[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F129896:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":580},false,[],"Rithy Panh (en khmer : ប៉ាន់ រិទ្ធី) est un réalisateur, producteur de cinéma, scénariste, monteur, acteur et écrivain franco-cambodgien.\n\nDurant les années 1975 et suivantes en Cambodge sous le régime des Khmers rouges , il perdit ses parents et une partie de sa famille, et le jeune Rithy fut le témoin des pires atrocités. Il est rescapé en 1979 où il parvient à rejoindre le camp de Mairut en Thaïlande puis arrive en France en 1980. Rithy Panh est l'auteur de nombreuses œuvres qui toutes ont pour toile de fond un Cambodge qui a du mal à panser ses pièces de théâtre et Où Rithy démontre son talent à immortaliser des tranches de vies dans lesquelles les protagonistes donnent l'impression de se livrer tout en oubliant la caméra.\n\nSon œuvre est imprégnée du travail de mémoire et de la douleur des survivants du régime de Pol Pot. Il tente de retrouver la culture cambodgienne à travers le cinéma.","1964-04-18",null,2,129896,"nm0659454","Directing","Rithy Panh","Phnom Penh, Cambodia",1.0151,"\u002Fa51zDfPd4W9lV5Q1ui86MJAOHWW.jpg",{"cast":18,"crew":90},[19,35,50,63,73],{"adult":4,"backdrop_path":8,"genre_ids":20,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":30,"character":31,"credit_id":32,"order":33,"media_type":34},[21],18,1998,"Holy Lola","fr","Le récit d'un désir d'enfant qui entraîne un jeune couple, Pierre et Géraldine, au coeur d'un voyage initiatique au bout du monde, dans un pays martyrisé par l'Histoire : le Cambodge. Pour eux, commence une aventure éprouvante et formidable : ronde des orphelinats, confrontation avec les autorités françaises et cambodgiennes, menaces de trafics. Sans oublier la méfiance et la jalousie mais aussi l'entraide de la petite communauté des adoptants réunie par le hasard.A travers cette quête, le couple fait face à ses peurs, ses égoïsmes. Il se déchire, se rapproche et en sort à jamais transformé.",2.9885,"\u002FdG6ytJeEvQXQyCAZTsH9q82rgPS.jpg","2004-11-24",5.8,30,"Monsieur Khieu","646722ebc3514c00e5dc7c75",11,"movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":39,"title":40,"original_language":24,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"character":47,"credit_id":48,"order":49,"media_type":34},"\u002Fl9xKkyoYhWbqo62mXx989RgxUcY.jpg",[38,21],36,1257400,"Rendez-vous avec Pol Pot","1978. Depuis trois ans, le Cambodge, devenu Kampuchéa démocratique, est sous le joug de Pol Pot et ses Khmers rouges. Le pays est économiquement exsangue, et près de deux millions de Cambodgiens ont péri dans un génocide encore tu. Trois Français ont accepté l’invitation du régime et espèrent obtenir un entretien exclusif avec Pol Pot : une journaliste familière du pays, un reporter photographe et un intellectuel sympathisant de l’idéologie révolutionnaire. Mais la réalité qu’ils perçoivent sous la propagande et le traitement qu’on leur réserve vont peu à peu faire basculer les certitudes de chacun.",2.6736,"\u002FvvJQwPvRNBpg0W7j5DqmldkSsBy.jpg","2024-06-05",5.872,39,"Pol Pot (voice)","6669ed623de51bfa4c1c68ef",13,{"adult":4,"backdrop_path":8,"genre_ids":51,"id":53,"title":54,"original_language":55,"original_title":54,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"character":61,"credit_id":62,"order":60,"media_type":34},[52],99,729253,"Wandering Souls","en","",1.6572,"\u002F51djWlT7N4AcQ5hB1jx5683dF6o.jpg","2020-03-30",0,"Filmmaker, Designer","5f2550b50231f2003619afe9",{"adult":4,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":55,"original_title":67,"overview":56,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"character":71,"credit_id":72,"order":9,"media_type":34},"\u002FypGHmX3HFtqWmhIrROZTjN98y1e.jpg",[52],843470,"Life