[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1311708:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":389},false,[],"","1953-06-17",null,2,1311708,"nm0518027","Directing","Christophe Loizillon","Gorcy, Grand Est. France",0.5436,"\u002FgWWBEuFYpOhCTcgwtD0YuZ29l8u.jpg",{"cast":18,"crew":133},[19,35,47,63,75,89,97,108,121],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":6,"credit_id":32,"order":33,"media_type":34},"\u002F8K7lN8IPoV8axMpYbWWl6z32z4L.jpg",[22,23],35,10402,904881,"40A : service Pierrick","fr","Alors que leur partie de tennis s'annonçait aussi banale et ennuyeuse que d’habitude, Pierrick et Alexis, deux trentenaires pas très sportifs, se découvrent un niveau insoupçonné. Incapable de mettre fin à leur dernier échange, ils monopolisent le terrain, empêchant les autres joueurs de s'installer.",0.7697,"\u002FfQ7ngtBXmZPoOkvhCWFTMtOImmR.jpg","2021-10-20",0,"61a3c0b485c0a20044e73980",5,"movie",{"adult":4,"backdrop_path":8,"genre_ids":36,"id":37,"title":38,"original_language":26,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":9,"character":44,"credit_id":45,"order":46,"media_type":34},[],63752,"Août","L'histoire de quelques couples arrivés à un point de non-retour dont l'histoire va se croiser, se méler ou se défaire.",0.7685,"\u002Fq3a5dK7CJ9mOfH1rJNQIypDByJB.jpg","1992-01-08",6.2,"The waiter","644af99ffba6250582d562b3",17,{"adult":4,"backdrop_path":48,"genre_ids":49,"id":52,"title":53,"original_language":26,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"character":60,"credit_id":61,"order":62,"media_type":34},"\u002F3De6pfrgACiGn4A1YVooaZW0BI8.jpg",[50,51],18,10749,55064,"J'ai horreur de l'amour","Annie Simonin, medecin généraliste, tente d'affronter la réalité entre un persécuteur hypocondriaque qui la menace de mort et un jeune homme séropositif qui refuse de se battre pour vivre et qu'elle essaie de ne pas décevoir.",1.2744,"\u002F5LpvCyZGBezPdzGjxputaZAsewN.jpg","1997-06-11",5.9,11,"Yves","62d60b6e72c13e062e71ad55",12,{"adult":4,"backdrop_path":8,"genre_ids":64,"id":65,"title":66,"original_language":26,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"character":6,"credit_id":73,"order":74,"media_type":34},[50],284259,"Les enfants rouges","L'amour, l'amitié et la politique, tels qu'ils sont possibles – ou impossibles – aujourd'hui, à travers l'éducation sentimentale de trois jeunes gens de vingt ans dans un quartier précis de Paris.",0.801,"\u002FAfFkj5aSfIIbOrHjw0YzjLrQqhg.jpg","2014-01-22",6,1,"5732690192514165730002dd",3,{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":26,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":86,"credit_id":87,"order":88,"media_type":34},"\u002F4FucSkHpFLWOM6SjUIa2FpsocBE.jpg",[22,50],510475,"Bonhomme","La vie de Piotr et Marilyn, jeune couple de la banlieue lilloise, va être bouleversée suite à un accident de voiture. Traumatisé crânien, Piotr, s’il garde son physique avantageux, n’a plus toute sa tête : tantôt matou apathique, tantôt fauve en rut à l’hypersexualité débridée. Pour Marilyn, convaincue que son amour pour lui peut le sauver, c’est le début d’une épopée menée vaille que vaille et cul par-dessus tête.",1.3239,"\u002FfTEcN4BLlv7ADMeSplu4VqpCEqK.jpg","2018-08-29",6.571,70,"Le juge des tutelles","68076dccac02d4407baafa32",14,{"adult":4,"backdrop_path":8,"genre_ids":90,"id":91,"title":92,"original_language":26,"original_title":92,"overview":6,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":6,"credit_id":96,"order":33,"media_type":34},[50,22],1415417,"Père et fille",0.6851,"\u002FzxXmMJ4ZkIElNGney54fR3XzMuK.jpg","2025-02-04","68558e15e5c82ceb785d8bf0",{"adult":4,"backdrop_path":8,"genre_ids":98,"id":99,"title":100,"original_language":26,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":74,"character":106,"credit_id":107,"order":22,"media_type":34},[22],66539,"La voie est libre","Après douze ans de bons et loyaux services à la SNCF, Jules est mis en disponibilité. Il va rencontrer un groupe de voyageurs, passagers ordinaires qui se croisent tous les jours et ne s'adressent jamais la parole. La voie est enfin libre, libre pour une histoire