[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F130030:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":11,"birthday":12,"deathday":13,"gender":14,"homepage":15,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":1276},false,[6,7,8,9,10],"Chantal Anne Akerman","Chantal Ackerman","샹탈 아커만","샹탈 아케르만","샹탈 애커만","Chantal Akerman1 est une cinéaste belge, née le 6 juin 1950 à Etterbeek en Belgique et morte le 5 octobre 2015 à Paris 20e.\n\nElle est considérée comme une des figures de proue du cinéma moderne.\n\nElle a été une influence importante notamment pour Gus Van Sant, Todd Haynes et Michael Haneke.\n\nChantal Akerman est issue d'une famille juive polonaise. Ses grands-parents et sa mère, Natalia, ont été déportés à Auschwitz, seule sa mère en est revenue. Son père se nomme Jacques Akerman. Sa sœur Sylviane Akerman.\n\nDans ses films, elle traite des relations mère-fille, de la vie des femmes, de leurs rapports, de la sexualité, de l'homosexualité et de l'identité féminines. Selon Jean-Michel Frodon, sa relation au judaïsme traverse toute sa filmographie. C'est pourtant à partir du film Histoires d'Amérique qu’émerge la conscience juive de la cinéaste, à travers des témoignages de Juifs d'Europe de l'Est émigrés aux États-Unis.\n\nC'est Pierrot le Fou de Jean-Luc Godard (1965) qui a provoqué sa vocation. Formellement, Michael Snow sera sa deuxième profonde influence. Elle déclare le 5 juin 2004 au Centre Pompidou: «Godard m'a donné de l'énergie et les formalistes m'ont libérée.» Son travail est contemporain de celui des débuts de Wim Wenders.\n\nAndré Delvaux l'a soutenue dès son premier court métrage, Saute ma ville en 1968, un film pré-punk, anarchiste, dans l’air subversif du temps, où Akerman exprimait de manière explosive son besoin vital de libération.\n\nAprès un court passage à l'Institut national supérieur des arts du spectacle, en 1967-1968 où elle claque la porte après trois mois, et la réalisation en 1971 de L'enfant aimé ou Je joue à être une femme mariée, un deuxième film (depuis longtemps invisible) que la cinéaste estime raté parce que pas assez construit, précis, dirigé, Akerman part avec Samy Szlingerbaum à New York où elle fréquente assidûment l'Anthology Film Archives (cinémathèque). Elle y découvre le cinéma expérimental américain (Michael Snow, Andy Warhol, Jonas Mekas, etc.).\n\nVivant de petits boulots, elle parvient néanmoins à tourner plusieurs films. En 1972, La Chambre, un court-métrage à base de lent panoramique horizontal qui balaie l'espace à 360 degrés plusieurs fois, et Hôtel Monterey, 63 minutes, une suite de plans fixes précisément cadrés et de lents travellings dans les couloirs, puis la caméra sort de l'immeuble par le toit où un panoramique balaie l'horizon urbain. Enfin, en 1973, Hanging Out Yonkers, son premier essai de documentaire (sur des jeunes à problèmes fréquentant un centre social), resté inachevé et dont les rushes sont parfois projetés en cinémathèque ou lors de rétrospectives.\n\nChantal Akerman vit ensuite à Paris. Elle retourne à New York en 1976, après sa reconnaissance internationale, pour réaliser News from Home (89 minutes), une lecture des lettres inquiètes et plaintives que lui envoyait sa maman pendant son séjour, accompagnée par des plans monumentaux (façades, rues, métro) de la mégapole. Le film se clôt par un très long travelling arrière, la caméra posée sur un bateau s'éloignant des tours jumelles du World Trade Center. La cinéaste reviendra dans cette ville pour tourner Histoires d'Amérique en 1988 et Un divan à New York en 1996. ...\n\nSource: Article \"Chantal Akerman\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1950-06-06","2015-10-05",1,null,130030,"nm0001901","Directing","Chantal Akerman","Brussels, Belgium",1.7758,"\u002FyQH1lbMA56PKy88LE4o9gryvVK1.jpg",{"cast":24,"crew":639},[25,43,58,72,86,100,113,125,135,147,158,168,179,188,199,211,223,237,249,257,267,278,290,301,309,319,326,336,346,354,364,373,384,397,409,418,427,437,445,455,466,473,480,487,496,506,517,525,534,544,555,563,570,577,586,595,604,618,628],{"adult":4,"backdrop_path":26,"genre_ids":27,"id":30,"title":31,"original_language":32,"original_title":31,"overview":33,"popularity":34,"poster_path":35,"release_date":36,"softcore":4,"video":4,"vote_average":37,"vote_count":38,"character":39,"credit_id":40,"order":41,"media_type":42},"\u002FsbB8VCEJfVXnoBCE3Q9mL8nbl93.jpg",[28,29],35,18,49479,"Saute ma ville","fr","Une jeune fille rentre chez elle et saccage méthodiquement sa cuisine.",1.034,"\u002FfEOuqlxYa4bmcU1aPBky5WHwEQ1.jpg","1968-04-09",6.2,62,"The Girl","52fe4797c3a36847f813dd37",0,"movie",{"adult":4,"backdrop_path":44,"genre_ids":45,"id":46,"title":47,"original_language":48,"original_title":47,"overview":49,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"character":55,"credit_id":56,"order":57,"media_type":42},"\u002F59XIDxqioebbX4Eh3hjbkPL1QAH.jpg",[29],252286,"Seven Women, Seven Sins","en","",1.6398,"\u002FzwftNGXq3NsqRZsJCX5vErybQfV.jpg","1986-04-19",5.5,11,"Film Director (segment Portrait d'une Paresseuse)","61e16460a0b6b50041a4e000",9,{"adult":4,"backdrop_path":59,"genre_ids":60,"id":62,"title":63,"original_language":32,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"character":70,"credit_id":71,"order":41,"media_type":42},"\u002F3FBWf8D3UuVULrtWsRBKfhOaBSc.jpg",[29,61],10749,93934,"Je, tu, il, elle","Une jeune femme passe du temps seule dans sa chambre, sur la route en stop, et avec une amie.",2.6157,"\u002FgNrcfKMNBiVGQuCLqwqWXTchXmp.jpg","1974-11-19",6.512,126,"Julie","52fe49449251416c750c2949",{"adult":4,"backdrop_path":73,"genre_ids":74,"id":76,"title":77,"original_language":32,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"character":84,"credit_id":85,"order":41,"media_type":42},"\u002FA37wxjHIy75UhpAi5K0p8iFRQgC.jpg",[75],99,86814,"News from Home","Chantal Akerman filme New York et lit les lettres envoyées par sa mère inquiète et plaintive.",1.5873,"\u002F9S6tojXosLqILYFiuT9t2LFjZ1g.jpg","1976-11-12",7.1,95,"Self - Letter Reader (voice)","52fe49a09251416c910b37b5",{"adult":4,"backdrop_path":87,"genre_ids":88,"id":89,"title":90,"original_language":32,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"character":97,"credit_id":98,"order":99,"media_type":42},"\u002F2qL6rsvq29ueZ0ITh47Jj2F985R.jpg",[29],44012,"Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles","Une femme au foyer veuve et solitaire accomplit ses tâches quotidiennes et s'occupe de son appartement où elle vit avec son fils adolescent, et fait des combines occasionnelles pour joindre les deux bouts. Lentement, son quotidien ritualisé commence à s'effondrer.",5.9221,"\u002Fb5cey5yKfPXZBwj2gTRREALUvzA.jpg","1976-01-21",7.4,418,"Neighbor (voice) (uncredited)","622f9540cf62cd00446d1356",5,{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":32,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"character":111,"credit_id":112,"order":41,"media_type":42},"\u002FOtUmiYLYgtHEL8Icg0mOjU61pQ.jpg",[29],109383,"La chambre","Le temps qui passe dans la chambre d'une jeune femme.",1.5121,"\u002FklhHSySeZnFRNtl27QpLh1WOOXZ.jpg","1972-01-01",5.4,43,"Self - On Her Bed","52fe4ab1c3a36847f81dc9e1",{"adult":4,"backdrop_path":114,"genre_ids":115,"id":116,"title":117,"original_language":32,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":57,"character":49,"credit_id":123,"order":124,"media_type":42},"\u002Fqi7bQOzftLlwilkE9oAQIxhyVDQ.jpg",[61,29],162329,"Elle a passé tant d'heures sous les sunlights...","Malheureux en amour, un jeune réalisateur se voit donner l’opportunité de monter Blanche-Neige à la Comédie Française.",1.1533,"\u002F6qk5ft0qdvTCblzwz16wCztFYDJ.jpg","1985-10-09",7.3,"52fe4c58c3a36847f82298a5",3,{"adult":4,"backdrop_path":15,"genre_ids":126,"id":128,"title":129,"original_language":48,"original_title":129,"overview":49,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":134,"order":57,"media_type":42},[75,127],10770,1161907,"Pictures of Europe",2.2927,"\u002FN7nwdtuPpTzdD1rQnX1y64H5gs.jpg","1990-04-25","Self","64db7a41001bbd04192cd7e8",{"adult":4,"backdrop_path":15,"genre_ids":136,"id":137,"title":138,"original_language":139,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":124,"character":133,"credit_id":146,"order":41,"media_type":42},[75],178554,"Chantal Akerman, de ça","pt","Chantal Akerman, de cá","Une interview en plan séquence. Chantal Akerman livre ses réflexions sur son propre travail et sur ses influences.",1.6162,"\u002FuEHJHKfsEZu1hskcAW5NnUwod9x.jpg","2010-10-15",5.7,"52fe4d98c3a36847f826975f",{"adult":4,"backdrop_path":15,"genre_ids":148,"id":149,"title":150,"original_language":48,"original_title":150,"overview":49,"popularity":151,"poster_path":152,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":155,"character":133,"credit_id":156,"order":157,"media_type":42},[75],85924,"Guest",2.2719,"\u002FzlJ6QIJ6HHY5OxdbFFzUfvDzDLr.jpg","2011-03-25",6,8,"53e4894fc3a368484d0032ae",2,{"adult":4,"backdrop_path":15,"genre_ids":159,"id":160,"title":161,"original_language":48,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":19,"credit_id":167,"order":41,"media_type":42},[75],1215555,"Conversation avec B. Ruby Rich","Chantal Akerman: An Interview","Chantal Akerman (1950-2015) a acquis une reconnaissance internationale avec son chef-d'œuvre de trois heures et demie, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), qui dépeint l'existence morne d'une femme au foyer et l'action violente qui s'ensuit. Elle est restée l'une des cinéastes européennes les plus novatrices, avec plus de quarante projets cinématographiques et télévisuels à son actif. L'œuvre d'Akerman est minimaliste, structuraliste et féministe. Les principaux thèmes de ses films sont les femmes au travail et à la maison, les relations des femmes avec les hommes, les autres femmes et les enfants, la nourriture, l'amour, le sexe, la romance, l'art et la narration. Dans cet entretien datant de 1976, Akerman évoque ses premiers films et le développement de sa vision particulière.",1.4066,"\u002FaB3Ycqj2Vw89sFlQiwCnOLjnwkA.jpg","1976-01-01","65743c787a3c52014e6912f3",{"adult":4,"backdrop_path":15,"genre_ids":169,"id":170,"title":171,"original_language":32,"original_title":171,"overview":49,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"character":177,"credit_id":178,"order":157,"media_type":42},[],1032218,"Knokke: Une petite fiction 2",1.1108,"\u002Fneb8swmkpKIkE5iESkhAEAU81DV.jpg","1967-09-04",5.2,4,"Self (uncredited)","633e0935cf62cd0081303b30",{"adult":4,"backdrop_path":15,"genre_ids":180,"id":181,"title":182,"original_language":32,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":187,"order":41,"media_type":42},[75],1032676,"Autour de La Folie Almayer","La Folie Almayer est l'adaptation faite par Chantal Akerman du premier roman éponyme de Joseph Conrad. Une histoire de passion, de perdition et de folie quelque part en Asie du Sud-Est que la cinéaste est partie