002F6C3A8UH5oEoqFDq8L3qKv332t2n.jpg",[530,113],35,36236,"Les Sorcières","Le streghe","Cinq regards latins et non des moindres sur la survivance de la sorcellerie dans l'Italie contemporaine.  La femme est tour à tour vamp au ventre rebondi par une grossesse, égoïste inconsciente dédaignant un blessé pour ne pas rater son rendez-vous, sourde-muette irréprochable.",3.6687,"\u002FdXFvQj6NdTEd1om22TjfhzlNovp.jpg","1967-02-22",79,"52fe45d79251416c91040347",{"adult":4,"backdrop_path":541,"genre_ids":542,"id":543,"title":544,"original_language":42,"original_title":545,"overview":546,"popularity":547,"poster_path":548,"release_date":549,"softcore":4,"video":4,"vote_average":202,"vote_count":550,"credit_id":551,"department":15,"job":423,"media_type":36},"\u002F2pEegRXaVCdRYFp0b2CucFhILDn.jpg",[113,134],41876,"Les Damnés","La caduta degli dei","En 1933. La montée du nazisme inquiète la puissante famille d'industriels von Essenbeck. Le vieux baron Joachim est assassiné. On soupçonne Herbert Thalman, qui doit fuir. Friedrich devient le patron des aciéries. Mais un cousin officier S.S. incite l'industriel à fabriquer de l'armement.",6.7692,"\u002FxRKnLDbIV3jvBxOQ8WH50J7vmgc.jpg","1969-10-30",241,"52fe45e1c3a36847f80dfbeb",{"adult":4,"backdrop_path":553,"genre_ids":554,"id":556,"title":557,"original_language":42,"original_title":557,"overview":558,"popularity":559,"poster_path":560,"release_date":406,"softcore":4,"video":4,"vote_average":337,"vote_count":561,"credit_id":562,"department":427,"job":563,"media_type":36},"\u002Fq2ve97XH53hEUaWEUhD9AQcnn1A.jpg",[432,113,555],10752,43195,"Senso","En 1866, la Vénétie est sous le joug de l'occupant autrichien. La comtesse Livia Serpieri est de ceux qui s'opposent avec vigueur à cette mainmise étrangère. Jusqu'au jour où elle s'éprend violemment d'un jeune lieutenant autrichien...",3.8762,"\u002FvVup6BzhZTQGCqQDYsQayHs7C7b.jpg",259,"52fe4633c3a36847f80f246f","Story",{"adult":4,"backdrop_path":553,"genre_ids":565,"id":556,"title":557,"original_language":42,"original_title":557,"overview":558,"popularity":559,"poster_path":560,"release_date":406,"softcore":4,"video":4,"vote_average":337,"vote_count":561,"credit_id":566,"department":15,"job":423,"media_type":36},[432,113,555],"52fe4633c3a36847f80f2493",{"adult":4,"backdrop_path":553,"genre_ids":568,"id":556,"title":557,"original_language":42,"original_title":557,"overview":558,"popularity":559,"poster_path":560,"release_date":406,"softcore":4,"video":4,"vote_average":337,"vote_count":561,"credit_id":569,"department":427,"job":428,"media_type":36},[432,113,555],"52fe4633c3a36847f80f2499",{"adult":4,"backdrop_path":571,"genre_ids":572,"id":573,"title":574,"original_language":42,"original_title":575,"overview":576,"popularity":577,"poster_path":578,"release_date":579,"softcore":4,"video":4,"vote_average":580,"vote_count":581,"credit_id":582,"department":15,"job":423,"media_type":36},"\u002FfWkNhudvl6dtEHWSdQD6nl92GnD.jpg",[113,432],43231,"Nuits blanches","Le notti bianche","Mario, jeune employé de banque, rencontre Natalia un soir au bord d'un canal. 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