in 24 Frames a Second",1.3068,"\u002FuF0TnHIs9LsvCm4WAqtXZRJPxMr.jpg","2021-06-26","Self","60d0b5e11277780076698350",{"adult":4,"backdrop_path":74,"genre_ids":75,"id":77,"origin_country":78,"original_language":80,"original_name":81,"overview":56,"popularity":82,"poster_path":83,"first_air_date":84,"softcore":4,"name":81,"vote_average":85,"vote_count":86,"character":71,"credit_id":87,"episode_count":86,"first_credit_air_date":88,"media_type":89},"\u002FsdnWyqxGKx5nmZcSZJ6zJkX5kJp.jpg",[76,52],10763,105333,[79],"CH","de","Kulturplatz",20.321,"\u002F2yHMMrHsmMbvMPHLrsYH4epu5M.jpg","2004-09-01",6,1,"669e433240ccd3d7d6a6ec2b","2009-05-13","tv",[91,105,110,125,129,134,138,150,153,164,176,184,187,190,193,206,209,212,222,225,234,237,240,249,258,261,271,274,277,285,296,306,314,327,330,333,336,339,349,359,362,365,368,381,384,387,390,393,396,405,415,418,421,424,432,443,453,456,459,463,478,486,493,496,504,514,523,526,529,532,542,551,556,560,564,568,571,577],{"adult":4,"backdrop_path":92,"genre_ids":93,"id":95,"title":96,"original_language":24,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":38,"credit_id":102,"department":103,"job":104,"media_type":34},"\u002FsTN649ZUR6AfMvxnTWRCpqMDHyn.jpg",[52,38,94],10752,43936,"S-21, la machine de mort Khmère rouge","Au Cambodge, sous les khmers rouges, S21 était le principal \"bureau de la sécurité\". Dans le centre de détention et d'élimination situé au coeur de Phnom Penh, près de 17.000 prisonniers ont été torturés, interrogés puis exécutés entre 1975 et 1979. Trois d'entre eux seulement sont encore en vie... Pendant près de trois ans, Rithy Panh et son équipe ont entrepris une longue enquête auprès des rares rescapés, mais aussi auprès de leurs anciens bourreaux. A ce jour aucun responsable khmer rouge n'a été jugé.",1.6145,"\u002F7lkXz41WJjIvoHCnsLtXMqvCeiW.jpg","2003-05-17",7.444,"6220eaebeea34d006804e658","Writing","Screenplay",{"adult":4,"backdrop_path":92,"genre_ids":106,"id":95,"title":96,"original_language":24,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":38,"credit_id":107,"department":108,"job":109,"media_type":34},[52,38,94],"6220eaf499259c004350738f","Camera","Director of Photography",{"adult":4,"backdrop_path":111,"genre_ids":112,"id":113,"title":114,"original_language":24,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":120,"vote_count":121,"credit_id":122,"department":123,"job":124,"media_type":34},"\u002FMD2Q2YCgTaR3n2bqmCWljq3Hmg.jpg",[52],186997,"L'Image manquante","L'image manquante","Il y a tant d'images dans le monde, qu'on croit avoir tout vu. Tout pensé. Depuis des années, je cherche une image qui manque.  Une photographie prise entre 1975 et 1979 par les Khmers rouges, quand ils dirigeaient le Cambodge. A elle seule, bien sûr, une image ne prouve pas le crime de masse ; mais elle donne à penser ; à méditer. A bâtir l'histoire.  Je l'ai cherchée en vain dans les archives, dans les papiers, dans les campagnes de mon pays. Maintenant je sais : cette image doit manquer ; et je ne la cherchais pas - ne serait-elle pas obscène et sans signification ? Alors je la fabrique. Ce que je vous donne aujourd'hui n'est pas une image, ou la quête d'une seule image, mais l'image d'une quête : celle que permet le cinéma.",1.6056,"\u002FlCRypAaY6MnCpcVnidA2JkEgd2I.jpg","2013-11-04",7.2,102,"6074b74e78570e005795491c","Art","Production Design",{"adult":4,"backdrop_path":92,"genre_ids":126,"id":95,"title":96,"original_language":24,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":38,"credit_id":127,"department":108,"job":128,"media_type":34},[52,38,94],"6074b7d81da7a6003f153831","Camera