tourner en 2010. Présente sur le tournage, Sopheak Sao a filmé la cinéaste au travail au cœur de la végétation exotique et dans les eaux noires d’un fleuve qui ne semble mener nulle part. Les images qu’il a filmées ont ici été montées par le monteur belge Marwan Montel et montrent combien le travail formel et esthétique prend le pas sur l’aspect narratif dans le travail de la réalisatrice belge. Une magnifique occasion de la retrouver au plus près et de se glisser au cœur de son travail.",1.2358,"\u002FeEJJKMJ0VgVrY56Pq62auF5jkG.jpg","2022-11-13","633fd5080859b4007ea6163a",{"adult":4,"backdrop_path":189,"genre_ids":190,"id":191,"title":192,"original_language":32,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":99,"character":133,"credit_id":198,"order":41,"media_type":42},"\u002F4EZZBVDNeZT8ig7LortnrnqQOSd.jpg",[75],137010,"Chantal Akerman par Chantal Akerman","La réalisatrice utilise ses films précédents comme une matière brute, réalisant un nouveau film – documentaire – sur son travail, tout en restant au bord de la fiction.",1.45,"\u002FtWWF6m2OuSzPie2nkEJhgzN6vSw.jpg","1997-02-19",6.6,"5547a3f29251412dc60000cd",{"adult":4,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":32,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"character":133,"credit_id":210,"order":41,"media_type":42},"\u002FkIYjvWbIQKg3udciGh8Kl78XGPy.jpg",[75],354388,"No Home Movie","Chantal Akerman rend visite à sa mère. Elles évoquent des souvenirs de famille.",1.1563,"\u002F3tysAaZ3V5HqMCpvbH5Ltvo283Q.jpg","2016-02-24",6.5,38,"55ccf84d92514131930004fb",{"adult":4,"backdrop_path":212,"genre_ids":213,"id":214,"title":215,"original_language":32,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":57,"character":221,"credit_id":222,"order":41,"media_type":42},"\u002FtrPUFMADHCtPWCJC89zyLBEqrKf.jpg",[127,28],368929,"L'Homme à la valise","Une femme revient dans son appartement après deux mois d'absence. Elle y trouve un vague ami installé comme chez lui et qui semble peu disposé à quitter cet appartement qu'il a complètement investi. Elle se replie dans une chambre d'où elle sort de moins en moins, tentant au maximum d'éviter cette présence qui l’obsède et l'empêche de s'adonner à son activité principale, l'écriture.",1.4592,"\u002FfQQYLZpGPJtHtzYS4wJrYa6NnFz.jpg","1983-11-15",6.3,"The Woman","5649db7cc3a368261400b323",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":48,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":233,"character":234,"credit_id":235,"order":236,"media_type":42},"\u002F5Fo0SnaEAI8OmzQk0HH0w30RW8d.jpg",[61,29],374471,"Porto","Jake et Mati, deux étrangers, se croisent une nuit à Porto. Une brève rencontre, aussi intense que fugace, dont il ne reste que des souvenirs qui n’appartiennent qu’à eux.",2.3729,"\u002F2jsNrAJx3z1uzrw4Jg1XIvOl7Cv.jpg","2017-07-27",5.574,47,"(voice)","5680255192514132db00b691",7,{"adult":4,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":32,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":246,"vote_count":247,"character":133,"credit_id":248,"order":41,"media_type":42},"\u002FkPW2ZAvqv7lgvtOAzAejZVDIJD8.jpg",[75],374728,"I Don’t Belong Anywhere : Le Cinéma de Chantal Akerman","Ce documentaire explore une partie de la filmographie de la cinéaste belge (qui comprend plus de 40 films), et de Bruxelles à Tel-Aviv, de Paris à New York, nous dévoile quelques lieux marquants de ses pérégrinations.",1.8021,"\u002Fb716Ocv7pokLNH2HK4DVFtOnOqb.jpg","2015-09-28",6.7,16,"5681b21c9251414ecb0032a2",{"adult":4,"backdrop_path":15,"genre_ids":250,"id":251,"title":252,"original_language":32,"original_title":252,"overview":49,"popularity":253,"poster_path":15,"release_date":254,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":255,"credit_id":256,"order":41,"media_type":42},[],1287703,"L'inhumaine",0.8014,"1987-01-01","-","663ce781ac08aad7a81eebee",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":32,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":37,"vote_count":57,"character":133,"credit_id":266,"order":41,"media_type":42},"\u002F2Gjqymmx1GWz756fTYbOWpVBVUH.jpg",[127,75],383914,"Dis-moi","Trois portraits de grand-mères juives qui racontent leurs souvenirs de la communauté juive de Pologne avant, pendant et après la Seconde Guerre mondiale.",1.6907,"\u002Fh7Gbt3bN9ugFdOrNm7zxlOvm1wQ.jpg","1980-08-25","56c93575c3a368408c0060d5",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":270,"title":271,"original_language":32,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":4,"video":4,"vote_average":276,"vote_count":176,"character":133,"credit_id":277,"order":41,"media_type":42},"\u002F32GVF7CvjBcaYGhf3PVU8iVG2Gf.jpg",[75],388722,"Les Ministères de l'art","Philippe Garrel rencontre et interroge plusieurs cinéastes.",1.2877,"\u002F78AjKvlEYob9yLezqyFZ8RQocpZ.jpg","1989-02-11",7.2,"56eeebadc3a368226000c1e4",{"adult":4,"backdrop_path":279,"genre_ids":280,"id":281,"title":282,"original_language":48,"original_title":282,"overview":283,"popularity":284,"poster_path":285,"release_date":286,"softcore":4,"video":4,"vote_average":287,"vote_count":288,"character":133,"credit_id":289,"order":41,"media_type":42},"\u002FpmmPUfLIGa80TFJd8bDSz9SDGzY.jpg",[75],219292,"What Is Cinema?","En utilisant les mots et les idées de grands cinéastes, des interviews d'archives avec Alfred Hitchcock et Robert Bresson aux nouvelles interviews de Mike Leigh, David Lynch et Jonas Mekas, le cinéaste oscarisé Chuck Workman montre ce que ces cinéastes et d'autres font ce qui ne peut pas être exprimé en mots - mais seulement au cinéma.",1.3925,"\u002Fa7lscT93aGgvD6W5Po7dTVLdv19.jpg","2013-09-06",6.4,25,"57338fa1c3a368308c000598",{"adult":4,"backdrop_path":291,"genre_ids":292,"id":293,"title":294,"original_language":295,"original_title":294,"overview":49,"popularity":296,"poster_path":297,"release_date":298,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"character":299,"credit_id":300,"order":57,"media_type":42},"\u002F2LqWz2VglssTbehzLeI8JHOiEGh.jpg",[75,127],1311685,"Chantal Akerman: altijd onderweg","nl",1.0902,"\u002F2XJhJ34Riq92a82bdmdJomsbiWG.jpg","2024-10-05","Self (archive footage)","6683f33368f536d1daf0f56b",{"adult":4,"backdrop_path":15,"genre_ids":302,"id":303,"title":304,"original_language":32,"original_title":304,"overview":49,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":122,"vote_count":124,"character":133,"credit_id":308,"order":41,"media_type":42},[75],408887,"Le Jour où",1.3633,"\u002FcGbdjoTzHwmzNI1AGQr9xtKSZGU.jpg","1997-01-01","579d288d92514106c8001c1b",{"adult":4,"backdrop_path":310,"genre_ids":311,"id":312,"title":313,"original_language":48,"original_title":313,"overview":314,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":276,"vote_count":57,"character":133,"credit_id":318,"order":41,"media_type":42},"\u002FzTCZdXGnTxtIQIrKyh0JM65mX6d.jpg",[28,29],408882,"Family Business","Tribulations burlesques de Chantal Akerman à Los Angeles, à la recherche d'un oncle fortuné qui pourrait l'aider à produire ses films.",1.4167,"\u002F2TIIY8M7XTrGpDfmyMV7Qf2aVBp.jpg","1984-11-21","579d22e4925141063a001ad2",{"adult":4,"backdrop_path":15,"genre_ids":320,"id":321,"title":322,"original_language":32,"original_title":322,"overview":49,"popularity":323,"poster_path":15,"release_date":324,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":325,"order":41,"media_type":42},[],737768,"My Name is Chantal Akerman",0.9169,"2016-01-01","669e59df5eccd517db0c22cb",{"adult":4,"backdrop_path":15,"genre_ids":327,"id":328,"title":329,"original_language":32,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":334,"credit_id":335,"order":157,"media_type":42},[75],1317974,"Autour d’hier aujourd’hui et demain (on déménage)","Plus qu’un making of dans lequel Akerman insiste sur le plaisir et la liberté du tournage, la cinéaste réalise ici un film inédit dans lequel elle s’interroge sur l'identité et s’arrête, avec sa mère, sur ses souvenirs, sur ce que c’est qu’être une femme et sur l’Histoire.",0.8428,"\u002FlpJltYtUoybcQY0GAsGb7cMmTmm.jpg","2004-01-01","self","66990f6baf3b8e43a5806aa5",{"adult":4,"backdrop_path":337,"genre_ids":338,"id":339,"title":340,"original_language":32,"original_title":340,"overview":341,"popularity":342,"poster_path":343,"release_date":344,"softcore":4,"video":4,"vote_average":197,"vote_count":54,"character":177,"credit_id":345,"order":41,"media_type":42},"\u002FvQPNzreoIHYofl2kwKcT6CtpBth.jpg",[75],415922,"L'Enfant aimé ou Je joue à être une femme mariée","Une femme seule avec sa fille se confie à une amie, qui est la réalisatrice Chantal Akerman elle-même.",1.2067,"\u002FidLMtqFb0xHhnxyTs5wVlVtt1eA.jpg","1971-01-01","57d9602b925141670f006207",{"adult":4,"backdrop_path":15,"genre_ids":347,"id":348,"title":349,"original_language":48,"original_title":349,"overview":49,"popularity":350,"poster_path":15,"release_date":351,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":352,"credit_id":353,"order":41,"media_type":42},[],432670,"What Lies Beneath the Sky",0.7478,"2015-01-01","Narrator(voice)","58699b71c3a3680f4b0114f5",{"adult":4,"backdrop_path":355,"genre_ids":356,"id":357,"title":358,"original_language":32,"original_title":358,"overview":359,"popularity":360,"poster_path":361,"release_date":362,"softcore":4,"video":4,"vote_average":154,"vote_count":157,"character":133,"credit_id":363,"order":41,"media_type":42},"\u002FrwjZBLpRAbqXc8IHAePPyjBiJE0.jpg",[75],308191,"Autour de Jeanne Dielman","Pendant le tournage de \"Jeanne Dielman\", Sami Frey a enregistré ce qui se passait sur le plateau. Un film sur un film en devenir.",1.0407,"\u002FrnbW5VtVxVQVx9ad70SuMbU0Biv.jpg","1975-01-01","595d781492514121f005e193",{"adult":4,"backdrop_path":365,"genre_ids":366,"id":367,"title":368,"original_language":48,"original_title":368,"overview":49,"popularity":369,"poster_path":370,"release_date":371,"softcore":4,"video":4,"vote_average":236,"vote_count":176,"character":133,"credit_id":372,"order":41,"media_type":42},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[75],295120,"Birth of a Nation",1.5828,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06","59d9b6b4c3a36861a3036f72",{"adult":4,"backdrop_path":374,"genre_ids":375,"id":376,"title":377,"original_language":32,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":382,"vote_count":154,"character":133,"credit_id":383,"order":41,"media_type":42},"\u002FgDxAYG596pEnovPMFwACWIBOwOp.jpg",[75,127],488000,"Lettre d'une cinéaste: Chantal Akerman","L'émission « Cinéma, cinémas » commandait régulièrement à un cinéaste une lettre cinématographique dans laquelle le réalisateur devait donner de ses nouvelles.  