[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F137495:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":11,"birthday":12,"deathday":13,"gender":14,"homepage":15,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":740},false,[6,7,8,9,10],"Shûji Terayama","寺山 修司","Shuuji Terayama","테라야마 슈지","슈지 테라야마","From Wikipedia, the free encyclopedia.\n\nShūji Terayama (December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in the northern Japanese prefecture of Aomori. His father died at the end of Pacific War in Indonesia in September 1945. At the age of nine, his mother moved to Kyūshū to work at an American military base while he himself went to live with relatives in the city of Misawa, also in Aomori. At this same time, Terayama lived through the Aomori air raids that killed more than 30,000 people.\n\nTerayama entered Aomori Prefectural Aomori High School in 1951, and in 1954 went to prestigious Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the \"runaway\" movement in Japan in the late 1960s, as depicted in his book, play, and film \"Throw Away Your Books, Run into the Streets!\n\nIn 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film \"Les Enfants du Paradis\", so can be translated as \"children of heaven\", however its correct translation is \"Ceiling Gallery\" and has a meaning similar to the English expression \"Peanut Gallery\". The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include \"Bluebeard\", \"Yes\", and \"The Crime of Fatso Oyama\", among others. Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami.\n\nHe was also involved in poetry and at 18 was the second winner of the Tanka Studies Award.\n\nTerayama experimented with ‘city plays’, a fantastical satire of civic life.\n\nAlso in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is in fact still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa. 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L’Empereur Tomato Ketchup est un enfant gâté révolutionnaire. Il découvre et abuse de ses nouvelles possibilités comme le pouvoir sur les adultes et la sexualité. 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Il essaie à nouveau, mais ne peut accomplir le meurtre libérateur.",2.4231,"\u002FttWhroijTMTc81SvyqtSYWEbrYV.jpg","1974-12-28",7.5,116,"52fe4a30c3a36847f81bfa33",{"adult":4,"backdrop_path":201,"genre_ids":214,"id":203,"title":204,"original_language":51,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":210,"vote_count":211,"credit_id":215,"department":216,"job":217,"media_type":37},[60,81],"52fe4a30c3a36847f81bfa39","Production","Producer",{"adult":4,"backdrop_path":201,"genre_ids":219,"id":203,"title":204,"original_language":51,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":210,"vote_count":211,"credit_id":220,"department":18,"job":141,"media_type":37},[60,81],"52fe4a30c3a36847f81bfa2d",{"adult":4,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":51,"original_title":226,"overview":30,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"credit_id":232,"department":18,"job":141,"media_type":37},"\u002FA7nMrXLD1Fvu75yKMXjt2CctNGz.jpg",[60],104266,"Conte du labyrinthe","迷宮譚",0.7985,"\u002FpblJ0q2PU5xo3mpR9kpu66JlTXU.jpg","1975-06-01",5.7,15,"52fe4a31c3a36847f81bfcbb",{"adult":4,"backdrop_path":234,"genre_ids":235,"id":236,"title":237,"original_language":51,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":244,"credit_id":245,"department":18,"job":141,"media_type":37},"\u002FerEFjTNDuAcXXQYNwUtmnmAV0Tz.jpg",[60,81],104292,"Adieu l'arche","さらば箱舟","Un jeune homme qui vit avec sa cousine est la risée des villageois parce que toutes relations sexuelles leur sont interdites. Par désespoir, il tue le chef du village, avant de sombrer dans la folie.",1.9022,"\u002F2rm80wWr3C8a0oDtRQbny2kRvu0.jpg","1984-09-08",7.1,30,"52fe4a31c3a36847f81bfeeb",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":51,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":100,"vote_count":256,"credit_id":257,"department":126,"job":127,"media_type":37},"\u002F5ILwyhxY4GbaUmwqKnoRnprRpxL.jpg",[81,153],104441,"Premier amour, version infernale","初恋・地獄篇","Shun, ciseleur en orfèvrerie, d'un caractère plutôt timide et docile, s'éprend de Nanami, employée dans un peep-show, jeune femme extravertie et anticonformiste. Très inhibé, le jeune homme refuse toute relation sexuelle. Les deux amants se contentent d'échanger leurs propres souvenirs d'adolescents. 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