[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F117075:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":684},false,[],"From Wikipedia, the free encyclopedia.\n\nHenry Jaglom is a London-born American film director and playwright.\n\nJaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business. His father was from a wealthy family from Russia and his mother was from Germany. They left for England because of the Nazi regime. Through his mother, he is a descendant of philosopher Moses Mendelssohn.\n\nJaglom trained with Lee Strasberg at the Actors Studio in New York, where he acted, wrote and directed off-Broadway theater and cabaret before settling in Hollywood in the late 1960s. Under contract to Columbia Pictures, Jaglom featured in such TV series as Gidget and The Flying Nun and acted in a number of films which included Boris Sagal's The Thousand Plane Raid (1969), Jack Nicholson's Drive, He Said (1971), Dennis Hopper's The Last Movie (1971), Orson Welles' never-completed The Other Side of the Wind and more.\n\nJaglom's transition from acting in films to creating them was largely influenced by his experience watching the Italian film 8½ (1963). “The film changed my identity. I realized that what I wanted to do was make films. Not only that, but I realized what I wanted to make films about: my own life, to some extent.”\n\nJaglom began his filmmaking career working with Nicholson on the editing of Hopper's Easy Rider (1969), and made his writing\u002Fdirecting debut with A Safe Place (1971), starring Tuesday Weld, Nicholson and Welles. His next film, Tracks (1976), starred Hopper and was one of the earliest movies to explore the psychological cost on America of the Vietnam War. His third film, the first to be a commercial success, was Sitting Ducks (1980), a comic romp. \n\nJaglom co-starred in four of his most personal films—Always, But Not Forever (1985), Someone to Love (1987) starring Orson Welles in his farewell film performance, New Year's Day (1989), which introduced David Duchovny, and Venice\u002FVenice (1992) opposite French star Nelly Alard.\n\nIn 1983, Jaglom taped lunch conversations with Orson Welles at Los Angeles's Ma Maison. Edited transcripts of these sessions appear in Peter Biskind's book My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles (2013).\n\nAs a playwright, has written four plays that have been successfully performed on Los Angeles stages: The Waiting Room (1974), A Safe Place (2003), Always—But Not Forever (2007) and Just 45 Minutes from Broadway (2009\u002F2010). Jaglom is the subject of the Henry Alex Rubin's and Jeremy Workman's documentary Who Is Henry Jaglom? 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Les Indiens sont particulièrement impressionnés par Kansas, le metteur en scène qui agit comme un général au milieu de ses troupes. À la suite d'un incident tragique sur le plateau où un acteur est tué lors d'une cascade, Kansas décide d'abandonner le cinéma et de rester au Pérou avec une femme de la région. Il pense avoir trouvé le paradis, mais il est bientôt appelé à l'aide pour un incident bizarre : les indigènes péruviens \"filment\" leur propre western avec des \"caméras\" faites de bâtons, et jouent les scènes violentes sans trucages, car ils ne comprennent pas les simulacres de films.",2.5333,"\u002F9ptnINGfe21OXMnx4LsEPHiycGV.jpg","1971-09-29",5.7,68,"Minister's Son","52fe479ec3a36847f813f7c1",{"adult":4,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":25,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"character":107,"credit_id":108,"order":109,"media_type":35},"\u002Fdlj1G2dkDX4v8Du3iXxHgQMw8fi.jpg",[57,39],57215,"Vas-y, fonce","Drive, He Said","Dans une