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The future film director also studied at the film studio of the Factory of Eccentric Actor from 1925 to 1928.\n\nSince 1929 Nadezhda Kosheverova worked at Lenfilm, where she started her career as the assistant of the film director Maxim Trilogy.\n\nShe made her first debut as a director with the film Once in Autumn (Odnazhdy Osen’y) in 1937; the work has not been preserved, unfortunately. She gained her first success after the release of the lyrical comedy Arinka (1940) co-directed by her jointly with Yuri Muzykant in 1939.\n\nBefore the beginning of the Second World War, the young film director managed to create a feature film about the Finnish war Galya, which was banned by the censor.\n\nFor the first time Nadezhda Kosheverova resorted to the fairy tale genre, destined to become her major creative direction, in 1944. Her debut in this genre was the musical film Cherevichki based on Tchaikovsky’s opera with the same name and co-directed with Mikhail Shapiro.\n\nHer film Cinderella (Zolushka), released in 1947, was a wild success thanks to the brilliant scenario by Yevgeni Shvarts, design by Nikolai Akimov, and perfectly accurate casting brought the fairy tale recognition among spectators and critics. Continuing her work as a comedy dramatist  with Captive Driver (Shofyor ponevole, 1958) and Be Careful, Grandma! (Ostorozhno, babushka!, 1960) Kosheverova tried to remain true to her favourite genre of the traditional children’s magic fairy tale.\n\nIn 1968 Kosheverova released one of her best and most famous fairy tales - A Very Old Story (Staraya, staraya skazka) starring splendid Oleg Dal and the then unknown Marina Neyolova. 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