Operator",{"adult":4,"backdrop_path":111,"genre_ids":130,"id":113,"title":114,"original_language":24,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":120,"vote_count":121,"credit_id":131,"department":132,"job":133,"media_type":34},[52],"6074b7332a09bc004049deec","Editing","Editor",{"adult":4,"backdrop_path":92,"genre_ids":135,"id":95,"title":96,"original_language":24,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":38,"credit_id":136,"department":12,"job":137,"media_type":34},[52,38,94],"52fe466cc3a36847f80fe311","Director",{"adult":4,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":24,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"credit_id":149,"department":132,"job":133,"media_type":34},"\u002F5z50VlchVsE18vOvrX0nbUKMRfj.jpg",[52,38],110938,"Duch, le maître des forges de l'enfer","Sous le régime Khmer rouge, Kaing Guek Eav, dit Duch, a dirigé la prison M13 pendant 4 ans, avant d'être nommé à la tête du S21, la terrifiante machine à éliminer les opposants au pouvoir en place. Quelque 12280 Cambodgiens y trouvèrent la mort. En juillet 2010, Duch fut le premier dirigeant Khmer à comparaître devant une cour de justice pénale internationale, qui le condamna à 35 de prison. Il fit appel du jugement. Alors que Duch attend son nouveau procès, Rithy Panh l'a longuement interrogé et a recueilli sa parole...",1.048,"\u002FtM9qI7zvxr9FTzaznFTBVdaJCjl.jpg","2012-01-18",6.9,7,"60a3fc56cb75d100569a1fe4",{"adult":4,"backdrop_path":139,"genre_ids":151,"id":141,"title":142,"original_language":24,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"credit_id":152,"department":108,"job":109,"media_type":34},[52,38],"60a3fc4d8dbc33003fc27adc",{"adult":4,"backdrop_path":8,"genre_ids":154,"id":155,"title":156,"original_language":157,"original_title":156,"overview":158,"popularity":159,"poster_path":8,"release_date":160,"softcore":4,"video":4,"vote_average":85,"vote_count":161,"credit_id":162,"department":103,"job":163,"media_type":34},[52],409725,"La Terre des âmes errantes","km","En 1999, la Thaïlande et le Vietnam entreprennent de poser le premier câble de fibre optique qui permettra de relier les deux pays. Les travaux d’enterrement du fil dans une tranchée donne du travail à de nombreux Cambodgiens : familles dans la misère, paysans, soldats démobilisés. Mais leur labeur ne se fera pas sans heurt, la terre creusée renferme des milliers d’âmes errant sans sépulture…",1.6213,"2000-03-28",4,"60a3fe62764b990029dd64b2","Writer",{"adult":4,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":24,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":174,"credit_id":175,"department":12,"job":137,"media_type":34},"\u002F41bDrF7M8SJo17YibkkpQeu5URY.jpg",[21],52492,"Un barrage contre le Pacifique","Indochine, 1931. Dans le Golfe du Siam, au bord de l'Océan Pacifique, une mère survit tant bien que mal avec ses deux enfants, Joseph (20 ans) et Suzanne (16 ans), qu'elle voit grandir et dont elle sait le départ inéluctable. Abusée par l'administration coloniale, elle a investi toutes ses économies dans une terre régulièrement inondée, donc incultivable. Se battant contre les bureaucrates corrompus qui l'ont escroquée, et qui menacent à présent de l'expulser, elle met toute son énergie dans un projet fou : construire un barrage contre la mer avec l'aide des paysans du village. Ruinée et obsédée par son entreprise, elle laisse à Joseph et Suzanne une liberté quasi-totale. C'est alors que M. Jo, fils d'un riche homme d'affaires chinois tombe sous le charme de Suzanne. La famille va tenter d'en tirer