université, quelques étudiants se lient d'amitié et se rebellent contre le système.",1.717,"\u002FeltTSrLJEWGDSHHzCzYQ0wiWZ7D.jpg","1971-06-13",5.6,26,"Conrad","52fe4929c3a36847f818c29f",5,{"adult":4,"backdrop_path":111,"genre_ids":112,"id":114,"title":115,"original_language":25,"original_title":115,"overview":60,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":109,"character":120,"credit_id":121,"order":122,"media_type":35},"\u002F16Q8gLPGv0SHkpmCsID5I3zPdhc.jpg",[39,113],10749,144231,"Always … But Not Forever",1.3847,"\u002FrCYAMewiNpV6gabIK7x1ee141Y8.jpg","1985-10-04",4.4,"David","52fe4b299251416c750fa46b",1,{"adult":4,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":25,"original_title":127,"overview":60,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":109,"character":132,"credit_id":133,"order":134,"media_type":35},"\u002FnDxsn4GyXHh3r3bWkexGPpOoaJ2.jpg",[57,39],188588,"Last Summer in the Hamptons",1.9971,"\u002Fg3m93gROYRRgu7lyQPzrka612uK.jpg","1995-11-22",5.8,"Max Berger","52fe4d3c9251416c751347bd",15,{"adult":4,"backdrop_path":8,"genre_ids":136,"id":137,"title":138,"original_language":139,"original_title":138,"overview":60,"popularity":140,"poster_path":141,"release_date":142,"softcore":4,"video":4,"vote_average":143,"vote_count":122,"character":32,"credit_id":144,"order":49,"media_type":35},[22],1097174,"Mythos Hollywood - Das Geheimnis des Erfolgs","de",1.6434,"\u002FrvUsvRFzEACM0BrKOljIXIAhWXh.jpg","1998-01-01",3,"64edd6f11feac100e16c2628",{"adult":4,"backdrop_path":146,"genre_ids":147,"id":148,"title":149,"original_language":25,"original_title":149,"overview":60,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":153,"vote_count":154,"character":155,"credit_id":156,"order":157,"media_type":35},"\u002Fv4XZga2WgfZ6W6if7EP0Gjza5mj.jpg",[57],214446,"Someone to Love",2.0823,"\u002F9wfWdy7sL3AmLwhAVekpCA9b58S.jpg","1987-09-11",5.5,11,"Danny Sapir","52fe4ddec3a368484e2022cd",0,{"adult":4,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":25,"original_title":162,"overview":60,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":64,"vote_count":154,"character":166,"credit_id":167,"order":143,"media_type":35},"\u002Fg88ysI697uDcox8wuQMyZK6Q99F.jpg",[57],214447,"New Year's Day",1.616,"\u002F29pJUbwDrWqygBRZtPR1s4vR1sv.jpg","1990-02-09","Drew","52fe4ddfc3a368484e20239d",{"adult":4,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":25,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":78,"vote_count":177,"character":32,"credit_id":178,"order":52,"media_type":35},"\u002FsPv96xgkp8Mme0jpIC2RkQotk9b.jpg",[72,22],56224,"Z Channel: A Magnificent Obsession","Un documentaire sur Z Channel, l'une des premières chaînes câblées payantes des États-Unis, et son responsable de la programmation, Jerry Harvey. Lancée en 1974, cette chaîne basée à Los Angeles a proposé une programmation éclectique de films qui est devenue un exemple parfait de la puissance inexploitée de la télévision par câble.",2.1399,"\u002FmhEUVtXc08I8hZSbexWnilXga1p.jpg","2004-05-16",43,"536ffc67c3a368124a00ef24",{"adult":4,"backdrop_path":8,"genre_ids":180,"id":181,"title":182,"original_language":25,"original_title":182,"overview":60,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":131,"vote_count":186,"character":32,"credit_id":187,"order":31,"media_type":35},[22],117604,"Edge of Outside",1.4842,"\u002FaR0WqxNM0P9qxmdOZAdSxiSeVW0.jpg","2006-06-11",4,"62f68f12daf57c007eba057d",{"adult":4,"backdrop_path":189,"genre_ids":190,"id":191,"title":192,"original_language":25,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":198,"vote_count":199,"character":13,"credit_id":200,"order":81,"media_type":35},"\u002FurIWkloEYK1AGdfui3eHdUGmCzq.jpg",[39],299782,"De l'autre