d'amour.",1.1937,"\u002FzUl3jtoDPWpYGTWn921IHtcpiQq.jpg","1998-01-14",7,"Le père de famille route","68691a165504f6cd90ed5044",{"adult":4,"backdrop_path":8,"genre_ids":109,"id":110,"title":111,"original_language":26,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":116,"vote_count":117,"character":118,"credit_id":119,"order":120,"media_type":34},[22,50],96041,"La Vie moderne","3 femmes, 3 vies, 3 destins marginaux. Marguerite a 17 ans. Un milieu familial très discutable qui la conduit à se tourner vers le père. Claire qui veut un enfant, se jette sur un de ses ex. De son côté, Eva se lance à la recherche d'une amie disparue…",0.8368,"\u002F2QOaIfdC3CFINeeQRJ0QBtjllRy.jpg","2000-03-01",6.1,9,"Friend couple","68a2e32bc2fb6de542632a64",21,{"adult":4,"backdrop_path":122,"genre_ids":123,"id":125,"title":126,"original_language":26,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"character":131,"credit_id":132,"order":31,"media_type":34},"\u002FwBkDQePHLiCLlYln46YS24pOvX5.jpg",[124],99,1648755,"Moi","Ce film est un plan séquence de quinze minutes sur un corps nu allongé de 70 ans, au repos dans un demi-sommeil sur un lit. Moi. sera réalisé en studio durant trois jours. On entendra la présence, les réflexions de l’équipe de tournage et quelques voix intérieures de ce corps endormi. Ce temps continu de Moi. est une performance documentaire. Le film est un film en train de se fabriquer.",2.0092,"\u002FhT6wBfiJ7kJCWgutCe1IIQ1dtLS.jpg","2025-03-12","Self - subject","69ae5cfec1074f6debdd2d60",[134,145,156,168,176,184,188,198,201,209,217,225,233,241,249,257,265,273,281,289,295,303,312,319,322,333,345,354,357,365,375,378,382,385],{"adult":4,"backdrop_path":8,"genre_ids":135,"id":136,"title":137,"original_language":26,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":142,"vote_count":72,"credit_id":143,"department":12,"job":144,"media_type":34},[],733981,"Les Mains","Charly, René, Katiga, Zinedine et Madeleine racontent en quelques minutes l'histoire de leurs mains, filmées en plan fixe, posées sur une table qui leur est familière. Les récits que suscite cette situation peu conventionnelle dévoilent des souvenirs sensuels et des douleurs enfouies. Les mains, rendues à une certaine indépendance, se joignent, s’agitent et dansent.",0.5046,"\u002F76dETRLK6YqjIbpkNfAAn83Uujf.jpg","1996-02-02",8,"60740edbd8f44e0059e71483","Director",{"adult":4,"backdrop_path":8,"genre_ids":146,"id":147,"title":148,"original_language":26,"original_title":148,"overview":6,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":9,"credit_id":153,"department":154,"job":155,"media_type":34},[22,50,51],534298,"Le silence de Rak",1.0244,"\u002FwEe9uQm8idpcNgWH1MCN8FdfTJJ.jpg","1997-07-09",7.5,"64f2466774507d00adc0f0f7","Writing","Writer",{"adult":4,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":161,"original_title":160,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":72,"credit_id":167,"department":12,"job":144,"media_type":34},"\u002F9qWeMMu64Z7jEmYm1WitIekTdVj.jpg",[22,50],265818,"Petit Matin","en","Au petit matin, une main masculine cueille un dahlia rose…",0.7578,"\u002F1Xtr6wikVhac7U34ZOTRxkpytEK.jpg","2013-11-13",4,"5354e9e1c3a3681d810057a8",{"adult":4,"backdrop_path":8,"genre_ids":169,"id":170,"title":171,"original_language":26,"original_title":171,"overview":172,"popularity":173,"poster_path":8,"release_date":174,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":175,"department":12,"job":144,"media_type":34},[124],1202623,"Les Pieds","Court-métrage de C.Loizillon",0.5137,"1998-01-01","654ca904b18f3200c58ddc8f",{"adult":4,"backdrop_path":8,"genre_ids":177,"id":178,"title":179,"original_language":26,"original_title":179,"overview":180,"popularity":181,"poster_path":8,"release_date":182,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":183,"department":12,"job":144,"media_type":34},[124],1202622,"Lieux communs","Amusant portrait de l'Homo urbanus du début des années 1980, sur le parvis de Notre-Dame de