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De la salle de montage à l'atelier, de questions en réponses, une certaine intimité se noue. Chacun se livre et leurs réflexions sur l'engagement de l'artiste et la transmission des œuvres se croisent. Ce film poignant témoigne de la rencontre entre deux générations, deux conceptions du cinéma et deux technologies ; la pellicule et la vidéo.Boris Lehman est un cinéaste belge discret et Clémentine une jeune réalisatrice qui l'admire. De la salle de montage à l'atelier, de questions en réponses, une certaine intimité se noue. Chacun d'eux se livrent et leurs réflexions sur l'engagement de l'artiste et la transmission des œuvres se croisent. 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Cette triple rencontre de la musique, de la peinture et du cinéma se réalise dans le quotidien d’un lieu unique: l’atelier du peintre. Ici la toile se confond avec l’écran, la peinture déborde de partout (sur les sols et le plafond, dans les photos, les livres et objets familiers du peintre), elle-même envahie par la musique, transformée par elle. Tantôt bibliothèque du souvenir, tantôt musée, tantôt décor d’opéra ou scène de récital, l’atelier devient le magique miroir de l’art. Au centre du tableau, Arié Mandelbaum. La caméra pénètre son univers, à l’aide de mouvements balayant son atelier, l’explorant dans ses moindres recoins, jusque dans son intimité.",0.629,"\u002FfhcgWoncefaZ9xIVRMovaqIvsaB.jpg","1985-01-01",6.5,"5a00336a92514146f505d9ab",{"adult":4,"backdrop_path":8,"genre_ids":140,"id":141,"title":142,"original_language":37,"original_title":142,"overview":24,"popularity":143,"poster_path":8,"release_date":144,"softcore":4,"video":4,"vote_average":42,"vote_count":100,"character":24,"credit_id":145,"order":146,"media_type":30},[34],417893,"Déconstruction",1.0133,"2009-01-01","5a431520c3a36858e4044ef7",7,{"adult":4,"backdrop_path":8,"genre_ids":148,"id":149,"title":150,"original_language":37,"original_title":150,"overview":24,"popularity":151,"poster_path":152,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":42,"character":68,"credit_id":155,"order":126,"media_type":30},[34],230868,"Mes entretiens filmés",1.0462,"\u002Fg7aRipOHY2mL7dGAlFisMSlMMH0.jpg","2013-10-13",3.2,"5a58026dc3a3681e81000849",{"adult":4,"backdrop_path":8,"genre_ids":157,"id":158,"title":159,"original_language":37,"original_title":159,"overview":24,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":163,"vote_count":44,"character":68,"credit_id":164,"order":165,"media_type":30},[34],365272,"Tentatives de se décrire",1.0055,"\u002FukJAohelmfXvVzCQ9CqHEzM9WBg.jpg","2005-11-04",7.4,"5a63b703c3a3687f75017c7d",15,{"adult":4,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":37,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":146,"character":176,"credit_id":177,"order":165,"media_type":30},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[34],272074,"Cinématon","Cinématon est une série cinématographique de portraits filmés montrant une personnalité des arts, de la culture ou du spectacle, en un seul gros plan fixe et muet de 3 minutes et demie, dans lesquels elle est libre de faire ce qu'elle veut.",2.0543,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°34 \u002F N°468 \u002F N°1463 \u002F N°2292","5a73901d0e0a26642a013d9a",{"adult":4,"backdrop_path":8,"genre_ids":179,"id":180,"title":181,"original_language":37,"original_title":181,"overview":24,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":185,"order":28,"media_type":30},[34],515819,"Histoire de ma vie racontée par mes photographies",0.788,"\u002Ff5jKsbIIQPBlIcCjJ0eDAXQkLq7.jpg","2002-01-01","5ac7bd780e0a26496b03057a",{"adult":4,"backdrop_path":8,"genre_ids":187,"id":188,"title":189,"original_language":37,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":194,"order":28,"media_type":30},[],525800,"La Marelle et les Épouvantails","C’est l’histoire d’un double ensorcellement.