[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F146438:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":646},false,[6],"Laurie Markovitch","Musicien classique de formation avant d'être cinéaste, Bertrand Bonello participe aux albums de nombreux artistes tels que Françoise Hardy, Gerald De Palmas ou Carole Laure. Entre 1991 et 1997, il les accompagne durant leurs tournées respectives, tout en signant en parallèle trois courts métrages de fiction (Le bus d'Alice, Juliette + 2 et Qui je suis).\n\nEn 1998, Bertrand Bonello réalise son premier long métrage, Quelque chose d'organique, une histoire d'amour tragique portée par Romane Bohringer et Laurent Lucas. Trois ans plus tard, il signe le sulfureux Le Pornographe, portrait d'un réalisateur de films X vieillissant et névrosé. Une demande d'interdiction est faite à l'encontre du film par l'association Promouvoir, qualifiant le film de \"porno intellectuel\", mais elle ne sera pas suivie. Un début de scandale qui n'empêchera pas le succès du film : mettant à l'affiche Jean-Pierre Léaud et Ovidie, Le Pornographe sera présenté à la Semaine internationale de la Critique Cannoise et au Festival du Cinéma Féminin d'Arcachon. Le thème de l'identité sexuelle poursuit Bertrand Bonello avec Tiresia, portrait d'un transsexuel brésilien. Le film est présenté au festival de Cannes en 2003.\n\nLa carrière de Bertrand Bonello se diversifie : professeur à la Fémis, il apparaît comme acteur dans plusieurs films, dont On ne devrait pas exister de HPG. Sa carrière cinématographique lancée ne l'empêche pas de rester fidèle à la musique : il compose les bandes originales de tous ses films et continue à se produire au sein du collectif Laurie Markovitch. Il compose la musique des Petits fils (2004) que réalise Ilan Duran Cohen. En 2007, il réunit ses deux passions avec My New Picture, un projet qui part d'un album de musique, destiné à être décliné sous plusieurs formats (CD, film, projection, etc.).\n\nEn 2008, il revient sur la Croisette pour présenter De la guerre à la Quinzaine des réalisateurs. Réflexion sur les combats à mener pour atteindre le plaisir dans nos sociétés modernes, le film est porté par Mathieu Amalric et Asia Argento. Il avait déjà dirigé l'actrice dans son court métrage Cindy, the doll is mine, inspiré de l'univers de la photographe Cindy Sherman. L'œuvre suivante de Bonello continue d'explorer les dessous des industries du sexe. En effet, le film se déroule dans une maison close parisienne du début du 20ème siècle et suit des jeunes prostituées sans repères. Comme à son habitude, le cinéaste français est invité à Cannes. Cette fois, grâce à L'Apollonide, il concourt enfin en sélection officielle, bien qu'il n'y obtienne aucun prix. Aux César 2012, le film est nommé dans plusieurs catégories.\n\nTrois ans plus tard, le metteur en scène retourne sur la Croisette, avec un biopic consacré au célèbre couturier Yves Saint Laurent, qu'il vient de nouveau présenter en sélection officielle. Malheureusement, le film repart bredouille, mais reçoit les éloges des critiques. Le cinéaste revient en 2016 avec Nocturama, thriller relatant des attaques terroristes à Paris par un groupe de jeunes.","1968-09-11",null,2,146438,"nm0094274","Directing","Bertrand Bonello","Nice, Alpes-Maritimes, France",1.2446,"\u002F2sHTU4YOb7buNcU8MZ3JKpGlF6R.jpg",{"cast":19,"crew":238},[20,34,46,59,72,85,99,113,123,135,142,151,165,179,195,207,222],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":27,"credit_id":32,"order":10,"media_type":33},"\u002F3l4qUquifRApbXZmQJmCOftDwuK.jpg",[23],18,1186477,"Le corps du délit","fr","",1.7699,"\u002Fk6PzIg7NrTUgkq2Clip0Fr2HbZZ.jpg","2023-11-19",0,"651aadf0d861af00c7e2eceb","movie",{"adult":4,"backdrop_path":9,"genre_ids":35,"id":36,"title":37,"original_language":26,"original_title":37,"overview":38,"popularity":39,"poster_path":40,"release_date":41,"softcore":4,"video":4,"vote_average":42,"vote_count":43,"character":44,"credit_id":45,"order":31,"media_type":33},[23],309859,"Le