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Un riche miraculé lui en offre une encore plus haute et plus belle. L'homme se livre à la prière, au jeûne et à la méditation. Lorsqu'il rend ses mains à un voleur à qui on les avait coupées en guise de châtiment, ce dernier s'empresse de gifler son fils. Il bénit des insectes car « ça occupe, et puis ça n'offense personne » mais est surtout en butte aux attaques du Malin, d'abord dans ses rêves : une danse œdipienne avec sa mère, qui vit mélancolique dans une hutte au pied de la colonne. Le diable lui apparaît sous plusieurs formes: une femme qui passe, une fillette au cerceau qui découvre ses cuisses et sa poitrine adulte, Jésus ricanant qui donne un coup de pied au doux agneau. Lorsqu'un « jet » les emmène ensemble à New York, peignés et la barbe bien taillée, Simon voit les beatniks se livrer à une danse nommée « chair radioactive ».",2.0208,"\u002FtwSC6WzGv8c1uvEV4mZg8uv3IK6.jpg","1965-08-27",7.6,252,"The Mother","52fe45d99251416c9104084b",2,{"adult":4,"backdrop_path":80,"genre_ids":81,"id":83,"title":84,"original_language":27,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"character":92,"credit_id":93,"order":32,"media_type":36},"\u002Fr8ordppo5kDyw6kUjYyl40mTSA2.jpg",[24,82],10749,43328,"Les Hauts de Hurlevent","Abismos de pasión","Alejandro revient, après dix ans d'absence, au vieux manoir où vit Catherine. Ils s'aiment depuis leur plus jeune âge et se sont promis l'un à l'autre. Adopté par les parents de la jeune fille lorsqu'il était enfant, le jeune homme est désormais riche et prêt à l'épouser. Or, celle-ci s'est mariée entre temps avec Eduardo et attend un enfant. 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N'écoutant que son courage, Hogan les met en fuite et sauve la femme, une nonne du nom de Sara. Voyageant désormais ensemble, Hogan et Sara se découvrent un point commun : ils se dirigent vers un fort français menaçant les Mexicains des environs, et tous deux veulent sa destruction…",5.0166,"\u002F71J6HFzu7AN1GjBLmnZp3xKXgnr.jpg","1970-03-02",6.969,715,"1st Woman in the Night (as Hortensia Santovena)","548028569251414efa001b09",15,{"adult":4,"backdrop_path":12,"genre_ids":195,"id":196,"title":197,"original_language":27,"original_title":197,"overview":8,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":32,"character":202,"credit_id":203,"order":204,"media_type":36},[24,82],371321,"El medio pelo",0.8142,"\u002F3kUgjuzwrTPi6Ozou8FryONGP1I.jpg","1972-01-06",5.8,"Perpetuita","63394b8c960cde007ace0c81",11,{"adult":4,"backdrop_path":12,"genre_ids":206,"id":207,"title":208,"original_language":27,"original_title":209,"overview":8,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":154,"vote_count":168,"character":213,"credit_id":214,"order":116,"media_type":36},[24],199243,"Le voeu","Talpa",1.3526,"\u002FuZJGtvAuwH08GMS874hcHcBHTUk.jpg","1956-12-20","La mère","5644ec2d9251410a4100650f",{"adult":4,"backdrop_path":12,"genre_ids":216,"id":218,"title":219,"original_language":27,"original_title":219,"overview":8,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":35,"vote_count":116,"character":8,"credit_id":223,"order":224,"media_type":36},[24,217],53,675629,"La desconocida",0.7757,"\u002Fg8hDie513t1FbWGPuPH9frO85uP.jpg","1954-01-01","6654b05b0bfaf904b6ea4cc9",4,{"adult":4,"backdrop_path":12,"genre_ids":226,"id":227,"title":228,"original_language":27,"original_title":228,"overview":8,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":116,"character":233,"credit_id":234,"order":47,"media_type":36},[24],370866,"Flor de