Chantal Akerman a filmé la sienne en 1984, alors qu'elle travaillait à sa future comédie musicale, Golden Eighties. Sur le ton de la farce, elle énumère tout ce qu'il faut pour faire un film : se lever, s'habiller, manger, disposer de comédiens, d'une équipe… Et le montre littéralement : elle et sa comédienne se levant du lit, s'habillant, mangeant…  Un autoportrait humoristique.",1.2917,"\u002F6B0t1jcbiq95QkxtOOtrhhBkU5x.jpg","1984-11-19",6.8,"5a11e22ac3a3686289056679",{"adult":4,"backdrop_path":385,"genre_ids":386,"id":387,"title":388,"original_language":32,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":393,"vote_count":394,"character":395,"credit_id":396,"order":41,"media_type":42},"\u002FfOaGD5wUxPvpzkcT7aHZj5Z5ft5.jpg",[75],235055,"Là-bas","Peut-on s'enraciner dans l'espace, le temps ? Que peut-on percevoir d'Israël sans tomber dans la dichotomie ? Comment vivre après la tourmente ? Y a-t-il des images possibles ? Des images directes ? Ou doivent-elles passer par un écran ? Quel écran ? Comment ? Voilà le sujet de ce documentaire sur Israël.",3.4985,"\u002F7RFYHKP5LQYiKrJWwE6HjZ1oYtf.jpg","2006-02-15",5.3,14,"Self (voice)","5a27c5b6925141032c0ff8ba",{"adult":4,"backdrop_path":398,"genre_ids":399,"id":401,"title":402,"original_language":48,"original_title":402,"overview":49,"popularity":403,"poster_path":404,"release_date":405,"softcore":4,"video":4,"vote_average":406,"vote_count":57,"character":49,"credit_id":407,"order":408,"media_type":42},"\u002FcUBZnmDx2kl5hDVncUrZwFvIeIb.jpg",[28,400],9648,120249,"‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen",1.2378,"\u002FqZj9rzBB6SRa29YMCdMeLwaX1DR.jpg","1974-11-05",7.8,"5a7e44410e0a262ab2001404",15,{"adult":4,"backdrop_path":410,"genre_ids":411,"id":412,"title":413,"original_language":48,"original_title":413,"overview":49,"popularity":414,"poster_path":415,"release_date":416,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":417,"order":41,"media_type":42},"\u002FoD27AwoI8FEYtwDJN72sfW41GtR.jpg",[75],431274,"But Elsewhere Is Always Better",0.9657,"\u002F8BAJlNO2YeYyJruF06ar7u0QrEE.jpg","2016-03-01","5ac4e37a0e0a260c39052cb3",{"adult":4,"backdrop_path":419,"genre_ids":420,"id":421,"title":422,"original_language":32,"original_title":422,"overview":49,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"character":133,"credit_id":426,"order":41,"media_type":42},"\u002Fi5eYAulYV7asDfyfbNQFF6oVCSD.jpg",[75],567749,"Maniac Summer",0.8355,"\u002FeLQSLAyZpKRWKFcN7UGBtlFIyZR.jpg","2009-12-05","5c0f0b9a0e0a2638c70c6ae6",{"adult":4,"backdrop_path":428,"genre_ids":429,"id":430,"title":431,"original_language":295,"original_title":431,"overview":49,"popularity":432,"poster_path":433,"release_date":434,"softcore":4,"video":4,"vote_average":435,"vote_count":14,"character":133,"credit_id":436,"order":41,"media_type":42},"\u002F8uz4BNqLJSyzmeNeqx2W5P1MJO.jpg",[75],606972,"De droomproducenten",0.8449,"\u002FbDgvhpPVpBsPnQ6WURXpxmV8Z1e.jpg","1984-01-01",10,"5cf828620e0a2643c6d3a626",{"adult":4,"backdrop_path":438,"genre_ids":439,"id":440,"title":19,"original_language":48,"original_title":19,"overview":49,"popularity":441,"poster_path":442,"release_date":443,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":444,"order":41,"media_type":42},"\u002F6puZB9y8qz5l2mJVX36eOhqLENo.jpg",[],625414,0.8564,"\u002FyZ5bbfFu6TN37l7fhWOAzI0ChmC.jpg","2013-11-04","5d5f3fc3f263ba451894d2f1",{"adult":4,"backdrop_path":446,"genre_ids":447,"id":448,"title":449,"original_language":32,"original_title":449,"overview":450,"popularity":451,"poster_path":452,"release_date":52,"softcore":4,"video":4,"vote_average":220,"vote_count":453,"character":49,"credit_id":454,"order":41,"media_type":42},"\u002FgrCZFplnTKyukCiWr2AJuHQAZA7.jpg",[28,75],646171,"La Paresse","Matinée de paresse d'une jeune femme.  Segment du film collectif « Seven Women, Seven Sins ».",2.4395,"\u002FsqHX5pm5ROz0qSajFSLYoG3oNo6.jpg",19,"5dc51a6e6f8d950017c1e96c",{"adult":4,"backdrop_path":456,"genre_ids":457,"id":458,"title":459,"original_language":32,"original_title":459,"overview":460,"popularity":461,"poster_path":462,"release_date":463,"softcore":4,"video":4,"vote_average":464,"vote_count":176,"character":49,"credit_id":465,"order":41,"media_type":42},"\u002FoGEegAKNEcWAMQdV0v8QYKY6TAY.jpg",[29],646549,"Rue Mallet-Stevens","Rue Mallet-Stevens, dans le 16e arrondissement de Paris, devant les constructions modernistes de l'architecte dont la voie porte le nom, une scène énigmatique se déroule.",1.0816,"\u002FtWOOdMr7r90g6uLP9SbQUSN4a3o.jpg","1986-03-24",7.6,"5dc6f85b470ead001893d347",{"adult":4,"backdrop_path":15,"genre_ids":467,"id":468,"title":469,"original_language":32,"original_title":469,"overview":49,"popularity":470,"poster_path":15,"release_date":471,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":472,"order":14,"media_type":42},[75],652257,"Entretien avec Aurore Clément",0.8958,"2007-01-01","5de1a339dcb6a300186c391c",{"adult":4,"backdrop_path":15,"genre_ids":474,"id":475,"title":476,"original_language":32,"original_title":476,"overview":49,"popularity":477,"poster_path":478,"release_date":471,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"character":133,"credit_id":479,"order":14,"media_type":42},[75],652258,"Entretien avec Babette Mangolte",0.979,"\u002F4XwOsje7LMXb63rmqNgo4RIEDKD.jpg","5de1a49ca894d600151ca1bf",{"adult":4,"backdrop_path":15,"genre_ids":481,"id":482,"title":483,"original_language":32,"original_title":483,"overview":49,"popularity":484,"poster_path":485,"release_date":471,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"character":133,"credit_id":486,"order":14,"media_type":42},[75],652259,"Entretien avec ma mère, Natalia Akerman",0.9464,"\u002Frwucq9Io2zgmqTsOsuiCaPGGFJi.jpg","5de1a5f7c51acd0013f6555c",{"adult":4,"backdrop_path":488,"genre_ids":489,"id":490,"title":491,"original_language":48,"original_title":491,"overview":49,"popularity":492,"poster_path":493,"release_date":494,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"character":133,"credit_id":495,"order":41,"media_type":42},"\u002F7R9H3WTlYBcZpw0E030oyFqKVcf.jpg",[75],742920,"My Mother Laughs Prelude",0.9794,"\u002Fvfahls7BerLflwP4eMUkBpHVDU3.jpg","2012-03-12","5f5feaea31234500366255b8",{"adult":4,"backdrop_path":497,"genre_ids":498,"id":499,"title":500,"original_language":32,"original_title":500,"overview":501,"popularity":502,"poster_path":503,"release_date":504,"softcore":4,"video":4,"vote_average":287,"vote_count":408,"character":299,"credit_id":505,"order":124,"media_type":42},"\u002FjJDzYHKegaAXpNfwlE4XhxlFD1Z.jpg",[75],580073,"Delphine et Carole, insoumuses","À travers l'amitié entre l'actrice Delphine Seyrig et la vidéaste Carole Roussopoulos, leurs luttes et leurs images subversives, un hommage vibrant au féminisme « enchanté » des années 1970, joyeuses et foutraques.",1.9043,"\u002FrtT2UlBVXcE8RzPwu4YmJVCs3mb.jpg","2020-01-14","5fbfba93489d00003ecc0b0c",{"adult":4,"backdrop_path":507,"genre_ids":508,"id":509,"title":510,"original_language":32,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":515,"vote_count":236,"character":177,"credit_id":516,"order":14,"media_type":42},"\u002F6M5z1ODlXRkMGBnWawPwe8uYnjS.jpg",[75],243379,"Un jour Pina a demandé...","La cinéaste a suivi la célèbre chorégraphe de ville en ville et de festival en festival et propose des fragments de spectacle, des portraits de danseurs, la vie d'une troupe.",1.2243,"\u002Fn0S88DQ3O4poI3QQHEN0ymYQppa.jpg","1989-07-07",6.1,"5fc1485925b955003a9c1947",{"adult":4,"backdrop_path":15,"genre_ids":518,"id":519,"title":520,"original_language":48,"original_title":520,"overview":49,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":524,"order":176,"media_type":42},[75],592846,"The Art of Time",1.0763,"\u002F6d5tiUlEy25xHQMnLTQTFrkCFNE.jpg","2009-10-10","607d997dae2811006e9aa22b",{"adult":4,"backdrop_path":15,"genre_ids":526,"id":527,"title":528,"original_language":32,"original_title":528,"overview":529,"popularity":530,"poster_path":531,"release_date":532,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":533,"order":41,"media_type":42},[75],828777,"Son chant","Présenté en compétition au Brussels Art Film Festival, Son Chant revient sur la relation musicale entre Chantal Akerman et la violoncelliste Sonia Wieder-Atherton magnifiée par un montage expérimental puissant, où se croisent et s’entrechoquent des extraits de films de la cinéaste belge, des propos de la réalisatrice sur son rapport à la musique et sur sa rencontre avec la musicienne avec laquelle elle a collaboré sur une vingtaine de films.",2.0957,"\u002FruieL50sjKjTQ8YfnEzQjmwiz2e.jpg","2021-05-01","609bb5d028d7fe00403baf14",{"adult":4,"backdrop_path":15,"genre_ids":535,"id":536,"title":537,"original_language":32,"original_title":537,"overview":538,"popularity":539,"poster_path":540,"release_date":541,"softcore":4,"video":542,"vote_average":99,"vote_count":157,"character":49,"credit_id":543,"order":41,"media_type":42},[75],1362075,"Examen d'entrée INSAS","Les débuts de Chantal Akerman derrière la caméra à ses 17 et 18 ans : quatre films tournés en Super 8 pendant l'été, et présentés pour rentrer en septembre 1967 à l'Institut national supérieur des arts du spectacle et des techniques de diffusion (INSAS, Bruxelles), où elle sera admise.  [HENRI, La Cinémathèque française, 2024]",1.0582,"\u002Fje5k3E0CSxCKYexRGrdk58Buw3b.jpg","1967-09-30",true,"66f50e88e14a3c8e6273de68",{"adult":4,"backdrop_path":545,"genre_ids":546,"id":547,"title":548,"original_language":32,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":82,"vote_count":453,"character":553,"credit_id":554,"order":41,"media_type":42},"\u002FglF6ezPuz36sJ0NKd9rY093wEWz.jpg",[75],103699,"De l'autre côté","Chantal Akerman rencontre hommes, femmes et adolescents qui tentent de passer de l'autre côté de la frontière qui sépare le Mexique des États-Unis.",1.3373,"\u002FygNqD7mZy4rwqQjbAd0jgmsqbrj.jpg","2003-06-04","Self (Narrator - Interviewer)","6790199a8a20ceeeb7aac859",{"adult":4,"backdrop_path":15,"genre_ids":556,"id":557,"title":558,"original_language":48,"original_title":558,"overview":49,"popularity":521,"poster_path":559,"release_date":560,"softcore":4,"video":4,"vote_average":57,"vote_count":14,"character":133,"credit_id":561,"order":562,"media_type":42},[75],736342,"Calling the Shots","\u002Foz4VMdOsAJb85Yzu8darzmZZUyP.jpg","1988-09-08","688909463d73f89287de1278",23,{"adult":4,"backdrop_path":15,"genre_ids":564,"id":565,"title":566,"original_language":32,"original_title":566,"overview":49,"popularity":567,"poster_path":15,"release_date":568,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":569,"order":41,"media_type":42},[75],1538503,"On Belonging",1.1281,"2016-08-01","68b30e7d6dd16f100b3ccb2b",{"adult":4,"backdrop_path":15,"genre_ids":571,"id":572,"title":573,"original_language":32,"original_title":573,"overview":49,"popularity":574,"poster_path":15,"release_date":575,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":49,"credit_id":576,"order":41,"media_type":42},[75],1545844,"Untitled",1.2919,"1970-01-01","68c5735dd1fde4e52aa86116",{"adult":4,"backdrop_path":578,"genre_ids":579,"id":580,"title":581,"original_language":48,"original_title":581,"overview":49,"popularity":582,"poster_path":583,"release_date":584,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":133,"credit_id":585,"order":41,"media_type":42},"\u002F5QSxJK9sgTI0xqVvVlLk9MDPJrV.jpg",[75],1557986,"In