côté du vent","The Other Side of the Wind","Restée inachevée pendant 40 ans, maintenant restaurée et enfin terminée, cette satire d'Orson Welles décrit les derniers jours d’un grand cinéaste qui tente un come-back.",2.6694,"\u002FvzLqi0uAwCXfIq1wdfsbZnXNyUC.jpg","2018-11-02",6.724,243,"5451708bc3a3680236004c89",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":25,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":210,"vote_count":211,"character":32,"credit_id":212,"order":9,"media_type":35},"\u002Fv4Shn0HOkLXe7e7oWlWEbHnKLkl.jpg",[22],344368,"This Is Orson Welles","Enrichi d'une interview du réalisateur et de témoignages de proches et de spécialistes, ce document dresse un portrait intime et touchant d'Orson Welles.",1.2015,"\u002FjIYp8ZKhSL2Rv5dA1qzIvVmViEF.jpg","2015-05-21",6.9,12,"557b86b692514153a100052c",{"adult":4,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":25,"original_title":217,"overview":60,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":157,"vote_count":157,"character":32,"credit_id":221,"order":186,"media_type":35},"\u002Fork8u2YuTgLPUnnX7qIu0FaUN6Z.jpg",[22],1058937,"Out of the Blue and Into the Black",1.1971,"\u002Fx8HF6nGgwGv4sW02NEvJqtaWuh9.jpg","1987-01-30","6391c6a3b9a0bd009ba9d688",{"adult":4,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":227,"original_title":226,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":233,"character":234,"credit_id":235,"order":157,"media_type":35},"\u002F2XfJaBVgST1oKxgO5hSXgiJ3UdQ.jpg",[22],340053,"Orson Welles, autopsie d'une légende","fr","Monstre sacré du 7ème art, le mythe personnifié du créateur, Orson Welles est l’homme qui a réinventé le langage cinématographique à l’âge de 24 ans. Le film est un voyage à la rencontre de l’homme derrière sa légende. Un parcours qui nous entraîne dans le dédale de sa fantaisie et de ses humeurs.",0.9574,"\u002FoAsCKHzHbeV0Fu2vkW822Cz4wUM.jpg","2015-05-09",5.9,7,"Himself","560d8867c3a368681400a8bb",{"adult":4,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":25,"original_title":240,"overview":60,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":244,"vote_count":245,"character":246,"credit_id":247,"order":248,"media_type":35},"\u002FqIps5eOGwy1ZCRdxEOf8XktW6Yr.jpg",[22],298664,"Magician: The Astonishing Life and Work of Orson Welles",2.0955,"\u002FvtHKaAS0pCrOASSg6wGmKlkqghh.jpg","2014-12-12",6.461,38,"Self - Filmmaker and Orson's Friend","56845a0b92514169d0004aac",10,{"adult":4,"backdrop_path":250,"genre_ids":251,"id":252,"title":253,"original_language":25,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":157,"vote_count":157,"character":13,"credit_id":258,"order":122,"media_type":35},"\u002FvUJjtuvJVkGXjdxkdOBdxCYQSZV.jpg",[22],1292878,"On the tracks of a filmmaker","Encore étudiante au Conservatoire, Nelly Alard rencontre à Paris le cinéaste indépendant Henry Jaglom, de retour du festival de Cannes en compagnie d’Orson Welles, et découvre ses films pour la plupart inédits en France. Quelques années plus tard, elle décide de tourner un documentaire sur lui. Réalisé avec de tout petits moyens, en vidéo et en anglais, On the tracks of a filmmaker est un portrait du cinéaste, mais raconte aussi les mésaventures d’une jeune Française venue tourner à Hollywood son premier film. On y croise Jack Nicholson, Dennis Hopper, Karen Black, Peter Bogdanovitch, Bob Rafelson et aussi Orson Welles, dans des images enregistrées sur le tournage de son dernier film en tant qu’acteur.",1.1138,"\u002FzJAuUAJefcTRKnZl8IbLHSkPX8W.jpg","1988-01-01","664b3e9cccd1b2be28933cc0",{"adult":4,"backdrop_path":8,"genre_ids":260,"id":261,"title":262,"original_language":25,"original_title":262,"overview":60,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":157,"vote_count":157,"character":32,"credit_id":266,"order":122,"media_type":35},[22],1301357,"Jack