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Le groupe monte à Paris dans l'espoir de s'y produire, attend tout de la capitale et le chante (« On ne voit ça qu'à Paris »). C'est pourtant la désillusion : l'argent et l'enthousiasme manquent ; la crise est générale et il faut avoir recours à diverses combines à la limite de la malhonnêteté. Grâce à Olga et à la complaisance d'une concierge qui se souvient d'elle, on peut vivre dans un théâtre vide et répéter… sans piano. M. Bernoullin, vendeur d'instruments de musique, serait prêt à en céder un si Nicole passait une soirée avec lui. 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