durazno",0.8039,"\u002FfGuCkhhR6Sxw193PcfsTLEVHWkd.jpg","1970-08-27",5.7,"Candelaria","5731eb159251413fb8003452",{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":27,"original_title":239,"overview":8,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":35,"character":244,"credit_id":245,"order":116,"media_type":36},"\u002FfhebMo46d6g1BR3fC0Czlp1JwYw.jpg",[24],402365,"Siempre Hay Una Primera Vez",1.1351,"\u002FQ3hXs9jsBphp6NpUlqWAsZYqZI.jpg","1971-02-25",4.5,"Lolita, Javier's mother (segment \"Rosa\")","57625a81c3a3680d010003e9",{"adult":4,"backdrop_path":12,"genre_ids":247,"id":249,"title":250,"original_language":27,"original_title":250,"overview":8,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":254,"vote_count":204,"character":255,"credit_id":256,"order":35,"media_type":36},[24,248,217],80,405162,"Prisión de mujeres",0.9775,"\u002FgC7e1TYUHbr0hcyFJTwlkCqw6rj.jpg","1977-09-15",5.3,"Charamusca","577dcfaac3a36817ea004f18",{"adult":4,"backdrop_path":12,"genre_ids":258,"id":260,"title":261,"original_language":27,"original_title":261,"overview":8,"popularity":262,"poster_path":263,"release_date":264,"softcore":4,"video":4,"vote_average":265,"vote_count":47,"character":266,"credit_id":267,"order":32,"media_type":36},[259,66,52],9648,158868,"Échenme al vampiro",0.6181,"\u002FnlsfkdvfCXaLxeuhfDMdRzHRVsd.jpg","1963-06-14",4.2,"Elisa","58083aadc3a368672f002c26",{"adult":4,"backdrop_path":12,"genre_ids":269,"id":270,"title":271,"original_language":27,"original_title":271,"overview":8,"popularity":272,"poster_path":273,"release_date":274,"softcore":4,"video":4,"vote_average":45,"vote_count":275,"character":266,"credit_id":276,"order":32,"media_type":36},[52,66],366795,"La casa de los espantos",1.26,"\u002FpK0UfZ1Typ6yiishPERTB6NoOxe.jpg","1963-03-22",8,"580831e79251410f9d0027d0",{"adult":4,"backdrop_path":278,"genre_ids":279,"id":280,"title":281,"original_language":27,"original_title":282,"overview":283,"popularity":284,"poster_path":285,"release_date":286,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":287,"credit_id":288,"order":47,"media_type":36},"\u002Fsg231p3dRJygvwAGU3pA1kWXf6B.jpg",[52,259,217],296574,"La Louve","La loba","Le jeune docteur Bernstein rend visite à son collègue Fernandez dans la ferme intention d'épouser sa fille, ce que semble ne pas apprécier le père.\r Mais l'amoureux semble ignorant d'un affreux secret qui frappe cette famille. Pendant ce temps-là, les meurtres se multiplient dans la région...",1.06,"\u002FatHsVO5bIhAB1uNFyYqy1E4dF7S.jpg","1965-07-01","Housemaid","5808ad81c3a36874ea006efc",{"adult":4,"backdrop_path":290,"genre_ids":291,"id":292,"title":293,"original_language":27,"original_title":293,"overview":8,"popularity":294,"poster_path":295,"release_date":296,"softcore":4,"video":4,"vote_average":297,"vote_count":204,"character":298,"credit_id":299,"order":51,"media_type":36},"\u002FaxzXD31dunuMj9DHS7Yj4iigxP2.jpg",[52,259],340593,"La puerta y la mujer del carnicero",1.1123,"\u002FeX8jjCOTLmAWH9ILAEWCklorjEx.jpg","1969-09-25",7.4,"Invitada (segment \"La puerta\")","5809b4729251413787005dba",{"adult":4,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":27,"original_title":304,"overview":8,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":308,"vote_count":91,"character":309,"credit_id":310,"order":47,"media_type":36},"\u002FdfY4jkmwG5SjuYiLv3i3HnkyUZ1.jpg",[66,248],286015,"Tonta tonta, pero no tanto",1.226,"\u002F1n3gOau4SYhSWqNJxuKSckqYhDH.jpg","1972-09-07",7.789,"Clotilde","583a60209251411356000f5c",{"adult":4,"backdrop_path":312,"genre_ids":313,"id":315,"title":316,"original_language":27,"original_title":316,"overview":8,"popularity":317,"poster_path":318,"release_date":319,"softcore":4,"video":4,"vote_average":320,"vote_count":321,"character":322,"credit_id":323,"order":168,"media_type":36},"\u002FwUgSuJtqpa0f6vPfJuG6Z203lz6.jpg",[66,24,314],10402,282431,"Tacos