Paris.",0.4712,"1982-12-31","654ca7dd67b61300e5dcf442",{"adult":4,"backdrop_path":8,"genre_ids":185,"id":178,"title":179,"original_language":26,"original_title":179,"overview":180,"popularity":181,"poster_path":8,"release_date":182,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":186,"department":154,"job":187,"media_type":34},[124],"654ca7f7fd4f8000ae2d2667","Scenario Writer",{"adult":4,"backdrop_path":8,"genre_ids":189,"id":190,"title":191,"original_language":26,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":166,"credit_id":197,"department":12,"job":144,"media_type":34},[22],397616,"Ma caméra et moi","Max a deux obsessions : filmer Dieu et les filles. Sa première caméra, il la noie à six ans en essayant de filmer le “zizi” d’une copine. La deuxième, il la vole à un couple de touristes japonais. Pour la troisième, il séduit la vendeuse qui finit par accepter de se déshabiller. Jusqu’au jour où, comprenant que les aveugles sont décidément plus doués que les voyants, elle décide de le tromper…",1.0453,"\u002FiCL04wiQ1uFyaoVAF33AqoQkT2R.jpg","2002-07-10",4.5,"573881ca92514166fe0000b0",{"adult":4,"backdrop_path":8,"genre_ids":199,"id":190,"title":191,"original_language":26,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":166,"credit_id":200,"department":154,"job":155,"media_type":34},[22],"573881d5c3a368573b00027e",{"adult":4,"backdrop_path":8,"genre_ids":202,"id":203,"title":204,"original_language":26,"original_title":204,"overview":205,"popularity":206,"poster_path":8,"release_date":207,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":208,"department":12,"job":144,"media_type":34},[],1248585,"Homo\u002FVégétal","Le film est composé d’une suite de six plans-séquences durant lesquels l’homme et le végétal sont en relation : une fougère et une automobile, deux tomates et une ouvrière, des mains et des fleurs, un arbre flottant dans la nuit, des légumes et des mains, un arbre dans le vent.  Homo\u002FVégétal est la troisième partie d'une trilogie composée de trois films courts. Il est précédé par Corpus\u002FCorpus et Homo\u002FAnimal.  Cette trilogie explore les relations qu'entretiennent les êtres humains entre eux et aussi avec les autres formes de vie : animale, végétale. Notre conscience d'être vivant parmi d'autres vivants s'amenuise. Peu à peu, nous avons cessé de considérer l'animal et le végétal comme vraiment vivants.",0.4704,"2012-01-01","65d749b30e4fc8018686ced0",{"adult":4,"backdrop_path":8,"genre_ids":210,"id":211,"title":212,"original_language":26,"original_title":212,"overview":213,"popularity":214,"poster_path":8,"release_date":215,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":216,"department":12,"job":144,"media_type":34},[50],1248576,"Famille","Le film raconte des moments vécus par chacun des membres d'une famille : une femme à son travail, un enfant à l'école, un vieil homme faisant sa toilette, une adolescente et son petit ami, un homme à la maison. Chacun vit sa vie : l'une pleure, l'autre embrasse, le dernier fume une cigarette.",0.5122,"2011-01-01","65d7441cc5c1ef01648b55a8",{"adult":4,"backdrop_path":8,"genre_ids":218,"id":219,"title":220,"original_language":26,"original_title":220,"overview":221,"popularity":222,"poster_path":8,"release_date":223,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":224,"department":12,"job":144,"media_type":34},[],1248588,"Corpus\u002FCorpus","Un corps prend soin d'un autre corps.  Corpus\u002FCorpus est la première partie d'une trilogie composée de trois films courts. Il est suivi de Homo\u002FAnimal et d'Homo\u002FVégétal. Cette trilogie explore les relations qu'entretiennent les êtres humains entre eux et aussi avec les autres formes de vie : animale, végétale. Notre conscience d'être vivant parmi d'autres vivants s'amenuise. Peu à peu, nous avons cessé de considérer l'animal et le végétal comme vraiment vivants.",0.5293,"2009-02-01","65d74ad4ffd44d01872c8b14",{"adult":4,"backdrop_path":8,"genre_ids":226,"id":227,"title":228,"original_language":26,"original_title":228,"overview":229,"popularity":230,"poster_path":8,"release_date":231,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":232,"department":12,"job":144,"media_type":34},[],1248591,"Eugène Leroy","Le film est construit autour de deux regards