[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F129074:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":11,"combined_credits":18,"images":616},false,[6],"Citto Maselli","Francesco Maselli (9 December 1930 – 21 March 2023), also known as Citto Maselli , was an Italian film director and screenwriter.  Born into a well educated family (his father was an art critic) originally from the Molise region, Maselli graduated from the Italian National Film School in 1949 and began his career as an assistant and assistant director for Luigi Chiarini , Michelangelo Antonioni , and Luchino Visconti. After directing several short documentary and fiction films, he gave his feature film debut with the World War II drama Abandoned (1955), which premiered at the Venice Film Festival. Following a series of minor films, Maselli had greater success with Silver Spoon Set (1960, also titled The Dolphins ) and Time of Indifference (1964), an adaptation of a novel by Alberto Moravia.\n\nIn the 1970s, Maselli turned to openly left-wing political films, notably Open Letter to a newspaper of the evening (1970) and The Suspect (1975), before shifting to more intimate films centered on female protagonists in the 1980s such as A Tale of Love (1986) and The Secret (1990).\n\nIn 2021, Maselli was honored with a retrospective at the Venice Film Festival, where many of his films had seen their premiere. Maselli died in Rome on 21 March 2023, at the age of 92.","1930-12-09","2023-03-21",2,null,129074,"nm0556255","Directing","Francesco Maselli","Rome, Italy",0.9688,{"cast":19,"crew":198},[20,37,51,62,70,81,93,102,116,126,134,148,158,172,181],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":28,"credit_id":34,"order":35,"media_type":36},"\u002FiXlTgqDjefJ6pWiaYloDdtTTuJ8.jpg",[23,24],18,35,119985,"Lettera aperta a un giornale della sera","it","",1.2739,"\u002F7zUv9Ecj0qGeJKMfCrnpjKo186R.jpg","1970-03-13",4,5,"63d566b020e6a500890c5dcf",9,"movie",{"adult":4,"backdrop_path":11,"genre_ids":38,"id":42,"title":43,"original_language":27,"original_title":43,"overview":28,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":49,"order":50,"media_type":36},[39,40,41],36,99,10770,1113699,"Alfonso Sansone - produttore per caso",1.0996,"\u002FpMxy2rbfSWSmnZxW1AQnZsrlMHL.jpg","2014-09-10",0,"Self","643b2b5e501cf205473869e1",1,{"adult":4,"backdrop_path":11,"genre_ids":52,"id":53,"title":54,"original_language":55,"original_title":54,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":60,"order":61,"media_type":36},[40],1032350,"Le Passeur immobile","fr","Le Passeur immobile, qui recouvre l'année 1987, est un Carnet filmé coincé entre Les Jours et les nuits (1986) et L'Artifice et le factice (1988). Cela fait une quinzaine d'années que ces Carnets ponctuent mon activité de cinéaste. Ils sont comme une vie parallèle à mes autres films et à mes séries cinématographiques (Cinématon, Portrait de groupe, Lire, etc.). Ils sont aussi comme une lettre adressée aux spectateurs.",0.8596,"\u002FarnDhPX0aUerGPNeOojsSv07p6B.jpg","2021-12-14","650a50d3d6c30000cce0edb6",33,{"adult":4,"backdrop_path":11,"genre_ids":63,"id":64,"title":65,"original_language":27,"original_title":65,"overview":28,"popularity":66,"poster_path":67,"release_date":28,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":68,"order":69,"media_type":36},[40],1143202,"I Am Not God But I Am Michelangelo