Her Own Words",1.3493,"\u002F6Dpgjv3RvUeoo6JquxS8ZmJTJhj.jpg","2024-01-23","68e3835ca0f27065a525b62f",{"adult":4,"backdrop_path":15,"genre_ids":587,"id":588,"title":589,"original_language":32,"original_title":589,"overview":590,"popularity":591,"poster_path":592,"release_date":593,"softcore":4,"video":4,"vote_average":157,"vote_count":14,"character":49,"credit_id":594,"order":14,"media_type":42},[75],847138,"Morceaux de Cannes","Du Festival de Cannes, on croyait avoir tout vu, tout lu, tout entendu, entre paillettes et bruits de couloirs, scandales et censures. Et pourtant, Morceaux de Cannes d’Emmanuel Barnault, grand spécialiste du cinéma italien et français, nous convainc du contraire. Le troisième événement planétaire (avec les Jeux Olympiques et la Coupe du monde de football) ne livre ses secrets qu’avec parcimonie, son film en témoigne. Fruit d’une recherche passionnée dans les archives de l’INA, ces 52 minutes sans interviews ni voix off, enchaînent des séquences rares et certaines inconnues. Mises bout à bout, elles racontent une histoire du Festival surprenante, originale et chaleureuse. Sur la plage, au coin d’une rue, dans un restaurant ou dans l’intimité d’une chambre d’hôtel, ces archives oubliées convoquent les plus grands cinéastes, comédiennes et comédiens des soixante-dix dernières années, de Jean Cocteau à David Lynch, pour une anthologie de l’histoire du Festival.",2.6656,"\u002Fas5HrR2xYEko9jY1QQHwKfJImy6.jpg","2021-07-02","69c56f70efdfc9d4a97cb02d",{"adult":4,"backdrop_path":15,"genre_ids":596,"id":597,"title":598,"original_language":599,"original_title":598,"overview":49,"popularity":600,"poster_path":601,"release_date":602,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":49,"credit_id":603,"order":41,"media_type":42},[75],1710231,"Chantal Akerman, una autobiografía","es",1.2393,"\u002F2hvLA4LFIA96VtCmovJcWJIqZ51.jpg","2006-02-02","6a25c227cd537c35cb11377b",{"adult":4,"backdrop_path":15,"genre_ids":605,"id":607,"origin_country":608,"original_language":32,"original_name":610,"overview":611,"popularity":612,"poster_path":613,"first_air_date":614,"softcore":4,"name":610,"vote_average":154,"vote_count":157,"character":133,"credit_id":615,"episode_count":157,"first_credit_air_date":616,"media_type":617},[606],10767,136450,[609],"FR","Les Rendez-vous du dimanche","Au terme d'une carrière journalistique, Michel Drucker présente de 1975 à 1980 l'émission Les Rendez-vous du dimanche, où il reçoit nombre de personnalités de la chanson, du cinéma et du petit écran. L'émission, réalisée par Rémy Grumbach, est enregistrée aux Studios des Buttes Chaumont (studios 11 et 14) le samedi, et diffusée le lendemain après-midi.",38.9851,"\u002FcsEN53LOtSMucpBohRi8YKY27WU.jpg","1975-01-12","639334ebcee2f60093114828","1976-02-15","tv",{"adult":4,"backdrop_path":15,"genre_ids":619,"id":620,"origin_country":621,"original_language":32,"original_name":622,"overview":623,"popularity":624,"poster_path":625,"first_air_date":626,"softcore":4,"name":622,"vote_average":41,"vote_count":41,"character":133,"credit_id":627,"episode_count":14,"first_credit_air_date":265,"media_type":617},[75],328172,[609],"Grands mères","Face à la caméra de Coline Serreau, Chantal Akerman et d’autres grands noms du cinéma, des grands-mères se racontent. Ces aïeules, qui ont rarement l’occasion d’avoir la parole à la télévision, se montrent parfois espiègles, souvent émouvantes, toujours attachantes. Témoins d’une époque, elles possèdent et nous transmettent un goût extrême pour la vie.",1.9466,"\u002FvjSdoByOqJ90sCB74Vw4LXDcnSd.jpg","1980-07-07","6a5204ea0b545f802f2e8be9",{"adult":4,"backdrop_path":15,"genre_ids":629,"id":630,"origin_country":631,"original_language":32,"original_name":632,"overview":633,"popularity":634,"poster_path":635,"first_air_date":636,"softcore":4,"name":632,"vote_average":99,"vote_count":14,"character":133,"credit_id":637,"episode_count":157,"first_credit_air_date":638,"media_type":617},[75],328178,[609],"Ciné regards","Un panorama du cinéma des années 80 mêlé d'archives et de longues réflexion sur le métier de cinéaste : films, acteur·ices, ses réalisateur·ices, anciennes et futures gloires… Une réjouissante plongée dans l'univers d'Hollywood, de la Cinecitta et autres productions, indépendantes ou grand public.",17.3566,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a527229269e0640eb8b8ac9","1978-06-07",[640,652,664,667,672,683,695,705,708,717,728,731,734,737,742,745,756,759,770,773,776,779,782,793,803,814,817,820,830,833,843,853,856,859,870,880,891,894,904,907,910,920,931,936,939,949,958,961,964,967,974,981,984,992,995,998,1001,1011,1014,1024,1027,1037,1042,1045,1048,1051,1054,1057,1060,1063,1073,1083,1086,1094,1097,1100,1103,1106,1110,1119,1122,1125,1128,1131,1134,1137,1141,1144,1147,1150,1153,1156,1165,1168,1171,1174,1178,1181,1191,1194,1197,1200,1203,1207,1210,1213,1216,1219,1227,1236,1240,1243,1246,1249,1252,1255,1262,1272],{"adult":4,"backdrop_path":641,"genre_ids":642,"id":643,"title":644,"original_language":32,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":197,"vote_count":649,"credit_id":650,"department":18,"job":651,"media_type":42},"\u002F3gSqZ9cKFibs60gXrZNoiXAizsO.jpg",[29,61],63215,"Toute une nuit","Dans une ville, par une nuit d’été orageuse, hommes, femmes et enfants se laissent emporter par l’excès de leurs sentiments.",1.6409,"\u002FmbNWNnTfuK0QaW401S14MhhTI3q.jpg","1982-10-27",39,"52fe46a0c3a368484e09afd3","Director",{"adult":4,"backdrop_path":653,"genre_ids":654,"id":656,"title":657,"original_language":32,"original_title":657,"overview":658,"popularity":659,"poster_path":660,"release_date":661,"softcore":4,"video":4,"vote_average":208,"vote_count":662,"credit_id":663,"department":18,"job":651,"media_type":42},"\u002FyPH1CnCP53iRHujUlQ8wIRCsGAc.jpg",[655,28,61],10402,63763,"Golden Eighties","La vie heureuse et malheureuse de quelques personnages qui évoluent à l'intérieur d'une galerie marchande.",1.8552,"\u002FzkPdE6wwde1vznkMgexaEeG7OaI.jpg","1986-06-25",26,"52fe46bac3a368484e0a07f7",{"adult":4,"backdrop_path":87,"genre_ids":665,"id":89,"title":90,"original_language":32,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"credit_id":666,"department":18,"job":651,"media_type":42},[29],"52fe4671c3a36847f80ff643",{"adult":4,"backdrop_path":87,"genre_ids":668,"id":89,"title":90,"original_language":32,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"credit_id":669,"department":670,"job":671,"media_type":42},[29],"52fe4671c3a36847f80ff65d","Writing","Writer",{"adult":4,"backdrop_path":673,"genre_ids":674,"id":675,"title":676,"original_language":32,"original_title":676,"overview":677,"popularity":678,"poster_path":679,"release_date":680,"softcore":4,"video":4,"vote_average":145,"vote_count":681,"credit_id":682,"department":18,"job":651,"media_type":42},"\u002F5bAnFKlLcjRd6SK3it3tCvfwc2C.jpg",[29,61],47244,"La Captive","Ariane vit chez Simon dans un grand appartement parisien. Sous surveillance. Il veut tout savoir d’elle, la suit, la fait accompagner dans ses sorties, cherche à la surprendre et la soumet à un questionnement incessant. Pourtant Ariane arrive à préserver un espace de liberté tant mental que physique. Et Simon souffre et jouit et il est bien conscient que même dans les moments de rapprochements des corps, même dans les moments où il croit enfin la posséder, elle lui échappe encore et toujours plus que jamais. Mais il n’y a pas que l’attirance d’Ariane vers les femmes, ni même la différence des sexes qui rendent sa demande impossible : demande de fusion totale, d’osmose, volonté obsessionnelle de pénétrer totalement la subjectivité de l’autre, il y a tout simplement que l’autre est autre, irréductiblement autre.",2.317,"\u002Fi5t2LANNUGap7J3yDMpkaBa6K5u.jpg","2000-09-27",73,"52fe4726c3a36847f8126061",{"adult":4,"backdrop_path":684,"genre_ids":685,"id":686,"title":687,"original_language":32,"original_title":687,"overview":688,"popularity":689,"poster_path":690,"release_date":691,"softcore":4,"video":4,"vote_average":692,"vote_count":693,"credit_id":694,"department":18,"job":651,"media_type":42},"\u002FxoxOLdS3J0j1LGD1270MDjvGnU9.jpg",[61,28],47434,"Un divan à New York","Henry est psychanalyste dans les beaux quartiers de New York. Béatrice est danseuse à Paris et entretient un joyeux désordre dans son appartement de Belleville. Henry est maniaque, renfermé et a de plus en plus de mal à supporter ses clients. Béatrice est exubérante et éprouve le besoin de changer. Henry fait paraître une petite annonce dans le Herald Tribune : « Échange appartement new-yorkais, avec plantes à soigner et chien, contre appartement parisien pour 6 semaines. »",2.01,"\u002FdSP50lxCwtfoVWsFTLrT84NPw9n.jpg","1996-02-21",5.8,48,"52fe4733c3a36847f812899f",{"adult":4,"backdrop_path":696,"genre_ids":697,"id":698,"title":699,"original_language":32,"original_title":699,"overview":700,"popularity":701,"poster_path":702,"release_date":703,"softcore":4,"video":4,"vote_average":236,"vote_count":124,"credit_id":704,"department":18,"job":651,"media_type":42},"\u002FbgspKcir168iAP8BnYmHsEK3orC.jpg",[75,29],49116,"Contre l’oubli","Film collectif français réalisé par une trentaine de réalisateurs, dont Alain Resnais et Jean-Luc Godard , et sorti en 1991, pour témoigner du devenir de prisonniers politiques.",1.4534,"\u002F1PMobTJtMzOSBqNCHImiLAyPumH.jpg","1991-12-11","52fe4786c3a36847f813a951",{"adult":4,"backdrop_path":26,"genre_ids":706,"id":30,"title":31,"original_language":32,"original_title":31,"overview":33,"popularity":34,"poster_path":35,"release_date":36,"softcore":4,"video":4,"vote_average":37,"vote_count":38,"credit_id":707,"department":18,"job":651,"media_type":42},[28,29],"52fe4797c3a36847f813dd33",{"adult":4,"backdrop_path":15,"genre_ids":709,"id":710,"title":711,"original_language":32,"original_title":711,"overview":49,"popularity":712,"poster_path":713,"release_date":714,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"credit_id":715,"department":18,"job":716,"media_type":42},[75],963686,"On bosse ici! On vit ici! On reste ici!",1.1346,"\u002FjASc5XIv8ocilB6rLy6NUqaxtZZ.jpg","2010-04-01","625c553ea284eb0067158db4","Co-Director",{"adult":4,"backdrop_path":718,"genre_ids":719,"id":720,"title":721,"original_language":32,"original_title":721,"overview":722,"popularity":723,"poster_path":724,"release_date":725,"softcore":4,"video":4,"vote_average":236,"vote_count":726,"credit_id":727,"department":18,"job":651,"media_type":42},"\u002FupRrVdUCP4QbiIlVpRiJQnG1sQQ.jpg",[29],93669,"Les Rendez-vous d'Anna","Une cinéaste, Anna, parcourt l'Europe pour présenter son film. Une inquiétude la tenaille : elle est sans nouvelle de son amie de cœur. À Essen, en Allemagne, elle fait la connaissance du professeur Heinrich qui lui confie son désarroi. Enfant, il a