[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F113685:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":212},false,[],"Nicolaï Ghiaurov (en bulgare: Николай Гяуров), né à Velingrad en Bulgarie le 13 septembre 1929, mort à Modène en Italie le 2 juin 2004, est un chanteur lyrique (basse) bulgare naturalisé italien.\n\nFils d’un manœuvre d’usine, il vit au sein d'une famille très modeste dans une Bulgarie économiquement affaiblie. Afin d’améliorer le quotidien, son père ajoute à son métier les fonctions de sacristain.\n\nNicolaï montrant très tôt un intérêt pour la musique, il le fait entrer à la chorale de l’église. Mais le chant n’est pas son principal centre d’intérêt: ce qui le passionne avant tout, ce sont les instruments. Ses parents lui achètent un harmonica – ne pouvant lui offrir que cela – et il n'aura très vite plus aucun secret pour lui. Il emprunte alors le violon de son voisin et s'y consacre avec soin. Plus tard, il étudie le trombone, et la clarinette (son instrument préféré) avec la même application. Mû par la soif d’apprendre et d'acquérir de nouvelles techniques, Nicolaï semble doué pour les matières artistiques.\n\nVers 17 ou 18 ans, il s’intéresse au théâtre et se fait admettre au sein d’une troupe amateur tout en poursuivant l’étude des instruments. Il y joue alors ses premiers personnages dans l’Arlésienne d'Alphonse Daudet et dans Tosca de Victorien Sardou. Nicolaï est un élève brillant et son intérêt pour la connaissance va bien au-delà des seuls domaines artistiques; les matières scolaires l’intéressent aussi. Il passe avec succès ses examens de fin d’études et part faire son service militaire. Il est admis à l’école des officiers de réserve de Sofia. Il conjugue exercices militaires et études musicales tout en continuant de travailler les instruments et d'enrichir sa culture musicale. Il fait partie de l’orchestre du régiment et du chœur de la troupe qu’il dirige quelquefois. Par l’entremise d’un de ses camarades musiciens, il rencontre Christo Brambarov mais cette rencontre est une déception: même si Brambarov trouve sa voix intéressante, ce dernier lui conseille de réfléchir encore avant d’embrasser une carrière dans le chant et de s’inscrire au Conservatoire si son choix le confirme dans cette voie. Loin de se décourager, avec toute la ténacité qui le caractérise, il décide qu’il sera chanteur d’opéra, alliant ainsi ses passions pour le théâtre, la musique et le chant.\n\nÀ l’occasion d’un concours inter-régiments, il rencontre Petko Staynov, compositeur et ancien directeur de l’opéra de Sofia qui, conquis par sa voix, l’aidera à rentrer à l’Académie de Musique de Sofia. Dès lors, Brambarov devient son premier professeur et le suivra durant toute sa carrière. L’élève se montre rigoureux autant qu’habile et précis, s’astreignant à des exercices constamment répétés, ne travaillant qu’une seule octave de sa voix et n’abordant qu’une œuvre à la fois. Il passe brillamment le concours de fin d’année et obtient une bourse d’études pour le conservatoire de Leningrad. Il continue toutefois de travailler avec Brambarov. L’année suivante, en 1950, il est admis au conservatoire de Moscou et y séjournera 5 ans. 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