dos rouge","Portrait fictif de Bertrand Bonello. Un cinéaste reconnu travaille à son prochain film autour de la thématique de la monstruosité. Il est obnubilé par l’idée de trouver une toile qui serait le cœur du film et cristalliserait toute la puissance et la beauté des monstres. Mais ce qu’il ne montre a personne, pas même a son épouse, c’est cette tâche qui grandit dans son dos. Cette marque rouge qui l’inquiète, le chamboule, et semble vouloir lui dire quelque chose…",1.1942,"\u002F4IVg6w1059K8Slm3hRphR6BJErQ.jpg","2015-03-15",5.7,9,"Bertrand","54fb8751c3a3686998002177",{"adult":4,"backdrop_path":47,"genre_ids":48,"id":49,"title":50,"original_language":26,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":56,"vote_count":57,"character":44,"credit_id":58,"order":31,"media_type":33},"\u002F5ya0Rp9DCrRUuerNJ94q0gfkARX.jpg",[23],453378,"Rouge","Rouge, le portrait mensonger de Bertrand Bonello","Un cinéaste du nom de Bertrand Bonello travaille à l’élaboration de son prochain film dont la thématique est la monstruosité. Il semble obnubilé par l’idée de trouver une toile qui serait comme le coeur du film à venir et symboliserait, cristalliserait, toute la puissance et la beauté des monstres.",1.172,"\u002FtzKh9lwqwFvV4b5rLAmEMYNj5XJ.jpg","2015-06-11",6,8,"58fa5110925141589200f376",{"adult":4,"backdrop_path":9,"genre_ids":60,"id":63,"title":64,"original_language":26,"original_title":64,"overview":65,"popularity":66,"poster_path":9,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"character":70,"credit_id":71,"order":31,"media_type":33},[61,23,62],53,80,474669,"Qui je suis","En 1966, atteint d'un grave ulcère, Pier Paolo Pasolini revient sur sa vie et son oeuvre. Il rédige alors un long poème autobiographique, en prose, qu'il remanie plusieurs fois et finit par délaisser. Trente ans après sa mort, Bertrand Bonello décide d'en faire un film.",0.9322,"1996-06-30",6.2,4,"Pylade","59b2fab5925141078a0a9cf3",{"adult":4,"backdrop_path":73,"genre_ids":74,"id":76,"title":77,"original_language":78,"original_title":77,"overview":27,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":69,"vote_count":82,"character":83,"credit_id":84,"order":10,"media_type":33},"\u002FkOsIdhfLPDM1BTzrMepMCbfvJKI.jpg",[75],99,535927,"Love Express. The Disappearance of Walerian Borowczyk","en",1.4694,"\u002FsOJgl7TANRJm7AydfJneaTYKneD.jpg","2018-05-18",1,"Self","5b4cd9330e0a264540040381",{"adult":4,"backdrop_path":86,"genre_ids":87,"id":88,"title":89,"original_language":90,"original_title":89,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"character":83,"credit_id":97,"order":98,"media_type":33},"\u002FcXe0JTQPYxh9Ok9Y2d4KxU2FgG4.jpg",[75],134754,"Crítico","pt","Soixante-dix critiques et cinéastes discutent du cinéma autour du conflit entre l'artiste et l'observateur, le créateur et le critique. Entre 1998 et 2007, Kléber Mendonça Filho a enregistré des témoignages sur cette relation au Brésil, aux États-Unis et en Europe, à partir de son expérience de critique.",1.6575,"\u002Fz1oavqX1H6TVjsz9nr8J9aAlL2F.jpg","2008-01-22",7.9,19,"5ccc18630e0a262fb800dfb5",17,{"adult":4,"backdrop_path":100,"genre_ids":101,"id":102,"title":103,"original_language":26,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":109,"character":110,"credit_id":111,"order":112,"media_type":33},"\u002Fm3cJRrwnr9eQNIkjd0EMeWCIAMM.jpg",[23],101909,"Le Pont des Arts","A Paris, à la fin des années 1970. Pascal, étudiant en philosophie, vit avec Christine, qui lui reproche de ne pas travailler pour son mémoire de maîtrise. Manuel, informaticien, vit avec Sarah, qui chante dans un ensemble baroque dirigé par un homme odieux, qu'elle appelle l'Innommable. Elle souffre des reproches incessants de cet homme avec qui elle accepte finalement d'enregistrer le «Lamento della ninfa», de Monteverdi. Pour