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She then moved back to Cuba with her parents, and later returned to Mexico, where she kept writing and obtained a role in her only film, Corazón bandolero (1934). She became a chair member of the Ateneo Mexicano de Mujeres and later moved back to Cuba, where she wrote the radionovela Yo no creo en los hombres, which was adapted in Mexico for telenovelas in 1969 and 1991. Upon the rise of Fidel Castro, she returned to Mexico, where she would remain the rest of her life. Back in Mexico, she wrote Corazón salvaje, a novel that has been adapted to the screen twice and as a telenovela four times (including once as Juan del Diablo in Puerto Rico). 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De leurs côtés, Alfonsina et Augusto font tout leur possible pour mettre fin à la romance entre leurs enfants. Augusto finit même par obliger sa fille à accepter la demande en mariage de Gael, sans quoi il tuera Damián. Mais la belle Paloma, la meilleure amie d’Elisa, est elle-même éperdument amoureuse de Gael et vit l’annonce du mariage comme une trahison. Alors que Gael et Elisa se tiennent devant l’autel, Damián s’oppose au mariage. L’affrontement entre les anciens meilleurs amis atteint son paroxysme lors d’une violente bagarre, interrompue par une perturbante révélation : les deux garçons sont demi-frères du côté de leur père, Rosendo. 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