[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1184885:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":1104},false,[],"Marcel Hanoun was born in 1929 in Tunisia. A photographer and journalist, he has directed, since 1955, many significant works in the history of the creation of filmic forms. An essayist on cinema as well, Hanoun co-founded several critical reviews in the 60s and 70s. This engaged creator is cameraman and editor of most of his films. His body of work is at once subversive and ascetic, known throughout the world, and respected by many great artists.","1929-10-26","2012-09-22",2,"http:\u002F\u002Fwww.marcel-hanoun.com",1184885,"nm0360528","Directing","Marcel Hanoun","Tunis, Tunisia",0.5041,"\u002FgWEp5hDCnDub4sEddvU0JvgpJY4.jpg",{"cast":19,"crew":281},[20,38,48,58,72,85,93,102,110,117,127,137,144,154,167,178,187,196,205,214,223,232,239,246,253,261,271],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":31,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},null,[23],99,406343,"Cinexpérimentaux #6: Marcel Hanoun, A Lesson in Cinema","en","",0.9313,"\u002Fz4KzgBMrxiIYoXIBSp9CnGeT1Au.jpg","2003-12-10",true,5,1,"Self","633adc12cf48a1007a7e0062",0,"movie",{"adult":4,"backdrop_path":21,"genre_ids":39,"id":40,"title":41,"original_language":42,"original_title":41,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":47,"order":9,"media_type":37},[],648851,"L'Été madrilène","fr","Un film de Joseph Morder",0.6903,"\u002FuUVE3shm61xc8Y8deaXkkbiEpLj.jpg","1979-04-05","65daf2e345765d0162d1659f",{"adult":4,"backdrop_path":49,"genre_ids":50,"id":52,"title":53,"original_language":42,"original_title":53,"overview":27,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":57,"order":33,"media_type":37},"\u002FxjHKEt76hmjntCMmUvKhv5xXjO1.jpg",[51],18,431627,"Cello",1.5617,"\u002FbcXAfu8Wp1qPONC5GGfbBqhWdsB.jpg","2010-05-16","585f5879c3a3681a6f01861a",{"adult":4,"backdrop_path":21,"genre_ids":59,"id":62,"title":63,"original_language":42,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"character":27,"credit_id":70,"order":71,"media_type":37},[51,60,61],35,53,94828,"Le journal d'un suicidé","Lors d'une croisière en Méditerranée, un jeune homme engagé comme guide touristique est intrigué par la beauté d'une femme interprète cachée derrière ses lunettes de soleil. Il lui fait des avances de plus en plus prononcées. D'abord en retrait, celle-ci se décide enfin à réagir en lançant un défi au guide : \"Racontez-moi quelque chose de beau...\" Le jeune homme s'aventure alors dans une suite d'histoires étranges. Eblouie, la demoiselle veut en savoir plus, devient loquace. 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son œuvre du 28 avril au 31 mai 2010, un nouveau film, celui de son choix : un film « libre », ce qui veut dire libre au cinéaste de faire voir et entendre ce qu'il veut, qui il veut et, idéalement, de le faire voir et entendre à tous ou à chacun.",1.0859,"\u002FiurkoOBBTqry8m9xg8YRdytgMxa.jpg","2010-05-28","5a5bcfa99251413f71027a88",{"adult":4,"backdrop_path":21,"genre_ids":188,"id":189,"title":190,"original_language":42,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":195,"order":9,"media_type":37},[23],568450,"Montagnes endormies","Montagnes endormies (1982) fait suite à Chemins intermédiaires (1981-1982) et précède Printemps météore (1983). On y retrouve les thèmes qui apparaissent dans les épisodes précédents : le goût des voyages (Berlin-Ouest, le Canada, New York), le plaisir des rencontres, l'amour du cinéma. On y trouve aussi cette fascination des montagnes préalpines (Chartreuse, Vercors) aux pieds desquelles j'ai vécu dans mon enfance et cette manière de les filmer comme des êtres humains.",1.1929,"\u002FvzbOEpTdtJOuj2hFEfacnvrIsxn.jpg","2011-04-14","5c13ecbf0e0a26037c3bb41e",{"adult":4,"backdrop_path":21,"genre_ids":197,"id":198,"title":199,"original_language":42,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":100,"vote_count":33,"character":27,"credit_id":204,"order":32,"media_type":37},[23],567880,"Le