perdu son père à Stalingrad. Aujourd'hui, sa femme vient de le quitter. Anna poursuit son voyage. Elle croise une vieille connaissance dans une gare, puis, dans le train, elle s'intéresse à un inconnu, un nomade en quête d'un refuge…",2.0209,"\u002F5EU7BNT3m5TG4UfSzTiSOaC0Hrg.jpg","1978-10-08",75,"52fe49399251416c750c1437",{"adult":4,"backdrop_path":718,"genre_ids":729,"id":720,"title":721,"original_language":32,"original_title":721,"overview":722,"popularity":723,"poster_path":724,"release_date":725,"softcore":4,"video":4,"vote_average":236,"vote_count":726,"credit_id":730,"department":670,"job":671,"media_type":42},[29],"52fe49399251416c750c143d",{"adult":4,"backdrop_path":59,"genre_ids":732,"id":62,"title":63,"original_language":32,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"credit_id":733,"department":670,"job":671,"media_type":42},[29,61],"52fe49449251416c750c2933",{"adult":4,"backdrop_path":59,"genre_ids":735,"id":62,"title":63,"original_language":32,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"credit_id":736,"department":18,"job":651,"media_type":42},[29,61],"52fe49449251416c750c292d",{"adult":4,"backdrop_path":59,"genre_ids":738,"id":62,"title":63,"original_language":32,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"credit_id":739,"department":740,"job":741,"media_type":42},[29,61],"52fe49449251416c750c2945","Production","Producer",{"adult":4,"backdrop_path":545,"genre_ids":743,"id":547,"title":548,"original_language":32,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":82,"vote_count":453,"credit_id":744,"department":18,"job":651,"media_type":42},[75],"52fe4a24c3a36847f81bc5e5",{"adult":4,"backdrop_path":746,"genre_ids":747,"id":748,"title":749,"original_language":32,"original_title":749,"overview":750,"popularity":751,"poster_path":752,"release_date":753,"softcore":4,"video":4,"vote_average":236,"vote_count":754,"credit_id":755,"department":18,"job":651,"media_type":42},"\u002FeGzhtDCzwUlRdxsDmQSRCrzxgfv.jpg",[75],104739,"D'Est","Chantal Akerman a fait un grand voyage à travers l'Europe de l'Est, la Russie, la Pologne, l'Ukraine filmant tout ce qui la touchait : des visages, des rues, des voitures, des bus, des gares, des paysages, des intérieurs, des queues, des portes, des fenêtres, des repas. Des hommes et des femmes, des jeunes et des vieux, qui passent ou qui s'arrêtent, assis ou debout. Des jours et des nuits, la pluie, la neige et le vent, l'hiver et le printemps.",1.4685,"\u002F4p508u2gzUA4Rewvx7h2TyKouOB.jpg","1993-09-16",33,"52fe4a3bc3a36847f81c282d",{"adult":4,"backdrop_path":746,"genre_ids":757,"id":748,"title":749,"original_language":32,"original_title":749,"overview":750,"popularity":751,"poster_path":752,"release_date":753,"softcore":4,"video":4,"vote_average":236,"vote_count":754,"credit_id":758,"department":670,"job":671,"media_type":42},[75],"52fe4a3bc3a36847f81c2833",{"adult":4,"backdrop_path":760,"genre_ids":761,"id":762,"title":763,"original_language":32,"original_title":763,"overview":764,"popularity":765,"poster_path":766,"release_date":767,"softcore":4,"video":4,"vote_average":382,"vote_count":768,"credit_id":769,"department":670,"job":671,"media_type":42},"\u002FuPEpOfjo3Jy3lag7LVVNPnSgFqC.jpg",[29],86815,"La Folie Almayer","Quelque part en Asie du Sud-Est, au bord d’un fleuve tumultueux, un Européen s’accroche à ses rêves de fortune par amour pour sa fille. Une histoire de passion, de perdition et de folie, adaptée du roman de Joseph Conrad.",1.4391,"\u002FkfQwnDg2y6CKxA7GuiKm5kvPaxN.jpg","2012-01-25",28,"52fe49a09251416c910b37f5",{"adult":4,"backdrop_path":760,"genre_ids":771,"id":762,"title":763,"original_language":32,"original_title":763,"overview":764,"popularity":765,"poster_path":766,"release_date":767,"softcore":4,"video":4,"vote_average":382,"vote_count":768,"credit_id":772,"department":18,"job":651,"media_type":42},[29],"52fe49a09251416c910b37dd",{"adult":4,"backdrop_path":73,"genre_ids":774,"id":76,"title":77,"original_language":32,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"credit_id":775,"department":18,"job":651,"media_type":42},[75],"52fe49a09251416c910b37b1",{"adult":4,"backdrop_path":760,"genre_ids":777,"id":762,"title":763,"original_language":32,"original_title":763,"overview":764,"popularity":765,"poster_path":766,"release_date":767,"softcore":4,"video":4,"vote_average":382,"vote_count":768,"credit_id":778,"department":740,"job":741,"media_type":42},[29],"52fe49a09251416c910b37ef",{"adult":4,"backdrop_path":73,"genre_ids":780,"id":76,"title":77,"original_language":32,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"credit_id":781,"department":670,"job":671,"media_type":42},[75],"52fe49a09251416c910b37bb",{"adult":4,"backdrop_path":783,"genre_ids":784,"id":785,"title":786,"original_language":32,"original_title":786,"overview":787,"popularity":788,"poster_path":789,"release_date":790,"softcore":4,"video":4,"vote_average":791,"vote_count":562,"credit_id":792,"department":18,"job":651,"media_type":42},"\u002FcgUOhA4FlNgntG3BWyu7q8sD88k.jpg",[28],78789,"Demain on déménage","Charlotte n’a pas d’homme dans sa vie alors pour survivre au train-train quotidien, elle écrit des livres érotiques. Cette échappatoire lui permet d’oublier complètement la notion de désir ou d’érotisme. Elle vit heureuse dans le chaos organisé de son duplex, mais tout bascule lorsque son père meurt et sa mère fait irruption dans son appartement avec bagages, piano (elle est professeur) et élèves. Charlotte décide de laisser le premier étage à sa mère tandis qu’elle se réfugie au deuxième.",1.1866,"\u002FoFQIjLiLslWt8Ip054NSt2CWRtp.jpg","2004-03-03",5.9,"52fe49b3c3a368484e13a063",{"adult":4,"backdrop_path":794,"genre_ids":795,"id":796,"title":797,"original_language":32,"original_title":797,"overview":798,"popularity":799,"poster_path":800,"release_date":801,"softcore":4,"video":4,"vote_average":692,"vote_count":394,"credit_id":802,"department":18,"job":651,"media_type":42},"\u002FfAiooRmMon5plci9R5zdWNep3HA.jpg",[29],108822,"Nuit et jour","Jack et Julie, vingt ans, vivent dans un appartement du boulevard Sébastopol, à Paris. La nuit, Jack est chauffeur de taxi. Julie, elle, flâne dans la cité. Le jour, Jack et Julie ne quittent jamais leur appartement. Ils s'aiment, tout simplement. Mais un jour, Jack présente à Julie son collègue Joseph, qui le remplace le jour au volant de son taxi. Dès lors, Julie retrouve Joseph toutes les nuits dans une chambre d'hôtel. Un ballet bien réglé, que corrompt peu à peu le doute. Joseph sait que Julie aime Jack et Jack sent que Julie n'est plus tout à fait la même. Insensiblement, Julie se retrouve prise au piège…",1.296,"\u002F6jfJJy6HySRQgobatqz5Ymd5DOI.jpg","1991-08-28","52fe4aa4c3a36847f81d9db5",{"adult":4,"backdrop_path":804,"genre_ids":805,"id":806,"title":807,"original_language":32,"original_title":807,"overview":808,"popularity":809,"poster_path":810,"release_date":811,"softcore":4,"video":4,"vote_average":37,"vote_count":812,"credit_id":813,"department":18,"job":651,"media_type":42},"\u002FrddoisVKDGQQ2kQYDVuNbZJJR4e.jpg",[75],108831,"Hôtel Monterey","La caméra de Chantal Akerman explore un petit hôtel new-yorkais.",1.3437,"\u002F7KmW9xiyevjYllZNE8GFcS6zJJe.jpg","1976-11-29",31,"52fe4aa4c3a36847f81d9e6d",{"adult":4,"backdrop_path":804,"genre_ids":815,"id":806,"title":807,"original_language":32,"original_title":807,"overview":808,"popularity":809,"poster_path":810,"release_date":811,"softcore":4,"video":4,"vote_average":37,"vote_count":812,"credit_id":816,"department":670,"job":671,"media_type":42},[75],"52fe4aa4c3a36847f81d9e73",{"adult":4,"backdrop_path":794,"genre_ids":818,"id":796,"title":797,"original_language":32,"original_title":797,"overview":798,"popularity":799,"poster_path":800,"release_date":801,"softcore":4,"video":4,"vote_average":692,"vote_count":394,"credit_id":819,"department":670,"job":671,"media_type":42},[29],"52fe4aa4c3a36847f81d9dbb",{"adult":4,"backdrop_path":821,"genre_ids":822,"id":823,"title":824,"original_language":32,"original_title":824,"overview":825,"popularity":826,"poster_path":827,"release_date":828,"softcore":4,"video":4,"vote_average":382,"vote_count":28,"credit_id":829,"department":18,"job":651,"media_type":42},"\u002FzC80sBGfVg4WFUaXDsjY0chJEO.jpg",[127,29,61],124485,"Portrait d’une jeune fille de la fin des années 60 à Bruxelles","À Bruxelles, un jour d’avril 1968, Michèle, une lycéenne de 15 ans, décide de ne plus remettre les pieds au lycée et, au cinéma, elle rencontre Paul, un Français de 20 ans qui, lui, décide de ne plus remettre les pieds dans sa caserne. Les deux « déserteurs » déambulent dans la ville et Michèle va découvrir l’amour physique avec Paul plus pour tenter de conjurer d’autres indicibles désirs que par une véritable attirance. L’errance désespérée de l’adolescente va la conduire à une surprise-partie avec son amie Danielle à qui elle voudrait confier ses émois amoureux, ne sachant pas très bien où elle en est de ses désirs…",1.4506,"\u002FtHBtzRSV0xx8xjbQ9EdfX17wAxZ.jpg","1994-11-04","52fe4aadc3a368484e161215",{"adult":4,"backdrop_path":101,"genre_ids":831,"id":103,"title":104,"original_language":32,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"credit_id":832,"department":18,"job":651,"media_type":42},[29],"52fe4ab1c3a36847f81dc9dd",{"adult":4,"backdrop_path":15,"genre_ids":834,"id":835,"title":836,"original_language":139,"original_title":837,"overview":838,"popularity":839,"poster_path":840,"release_date":841,"softcore":4,"video":4,"vote_average":393,"vote_count":54,"credit_id":842,"department":18,"job":651,"media_type":42},[75,29],126677,"L'État du monde","O Estado do Mundo","Six réalisateurs, six regards sur l'état du monde. Leur rencontre crée un nouveau prisme de réflexion dynamique et radical, un espace pour interroger l'avenir.",0.9902,"\u002Fk39yZMY5U84r3gdUl04ek6vqKNX.jpg","2007-06-16","52fe4ae3c3a368484e16c329",{"adult":4,"backdrop_path":844,"genre_ids":845,"id":846,"title":847,"original_language":32,"original_title":847,"overview":848,"popularity":849,"poster_path":850,"release_date":851,"softcore":4,"video":4,"vote_average":515,"vote_count":435,"credit_id":852,"department":18,"job":651,"media_type":42},"\u002FvAAbJa83bPPL4qp8nxVtBC9ra5a.jpg",[655,75],136053,"Les Années 80","Les coulisses de la préparation de la future comédie musicale « Golden Eighties ». On assiste au casting des acteurs, à la préparations de séquences, à la répétition de certaines