al Carbon",1.0944,"\u002FuHeOSGJAT6nitKfuwlHEQ2mD3Nb.jpg","1972-06-08",7.3,42,"Doña Tere","5868a8d2c3a3680f58008bce",{"adult":4,"backdrop_path":325,"genre_ids":326,"id":327,"title":328,"original_language":27,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":334,"vote_count":335,"character":336,"credit_id":337,"order":32,"media_type":36},"\u002Fbl360fpevswgI9Cp8AdGfggxRT4.jpg",[24],342590,"Jours d'automne","Días de otoño","Rêveuse et naïve, la jeune Luisa débarque de sa campagne après la mort de sa tante pour entamer une nouvelle vie dans le bouillonnant Mexico. Elle trouve du travail dans une pâtisserie dont le patron, plus âgé qu'elle, commence timidement à lui faire la cour. Mais la jeune femme s'est éprise d'un homme qu'elle vient de rencontrer, et qui lui a promis de l’épouser pour la séduire. Quand il l'abandonne, Luisa s'invente un bonheur imaginaire pour surmonter la cruauté de sa déception.\r Une fois encore, Roberto Gavaldón place au premier plan un personnage féminin dont il dénonce en filigrane l'assujettissement social. Dans ce rôle d'une mythomane qui sombre peu à peu, Pina Pellicer, star au Mexique depuis Macario, le précédent film du cinéaste, bouleverse par le naturel de son jeu. Sublimé aussi par la photographie du grand cadreur mexicain Gabriel Figueroa, ce mélo magnifique fut tourné deux ans avant le suicide de l'actrice.",1.0383,"\u002F4PYF7DelnFYk8B5ga2C1qLmf2gc.jpg","1963-10-31",7.1,28,"Doctora","58af707a9251411a9a001996",{"adult":4,"backdrop_path":339,"genre_ids":340,"id":341,"title":342,"original_language":27,"original_title":342,"overview":8,"popularity":343,"poster_path":344,"release_date":345,"softcore":4,"video":4,"vote_average":224,"vote_count":168,"character":346,"credit_id":347,"order":204,"media_type":36},"\u002F4OazcW4frKqXDZ7sQTqoZDU0Kff.jpg",[259,248,24],447388,"Mujeres de medianoche",0.8399,"\u002Fu8HrwHJNCxzTrK8QG2omZIYhFkq.jpg","1969-11-13","Sara","58cb80d09251415e5700caee",{"adult":4,"backdrop_path":349,"genre_ids":350,"id":351,"title":352,"original_language":27,"original_title":352,"overview":8,"popularity":353,"poster_path":354,"release_date":355,"softcore":4,"video":4,"vote_average":35,"vote_count":275,"character":356,"credit_id":357,"order":275,"media_type":36},"\u002FeVzoowKbNRl9ZrS38bVP3CIkwq.jpg",[24],226391,"El tejedor de milagros",1.0914,"\u002FdPqYgKcNQgbB8ntmoqGmJkVI7P.jpg","1962-12-27","Eustolia","58d6aea09251411fd50433d4",{"adult":4,"backdrop_path":359,"genre_ids":360,"id":361,"title":362,"original_language":27,"original_title":362,"overview":363,"popularity":364,"poster_path":365,"release_date":366,"softcore":4,"video":4,"vote_average":367,"vote_count":368,"character":369,"credit_id":370,"order":47,"media_type":36},"\u002FfHNdHKEuighrssTtPAJ5rW7txfJ.jpg",[24,39],246749,"Tiempo de morir","Juan Sayago revient dans son village après 18 années passées en prison, après avoir été accusé d’avoir tué Raul Trueba, un vendeur de chevaux. Juan veut reprendre une vie tranquille mais il sait que Julian et Pedro, les fils de Raul, ont juré de venger leur père. Il va revoir Mariana, une veuve dont il a été le fiancé. Tout le monde conseille à Juan de quitter la ville. Mariana et Juan renouent des liens mais Mariana ne veut pas quitter la ville avec lui. Il est provoqué en duel par Julian, dans le désert où a été tué Trueba. Juan reprend les armes, quitte Mariana et se tient prêt à se défendre. 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