\r Les épouvantails ne sont-ils pas les restes de morts vivants\r Dont l’âme tente de s’échapper pour monter au ciel.  Le jeu de la marelle va\r De la terre jusqu’au ciel,\r Entre la chance et le puits,\r Tu reviens et c’est fini.\r Petite, petite fille,\r Tu es là pour t’amuser.\r Lance bien la pierre,\r Prends garde où tu mets tes pieds.",0.4741,"\u002F9lFcMlfe6mAMuAGTkERSi6afRbc.jpg","2011-09-22","5b0478f1c3a3686c7a02cf61",{"adult":4,"backdrop_path":8,"genre_ids":196,"id":197,"title":198,"original_language":37,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":203,"order":28,"media_type":30},[],525803,"L'Image, le Monde","Sur un mode burlesque, le réalisateur tente de dégonfler le monde (concrétisé ici par un globe terrestre), de l’aplanir, de mettre ses trois dimensions en deux. Pour cela, il lutte contre la matière et la boule, l’embrasse, se couche dessus, la tord et la piétine. 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Laura cherche son amant, Ricardo, alors que Jaime se prépare à épouser Sofia, sa fiancée…",1.0267,"\u002FbczX11kDzRiB3ixoqOK1sH9OeGR.jpg","Le patron du cabaret","5b73a2730e0a267ef41c5546",13,{"adult":4,"backdrop_path":8,"genre_ids":227,"id":228,"title":229,"original_language":37,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":126,"vote_count":100,"character":24,"credit_id":234,"order":100,"media_type":30},[],569269,"Hérésie pour Magritte IV","Ulrich Gregor est filmé dans son bureau du Festival de cinéma de Berlin entouré de l’affiche du festival (La Grande famille de Magritte).",0.7221,"\u002FvMFRmrVqoZLmfhvMjmKwuoSaqFL.jpg","1979-04-04","5c1858fc0e0a26038b3eae3e",{"adult":4,"backdrop_path":8,"genre_ids":236,"id":237,"title":238,"original_language":37,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":100,"character":244,"credit_id":245,"order":126,"media_type":30},[34],567880,"Le journal de Joseph M.","Depuis trente ans, le cinéaste Joseph Morder réalise un journal filmé tourné en Super 8 mm à la manière d'écrivains qui tiennent un journal écrit.",0.8499,"\u002FoDj8ofLaeozZvLiyXTPo046l14w.jpg","2000-02-15",8,"Tramp in Brussels","5c0ffeb392514147980db750",{"adult":4,"backdrop_path":8,"genre_ids":247,"id":248,"title":249,"original_language":37,"original_title":249,"overview":24,"popularity":250,"poster_path":251,"release_date":252,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":253,"order":243,"media_type":30},[],573271,"La Dernière (S)Cène",0.8058,"\u002Fnui4zBYofn22udI9EIaaUDJxlnH.jpg","2003-09-05","5c321ffbc3a3685320a7b36b",{"adult":4,"backdrop_path":255,"genre_ids":256,"id":258,"title":259,"original_language":37,"original_title":259,"overview":24,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":126,"vote_count":100,"character":263,"credit_id":264,"order":28,"media_type":30},"\u002FvHYpJbShsK5EZ4Y92bM5StMxJly.jpg",[257,34],14,573268,"L'Homme de terre",1.2067,"\u002F38uyNGqFviq8GUzplESwBbeVQiR.jpg","1989-01-01","le modèle","5c321cad92514122ac7586fd",{"adult":4,"backdrop_path":8,"genre_ids":266,"id":267,"title":268,"original_language":37,"original_title":268,"overview":24,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":272,"order":28,"media_type":30},[34],573275,"Homme