Antonioni",1.0916,"\u002Fsd5nK0JSWzooWyJG4aUHcxFaWC5.jpg","652e6560ea84c7014e06b5d6",8,{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":27,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":50,"character":48,"credit_id":80,"order":10,"media_type":36},"\u002Fx6NbDqRswn8mzD4KVOTC82vNRVe.jpg",[40],1127495,"Gillo: Le donne, i cavalier, l'armi, gli amori","Pontecorvo fait partie de ces cinéastes italiens marqués à vie par le néoréalisme. Il déclare avoir décidé de faire du cinéma en sortant d'une séance de \"Paisa\" de Roberto Rossellini. Le futur cinéaste se trouve alors à Paris, un an après une guerre pendant laquelle il est devenu l'une des figures principales de la résistance italienne et l'un des fondateurs du Front de la jeunesse. Laissant derrière lui son statut de héros de la guerre, Pontecorvo fait ses premières armes de réalisateur avec \"Giovanna\", un court métrage annonciateur d'une carrière cinématographique consacrée à ce qu'il appelle lui-même la «dictature de la vérité «",0.9441,"\u002FymzftyJlV5rkon1biSpArpeVh9g.jpg","2007-10-11",10,"65cc9849258823017da6f518",{"adult":4,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":27,"original_title":85,"overview":28,"popularity":86,"poster_path":87,"release_date":88,"softcore":4,"video":4,"vote_average":89,"vote_count":90,"character":48,"credit_id":91,"order":92,"media_type":36},"\u002F4EYRhu0UPTfKMVqFagWlJdY2Zsd.jpg",[40],336878,"L'addio a Enrico Berlinguer",1.3464,"\u002FpjZ6N2y1yM41EJuJrp0Zc0LbDp3.jpg","1984-09-08",6.5,3,"65fcc8177f6c8d01496c1af1",28,{"adult":4,"backdrop_path":94,"genre_ids":95,"id":96,"title":97,"original_language":27,"original_title":97,"overview":28,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":28,"credit_id":101,"order":33,"media_type":36},"\u002FwIrJFSsz19qXP61jVl10XEdxpQd.jpg",[40],1339928,"Franco Cristaldi e il suo cinema Paradiso",1.3146,"\u002FvzdMQzNpT0DoDcqffxyDIe6juRV.jpg","2009-09-16","66ceee81040630093666e5ce",{"adult":4,"backdrop_path":103,"genre_ids":104,"id":105,"title":106,"original_language":27,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":112,"vote_count":113,"character":6,"credit_id":114,"order":115,"media_type":36},"\u002FrjEoEfJDhDlYW0bMdeIntKFuSkS.jpg",[23],77334,"La Terrasse","La terrazza","Des amis de longue date, appartenant au milieu de la gauche culturelle, se retrouvent pour une rituelle soirée-buffet sur la vaste terrasse romaine de l'un d'entre eux. La caméra se promène et surprend des conversations puis, suit un personnage dans sa vie, avant de revenir à la soirée et d'en suivre un autre. L'enthousiasme de la jeunesse a laissé place à l'amertume et aux constats d'échecs, autant professionnels que sentimentaux. Le film suit successivement Enrico, scénariste à court d'inspiration, Luigi, journaliste que sa femme quitte, Sergio, un fonctionnaire de la RAI, la télévision publique, anorexique et déprimé, Amedeo, producteur de cinéma, et Mario, député communiste qui va avoir une liaison.",2.0433,"\u002FhltHogvGao1oSS1xlAzJFcjG56h.jpg","1980-02-08",7.2,165,"59a43a0d925141779f05b6da",15,{"adult":4,"backdrop_path":117,"genre_ids":118,"id":119,"title":120,"original_language":27,"original_title":120,"overview":28,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":89,"vote_count":10,"character":124,"credit_id":125,"order":35,"media_type":36},"\u002FerpxLE9HP2HlHCaYKnJ0z5YwN6x.jpg",[40],454504,"Indagine su un cittadino di nome Volonté",1.1156,"\u002Fm3qBjABqcBxQE0JkYdBMpquaaVy.jpg","2004-01-12","Self - Interviewee","5a8b49f00e0a2653b3083b93",{"adult":4,"backdrop_path":11,"genre_ids":127,"id":128,"title":129,"original_language":27,"original_title":129,"overview":28,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":133,"order":69,"media_type":36},[40],436040,"Cesare Zavattini",1.7322,"\u002Fjjhauq70hggjIEkCDI8k45mH4B4.jpg","2003-01-01","611bb9b54a0b19002e856e39",{"adult":4,"backdrop_path":135,"genre_ids":136,"id":137,"title":138,"original_language":27,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":4,"video":4,"vote_average":143,"vote_count":144,"character":145,"credit_id":146,"order":147,"media_type":36},"\u002FiFQzlUmO5QmMPcSHHDdfd522x33.jpg",[24,23],7857,"Amarcord","Dans un bourg italien près de la mer, à l'heure du fascisme triomphant, les enfants trainassent, cherchant des victimes pour leurs blagues innocentes. L'un d'eux va connaître, en l'espace d'une année, une série d'expériences tour à tour drôles, savoureuses et poignantes.",4.208,"\u002FdgZ9sO939Mwnix1CZ452PmABi6j.jpg","1973-12-18",7.866,1258,"Bongioanni (uncredited)","612b98426a3448002c109c06",50,{"adult":4,"backdrop_path":149,"genre_ids":150,"id":151,"title":152,"original_language":27,"original_title":152,"overview":28,"popularity":153,"poster_path":154,"release_date":155,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":156,"order":157,"media_type":36},"\u002FxxyVb2HsxoLtKiBFulYOGZ6I7KK.jpg",[40],714634,"Il segreto di Otello",1.3748,"\u002Fhe0ov7U4xqiOM7RyAYZsTH1L1Sp.jpg","2015-02-05","67d0040a434c98c8ec812233",7,{"adult":4,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":27,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":4,"video":4,"vote_average":112,"vote_count":168,"character":169,"credit_id":170,"order":171,"media_type":36},"\u002Flg8qHPCrn3GUsxXHyMbZAprSDcq.jpg",[24,23],5622,"Et vogue le navire","E la nave va","En 1914, le port de Naples est le théâtre d'événements peu banals. La haute société européenne, artistes et politiciens de renom, s'apprête, au cours d'une croisière, à disperser les cendres de leur diva adulée. Les premières manifestations de la guerre vont frapper de plein fouet les insouciants passagers...",3.1399,"\u002F5PW7ltNIrBjLf2XihRoRlba0Lnw.jpg","1983-10-07",172,"Guardiano del Rinoceronte (uncredited)","68031c3fb113ff8723d9bf61",53,{"adult":4,"backdrop_path":173,"genre_ids":174,"id":175,"title":176,"original_language":27,"original_title":176,"overview":28,"popularity":177,"poster_path":178,"release_date":179,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":180,"order":10,"media_type":36},"\u002FdM6ZDDoOF7OD1KxN12qoRayjv0S.jpg",[40],461839,"Uomini forti",1.4762,"\u002FigXOvEMkP36GItgr6qwNZncALpJ.jpg","2006-10-09","68bfdf1bad3fc053b49bc921",{"adult":4,"backdrop_path":182,"genre_ids":183,"id":185,"title":186,"original_language":187,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":193,"vote_count":194,"character":195,"credit_id":196,"order":197,"media_type":36},"\u002Fv4d6PPfqHeUNSdcyBVQ2Xb8yBk0.jpg",[23,171,184],9648,192,"Le Nom de la rose","en","The Name of the Rose","Italie, 1327. Une série de meurtres sauvages sur la personne des moines d’une abbaye bénédictine sème le trouble dans cette région isolée du Nord des Alpes. Guillaume de Baskerville, éminent Franciscain et fin observateur, est chargé d’enquêter, assisté de son novice Adso Von