Noël, Christine offre le disque du Lamento à Pascal, qui tombe aussitôt sous le charme de la cantatrice. Malgré la tendresse que lui témoigne son compagnon, celle-ci se sent de plus en plus mal et ses relations avec l'Innommable empirent...",1.4741,"\u002FaO5sH2KAruAV4yGm0fyWxUWDYl8.jpg","2004-11-10",6.6,29,"Un spectateur du Nô","5dc9bc737314a10014bc6354",13,{"adult":4,"backdrop_path":9,"genre_ids":114,"id":115,"title":116,"original_language":26,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":82,"character":83,"credit_id":122,"order":10,"media_type":33},[75],661746,"Enfants de Salò","Un entretien avec quatre cinéastes, autour du film de Pier Paolo Pasolini: Catherine Breillat, Claire Denis, Bertrand Bonello et Gaspard Noé.",1.113,"\u002FgWngxIZViWoQxu6OqKHYnVWM2Sm.jpg","2002-10-24",5,"5e2dfc28d6819b00167cf6ed",{"adult":4,"backdrop_path":124,"genre_ids":125,"id":127,"title":128,"original_language":26,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":57,"character":27,"credit_id":134,"order":57,"media_type":33},"\u002FaaT780XKxXihLZQU9p1he2tyRtz.jpg",[126,23],35,220106,"On ne devrait pas exister","Hervé, 37 ans, est acteur de films X. Lassé de ses excès dans ce monde en marge, il décide de raccrocher son costume de Condoman et changer radicalement de vie pour se consacrer au cinéma traditionnel.  Il aborde alors un monde qui lui est inconnu.  Rejeté par ses pairs comédiens, Hervé souhaite furieusement comprendre les règles du jeu. Il rencontre LZA...",0.9265,"\u002FlvRoUbgaBShEa3REs81a8dvL8OM.jpg","2006-05-23",4.1,"5e5581fea6d931001659a097",{"adult":4,"backdrop_path":9,"genre_ids":136,"id":137,"title":138,"original_language":26,"original_title":138,"overview":27,"popularity":139,"poster_path":9,"release_date":140,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":27,"credit_id":141,"order":121,"media_type":33},[],677557,"Making-of : \"On ne devrait pas exister\"",1.0486,"2007-03-28","5e567c4335811d00175eefbf",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":26,"original_title":146,"overview":27,"popularity":147,"poster_path":148,"release_date":149,"softcore":4,"video":4,"vote_average":31,"vote_count":82,"character":27,"credit_id":150,"order":31,"media_type":33},"\u002F5Tl5mZfUIWql6VmMDZNefvXiZwu.jpg",[75],594802,"Où en êtes-vous, Bertrand Bonello?",1.3331,"\u002F7wS4mnuoCkyybLUSWqsSLVlTpWM.jpg","2014-01-01","5f99a07b43999b0035fc65fb",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":26,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":161,"character":162,"credit_id":163,"order":164,"media_type":33},"\u002F6mkIV5UmI9CoWZROWDd69KrZuYJ.jpg",[23],221667,"Saint Laurent","Les joies et les souffrances de celui qui voulait être le meilleur de sa génération, faire descendre la mode dans la rue et habiller la femme moderne, dans un monde qui change, noyé de fête et d’insouciance. La rencontre de l’un des plus grands couturiers de tous les temps avec les années 70, au cours de laquelle la maison Saint Laurent connaît sa fulgurante ascension.",5.5571,"\u002Fa2EFGTOFOBwd70lQbNAtUM6oWYc.jpg","2014-09-23",6.1,310,"Journalist Libé","5fb82c170582240042ebce5f",47,{"adult":4,"backdrop_path":166,"genre_ids":167,"id":169,"title":170,"original_language":26,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"character":177,"credit_id":178,"order":57,"media_type":33},"\u002FdVOlJVHYRWx7DhMQRNLnbf5bT1q.jpg",[23,61,168],27,630240,"Titane","Après une série de crimes inexpliqués, un père retrouve son fils disparu depuis 10 ans. Titane : métal hautement résistant à la chaleur et à la corrosion, donnant des alliages très durs.",6.0522,"\u002Fy93w5MGC9fbXjy1qfN6rUpSbBti.jpg","2021-07-14",6.333,1774,"Alexia's Father","60ff287738e5100045ce79c4",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":184,"title":185,"original_language":26,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":191,"character":192,"credit_id":193,"order":194,"media_type":33},"\u002Fe4GdyAtLXbaTW1RmZIc8Atf3EFZ.jpg",[182,23,183],878,10749,914206,"La