profit...",1.4545,"\u002Fu2UFufVWmu1rVwI8yzhk0ssxFaU.jpg","2009-01-07",5.3,41,"52fe482fc3a36847f815b913",{"adult":4,"backdrop_path":8,"genre_ids":177,"id":178,"title":179,"original_language":55,"original_title":179,"overview":56,"popularity":180,"poster_path":8,"release_date":181,"softcore":4,"video":4,"vote_average":173,"vote_count":182,"credit_id":183,"department":103,"job":104,"media_type":34},[21,94,38],217252,"Gibier d'élevage",0.6745,"2011-10-17",3,"64dd75dc59e8a900e2288684",{"adult":4,"backdrop_path":8,"genre_ids":185,"id":178,"title":179,"original_language":55,"original_title":179,"overview":56,"popularity":180,"poster_path":8,"release_date":181,"softcore":4,"video":4,"vote_average":173,"vote_count":182,"credit_id":186,"department":132,"job":133,"media_type":34},[21,94,38],"64dd7602d100b614b2ef1b9a",{"adult":4,"backdrop_path":139,"genre_ids":188,"id":141,"title":142,"original_language":24,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"credit_id":189,"department":103,"job":163,"media_type":34},[52,38],"52fe4aebc3a36847f81e872d",{"adult":4,"backdrop_path":139,"genre_ids":191,"id":141,"title":142,"original_language":24,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"credit_id":192,"department":12,"job":137,"media_type":34},[52,38],"52fe4aebc3a36847f81e8727",{"adult":4,"backdrop_path":194,"genre_ids":195,"id":196,"title":197,"original_language":157,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"credit_id":205,"department":12,"job":137,"media_type":34},"\u002FgfUwraHCce6IHGAim6yXY2b0ZLy.jpg",[21],146240,"Les gens de la rizière","អ្នកស្រែ","C’est l’histoire de Vong Poeuv, de sa femme Yim Om et de leurs sept filles. La culture du riz rythme leurs vies, leurs joies, leurs croyances, leur survie… La terre est petite, la famille nombreuse, les enfants grandissent. L’équilibre est fragile. Un incident banal survient, et le cycle de vie se transforme en cycle de mort. Dans les camps de réfugiés cambodgiens, quand on demande aux enfants d’où vient le riz, ils répondent: « des camions de l’ONU ». Ils n’ont jamais vu de rizière. Ces enfants, il faudra un jour leur réapprendre comment on vit au Cambodge, en cultivant, en labourant, en travaillant la terre. « Les Gens de la Rizière » essaye de faire partager cette vie, de témoigner du fragile équilibre sur lequel elle repose, et de la liberté qu’elle incarne .",1.0819,"\u002FsTKldCBKuRdDEvrEdTmXVRkEYw5.jpg","1994-05-26",6.5,10,"52fe4b799251416c751040bd",{"adult":4,"backdrop_path":111,"genre_ids":207,"id":113,"title":114,"original_language":24,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":120,"vote_count":121,"credit_id":208,"department":12,"job":137,"media_type":34},[52],"52fe4d0e9251416c7512e67b",{"adult":4,"backdrop_path":111,"genre_ids":210,"id":113,"title":114,"original_language":24,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":120,"vote_count":121,"credit_id":211,"department":103,"job":104,"media_type":34},[52],"52fe4d0e9251416c7512e68b",{"adult":4,"backdrop_path":8,"genre_ids":213,"id":214,"title":215,"original_language":24,"original_title":215,"overview":216,"popularity":217,"poster_path":8,"release_date":218,"softcore":4,"video":4,"vote_average":219,"vote_count":220,"credit_id":221,"department":103,"job":163,"media_type":34},[21,94],178577,"Un soir après la guerre","Août 1992, Savannah, 28 ans, revient à Phnom Penh après quatre années passées à combattre les khmers rouges au nord du Cambodge. Comme tous ceux de sa génération, il n’a connu, depuis l’enfance, que la guerre, les camps, la famine et les massacres. Savannah n’a plus qu’un oncle, Sôn, sa famille a été entièrement décimée sous le régime de Pol Pot. Un soir, dans un dancing Savannah tombe sous le charme de Srey Poeuv, l’une des hôtesses qui, parfois aussi, suivent les