journal de Joseph M.","Depuis trente ans, le cinéaste Joseph Morder réalise un journal filmé tourné en Super 8 mm à la manière d'écrivains qui tiennent un journal écrit.",0.8535,"\u002FoDj8ofLaeozZvLiyXTPo046l14w.jpg","2000-02-15","5c0ffe8c0e0a2638b80e4dce",{"adult":4,"backdrop_path":21,"genre_ids":206,"id":207,"title":208,"original_language":42,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":82,"credit_id":213,"order":32,"media_type":37},[23],583619,"2 ou 3 choses que je sais de Joseph Morder","Deux ou trois choses que je sais de Joseph Morder, ce sont deux films : le film de l’image et le film de la voix.  Le film de l’image : ce sont des extraits de mes Carnets filmés de l’année 1999 (Derrière la nuit), qui concernent le tournage de mon film Le Journal de Joseph M.  Le film de la voix : c’est la lecture, par Mauricio Hernandez, de mon texte Deux ou trois choses que je sais de Joseph Morder.",0.9851,"\u002Fyb3qyb3rv7ztK5UjCQvD9JsABCL.jpg","2007-11-01","5c6d9b51c3a3684f97ec40a3",{"adult":4,"backdrop_path":21,"genre_ids":215,"id":216,"title":217,"original_language":42,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":222,"order":32,"media_type":37},[23],585761,"Le Chemin de Resson : Joseph Morder rend visite à Marcel Hanoun","Le Chemin de Resson : Joseph Morder rend visite à Marcel Hanoun est le Carnet filmé de Gérard Courant du 7 mai 1999 qu'il a tourné à Resson, près de Nogent-sur-Seine (France), dans le hameau où habitait Marcel Hanoun.  Cet épisode des Carnets filmés a été réalisé en parallèle au tournage du Journal de Joseph M que Gérard Courant filmait à ce moment-là.  Le film nous présente Marcel Hanoun, compagnon de route de Joseph Morder et de Gérard Courant, ciné-poète utopiste et révolutionnaire.  Ce film a été tourné dans un format inventé par Gérard Courant, le MorlockScope : 2,35.",1.4565,"\u002FaL0i2pVYmyZ8lcR5Y62MJLm3bJR.jpg","2013-06-03","5c7b11630e0a2620ae100a6a",{"adult":4,"backdrop_path":21,"genre_ids":224,"id":225,"title":226,"original_language":42,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":231,"order":36,"media_type":37},[23],585762,"In Memoriam Marcel Hanoun","Pendant le tournage du Journal de Joseph M (1999), Gérard Courant avait filmé les à-côtés de ce film consacré au cinéaste Joseph Morder pour ses Carnets filmés et son épisode Derrière la nuit. En particulier une journée à Resson, près de Nogent-sur-Seine (France), à une centaine de kilomètres à l'Est de Paris, dans l'antre de Marcel Hanoun lorsque Joseph Morder lui avait rendu visite.  À l'occasion de la disparition de Marcel Hanoun, Gérard Courant a voulu rendre hommage à ce compagnon de route qu'il fréquentait depuis 1975 en l'accompagnant de la chanson Avec le temps de Léo Ferré.",1.3942,"\u002Fj3eaG4WMSXxroh9YYZU4erCsM7C.jpg","2012-11-14","5c7b12ac925141664d48cc87",{"adult":4,"backdrop_path":21,"genre_ids":233,"id":234,"title":235,"original_language":42,"original_title":235,"overview":27,"popularity":236,"poster_path":237,"release_date":194,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":238,"order":69,"media_type":37},[23],586303,"Nuits transparentes",0.8554,"\u002FkoI4fBLOFq3h32EcZMKlMUTgBxU.jpg","5c7e001e925141277a162efc",{"adult":4,"backdrop_path":21,"genre_ids":240,"id":241,"title":242,"original_language":26,"original_title":242,"overview":27,"popularity":243,"poster_path":21,"release_date":244,"softcore":4,"video":31,"vote_average":36,"vote_count":36,"character":27,"credit_id":245,"order":36,"media_type":37},[],618533,"Marcel Hanoun wedding",0.8615,"1971-10-08","5d3b174d60c51d00138e5d1c",{"adult":4,"backdrop_path":21,"genre_ids":247,"id":248,"title":249,"original_language":42,"original_title":249,"overview":27,"popularity":250,"poster_path":21,"release_date":251,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":164,"credit_id":252,"order":36,"media_type":37},[],756050,"Cinématon