scènes.",1.1573,"\u002F4UfYTObykkwvYzjukF0tI0NQ9aF.jpg","1985-05-10","52fe4c0dc3a368484e1a46b5",{"adult":4,"backdrop_path":844,"genre_ids":854,"id":846,"title":847,"original_language":32,"original_title":847,"overview":848,"popularity":849,"poster_path":850,"release_date":851,"softcore":4,"video":4,"vote_average":515,"vote_count":435,"credit_id":855,"department":670,"job":671,"media_type":42},[655,75],"52fe4c0dc3a368484e1a46bb",{"adult":4,"backdrop_path":189,"genre_ids":857,"id":191,"title":192,"original_language":32,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":99,"credit_id":858,"department":18,"job":651,"media_type":42},[75],"52fe4c23c3a368484e1a954d",{"adult":4,"backdrop_path":860,"genre_ids":861,"id":862,"title":863,"original_language":32,"original_title":863,"overview":864,"popularity":865,"poster_path":866,"release_date":867,"softcore":4,"video":4,"vote_average":868,"vote_count":57,"credit_id":869,"department":18,"job":651,"media_type":42},"\u002FnX7vNSddyrAmgDQdQpHvtbmAA5u.jpg",[75],186660,"Le 15\u002F8","Le 15 août, à Paris, une jeune Finlandaise s'ennuie dans un appartement.",0.883,"\u002FzQqcGaEGoFRJlHOngnQSOwAKVDD.jpg","1973-08-15",5.6,"52fe4d039251416c7512cf9f",{"adult":4,"backdrop_path":871,"genre_ids":872,"id":873,"title":874,"original_language":32,"original_title":874,"overview":875,"popularity":876,"poster_path":877,"release_date":878,"softcore":4,"video":4,"vote_average":382,"vote_count":176,"credit_id":879,"department":18,"job":651,"media_type":42},"\u002F7V8nTzEejCA9ha6JeRjl93ETZkO.jpg",[29],186669,"Le Marteau","Film sur le sculpteur Jean-Luc Vilmouth.",0.7264,"\u002FeUR1BKcA0TRWYaVEc8xOfYTinmz.jpg","1986-01-01","52fe4d039251416c7512cfe3",{"adult":4,"backdrop_path":881,"genre_ids":882,"id":883,"title":884,"original_language":32,"original_title":884,"overview":885,"popularity":886,"poster_path":887,"release_date":888,"softcore":4,"video":4,"vote_average":287,"vote_count":889,"credit_id":890,"department":18,"job":651,"media_type":42},"\u002Fx9yYo4ZaYqdUsuCWGCO4yaAduvU.jpg",[75],205980,"Sud","Le meurtre, en 1998, de James Byrd, un noir lynché par trois jeunes blancs à Jaspers, au Texas, constitue le point de départ du film. La caméra pénètre dans l'église au moment de l'office à sa mémoire, et capte, entre les chants et les psaumes, l'émotion et la dignité des proches endeuillés",1.1941,"\u002FzmSYmtbPdq1My66F7LH8fW4e0a6.jpg","1999-05-15",17,"52fe4d13c3a368484e1d5b49",{"adult":4,"backdrop_path":44,"genre_ids":892,"id":46,"title":47,"original_language":48,"original_title":47,"overview":49,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"credit_id":893,"department":18,"job":651,"media_type":42},[29],"52fe4e369251416c9112a1f3",{"adult":4,"backdrop_path":15,"genre_ids":895,"id":896,"title":897,"original_language":32,"original_title":897,"overview":898,"popularity":899,"poster_path":900,"release_date":901,"softcore":4,"video":4,"vote_average":902,"vote_count":435,"credit_id":903,"department":18,"job":651,"media_type":42},[29,28],256259,"Paris vu par... vingt ans après","La nouvelle vague avait figé sur pellicule le Paris des années soixante. Inspiré, par leurs aînés, six réalisateurs nous communiquent leurs visions du Paris d'aujourd'hui.",1.3076,"\u002FtTnT5PswKO6rrnjQGUXFmUuALLk.jpg","1984-05-11",4.6,"5303e02e9251411cf00f5ff2",{"adult":4,"backdrop_path":507,"genre_ids":905,"id":509,"title":510,"original_language":32,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":515,"vote_count":236,"credit_id":906,"department":18,"job":651,"media_type":42},[75],"52fe4edcc3a36847f82aca1b",{"adult":4,"backdrop_path":385,"genre_ids":908,"id":387,"title":388,"original_language":32,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":393,"vote_count":394,"credit_id":909,"department":18,"job":651,"media_type":42},[75],"539e01310e0a261332005a6a",{"adult":4,"backdrop_path":911,"genre_ids":912,"id":913,"title":914,"original_language":48,"original_title":914,"overview":915,"popularity":916,"poster_path":917,"release_date":918,"softcore":4,"video":4,"vote_average":692,"vote_count":435,"credit_id":919,"department":18,"job":651,"media_type":42},"\u002Fk5GblfwWxtl7cMIRqu3ORPudqRf.jpg",[29],263358,"Histoires d'Amérique: Food, Family and Philosophy","Des immigrés juifs russes et polonais racontent leurs souvenirs de l'arrivée à New York, parlent de l'intégration, de l'héritage de leur culture, de l'avenir de leurs enfants.",1.4216,"\u002FabJvEY47mjEiWU3ze1qUkrF7gyM.jpg","1989-10-04","53d7c03d0e0a260340001fb3",{"adult":4,"backdrop_path":921,"genre_ids":922,"id":923,"title":924,"original_language":925,"original_title":924,"overview":926,"popularity":927,"poster_path":928,"release_date":929,"softcore":4,"video":4,"vote_average":276,"vote_count":435,"credit_id":930,"department":18,"job":651,"media_type":42},"\u002FtZURhbNnwbMYdAsqGfCpuUHoMhF.jpg",[655],292375,"Trois Strophes sur le nom de Sacher","xx","Captation de la violoncelliste Sonia Wieder-Atherton interprétant une composition d'Henri Dutilleux.",1.2145,"\u002FpWXw0x8j5dT9sGfhIIxktP45qLd.jpg","1989-01-01","54140b6b0e0a2619a400150c",{"adult":4,"backdrop_path":355,"genre_ids":932,"id":357,"title":358,"original_language":32,"original_title":358,"overview":359,"popularity":360,"poster_path":361,"release_date":362,"softcore":4,"video":4,"vote_average":154,"vote_count":157,"credit_id":933,"department":934,"job":935,"media_type":42},[75],"548090719251414efa002fc2","Editing","Editor",{"adult":4,"backdrop_path":673,"genre_ids":937,"id":675,"title":676,"original_language":32,"original_title":676,"overview":677,"popularity":678,"poster_path":679,"release_date":680,"softcore":4,"video":4,"vote_average":145,"vote_count":681,"credit_id":938,"department":670,"job":671,"media_type":42},[29,61],"54ddd197c3a3684551001494",{"adult":4,"backdrop_path":15,"genre_ids":940,"id":941,"title":942,"original_language":599,"original_title":942,"overview":49,"popularity":943,"poster_path":944,"release_date":945,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"credit_id":946,"department":947,"job":948,"media_type":42},[75],495461,"Les variations Dielman",0.7455,"\u002FvpbeOsvNToTYWa7gtlA9e5NVeEf.jpg","2010-05-13","65612b2ca6c104011bdd1cd1","Crew","Thanks",{"adult":4,"backdrop_path":15,"genre_ids":950,"id":951,"title":952,"original_language":32,"original_title":952,"overview":953,"popularity":954,"poster_path":955,"release_date":956,"softcore":4,"video":4,"vote_average":791,"vote_count":99,"credit_id":957,"department":18,"job":651,"media_type":42},[75,127,655],344471,"Avec Sonia Wieder-Atherton","La cinéaste belge Chantal Akerman a réalisé dans les années 2000 trois films sur Sonia Wieder Atherton qui, elle, a écrit et interprété les musiques de plusieurs films de Chantal Akerman. Une complicité artistique forte et originale qui, de Monteverdi à Dutilleux, au fil de concerts donnés pour la caméra de la cinéaste, permet de découvrir autrement le parcours d’une violoncelliste que l’on présente toujours comme « atypique » : « elle cherche, elle cherche encore et toujours (…) elle cherche la brèche. Le son, le souffle. Le souffle des origines » dit d’elle Chantal Akerman.",1.3559,"\u002F6BaXnQ06Ulub85NbBALOPfGdE1f.jpg","2003-09-28","557bebdc92514153b0001251",{"adult":4,"backdrop_path":783,"genre_ids":959,"id":785,"title":786,"original_language":32,"original_title":786,"overview":787,"popularity":788,"poster_path":789,"release_date":790,"softcore":4,"video":4,"vote_average":791,"vote_count":562,"credit_id":960,"department":670,"job":671,"media_type":42},[28],"557ea4d29251410a32001a55",{"adult":4,"backdrop_path":200,"genre_ids":962,"id":202,"title":203,"original_language":32,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":963,"department":670,"job":671,"media_type":42},[75],"55ccf7e6925141319c00050c",{"adult":4,"backdrop_path":200,"genre_ids":965,"id":202,"title":203,"original_language":32,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":966,"department":18,"job":651,"media_type":42},[75],"55ccf7cec3a3681bee0004e2",{"adult":4,"backdrop_path":15,"genre_ids":968,"id":969,"title":970,"original_language":32,"original_title":970,"overview":49,"popularity":971,"poster_path":173,"release_date":972,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":973,"department":18,"job":651,"media_type":42},[],1032214,"Knokke: Une petite fiction",1.0199,"1967-09-03","633e07143dc3130079fa8dfc",{"adult":4,"backdrop_path":15,"genre_ids":975,"id":976,"title":977,"original_language":32,"original_title":977,"overview":49,"popularity":978,"poster_path":173,"release_date":979,"softcore":4,"video":4,"vote_average":53,"vote_count":176,"credit_id":980,"department":18,"job":651,"media_type":42},[],1032222,"Bruxelles: La soeur et la mère de Marilyn",1.0182,"1967-09-02","633e0d631b7c59007f889c49",{"adult":4,"backdrop_path":15,"genre_ids":982,"id":170,"title":171,"original_language":32,"original_title":171,"overview":49,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":983,"department":18,"job":651,"media_type":42},[],"6341b4059c97bd00796ccf6a",{"adult":4,"backdrop_path":15,"genre_ids":985,"id":986,"title":987,"original_language":32,"original_title":987,"overview":49,"popularity":988,"poster_path":989,"release_date":990,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":991,"department":18,"job":651,"media_type":42},[],1031851,"Bruxelles: À la Foire du Midi",0.9781,"\u002FkvtGV5TFJzxDXv6uqUuF07TOy11.jpg","1967-09-01","633ca5f64cbe12007c3aaa28",{"adult":4,"backdrop_path":212,"genre_ids":993,"id":214,"title":215,"original_language":32,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":57,"credit_id":994,"department":18,"job":651,"media_type":42},[127,28],"5649db95c3a368261400b325",{"adult":4,"backdrop_path":44,"genre_ids":996,"id":46,"title":47,"original_language":48,"original_title":47,"overview":49,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"credit_id":997,"department":670,"job":671,"media_type":42},[29],"61e16430ffd44d006bcf0155",{"adult":4,"backdrop_path":258,"genre_ids":999,"id":260,"title":261,"original_language":32,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":37,"vote_count":57,"credit_id":1000,"department":18,"job":651,"media_type":42},[127,75],"56c935319251414a7a002562",{"adult":4,"backdrop_path":1002,"genre_ids":1003,"id":1004,"title":1005,"original_language":32,"original_title":1005,"overview":1006,"popularity":1007,"poster_path":1008,"release_date":1009,"softcore":4,"video":4,"vote_average":82,"vote_count":54,"credit_id":1010,"department":18,"job":651,"media_type":42},"\u002F3ckHvFvBNR0jCCbJ4IS2S6HjH4B.jpg",[127,29],385164,"Letters Home","Sylvia Plath, poétesse, se suicide. Elle avait alors une correspondance avec sa mère. Son histoire est mise en scène au théâtre par Françoise Merle, puis portée sur grand écran par Chantal Akerman.",1.7387,"\u002Fkp9x6Z2omEEQ3UfFU0qhP1HxkQt.jpg","1986-03-08","56d489b7925141340201159a",{"adult":4,"backdrop_path":804,"genre_ids":1012,"id":806,"title":807,"original_language":32,"original_title":807,"overview":808,"popularity":809,"poster_path":810,"release_date":811,"softcore":4,"video":4,"vote_average":37,"vote_count":812,"credit_id":1013,"department":740,"job":741,"media_type":42},[75],"5701cc80925141607a00152d",{"adult":4,"backdrop_path":1015,"genre_ids":1016,"id":1017,"title":1018,"original_language":32,"original_title":1018,"overview":1019,"popularity":1020,"poster_path":1021,"release_date":1022,"softcore":4,"video":4,"vote_average":236,"vote_count":236,"credit_id":1023,"department":18,"job":651,"media_type":42},"\u002FzoykXeTyh09NaL4htO6qWAag9x8.jpg",[29],392744,"Le