clients les plus riches à l’hôtel. La passion va dévorer ces jeunes gens d’une génération sacrifiée.",0.8303,"1998-12-18",5.111,9,"52fe4d98c3a36847f82698c7",{"adult":4,"backdrop_path":8,"genre_ids":223,"id":214,"title":215,"original_language":24,"original_title":215,"overview":216,"popularity":217,"poster_path":8,"release_date":218,"softcore":4,"video":4,"vote_average":219,"vote_count":220,"credit_id":224,"department":12,"job":137,"media_type":34},[21,94],"52fe4d98c3a36847f82698a3",{"adult":4,"backdrop_path":8,"genre_ids":226,"id":227,"title":228,"original_language":157,"original_title":228,"overview":56,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":161,"credit_id":233,"department":103,"job":163,"media_type":34},[52],244156,"Le papier ne peut pas envelopper la braise",1.2466,"\u002FkjzfMZAROnaWPkIYf39Pu392U0V.jpg","2007-03-31",6.2,"52fe4eecc3a36847f82b10ef",{"adult":4,"backdrop_path":8,"genre_ids":235,"id":227,"title":228,"original_language":157,"original_title":228,"overview":56,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":161,"credit_id":236,"department":12,"job":137,"media_type":34},[52],"52fe4eecc3a36847f82b10e9",{"adult":4,"backdrop_path":8,"genre_ids":238,"id":178,"title":179,"original_language":55,"original_title":179,"overview":56,"popularity":180,"poster_path":8,"release_date":181,"softcore":4,"video":4,"vote_average":173,"vote_count":182,"credit_id":239,"department":12,"job":137,"media_type":34},[21,94,38],"52fe4e2cc3a368484e212433",{"adult":4,"backdrop_path":8,"genre_ids":241,"id":242,"title":243,"original_language":55,"original_title":243,"overview":56,"popularity":244,"poster_path":8,"release_date":245,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":246,"department":247,"job":248,"media_type":34},[52],234161,"Noces rouges",1.5952,"2012-11-16","52fe4e2ec3a36847f82823fd","Production","Producer",{"adult":4,"backdrop_path":8,"genre_ids":250,"id":251,"title":252,"original_language":55,"original_title":252,"overview":56,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":86,"credit_id":257,"department":103,"job":163,"media_type":34},[52],234164,"Site 2",0.8347,"\u002F4nnvjNWjgmHQo717CBWSur8qkHT.jpg","1989-11-16",8,"52fe4e2ec3a36847f828242b",{"adult":4,"backdrop_path":8,"genre_ids":259,"id":251,"title":252,"original_language":55,"original_title":252,"overview":56,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":86,"credit_id":260,"department":12,"job":137,"media_type":34},[52],"52fe4e2ec3a36847f8282425",{"adult":4,"backdrop_path":8,"genre_ids":262,"id":263,"title":264,"original_language":55,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":4,"video":4,"vote_average":148,"vote_count":85,"credit_id":270,"department":12,"job":137,"media_type":34},[52,94],270376,"Les Artistes du théâtre brûlé","Les artistes du Théâtre Brûlé","Le Cambodge est un pays aux rêves brisés. Il n'y a plus de théâtre, plus de salle de spectacle. Les arts traditionnels et populaires sont en train de disparaître à leur tour, face à la concurrence de la télévision. Mais il existe encore des artistes. Dépositaires d'une tradition qu'ils ne peuvent transmettre, faute de structures, de soutien financier et de lieux de spectacle, ils sont condamnés à vivre dans la misère, ou à monter des spectacles exotiques pour les touristes.  