[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1125699:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":10,"combined_credits":17,"images":78},false,[],"Gjon Mili was an Albanian-American photographer and filmmaker renowned for his innovative work with light and motion. After studying electrical engineering at the Massachusetts Institute of Technology, he applied his technical knowledge to photography, pioneering techniques such as stroboscopic photography. Mili is perhaps best known for his collaboration with Pablo Picasso in 1949, where he captured the artist creating \"light drawings\" using a small electric light in a darkened room.  These photographs remain iconic in the art world.","1904-11-28","1984-02-14",2,null,1125699,"nm0587388","Directing","Gjon Mili","Korçë, Albania",0.4244,{"cast":18,"crew":19},[],[20,35,47,52,70],{"adult":4,"backdrop_path":10,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":32,"department":13,"job":33,"media_type":34},[22],10402,148555,"Improvisation","en","",1.768,"\u002F1aLZdVXRO3mb0ZwWvgcKP1IsqkA.jpg","1950-12-11",5,6,"52fe4bce9251416c7510e821","Director","movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":39,"title":40,"original_language":25,"original_title":40,"overview":26,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":46,"department":13,"job":33,"media_type":34},"\u002F5ZGrPugkSR8Ka0TWb2yLW2GrkMl.jpg",[38,22],99,147282,"Jammin' the Blues",1.1754,"\u002FdRFAdxORaQokAy62KqIHUbcaA6e.jpg","1944-05-05",7,33,"52fe4ba09251416c75109081",{"adult":4,"backdrop_path":10,"genre_ids":48,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":49,"department":50,"job":51,"media_type":34},[22],"543ffb37c3a368055100014f","Crew","Cinematography",{"adult":4,"backdrop_path":53,"genre_ids":54,"id":58,"title":59,"original_language":25,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"credit_id":67,"department":68,"job":69,"media_type":34},"\u002FxfEU7DOlQPwz8Y0TBhKmpETuNIc.jpg",[55,56,57],80,18,9648,93,"Autopsie d'un meurtre","Anatomy of a Murder","L'avocat Paul Biegler reçoit un coup de téléphone de Laura Manion lui demandant d'assurer la défense de son mari. Le lieutenant Frederik Manion a tué un propriétaire de bar qui avait violé sa femme. Biegler accepte de le défendre. Le procès commence et la vérité a du mal à émerger, d'ailleurs les avocats et les juges, s'affrontant dans des batailles juridiques, en sont en réalité peu soucieux.",6.7089,"\u002FArLco9bmJgwA4quPDDdyoU4Zxcd.jpg","1959-07-01",7.833,1234,"57d3597692514154870022b7","Camera","Still Photographer",{"adult":4,"backdrop_path":10,"genre_ids":71,"id":72,"title":73,"original_language":25,"original_title":73,"overview":26,"popularity":74,"poster_path":10,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":76,"credit_id":77,"department":13,"job":33,"media_type":34},[22,38],718910,"Stompin' for Mili",0.8937,"1954-06-29",0,"5ef4c5d455b0c000370da45c",{"profiles":79},[]]