Bête","Dans un futur proche placé sous le règne de l'intelligence artificielle, les émotions humaines sont vues comme une menace. Pour s'en débarrasser, Gabrielle doit purifier son ADN en replongeant dans ses vies antérieures. Dans ce passé, elle retrouve Louis, son grand amour. Cependant, une peur l'envahit, le pressentiment qu'une catastrophe se prépare.",6.1309,"\u002FaNLGMfyhz1ZRSHMkrUvJDTkW9Oe.jpg","2024-02-07",6.326,291,"Réalisateur fond vert (voice)","66faa03e703e24dc7c1332d6",37,{"adult":4,"backdrop_path":9,"genre_ids":196,"id":198,"title":199,"original_language":26,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":82,"character":205,"credit_id":206,"order":204,"media_type":33},[197,75],10770,685068,"Léaud l'unique","Après le tournage de L’Affaire Marcorelle, fasciné par Jean-Pierre Léaud, Serge Le Péron décide de réaliser un portrait de l’acteur, symbole de la Nouvelle Vague. À travers un subtil montage d’images d’archives entrecoupées d’entretiens inédits, le cinéaste embrasse l’ensemble de la carrière du comédien pour mieux en analyser sa dimension mythique. L’acteur, qui se prête très rarement au jeu des interviews, apparaît ici en grande confiance, se dévoile librement et décrit son approche du métier.",1.0611,"\u002F5IgCUOYgNo7C4wJjgS94RvWcBIe.jpg","2001-10-25",10,"Self - filmmaker","6a217ffe60f93f3f4319a5db",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":211,"origin_country":212,"original_language":26,"original_name":214,"overview":215,"popularity":216,"poster_path":217,"first_air_date":218,"softcore":4,"name":214,"vote_average":31,"vote_count":31,"character":83,"credit_id":219,"episode_count":82,"first_credit_air_date":220,"media_type":221},"\u002F5hMNHnDysQtvdhZE6GGV3MIaNhV.jpg",[210],10767,252500,[213],"FR","Le Cercle","Tant qu'il y aura du cinéma, LE CERCLE sera là. C'est la seule émission télévisée de débats critiques 100% consacrée au cinéma. Chaque semaine, elle offre des joutes enflammées, joyeuses et sans condescendance, sur les films à l'affiche ; et invite avec \"Le questionnaire du CERCLE\" les réalisatrices et réalisateurs à venir partager leur passion cinéphile.",7.0575,"\u002FlPz9qDxB4j6GcCFaXK94lyc3JNP.jpg","2005-03-04","675483d780e5b8f0a7566c6b","2024-02-09","tv",{"adult":4,"backdrop_path":223,"genre_ids":224,"id":227,"origin_country":228,"original_language":26,"original_name":229,"overview":230,"popularity":231,"poster_path":232,"first_air_date":233,"softcore":4,"name":229,"vote_average":234,"vote_count":121,"character":235,"credit_id":236,"episode_count":82,"first_credit_air_date":237,"media_type":221},"\u002FyVsBCo3rm2bmXsrIBu46tfLuLn0.jpg",[225,226],10763,10764,35588,[213],"Cérémonie des César","Les César du cinéma sont des récompenses cinématographiques créées en 1976 et remises annuellement à Paris, à des professionnels du 7e art dans diverses catégories pour saluer les meilleures productions françaises. Ils sont souvent cités comme étant l'équivalent français des Oscars aux États-Unis.",12.8736,"\u002FvF3qh74lsYAswyUcfFoAvuuqYta.jpg","1976-04-03",4.6,"Self - Presenter","6982eae563322e4b2ee74997","2025-02-28",[239,252,257,269,273,285,288,299,309,319,322,325,329,340,353,363,368,371,374,377,385,395,398,401,413,425,428,431,435,438,441,452,455,463,466,469,473,476,479,482,485,489,492,495,498,501,504,515,518,521,524,533,536,547,550,553,556,559,562,565,568,571,574,577,589,592,597,604,607,610,613,621,628,631,634,643],{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":26,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":249,"credit_id":250,"department":13,"job":251,"media_type":33},"\u002FjNH4qJLh2HuL75OzKZeJY3Blcxa.jpg",[126,23],40007,"De la guerre","A la suite d'un incident, Bertrand se retrouve enfermé dans un cercueil pour la nuit. Le matin, il n'est plus le même. Reconsidérant sa vie, il décide de suivre