Ni les guerres, ni les massacres, ni la sauvagerie de l'économie \"ultra-libérale\" ne peuvent altérer leur foi, ce qui les rend en même temps particulièrement vulnérables et lucides. Aujourd'hui ils n'ont plus la parole. L'idée du film est de rassembler des comédiens autour d'un projet emblématique de la réalité que nous vivons : quelque chose se décompose en nous, tout part en lambeaux, la dignité, l'identité...",1.0116,"\u002FiPylXNj8145rqk103b0Eej9HYMO.jpg","2005-11-09","53783e150e0a261416003fde",{"adult":4,"backdrop_path":8,"genre_ids":272,"id":263,"title":264,"original_language":55,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":4,"video":4,"vote_average":148,"vote_count":85,"credit_id":273,"department":103,"job":163,"media_type":34},[52,94],"53783e250e0a261422004043",{"adult":4,"backdrop_path":165,"genre_ids":275,"id":167,"title":168,"original_language":24,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":174,"credit_id":276,"department":103,"job":163,"media_type":34},[21],"535030030e0a267eaf00157f",{"adult":4,"backdrop_path":8,"genre_ids":278,"id":279,"title":280,"original_language":157,"original_title":280,"overview":56,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":284,"department":247,"job":248,"media_type":34},[],870645,"A Scale Boy",1.1794,"\u002FlmDaIfmAwnl2G2plFjEhmSR54D2.jpg","2010-01-01","61344bd5e3fa2f00269fb698",{"adult":4,"backdrop_path":8,"genre_ids":286,"id":287,"title":288,"original_language":157,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":293,"vote_count":294,"credit_id":295,"department":12,"job":137,"media_type":34},[52],309846,"Bophana, une tragédie cambodgienne","À travers le destin tragique d'une jeune femme Hout Bophana et de son mari Ly Sitha, ce film propose de revenir sur les années sombres du Cambodge.\r Révolté par la corruption du régime Lon Nol, Ly Sitha rejoint les maquisards communistes. Les deux jeunes gens se perdent de vue, s'écrivent, se retrouvent après la prise de Phnom Penh.\r La victoire des Khmers rouges sera pour eux aussi le début du cauchemar.\r Arrêtés, torturés, contraints à d'invraisemblables aveux, ils seront tous deux exécutés en 1976.",1.0824,"\u002FfraIxofIxSbxCjM5n15BueYSOBz.jpg","1996-01-01",6.1,5,"55313917c3a36822190001ec",{"adult":4,"backdrop_path":8,"genre_ids":297,"id":298,"title":299,"original_language":24,"original_title":299,"overview":300,"popularity":301,"poster_path":302,"release_date":303,"softcore":4,"video":4,"vote_average":304,"vote_count":182,"credit_id":305,"department":12,"job":137,"media_type":34},[52],338423,"La France est Notre Patrie","Si vous voulez voir les forces du colonialisme en action brute, le nouveau film extraordinaire de Rithy Panh vous offre le long terme. Chef-d'œuvre de montage, le film rassemble des images d'archives et des cartes de titres anciennes pour une recapture sans paroles de l'Empire indochinois, à partir des premiers jours de l'occupation française. En cet âge prélapsaire, tout est d'or et prometteur. Les dames, en robes à taille d'empire et en énormes chapeaux, lancent des bonbons aux enfants du pays. De grands bateaux à vapeur transportent la culture française à l'étranger, et le drapeau tricolore flotte haut.",0.7314,"\u002FbiplMNGu2t9rRzRsdm10hkLfn3n.jpg","2015-01-21",6.7,"56775bec92514179dd007054",{"adult":4,"backdrop_path":8,"genre_ids":307,"id":308,"title":309,"original_language":24,"original_title":309,"overview":56,"popularity":310,"poster_path":311,"release_date":312,"softcore":4,"video":4,"vote_average":60,"vote_count":60,"credit_id":313,"department":12,"job":137,"media_type":34},[52],928595,"Le gens d’Angkor",0.6062,"\u002Fo4zbLzVMKJNM5KjhWwfXsaJiuQw.jpg","2004-01-01","61e75f2b72a2c900432dee49",{"adult":4,"backdrop_path":315,"genre_ids":316,"id":319,"title":320,"original_language":24,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":326,"department":12,"job":137,"media_type":34},"\u002FrBGkxjDVwAikItqdUnkFdPCx676.jpg",[52,317,318],14,16,928715,"Everything will be OK","Everything Will Be OK","Un panorama de la cruauté humaine, dans un conte fantasmé où les animaux prennent le pouvoir. Par son petit théâtre de figurines, Rithy Panh raconte l’homme, sa soif de feu et de sang ainsi que sa fuite en avant vers la mort de toutes choses.  