VII",1.4791,"1980-03-05","5f90a558d9f4a60036db2dca",{"adult":4,"backdrop_path":21,"genre_ids":254,"id":255,"title":256,"original_language":42,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":251,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":260,"order":36,"media_type":37},[],818037,"Cinématon n°60 : Marcel Hanoun","Le \"Cinématon\" n°60 du cinéaste Marcel Hanoun réalisé par Gérard Courant le 23 juin 1979 à Resson (France) (silencieux).",0.9255,"\u002FzadfhiZPK0pPPIkYubNu914TUdE.jpg","6075d4312a09bc006e4a7404",{"adult":4,"backdrop_path":262,"genre_ids":263,"id":264,"title":265,"original_language":42,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":27,"credit_id":270,"order":36,"media_type":37},"\u002FAgGfVkkYHNRZtSCSKDN3jrvMqBj.jpg",[23],1570748,"Face à la mèr(e)","Marcel Hanoun, ses racines et la traversé",0.861,"\u002FkucxGdUkScdUgeYsHn8FB1NWhWo.jpg","2012-12-22","69016b9e232ddd0aa41daf8f",{"adult":4,"backdrop_path":272,"genre_ids":273,"id":274,"title":275,"original_language":26,"original_title":275,"overview":27,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":153,"vote_count":177,"character":34,"credit_id":279,"order":280,"media_type":37},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[23],295120,"Birth of a Nation",1.6817,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06","6ab802f6ffc43eb806eab489",95,[282,292,297,309,320,330,340,350,361,371,374,383,392,400,408,416,419,429,432,435,443,446,454,463,466,469,478,481,489,492,500,503,511,514,523,526,535,538,546,549,556,559,562,565,573,576,584,587,595,602,609,612,619,626,633,636,643,646,654,657,665,672,679,686,693,699,706,713,721,729,736,743,749,755,761,767,773,780,783,789,796,804,807,810,818,821,824,834,839,842,845,848,853,856,859,862,865,868,871,874,877,880,883,886,889,899,902,905,908,911,914,917,920,923,926,929,932,936,939,942,945,948,951,954,957,960,963,968,971,974,977,981,985,989,992,995,998,1001,1004,1007,1010,1013,1016,1019,1022,1030,1033,1036,1039,1042,1045,1048,1051,1054,1057,1060,1063,1066,1069,1072,1080,1084,1087,1094,1097],{"adult":4,"backdrop_path":21,"genre_ids":283,"id":284,"title":285,"original_language":42,"original_title":285,"overview":27,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":100,"vote_count":33,"credit_id":289,"department":290,"job":291,"media_type":37},[],431617,"L'arbre qui gémit",1.0657,"\u002F1X62VcbwfkafA86mRcLLHyZG9Kw.jpg","1981-10-24","6080dc29b04605006ffb7345","Writing","Writer",{"adult":4,"backdrop_path":21,"genre_ids":293,"id":284,"title":285,"original_language":42,"original_title":285,"overview":27,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":100,"vote_count":33,"credit_id":294,"department":295,"job":296,"media_type":37},[],"6080dc37d48cee00648df709","Editing","Editor",{"adult":4,"backdrop_path":298,"genre_ids":299,"id":300,"title":301,"original_language":42,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":306,"vote_count":100,"credit_id":307,"department":13,"job":308,"media_type":37},"\u002FcfDX522q35v5U2Rp21S1e4KZbN1.jpg",[51],202689,"L’Authentique Procès de Carl-Emmanuel Jung","\"\"Ce procès est imaginaire\", voilà les premiers mots du narrateur, qui poursuit en désignant les figures, procureur, avocats, journaliste, visages sur fond noir abstrait, concluant. Hanoun annonce d’emblée le projet de ce film a-naturaliste, financé par Godard, où Eustache fait une apparition. Il instaure son propre rapport à la vérité, dans une dialectique du dit, du su et du vu. Le procès de Carl- Emmanuel Jung, criminel de guerre nazi, se révèle celui d’un certain cinéma. S’appuyant sur des récits historiques, il retourne les usages du témoignage (glissements des voix, toujours off, d’un orateur à l’autre) comme les attendus de la preuve par l’image (refus de montrer les preuves visuelles annoncées). 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