of Three Trades: In Focus on Nicholson the Director",0.9265,"\u002FzWyYYQeZFy9sN7OLA4ajKB0G8Ie.jpg","2024-03-26","66631b0c7e2cdec61d133e09",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":270,"title":271,"original_language":25,"original_title":271,"overview":60,"popularity":272,"poster_path":273,"release_date":274,"softcore":4,"video":4,"vote_average":233,"vote_count":143,"character":275,"credit_id":276,"order":122,"media_type":35},"\u002F3eia8pQDTibNFniB7PSMMycmB37.jpg",[39],293794,"Venice\u002FVenice",1.479,"\u002FnqlBOmZRF1KKIHiP8EeZZbAJAZ3.jpg","1992-04-10","Dean","5936f551925141729c001586",{"adult":4,"backdrop_path":278,"genre_ids":279,"id":280,"title":281,"original_language":25,"original_title":282,"overview":283,"popularity":284,"poster_path":285,"release_date":286,"softcore":4,"video":4,"vote_average":287,"vote_count":288,"character":32,"credit_id":289,"order":248,"media_type":35},"\u002Fv7JZK5EY1595RgZYS4xnPLNJ6.jpg",[22],538002,"Ils m'aimeront quand je serai mort","They'll Love Me When I'm Dead","Ce documentaire passionnant s'intéresse au film \"The Other Side of the Wind\" sur lequel Orson Welles a travaillé pendant une décennie avant sa mort sans le terminer.",2.2987,"\u002Fh7YHg3BOEjlZSCJ41FBHyeQkoUG.jpg","2018-08-31",7.141,152,"5bc7523d0e0a26760a00cec2",{"adult":4,"backdrop_path":291,"genre_ids":292,"id":293,"title":294,"original_language":25,"original_title":294,"overview":60,"popularity":295,"poster_path":296,"release_date":297,"softcore":4,"video":4,"vote_average":210,"vote_count":81,"character":298,"credit_id":299,"order":233,"media_type":35},"\u002FfQWkMNZ4TTuMXPsKnl8wViVH46R.jpg",[22],580634,"I Am Richard Pryor",1.6855,"\u002Fu7awSktxLkN5FT0ZdejyqZIzvFo.jpg","2019-03-12","Self - Actor and Director","5c8d3ca39251410ff69f2911",{"adult":4,"backdrop_path":8,"genre_ids":301,"id":302,"title":303,"original_language":25,"original_title":303,"overview":60,"popularity":304,"poster_path":305,"release_date":306,"softcore":4,"video":4,"vote_average":109,"vote_count":122,"character":32,"credit_id":307,"order":143,"media_type":35},[22],586004,"Notes on the New York Film Festival",0.9171,"\u002FtxrOvwODiSL4Ly7CL7owOslyfqa.jpg","1971-12-31","5c7c50319251417b84466d86",{"adult":4,"backdrop_path":8,"genre_ids":309,"id":310,"title":311,"original_language":25,"original_title":311,"overview":60,"popularity":312,"poster_path":313,"release_date":314,"softcore":4,"video":4,"vote_average":157,"vote_count":157,"character":234,"credit_id":315,"order":9,"media_type":35},[22],600256,"The Immortal Orson Welles",1.0448,"\u002Fiy35tRAJdTlwyQT9Vt2Ypv0AOD0.jpg","2019-01-19","5ccf464d0e0a260981000119",{"adult":4,"backdrop_path":8,"genre_ids":317,"id":318,"title":319,"original_language":25,"original_title":319,"overview":60,"popularity":320,"poster_path":321,"release_date":322,"softcore":4,"video":4,"vote_average":323,"vote_count":143,"character":32,"credit_id":324,"order":65,"media_type":35},[22],374059,"Scene Missing",1.6685,"\u002FgbzJj6KGgsZG4gf6gJdrHOYfX8w.jpg","2012-01-01",6.3,"5ccfe32f0e0a262fcd0803c4",{"adult":4,"backdrop_path":326,"genre_ids":327,"id":328,"title":329,"original_language":227,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":232,"vote_count":334,"character":32,"credit_id":335,"order":9,"media_type":35},"\u002FpfTlqjaUPNrZhUuialZKCEbha85.jpg",[22],615940,"Dr. Jack & Mr. Nicholson","D'\"Easy Rider\" à \"Vol au-dessus d'un nid de coucou\", en passant par \"Shining\" et \"Batman\", les rôles les plus fameux de Jack Nicholson font partie de la mémoire collective. 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