Au moyen de figurines d’argile et d’images documentaires retravaillées, le réalisateur cambodgien compose un poème cinématographique dystopique, rageur et déconcertant.  Les prises de vues de ces espèces de dioramas cauchemardesques sont mêlées à des images documentaires.  Everything Will Be OK (titre dont on aura compris qu’il relève de l’antiphrase) est accompagné d’un texte parfois inspiré, parfois trivial, malgré la lecture distanciée qu’en fait Rebecca Marder. Et les dernières séquences, qui évoquent une possible réconciliation – entre l’humanité et le monde dans lequel elle vit –, apparaissent plus comme une concession à la sensibilité mise à mal du spectateur que comme une lueur d’espoir.",1.1194,"\u002F5WSA2jMbi9aHDowwPFlGPx90URN.jpg","2022-12-15","61e7ece8a9117f00e83fcf4f",{"adult":4,"backdrop_path":315,"genre_ids":328,"id":319,"title":320,"original_language":24,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":329,"department":132,"job":133,"media_type":34},[52,317,318],"620512c37ecd2800419700dc",{"adult":4,"backdrop_path":315,"genre_ids":331,"id":319,"title":320,"original_language":24,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":332,"department":108,"job":109,"media_type":34},[52,317,318],"620512a866565a0042c9ac27",{"adult":4,"backdrop_path":315,"genre_ids":334,"id":319,"title":320,"original_language":24,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":335,"department":103,"job":163,"media_type":34},[52,317,318],"62051284dd926a009c399461",{"adult":4,"backdrop_path":315,"genre_ids":337,"id":319,"title":320,"original_language":24,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":338,"department":247,"job":248,"media_type":34},[52,317,318],"6205131efd4f8001078e83d1",{"adult":4,"backdrop_path":8,"genre_ids":340,"id":341,"title":342,"original_language":24,"original_title":342,"overview":343,"popularity":344,"poster_path":345,"release_date":346,"softcore":4,"video":4,"vote_average":347,"vote_count":148,"credit_id":348,"department":12,"job":137,"media_type":34},[52,21],392801,"Exil","Exil est une narration visionnaire de l'exil des Cambodgiens sous le régime des Khmers rouges, au cours de laquelle le pays a été rebaptisé Kampuchea démocratique.",0.6567,"\u002FuPKsk84EeUhxNYdiMtJPs7SHp4W.jpg","2016-05-14",5.1,"570f8581c3a3685385002e60",{"adult":4,"backdrop_path":8,"genre_ids":350,"id":352,"title":353,"original_language":24,"original_title":353,"overview":354,"popularity":355,"poster_path":356,"release_date":357,"softcore":4,"video":4,"vote_average":204,"vote_count":60,"credit_id":358,"department":12,"job":137,"media_type":34},[21,351],10749,1067410,"Que la barque se brise, que la jonque s'entrouvre","Rescapée du génocide khmer rouge, Bopha tient un petit restaurant à Paris. 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Et pour parler avec eux dans les pagodes, au bord des routes et des fleuves. Aujourd’hui, en grattant la terre, on trouve des ossements, des tissus de couleur déchirés. D’une rizière à l’autre, d'un chantier à l’autre, dans les années khmères rouges, nous avons cassé des cailloux, creusé la terre, arraché des racines. A la saison sèche, le sol était coupant et brûlait sous nos pieds. Char, Trum, Wat Pô... L’enfant se souvient de tout : les travaux forcés, la famine, les séparations... et tout au bout la mort. Je suis retourné régulièrement dans ces lieux. Je n'ai pas trouvé de trace des tombes de mon père et de mes neveux. 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