Déménagement","Un homme, seul dans un appartement moderne, vient d'emménager. Il se souvient de son appartement précédent, se demande s'il a fait le bon choix.",2.3199,"\u002FdeWmzLmFaf0LCScY96kaZljkgIr.jpg","1993-03-30","570f07b5c3a36853780017ea",{"adult":4,"backdrop_path":1015,"genre_ids":1025,"id":1017,"title":1018,"original_language":32,"original_title":1018,"overview":1019,"popularity":1020,"poster_path":1021,"release_date":1022,"softcore":4,"video":4,"vote_average":236,"vote_count":236,"credit_id":1026,"department":670,"job":671,"media_type":42},[29],"570f07c2c3a3685373001710",{"adult":4,"backdrop_path":15,"genre_ids":1028,"id":1029,"title":1030,"original_language":32,"original_title":1030,"overview":1031,"popularity":1032,"poster_path":1033,"release_date":1034,"softcore":4,"video":4,"vote_average":1035,"vote_count":157,"credit_id":1036,"department":18,"job":651,"media_type":42},[75,655],399511,"Les Trois Dernières Sonates de Franz Schubert","Explications et interprétation de la musique de Schubert par Alfred Brendel.",1.5418,"\u002FaqjlxuHEtICOev0KDy0gKOQQ2w4.jpg","1989-05-17",7.5,"574813bf9251415f4100173a",{"adult":4,"backdrop_path":200,"genre_ids":1038,"id":202,"title":203,"original_language":32,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":1039,"department":1040,"job":1041,"media_type":42},[75],"573fa4dbc3a3682777000ee8","Camera","Director of Photography",{"adult":4,"backdrop_path":15,"genre_ids":1043,"id":303,"title":304,"original_language":32,"original_title":304,"overview":49,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":122,"vote_count":124,"credit_id":1044,"department":670,"job":671,"media_type":42},[75],"579d28a89251411217003842",{"adult":4,"backdrop_path":310,"genre_ids":1046,"id":312,"title":313,"original_language":48,"original_title":313,"overview":314,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":276,"vote_count":57,"credit_id":1047,"department":670,"job":671,"media_type":42},[28,29],"579d23599251417a08001c5b",{"adult":4,"backdrop_path":15,"genre_ids":1049,"id":303,"title":304,"original_language":32,"original_title":304,"overview":49,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":122,"vote_count":124,"credit_id":1050,"department":18,"job":651,"media_type":42},[75],"579d289e92514106c8001c24",{"adult":4,"backdrop_path":310,"genre_ids":1052,"id":312,"title":313,"original_language":48,"original_title":313,"overview":314,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":276,"vote_count":57,"credit_id":1053,"department":18,"job":651,"media_type":42},[28,29],"579d23469251417a08001c54",{"adult":4,"backdrop_path":337,"genre_ids":1055,"id":339,"title":340,"original_language":32,"original_title":340,"overview":341,"popularity":342,"poster_path":343,"release_date":344,"softcore":4,"video":4,"vote_average":197,"vote_count":54,"credit_id":1056,"department":18,"job":651,"media_type":42},[75],"57d95ffbc3a3685342005fd5",{"adult":4,"backdrop_path":337,"genre_ids":1058,"id":339,"title":340,"original_language":32,"original_title":340,"overview":341,"popularity":342,"poster_path":343,"release_date":344,"softcore":4,"video":4,"vote_average":197,"vote_count":54,"credit_id":1059,"department":670,"job":671,"media_type":42},[75],"57d9600e9251416851005dec",{"adult":4,"backdrop_path":821,"genre_ids":1061,"id":823,"title":824,"original_language":32,"original_title":824,"overview":825,"popularity":826,"poster_path":827,"release_date":828,"softcore":4,"video":4,"vote_average":382,"vote_count":28,"credit_id":1062,"department":670,"job":671,"media_type":42},[127,29,61],"57e46350925141123a0091f3",{"adult":4,"backdrop_path":1064,"genre_ids":1065,"id":1066,"title":1067,"original_language":32,"original_title":1067,"overview":1068,"popularity":1069,"poster_path":1070,"release_date":1071,"softcore":4,"video":4,"vote_average":208,"vote_count":57,"credit_id":1072,"department":18,"job":651,"media_type":42},"\u002Ft7MDJzN4MVHszS3rE7pvxkivIyA.jpg",[29,28],1254892,"J'ai faim, j'ai froid","Deux adolescentes rêvent de Paris. Mais une fois sur place, elles déchantent rapidement. Quand l'une a faim, l'autre a froid et vice-versa…",1.2294,"\u002F9mx1TNP4bdDHQH5L5qzZWgXkxRb.jpg","1984-07-07","65e9a83dd100b601644c99e2",{"adult":4,"backdrop_path":1074,"genre_ids":1075,"id":1076,"title":1077,"original_language":32,"original_title":1077,"overview":1078,"popularity":1079,"poster_path":1080,"release_date":1081,"softcore":4,"video":4,"vote_average":236,"vote_count":124,"credit_id":1082,"department":18,"job":651,"media_type":42},"\u002FyWqTrctf5wbUefDKqXaQHWR0Dh2.jpg",[],462603,"Pour Febe Elisabeth Velasquez, El Salvador","Évocation d'une syndicaliste salvadorienne assassinée.  Épisode du film collectif « Contre l'oubli » réalisé à l'initiative d'Amnesty International.",1.1561,"\u002F5h4WGHdlj2KnRwv6R58lusdBnTR.jpg","1991-02-19","59489616c3a368265f02b1d5",{"adult":4,"backdrop_path":212,"genre_ids":1084,"id":214,"title":215,"original_language":32,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":57,"credit_id":1085,"department":670,"job":671,"media_type":42},[127,28],"599a2d71c3a36839f9008ecf",{"adult":4,"backdrop_path":15,"genre_ids":1087,"id":1088,"title":1089,"original_language":48,"original_title":1089,"overview":49,"popularity":1090,"poster_path":15,"release_date":1091,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"credit_id":1092,"department":740,"job":1093,"media_type":42},[28],1113236,"No Vladimir",0.9525,"2000-01-01","6439d97ed7dcd202f8eaf0c7","Supervising Producer",{"adult":4,"backdrop_path":881,"genre_ids":1095,"id":883,"title":884,"original_language":32,"original_title":884,"overview":885,"popularity":886,"poster_path":887,"release_date":888,"softcore":4,"video":4,"vote_average":287,"vote_count":889,"credit_id":1096,"department":670,"job":671,"media_type":42},[75],"5a0ad153c3a3682138014b56",{"adult":4,"backdrop_path":374,"genre_ids":1098,"id":376,"title":377,"original_language":32,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":382,"vote_count":154,"credit_id":1099,"department":18,"job":651,"media_type":42},[75,127],"5a11e23f92514138f6057c7a",{"adult":4,"backdrop_path":385,"genre_ids":1101,"id":387,"title":388,"original_language":32,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":393,"vote_count":394,"credit_id":1102,"department":670,"job":671,"media_type":42},[75],"5a27c57492514103360ff463",{"adult":4,"backdrop_path":545,"genre_ids":1104,"id":547,"title":548,"original_language":32,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":82,"vote_count":453,"credit_id":1105,"department":670,"job":671,"media_type":42},[75],"5a27954b0e0a264cc8104aa2",{"adult":4,"backdrop_path":385,"genre_ids":1107,"id":387,"title":388,"original_language":32,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":393,"vote_count":394,"credit_id":1108,"department":947,"job":1109,"media_type":42},[75],"5a27c581c3a3680b9a10a6f5","Cinematography",{"adult":4,"backdrop_path":15,"genre_ids":1111,"id":1112,"title":1113,"original_language":32,"original_title":1113,"overview":1114,"popularity":1115,"poster_path":1116,"release_date":1117,"softcore":4,"video":4,"vote_average":236,"vote_count":157,"credit_id":1118,"department":18,"job":651,"media_type":42},[75,655,127],347095,"À l'est avec Sonia Wieder-Atherton","Observer la violoncelliste travailler, chercher, interpréter, repousser sans cesse les limites de son jeu jusqu’à la mise en danger, fut une révélation pour la cinéaste.",1.5391,"\u002FjDkIYA1u6PE6zvKOU3QjrWYOpuv.jpg","2009-03-08","5a99fbaf0e0a2605f20145b7",{"adult":4,"backdrop_path":545,"genre_ids":1120,"id":547,"title":548,"original_language":32,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":82,"vote_count":453,"credit_id":1121,"department":1040,"job":1041,"media_type":42},[75],"5ac67fc7c3a36834d00150b1",{"adult":4,"backdrop_path":653,"genre_ids":1123,"id":656,"title":657,"original_language":32,"original_title":657,"overview":658,"popularity":659,"poster_path":660,"release_date":661,"softcore":4,"video":4,"vote_average":208,"vote_count":662,"credit_id":1124,"department":670,"job":671,"media_type":42},[655,28,61],"5b0ece7dc3a368717d0004bf",{"adult":4,"backdrop_path":15,"genre_ids":1126,"id":328,"title":329,"original_language":32,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"credit_id":1127,"department":18,"job":651,"media_type":42},[75],"6697cce1267f6d8352c96764",{"adult":4,"backdrop_path":419,"genre_ids":1129,"id":421,"title":422,"original_language":32,"original_title":422,"overview":49,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"credit_id":1130,"department":18,"job":651,"media_type":42},[75],"5c0f0bad92514147920c5d35",{"adult":4,"backdrop_path":419,"genre_ids":1132,"id":421,"title":422,"original_language":32,"original_title":422,"overview":49,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"credit_id":1133,"department":947,"job":1109,"media_type":42},[75],"5c0f0bcc0e0a2638d30d6761",{"adult":4,"backdrop_path":419,"genre_ids":1135,"id":421,"title":422,"original_language":32,"original_title":422,"overview":49,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"credit_id":1136,"department":934,"job":935,"media_type":42},[75],"5c0f0c15c3a368252a0d6208",{"adult":4,"backdrop_path":641,"genre_ids":1138,"id":643,"title":644,"original_language":32,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":197,"vote_count":649,"credit_id":1139,"department":670,"job":1140,"media_type":42},[29,61],"5ce38a1d925141479bb883f0","Screenplay",{"adult":4,"backdrop_path":101,"genre_ids":1142,"id":103,"title":104,"original_language":32,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"credit_id":1143,"department":670,"job":671,"media_type":42},[29],"5dc3900d7d2bc100133d111e",{"adult":4,"backdrop_path":446,"genre_ids":1145,"id":448,"title":449,"original_language":32,"original_title":449,"overview":450,"popularity":451,"poster_path":452,"release_date":52,"softcore":4,"video":4,"vote_average":220,"vote_count":453,"credit_id":1146,"department":18,"job":651,"media_type":42},[28,75],"5dc51b497d2bc1001740055c",{"adult":4,"backdrop_path":446,"genre_ids":1148,"id":448,"title":449,"original_language":32,"original_title":449,"overview":450,"popularity":451,"poster_path":452,"release_date":52,"softcore":4,"video":4,"vote_average":220,"vote_count":453,"credit_id":1149,"department":670,"job":671,"media_type":42},[28,75],"5dc51b766f8d950013c22571",{"adult":4,"backdrop_path":456,"genre_ids":1151,"id":458,"title":459,"original_language":32,"original_title":459,"overview":460,"popularity":461,"poster_path":462,"release_date":463,"softcore":4,"video":4,"vote_average":464,"vote_count":176,"credit_id":1152,"department":18,"job":651,"media_type":42},[29],"5dc6f86f9c24fc0013c25b1a",{"adult":4,"backdrop_path":456,"genre_ids":1154,"id":458,"title":459,"original_language":32,"original_title":459,"overview":460,"popularity":461,"poster_path":462,"release_date":463,"softcore":4,"video":4,"vote_average":464,"vote_count":176,"credit_id":1155,"department":670,"job":671,"media_type":42},[29],"5dc6f876a14e1000175d9d4e",{"adult":4,"backdrop_path":15,"genre_ids":1157,"id":1158,"title":1159,"original_language":32,"original_title":1159,"overview":1160,"popularity":1161,"poster_path":1162,"release_date":1163,"softcore":4,"video":4,"vote_average":1035,"vote_count":157,"credit_id":1164,"department":18,"job":651,"media_type":42},[75],644900,"Tombée de nuit sur Shanghaï","Des images défilent sur les buildings de Shanghaï.