Melk.",22.6505,"\u002Fbpi3PEGT4674CrUjj2rqOkUuoAp.jpg","1986-09-24",7.499,3431,"Swineherd","6ac3301f7c9a53bd69dcc4c2",45,[199,213,224,227,240,252,265,279,283,286,296,299,312,315,326,334,343,354,358,361,370,373,380,383,386,389,392,406,409,417,420,432,441,450,453,456,459,472,481,484,491,499,502,511,519,522,525,532,539,546,554,557,565,568,579,587,594,601,608],{"adult":4,"backdrop_path":200,"genre_ids":201,"id":203,"title":204,"original_language":27,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":89,"vote_count":210,"credit_id":211,"department":14,"job":212,"media_type":36},"\u002FcLEYNI2wRPnAYV2tKIYCyHzeg23.jpg",[23,202],10749,31293,"L'Amour à la ville","L'amore in città","L'Amour à la ville ou cinq histoires presque vraies, réalisées par cinq grands metteurs en scène italiens sur la misère de l'amour à Rome dans le ton du néoréalisme social. « Suicides manqués » de Michelangelo Antonioni ; « Agence matrimoniale » de Federico Fellini ; « Les Italiens se retournent » d'Alberto Lattuada ; « L'Histoire de Catherine » de Francesco Maselli ; « Le Bal du samedi soir » de Dino Risi",2.2401,"\u002FuKi4Zz1IO4bUdFF4UyIkTBm0neB.jpg","1953-11-27",66,"52fe44719251416c91010da1","Director",{"adult":4,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":27,"original_title":217,"overview":28,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":90,"vote_count":10,"credit_id":221,"department":222,"job":223,"media_type":36},"\u002FjAFvatuBHPW6BT1HEAhLsU8PRl0.jpg",[23],42883,"Le ombre rosse",0.695,"\u002F2bupT5t10S3gkuLjzvCRC8SU2KQ.jpg","2009-09-04","52fe4620c3a36847f80ee399","Writing","Story",{"adult":4,"backdrop_path":214,"genre_ids":225,"id":216,"title":217,"original_language":27,"original_title":217,"overview":28,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":90,"vote_count":10,"credit_id":226,"department":14,"job":212,"media_type":36},[23],"52fe4620c3a36847f80ee367",{"adult":4,"backdrop_path":228,"genre_ids":229,"id":230,"title":231,"original_language":27,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":89,"vote_count":237,"credit_id":238,"department":222,"job":239,"media_type":36},"\u002Ff04ZvLvWxmmWOQO9toPn9Hu5H2y.jpg",[23],93863,"La Dame sans camélia","La signora senza camelie","Une jeune et belle vendeuse en confection rencontre un producteur de cinéma : elle fait une première apparition dans un film pour midinettes. Puis ils se marient. Le producteur, conquis par son charme, la choisit pour incarner un rôle plus ambitieux, celui de Jeanne d'Arc. Hélas, le résultat est un cuisant échec commercial. Le producteur sera ruiné et la jeune débutante sera désormais cantonnée dans des films de série B. Un reflet du fonctionnement de l'industrie du cinéma italien dans les années 1950.",1.8214,"\u002FzTcxaxybdVr98WwoXktypVVXlyf.jpg","1953-02-27",68,"52fe49429251416c750c24af","Screenplay",{"adult":4,"backdrop_path":241,"genre_ids":242,"id":244,"title":245,"original_language":27,"original_title":245,"overview":28,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":249,"vote_count":250,"credit_id":251,"department":14,"job":212,"media_type":36},"\u002F7ebG4nzO9Jc2F1h9yofjas1ica1.jpg",[243],80,105693,"Il sospetto",0.9592,"\u002FzHXnlouaCqb2It87Y3mXG5G6qqQ.jpg","1975-02-21",6.6,14,"52fe4a53c3a36847f81c7945",{"adult":4,"backdrop_path":253,"genre_ids":254,"id":255,"title":256,"original_language":27,"original_title":257,"overview":258,"popularity":259,"poster_path":260,"release_date":261,"softcore":4,"video":4,"vote_average":262,"vote_count":263,"credit_id":264,"department":14,"job":212,"media_type":36},"\u002FAoyyRnM9SR5bgErU54z8BzBW9Sw.jpg",[23],124177,"Les