portant",0.6105,"\u002FajXspBcAfisebFBV3Cdjs1xtk2J.jpg","2003-05-30","5c322414c3a3680835a6d040",{"adult":4,"backdrop_path":274,"genre_ids":275,"id":276,"title":277,"original_language":37,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":282,"order":100,"media_type":30},"\u002Fg27cZZYkGJ7WTWc0PIxe7kA2Jj7.jpg",[],573345,"Red Mudh","Un court film de Boris Lehman",0.7063,"\u002FbYtsp60kyTnR7iXw3GXtgE1RT0b.jpg","2005-03-27","5c3274589251416d947240b9",{"adult":4,"backdrop_path":8,"genre_ids":284,"id":285,"title":286,"original_language":37,"original_title":286,"overview":24,"popularity":287,"poster_path":288,"release_date":289,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":290,"order":100,"media_type":30},[34],573343,"Retouches et réparations",1.0342,"\u002FteIHa8CErQLs43p8OV9SlCUAX81.jpg","2007-01-12","5c3272220e0a260fc1400a0e",{"adult":4,"backdrop_path":8,"genre_ids":292,"id":293,"title":294,"original_language":37,"original_title":294,"overview":295,"popularity":296,"poster_path":297,"release_date":298,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":299,"order":53,"media_type":30},[34],586302,"Vie","Vie recouvre l'année 1993 des Carnets filmés. 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C'est ce qui s'appelle refaire le monde.",0.691,"1967-08-18","6744b682893be609be3aa18d",{"adult":4,"backdrop_path":8,"genre_ids":845,"id":556,"title":557,"original_language":37,"original_title":557,"overview":24,"popularity":558,"poster_path":559,"release_date":560,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":846,"department":13,"job":463,"media_type":30},[],"6748df7c2830aa98ee6dc9b1",{"adult":4,"backdrop_path":8,"genre_ids":848,"id":849,"title":850,"original_language":37,"original_title":850,"overview":24,"popularity":851,"poster_path":852,"release_date":853,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":854,"department":13,"job":463,"media_type":30},[],1339301,"Maurice D...",0.4977,"\u002FgAMywVgtiqZCTLpQQtasDKZHhwJ.jpg","1972-01-01","68586a4ede9cada8294933b3",{"adult":4,"backdrop_path":856,"genre_ids":857,"id":858,"title":859,"original_language":860,"original_title":859,"overview":24,"popularity":861,"poster_path":862,"release_date":24,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":863,"department":552,"job":864,"media_type":30},"\u002F5IRzS2NqzQvRkgKbj4TfLBSRhgT.jpg",[34],1692477,"Feesten in België","nl",1.4006,"\u002FMbi5EB5h8p4rI9UUI714S3xb3.jpg","6a01c203afb3cac85b132f43","Assistant Editor",{"adult":4,"backdrop_path":8,"genre_ids":866,"id":867,"title":868,"original_language":37,"original_title":868,"overview":869,"popularity":870,"poster_path":8,"release_date":871,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":872,"department":13,"job":873,"media_type":30},[338],689399,"Le banc","Cinq personnages regardent les nuages, écoutent les oiseaux, mangent des tartines, parlent du vent en attendant le soleil qui ne vient pas.",1.6959,"1971-01-01","6a64968c1a21d3b0326f1a1b","Assistant Director",{"adult":4,"backdrop_path":8,"genre_ids":875,"id":867,"title":868,"original_language":37,"original_title":868,"overview":869,"popularity":870,"poster_path":8,"release_date":871,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":876,"department":748,"job":748,"media_type":30},[338],"6a6496e50e2d26345cc303d9",{"adult":4,"backdrop_path":8,"genre_ids":878,"id":879,"title":880,"original_language":23,"original_title":880,"overview":24,"popularity":881,"poster_path":8,"release_date":882,"softcore":4,"video":4,"vote_average":42,"vote_count":100,"credit_id":883,"department":504,"job":884,"media_type":30},[206,34],1472701,"Mon Délire, le Saint-Michel",0.4897,"1979-01-01","6aa5295880bf2235eaf41adb","Production Assistant",{"profiles":886},[]]