croisés : celui d’Eugène Leroy sur sa jeune compagne Marina qu’il peint chaque jour, et celui de Marina sur Eugène qu’elle filme en super 8. Chacun est le modèle de l’autre. Dans ce portrait intime, le cinéaste s’efface pour mieux capter ce double regard, s’imprégner du lieu, et de la parole d’un grand peintre dont la reconnaissance n’a rien changé à cette exigence et à cette passion de la peinture.",0.4813,"1995-01-01","65d74bfe0e4fc8018686d151",{"adult":4,"backdrop_path":8,"genre_ids":234,"id":235,"title":236,"original_language":26,"original_title":236,"overview":237,"popularity":238,"poster_path":8,"release_date":239,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":240,"department":12,"job":144,"media_type":34},[],1248592,"François Morellet","François Morellet travaille depuis plus de 35 ans avec des droites, avec des lignes géométriques qui se coupent sur des toiles, des espaces \"muséales\" sur des bâtiments, dans la nature, dans la ville. Réaliser un film \"avec\" un artiste, c'est faire se rencontrer l'artiste et le cinéma. C'est-à-dire, mettre en place un dispositif où l'artiste pense son œuvre avec le cinéma, où le cinéaste pense le film avec l'artiste.",0.4578,"1990-01-01","65d74c66b04605017b0ac325",{"adult":4,"backdrop_path":8,"genre_ids":242,"id":243,"title":244,"original_language":26,"original_title":244,"overview":245,"popularity":246,"poster_path":8,"release_date":247,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":248,"department":12,"job":144,"media_type":34},[],1248590,"Felice Varini","Felice Varini peint. Felice Varini n'a pas d'atelier. Son cadre : des écoles, des chapelles, des galeries, des banques, des lycées... Sa toile : les murs, les plafonds, les sols...  À partir d'un point de vue, il inscrit son œuvre dans ces espaces, les investit, les révèle. \"Il faudra bien que j'aille un jour à Lascaux, à Altarriea... voir des gens qui peignent dans des lieux, dans des grottes\" dit Felice Varini.  La caméra de Christophe Loizillon suit le peintre durant la réalisation de plusieurs de ses œuvres de Paris à New York.",0.5071,"1997-01-01","65d74bb39af171017b594297",{"adult":4,"backdrop_path":8,"genre_ids":250,"id":251,"title":252,"original_language":26,"original_title":252,"overview":253,"popularity":254,"poster_path":8,"release_date":255,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":256,"department":12,"job":144,"media_type":34},[],1248574,"SQUARE","Dans un square, chacun vit sa vie…",0.4541,"2014-01-01","65d74314c8a5ac017be3c110",{"adult":4,"backdrop_path":8,"genre_ids":258,"id":259,"title":260,"original_language":26,"original_title":260,"overview":261,"popularity":262,"poster_path":8,"release_date":263,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":264,"department":12,"job":144,"media_type":34},[],1248586,"Homo\u002FAnimal","À quoi pensent une vache, un cochon, un ours, un chien et deux escargots quand ils sont face à l'homme ?  Homo\u002FAnimal est la deuxième partie d'une trilogie composée de trois films courts. Il est précédé par Corpus\u002FCorpus et est suivi d'Homo\u002FVégétal.  Cette trilogie explore les relations qu'entretiennent les êtres humains entre eux et aussi avec les autres formes de vie : animale, végétale. Notre conscience d'être vivant parmi d'autres vivants s'amenuise. Peu à peu, nous avons cessé de considérer l'animal et le végétal comme vraiment vivants.",0.4422,"2010-01-01","65d74a530e4fc801638530c1",{"adult":4,"backdrop_path":8,"genre_ids":266,"id":267,"title":268,"original_language":26,"original_title":268,"overview":269,"popularity":270,"poster_path":8,"release_date":271,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":272,"department":12,"job":144,"media_type":34},[],1248589,"Détail, Roman Opalka","Obsédé par l’idée de visualiser le temps, le peintre Roman Opalka (France 1931) prit un jour une décision : il allait durant toute sa vie décompter le temps qui passe. Sur une toile noire, il écrivit à la peinture blanche le chiffre 1. La toile remplie de la suite continue des chiffres, il en prit une autre pour poursuivre. 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