Deux Rivales","Gli indifferenti","Rome. Années 1930. La famille Ardengo, ruinée, n'a plus les moyens d'entretenir un luxueux train de vie et une superbe demeure, située dans un riche quartier résidentiel. La propriétaire, Maria Grazia, une veuve égoïste et vaniteuse tente de retenir un amant, Leo Merumeci, homme d'affaires cynique et dénué de scrupules, à qui elle emprunte de l'argent en hypothéquant sa maison. Celui-ci cherche, en fait, à épouser la fille de Maria Grazia, Carla, tout en s'octroyant la villa. Le fils de Maria Grazia, Michele, observe avec lucidité la lente dégradation matérielle et morale de sa famille, mais comme sa sœur, Carla, il demeure passif et indifférent, incapable de stopper le cours des événements…",2.655,"\u002FzEg5bTh6mKyMWYklDZD1o4Y3dGY.jpg","1964-09-24",6.278,27,"52fe4aa6c3a368484e15fa3f",{"adult":4,"backdrop_path":266,"genre_ids":267,"id":269,"title":270,"original_language":27,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":4,"video":4,"vote_average":276,"vote_count":277,"credit_id":278,"department":14,"job":212,"media_type":36},"\u002FpZMQNToAQh7EspvQnvKiEql2en2.jpg",[268,24,243,202],12,110823,"Un couple pas ordinaire","Ruba al prossimo tuo","Un détective s'engage dans une relation avec la superbe fille d'un vieil ami. La fille s'avère être une voleuse de bijoux, qui finit par entraîner le détective dans un cambriolage en Autriche.",2.0146,"\u002FyCBgwm9xFYI5xTjM5f1Ti9haz5r.jpg","1968-09-27",4.5,6,"52fe4ae6c3a36847f81e78ef",{"adult":4,"backdrop_path":21,"genre_ids":280,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":281,"department":222,"job":282,"media_type":36},[23,24],"52fe4c11c3a36847f82200c5","Writer",{"adult":4,"backdrop_path":21,"genre_ids":284,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":285,"department":14,"job":212,"media_type":36},[23,24],"52fe4c11c3a36847f82200bf",{"adult":4,"backdrop_path":287,"genre_ids":288,"id":289,"title":290,"original_language":27,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":157,"vote_count":157,"credit_id":295,"department":222,"job":239,"media_type":36},"\u002FzLbo6CbxuGMk574iubdBH0J0gIK.jpg",[23,202],171593,"Codice privato","Le partenaire d'Anna, un écrivain célèbre, l'a quittée après plusieurs années de vie commune et elle est déterminée à découvrir pourquoi. Après avoir découvert le code d'accès à son ordinateur, Anna lit des lettres non envoyées qui révèlent la véritable raison de leur rupture.",1.4939,"\u002Fz4TBzR2yv487yHI0eryweqqGg05.jpg","1988-09-08","52fe4d0fc3a36847f824c7c3",{"adult":4,"backdrop_path":287,"genre_ids":297,"id":289,"title":290,"original_language":27,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":157,"vote_count":157,"credit_id":298,"department":14,"job":212,"media_type":36},[23,202],"52fe4d0fc3a36847f824c7bd",{"adult":4,"backdrop_path":300,"genre_ids":301,"id":303,"title":304,"original_language":27,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":157,"vote_count":310,"credit_id":311,"department":14,"job":212,"media_type":36},"\u002F3jjzDhDtTHQP48gI7SyvjFYEvj3.jpg",[23,302,202],10752,210370,"Les Égarés","Gli sbandati","En 1943, la comtesse Luisa, son fils Andrea, son neveu Carlo, fils d'un dirigeant fasciste et Ferrucio, un ami de la famille, quittent Milan pour la campagne et ainsi échapper aux bombardements. 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