\r Segment du film collectif « L'État du monde ».",0.8924,"\u002F9zUc8yAWX2ybmDBdskIOx9ZMxZj.jpg","2007-05-24","5dbeebf67d2bc100113633b3",{"adult":4,"backdrop_path":15,"genre_ids":1166,"id":468,"title":469,"original_language":32,"original_title":469,"overview":49,"popularity":470,"poster_path":15,"release_date":471,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"credit_id":1167,"department":18,"job":651,"media_type":42},[75],"5de1a347a24c500011333ed3",{"adult":4,"backdrop_path":15,"genre_ids":1169,"id":475,"title":476,"original_language":32,"original_title":476,"overview":49,"popularity":477,"poster_path":478,"release_date":471,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"credit_id":1170,"department":18,"job":651,"media_type":42},[75],"5de1a4a8a894d600151ca1e7",{"adult":4,"backdrop_path":15,"genre_ids":1172,"id":482,"title":483,"original_language":32,"original_title":483,"overview":49,"popularity":484,"poster_path":485,"release_date":471,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"credit_id":1173,"department":18,"job":651,"media_type":42},[75],"5de1a604c51acd0015f61c52",{"adult":4,"backdrop_path":684,"genre_ids":1175,"id":686,"title":687,"original_language":32,"original_title":687,"overview":688,"popularity":689,"poster_path":690,"release_date":691,"softcore":4,"video":4,"vote_average":692,"vote_count":693,"credit_id":1176,"department":670,"job":1177,"media_type":42},[61,28],"5e68e78555c92600196478d7","Dialogue",{"adult":4,"backdrop_path":684,"genre_ids":1179,"id":686,"title":687,"original_language":32,"original_title":687,"overview":688,"popularity":689,"poster_path":690,"release_date":691,"softcore":4,"video":4,"vote_average":692,"vote_count":693,"credit_id":1180,"department":670,"job":1140,"media_type":42},[61,28],"5e68e76e357c0000193d8a1b",{"adult":4,"backdrop_path":1182,"genre_ids":1183,"id":1184,"title":1185,"original_language":48,"original_title":1185,"overview":1186,"popularity":1187,"poster_path":1188,"release_date":1189,"softcore":4,"video":4,"vote_average":154,"vote_count":176,"credit_id":1190,"department":670,"job":671,"media_type":42},"\u002FoBEt7LHwa7U95goYWcV98m0PHKK.jpg",[75],720561,"Hanging Out Yonkers","À Yonkers (États de New York), portrait de jeunes à problèmes et de toxicomanes en réinsertion.",0.9458,"\u002FnuDxPtccGcy5oxSqGgTYXRHZXY3.jpg","1973-03-23","5efc0e31a284eb003791c7c2",{"adult":4,"backdrop_path":1182,"genre_ids":1192,"id":1184,"title":1185,"original_language":48,"original_title":1185,"overview":1186,"popularity":1187,"poster_path":1188,"release_date":1189,"softcore":4,"video":4,"vote_average":154,"vote_count":176,"credit_id":1193,"department":18,"job":651,"media_type":42},[75],"5efc0cdd7b7b4d003755f3b6",{"adult":4,"backdrop_path":488,"genre_ids":1195,"id":490,"title":491,"original_language":48,"original_title":491,"overview":49,"popularity":492,"poster_path":493,"release_date":494,"softcore":4,"video":4,"vote_average":155,"vote_count":14,"credit_id":1196,"department":18,"job":651,"media_type":42},[75],"5f5feabf069f0e00359c3a6e",{"adult":4,"backdrop_path":860,"genre_ids":1198,"id":862,"title":863,"original_language":32,"original_title":863,"overview":864,"popularity":865,"poster_path":866,"release_date":867,"softcore":4,"video":4,"vote_average":868,"vote_count":57,"credit_id":1199,"department":670,"job":671,"media_type":42},[75],"5ff7517720af77003d147b6b",{"adult":4,"backdrop_path":200,"genre_ids":1201,"id":202,"title":203,"original_language":32,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":1202,"department":740,"job":741,"media_type":42},[75],"6044119eca0e170043667000",{"adult":4,"backdrop_path":200,"genre_ids":1204,"id":202,"title":203,"original_language":32,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":1205,"department":1206,"job":1206,"media_type":42},[75],"604411d21108a80024d52e5b","Sound",{"adult":4,"backdrop_path":15,"genre_ids":1208,"id":536,"title":537,"original_language":32,"original_title":537,"overview":538,"popularity":539,"poster_path":540,"release_date":541,"softcore":4,"video":542,"vote_average":99,"vote_count":157,"credit_id":1209,"department":18,"job":651,"media_type":42},[75],"66f50d024a01d2ba8a73e505",{"adult":4,"backdrop_path":15,"genre_ids":1211,"id":835,"title":836,"original_language":139,"original_title":837,"overview":838,"popularity":839,"poster_path":840,"release_date":841,"softcore":4,"video":4,"vote_average":393,"vote_count":54,"credit_id":1212,"department":1040,"job":1041,"media_type":42},[75,29],"689643dd00938a0ca65d05f2",{"adult":4,"backdrop_path":15,"genre_ids":1214,"id":572,"title":573,"original_language":32,"original_title":573,"overview":49,"popularity":574,"poster_path":15,"release_date":575,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"credit_id":1215,"department":18,"job":651,"media_type":42},[75],"68c5735215fdc049d83277f7",{"adult":4,"backdrop_path":337,"genre_ids":1217,"id":339,"title":340,"original_language":32,"original_title":340,"overview":341,"popularity":342,"poster_path":343,"release_date":344,"softcore":4,"video":4,"vote_average":197,"vote_count":54,"credit_id":1218,"department":740,"job":741,"media_type":42},[75],"691f2cf2bea5884efeadbc73",{"adult":4,"backdrop_path":15,"genre_ids":1220,"id":1221,"title":1222,"original_language":925,"original_title":1222,"overview":49,"popularity":1223,"poster_path":1224,"release_date":1225,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"credit_id":1226,"department":18,"job":651,"media_type":42},[],1615344,"Now",0.8758,"\u002FaRx1sx0Lr4dwM47Jv5hLtfSgkH1.jpg","2015-05-13","6966689b143d6b5b6bb9b8aa",{"adult":4,"backdrop_path":1228,"genre_ids":1229,"id":1230,"title":1231,"original_language":32,"original_title":1231,"overview":49,"popularity":1232,"poster_path":1233,"release_date":1234,"softcore":4,"video":4,"vote_average":382,"vote_count":157,"credit_id":1235,"department":670,"job":671,"media_type":42},"\u002FtJ7YgH1I57NBdVajwOHc5ZiPu0V.jpg",[61,28,29],936319,"Hôtel des Acacias",1.3323,"\u002F9LcBrwv4yI0QYqsFx1P6f2N3IlK.jpg","1982-01-01","6a410e9714c7d71816b9837e",{"adult":4,"backdrop_path":1228,"genre_ids":1237,"id":1230,"title":1231,"original_language":32,"original_title":1231,"overview":49,"popularity":1232,"poster_path":1233,"release_date":1234,"softcore":4,"video":4,"vote_average":382,"vote_count":157,"credit_id":1238,"department":740,"job":1239,"media_type":42},[61,28,29],"6a41123a61178fabd945ee58","Production Supervisor",{"adult":4,"backdrop_path":1228,"genre_ids":1241,"id":1230,"title":1231,"original_language":32,"original_title":1231,"overview":49,"popularity":1232,"poster_path":1233,"release_date":1234,"softcore":4,"video":4,"vote_average":382,"vote_count":157,"credit_id":1242,"department":18,"job":716,"media_type":42},[61,28,29],"6a42bc37ef88314001f18200",{"adult":4,"backdrop_path":101,"genre_ids":1244,"id":103,"title":104,"original_language":32,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"credit_id":1245,"department":740,"job":741,"media_type":42},[29],"6a83549385011f9e9ee0c009",{"adult":4,"backdrop_path":860,"genre_ids":1247,"id":862,"title":863,"original_language":32,"original_title":863,"overview":864,"popularity":865,"poster_path":866,"release_date":867,"softcore":4,"video":4,"vote_average":868,"vote_count":57,"credit_id":1248,"department":1040,"job":1041,"media_type":42},[75],"6aa873ff2e0f24530864bb3a",{"adult":4,"backdrop_path":860,"genre_ids":1250,"id":862,"title":863,"original_language":32,"original_title":863,"overview":864,"popularity":865,"poster_path":866,"release_date":867,"softcore":4,"video":4,"vote_average":868,"vote_count":57,"credit_id":1251,"department":934,"job":935,"media_type":42},[75],"6aa8742c6f74f4935fc18e36",{"adult":4,"backdrop_path":385,"genre_ids":1253,"id":387,"title":388,"original_language":32,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":393,"vote_count":394,"credit_id":1254,"department":1206,"job":1206,"media_type":42},[75],"6ab6c0ca5c31e8aab09e0c4a",{"adult":4,"backdrop_path":15,"genre_ids":1256,"id":1257,"origin_country":1258,"original_language":48,"original_name":1259,"overview":49,"popularity":1260,"poster_path":15,"first_air_date":1022,"softcore":4,"name":1259,"vote_average":41,"vote_count":41,"credit_id":1261,"department":18,"episode_count":14,"first_credit_air_date":1022,"job":651,"media_type":617},[],66227,[],"Monologues",1.1223,"570d0f3ec3a36850760000a0",{"adult":4,"backdrop_path":1263,"genre_ids":1264,"id":1265,"origin_country":1266,"original_language":32,"original_name":1267,"overview":49,"popularity":1268,"poster_path":1269,"first_air_date":1270,"softcore":4,"name":1267,"vote_average":99,"vote_count":124,"credit_id":1271,"department":18,"episode_count":57,"first_credit_air_date":1270,"job":651,"media_type":617},"\u002FbQwAEWSjvylrIldV6g2PSAZW8UB.jpg",[29],197823,[609],"Tous les garçons et les filles de leur âge...",2.7146,"\u002F2K9PqwVbUxAZbVM8K531I5xCcIR.jpg","1994-10-21","64287a808de0ae00978d01eb",{"adult":4,"backdrop_path":15,"genre_ids":1273,"id":620,"origin_country":1274,"original_language":32,"original_name":622,"overview":623,"popularity":624,"poster_path":625,"first_air_date":626,"softcore":4,"name":622,"vote_average":41,"vote_count":41,"credit_id":1275,"department":18,"episode_count":14,"first_credit_air_date":265,"job":651,"media_type":617},[75],[609],"6a52030795e65d204fa1274c",{"profiles":1277},[1278,1283,1289,1295,1300],{"aspect_ratio":1279,"height":1280,"iso_3166_1":15,"iso_639_1":15,"file_path":22,"vote_average":1281,"vote_count":14,"width":1282},0.666,1890,3.334,1259,{"aspect_ratio":1284,"height":1285,"iso_3166_1":15,"iso_639_1":15,"file_path":1286,"vote_average":1287,"vote_count":157,"width":1288},0.667,2245,"\u002F7Riv0mS73VatM6J5iWL2lhkSwM7.jpg",1.75,1497,{"aspect_ratio":1290,"height":1291,"iso_3166_1":15,"iso_639_1":15,"file_path":1292,"vote_average":1293,"vote_count":99,"width":1294},0.668,770,"\u002FvWNyqAegjDaeCPl7sEXe0Yip151.jpg",1.434,514,{"aspect_ratio":1284,"height":1296,"iso_3166_1":15,"iso_639_1":15,"file_path":1297,"vote_average":1298,"vote_count":14,"width":1299},1600,"\u002FqQ0x71vtB9zuRiVMq6DCExQOkE4.jpg",0.166,1067,{"aspect_ratio":1279,"height":1301,"iso_3166_1":15,"iso_639_1":15,"file_path":1302,"vote_average":41,"vote_count":41,"width":1303},1025,"\u002FiiEAkyznXcn0je0USMvgnIlhBak.jpg",683]