un homme dans un lieu isolé du monde, Le Royaume, à la tête duquel se trouve Uma, une mystérieuse et charismatique Italienne.",1.4237,"\u002FvzHltequlBF6hafUMT9eJIauGHV.jpg","2008-10-01",4.9,26,"52fe457ac3a36847f80c9c4f","Director",{"adult":4,"backdrop_path":240,"genre_ids":253,"id":242,"title":243,"original_language":26,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":249,"credit_id":254,"department":255,"job":256,"media_type":33},[126,23],"52fe457ac3a36847f80c9c87","Writing","Screenplay",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":26,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":266,"vote_count":267,"credit_id":268,"department":13,"job":251,"media_type":33},"\u002FtdBOawrdkMjaPYF73gkWEWpOd1K.jpg",[23],15915,"Le Pornographe","Jacques Laurent est un réalisateur de films pornographiques vieillissant et quelque peu névrosé, qui a connu son heure de gloire dans les années soixante-dix. Aujourd'hui, il est forcé de reprendre son activité suite à des problèmes financiers. Quelques années auparavant, son fils Joseph avait claqué la porte du domicile familial, lorsqu'il avait découvert que son père était un metteur en scène hors norme. Le temps a passé. Jacques et Joseph vont se retrouver au moment où le père cherche comment finir sa vie et le fils comment donner un sens à la sienne.",2.9041,"\u002FhTsLOf5ntaBqPNTSitMB3flxa14.jpg","2001-10-03",5.1,83,"52fe468a9251416c7507b86b",{"adult":4,"backdrop_path":258,"genre_ids":270,"id":260,"title":261,"original_language":26,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":266,"vote_count":267,"credit_id":271,"department":255,"job":272,"media_type":33},[23],"52fe468a9251416c7507b871","Writer",{"adult":4,"backdrop_path":274,"genre_ids":275,"id":276,"title":277,"original_language":26,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":282,"vote_count":283,"credit_id":284,"department":255,"job":272,"media_type":33},"\u002FpU6ykikWNiiGnHjuCUKHmAUGNRa.jpg",[23],67236,"Tiresia","L'histoire de Tiresia appartient à la mythologie grecque. Durant sa vie, Tiresia fut homme et fut femme. Aveuglé(e) par la rage d'une déesse, les dieux lui concédèrent une vision supérieure. L’histoire se déroule de nos jours.Tiresia, un transsexuel brésilien d'une grande beauté, vit clandestinement avec son frère à la périphérie parisienne. Terranova, un esthète à la pensée poétique, l'assimile à la rose parfaite et la séquestre pour qu'elle soit sienne. Privée de ses hormones, Tiresia va petit à petit se transformer devant ses yeux. Impuissant face à ce qu'est devenue sa rose, Terranova va l'aveugler et la jeter à l'orée d'une banlieue voisine. Tiresia est alors recueilli dans un piètre état, mi-homme mi-femme, par Anna, une jeune fille simple et sauvage qui prendra soin de lui. Pendant sa convalescence naîtront chez Tiresia des dons de prédiction. Mais la présence d'un oracle gêne l'Église, et le prêtre de la paroisse ne peut faire autrement que de se confronter à Tiresia.",1.5975,"\u002FpKJDqmzf79JElADdSNktOsyBiTE.jpg","2003-05-20",5.9,31,"52fe475dc3a368484e0c317b",{"adult":4,"backdrop_path":274,"genre_ids":286,"id":276,"title":277,"original_language":26,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":282,"vote_count":283,"credit_id":287,"department":13,"job":251,"media_type":33},[23],"52fe475dc3a368484e0c3175",{"adult":4,"backdrop_path":289,"genre_ids":290,"id":291,"title":292,"original_language":26,"original_title":292,"overview":293,"popularity":294,"poster_path":295,"release_date":296,"softcore":4,"video":4,"vote_average":297,"vote_count":191,"credit_id":298,"department":13,"job":251,"media_type":33},"\u002FrVbpucPpRyFXYV73AiCOrKknNJw.jpg",[23],84427,"L'Apollonide, souvenirs de la maison close","À l'aube du XXème siècle, dans une maison close à Paris, une prostituée a le visage marqué d'une cicatrice qui lui dessine un sourire tragique. 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