[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1118722:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":244},false,[6],"Marie-Antonine Epstein","Born to a French Jewish father and a Polish Catholic mother in present-day Poland, Marie Epstein moved to Switzerland with her mother Hélène and her brother Jean after the death of her father Jules in January 1907. The Epsteins later established themselves in Lyon, France, where Jean was completing his studies, and then in Paris around 1922, just a few months before Jean directed his first two feature films, L’Auberge Rouge (1923) and Coeur fidèle (1923). It was also in the early 1920s that Marie became involved in the world of cinema. She started as an actress—in L’Auberge rouge, where she appeared as an extra in just a few early shots, and in Coeur fidèle, two films that she co-wrote with Jean—but found it difficult to secure more roles. She then turned fully to screenwriting, which led her to work as an assistant director and editor. Through the intervention of French director and producer Jean Benoit-Lévy, Marie also became a director at a time when there were few women filmmakers in France. After she had been Benoit-Lévy’s assistant on several silent film documentaries in the 1920s, she then co-directed, wrote, and edited eight sound fiction films with him in the late 1920s and 1930s. During that period, she also directed at least one short film on her own, possibly more. After World War II, and the death of her brother Jean in 1953, Marie was hired by Henri Langlois as a film preservationist at the Cinémathèque française, a job she held until her retirement in 1977.","1899-08-14","1995-04-24",1,null,1118722,"nm0258506","Directing","Marie Epstein","Warsaw, Poland, Russian Empire [now Warsaw, Mazowieckie, Poland]",0.6908,"\u002Fp3W6DE4Yq8VK1MaNVudpPZmdH0S.jpg",{"cast":20,"crew":63},[21,39,54],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":37,"media_type":38},"\u002FzpHkLYpJjUZdjfxMBI3VWqgM05n.jpg",[24,25],18,10749,67440,"Cœur fidèle","fr","Une orpheline, recueillie par les tenanciers d'un cabaret subit les mauvais traitements d'un voyou. Celui-ci sera abattu par une infirme permettant ainsi à la jeune fille de vivre avec son fiancé.",1.005,"\u002FgHUI3AfFBhVBMMV5Ai53GaCtTyn.jpg","1923-11-23",7.2,52,"Crippled Woman","52fe4766c3a368484e0c4f1b",5,"movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":43,"title":44,"original_language":45,"original_title":46,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":52,"credit_id":53,"order":10,"media_type":38},"\u002FshDUhcbsxQGG5ilaos9p2TWVBgW.jpg",[42],99,297546,"Jean Epstein, la Mer lyrosophe","en","Jean Epstein, Young Oceans of Cinema","Au sommet de sa carrière, Jean Epstein s'éloigne de l'industrie du cinéma pour suivre une voie créative plus personnelle. Il filme la Bretagne, ses îles et leurs habitants, axant moins son propos sur la construction narrative que sur l'exploration quasi ethnographique des lieux. La nature devient l'un des acteurs majeurs de son cinéma. James Schneider arpente les grèves, filme les phares, écoute la mer, sur les traces de Jean Epstein et de son œuvre poétique.",0.8716,"\u002F2NTfWt4FCcLjXptSq4MiaZvvYDA.jpg","2011-01-01",0,"Self (archive footage)","543de03dc3a36825000010ec",{"adult":4,"backdrop_path":11,"genre_ids":55,"id":56,"title":57,"original_language":28,"original_title":57,"overview":58,"popularity":59,"poster_path":11,"release_date":60,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":61,"credit_id":62,"order":10,"media_type":38},[42],700056,"La Cinémathèque française","Vue par un jeune réalisateur, la Cinémathèque française en 1962 : sa salle de projection de la rue d'Ulm, ses bureaux de la rue de Courcelles, son personnel (Lotte Eisner, Mary Meerson, Marie Epstein, ...) et le gardien des lieux, Henri Langlois.",0.971,"1962-01-01","Self","5eaf200171f095001fadbe04",[64,69,81,93,104,112,121,134,147,159,170,178,181,184,194,206,209,218,228,235,239],{"adult":4,"backdrop_path":22,"genre_ids":65,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"credit_id":66,"department":67,"job":68,"media_type":38},[24,25],"52fe4766c3a368484e0c4f01","Writing","Writer",{"adult":4,"backdrop_path":11,"genre_ids":70,"id":71,"title":72,"original_language":28,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":78,"credit_id":79,"department":14,"job":80,"media_type":38},[24],164699,"La maternelle","Lorsque son père dépose le bilan puis meurt, le fiancé de Rose la délaisse; elle prend un emploi de bonne dans une école maternelle de Montmartre avec 150 enfants pauvres. Rose donne à chaque enfant une attention affectueuse, et bientôt elle est leur préférée. Un enfant particulièrement nécessiteux est Marie, la fille d'une prostituée. Rose et elle se lient, et Marie est jalouse de toutes les attentions portées à Rose, en particulier celles du Dr Libois, le médecin de l'école. Lorsque Rose guide par inadvertance les enfants à travers l'expérience éducative d'un chercheur invité, puis révèle qu'elle a un diplôme universitaire et travaille sous son poste, le directeur veut la renvoyer. Y a-t-il un moyen pour qu'elle reste ? Et qu'adviendra-t-il de Marie ?",0.7148,"\u002FapJ2v3ZaVIFAV0IaYjBmA745liJ.jpg","1933-09-15",6.7,7,"52fe4c7ec3a36847f823101b","Director",{"adult":4,"backdrop_path":11,"genre_ids":82,"id":83,"title":84,"original_language":85,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":4,"video":4,"vote_average":37,"vote_count":78,"credit_id":91,"department":14,"job":92,"media_type":38},[24,25],522580,"Liberté surveillée","cs","V proudech","Tout juste arrivé à Paris, un jeune homme attrape un train pour Prague afin de fuir la Police. Il parvient à se faire passer pour le soigneur d'une équipe sportive, mais l'entraîneur de l'équipe s'aperçoit de la supercherie...",0.9181,"\u002FwX7SYP1kmMiFLuwkIgrn56OKDix.jpg","1958-05-16","6107ba42e61e6d00754a19cb","First Assistant Director",{"adult":4,"backdrop_path":94,"genre_ids":95,"id":96,"title":97,"original_language":28,"original_title":97,"overview":98,"popularity":99,"poster_path":100,"release_date":101,"softcore":4,"video":4,"vote_average":102,"vote_count":37,"credit_id":103,"department":14,"job":80,"media_type":38},"\u002FnDc6Q2WRXwreb7axj5wxhhLyPel.jpg",[24],285775,"Peau de pêche","A la sortie d'un mariage, un jeune garçon nommé peau de pêche trouve par hasard un bijou. La ramenant à sa propriétaire, celle-ci devient sa bienfaitrice au cours des années qui passent...",1.0029,"\u002F8fvkChsHf96PP3x1086BA6VowE1.jpg","1929-03-08",6.6,"53e4a2e1c3a368484a0035d1",{"adult":4,"backdrop_path":11,"genre_ids":105,"id":106,"title":107,"original_language":28,"original_title":107,"overview":108,"popularity":109,"poster_path":11,"release_date":110,"softcore":4,"video":4,"vote_average":78,"vote_count":10,"credit_id":111,"department":14,"job":80,"media_type":38},[24],315040,"Itto","",1.6133,"1934-12-31","54a4f2bf92514117dd0065fd",{"adult":4,"backdrop_path":11,"genre_ids":113,"id":114,"title":115,"original_language":28,"original_title":115,"overview":116,"popularity":117,"poster_path":11,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":10,"credit_id":120,"department":14,"job":80,"media_type":38},[],321281,"Cœur de Paris","Un gamin de Paris est le guide d'un Americain. Il le conduit chez ses parents ou l'etranger va habiter pendant son sejour. L'Americain tombe amoureux de la soeur du jeune garcon mais elle epouse un camelot qu'elle aime depuis longtemps...",1.0602,"1931-12-24",8,"54c68dca9251416185005908",{"adult":4,"backdrop_path":11,"genre_ids":122,"id":125,"title":126,"original_language":28,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"credit_id":133,"department":14,"job":80,"media_type":38},[24,123,124],10402,14,193065,"La Mort du Cygne","Petit rat de l'Opéra, la jeune Rose voue une admiration passionnée à Mlle Beaupré, une danseuse étoile. L'arrivée de Nathalie, une danseuse de grand talent, fait craindre à Rose que son idole soit détrônée. Elle provoque alors un accident qui rend Nathalie définitivement infirme, qui l'oblige à se consacrer à l'enseignement. Ayant brisé sa carrière, Rose est rongée par la culpabilité....",1.3168,"\u002F2RHJ1MUptyzaiDkHFmZ8eQ3ebpT.jpg","1937-11-25",6.3,6,"63acb0a17ef3811f6085217e",{"adult":4,"backdrop_path":135,"genre_ids":136,"id":138,"title":139,"original_language":28,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":4,"video":4,"vote_average":144,"vote_count":119,"credit_id":145,"department":67,"job":146,"media_type":38},"\u002F6oto5fuBVkWp1eiB6NWIxeEfsGb.jpg",[137,24],80,186173,"L'Auberge rouge","Deux jeunes médecins, surpris par l'orage, se réfugient dans une auberge. Un courtier en diamants les rejoint et, par manque de place, partage leur chambre. Au petit jour, il est découvert assassiné. Quelques années plus tard, justice est faite.",0.7898,"\u002Fx0WDhe6Fxif1wuwD2cHJOBhk10q.jpg","1923-09-27",6.1,"660d71355aadc401636489c8","Screenplay",{"adult":4,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":28,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":4,"video":4,"vote_average":156,"vote_count":157,"credit_id":158,"department":67,"job":68,"media_type":38},"\u002FsIennhesMMH4ghNlh0zYLBmWjOP.jpg",[24],279157,"Le Double Amour","La comtesse Laure Maresco s'éprend d'un joueur, Jacques Prémont-Solène. Celui-ci perd une somme importante et songe au suicide. Laure l'en empêche, avant d'apprendre que son amant a dilapidé la recette d'une fête de bienfaisance dont elle s'est occupée. Sa famille envoie le jeune homme en Amérique pour éteindre le scandale. Vingt ans plus tard, fortune faite, il revient.",1.2032,"\u002F7Ywee8OLf9CwVoyBSM65o3PhEjT.jpg","1925-11-27",5.9,9,"5b09c02c0e0a267c000080c3",{"adult":4,"backdrop_path":11,"genre_ids":160,"id":162,"title":163,"original_language":28,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":4,"video":4,"vote_average":119,"vote_count":168,"credit_id":169,"department":14,"job":80,"media_type":38},[161,24,124],12,538674,"Altitude 3.200","« Altitude 3.200 » pose la question suivante et en établit le postulat : que se passerait-il si l'on offrait à un groupe de jeunes — pauvres ou riches, mécontents ou désœuvrés — un cadre de vie communautaire idyllique ? Appelez cela une colonie, un village ou un monde unifié ; il s'agit avant tout d'une tentative vaine de transformer la nature humaine, les mœurs, la culture et les mentalités, quelle que soit l'altitude. Car il ne faut pas longtemps pour que les conflits de personnalités, les mesquines jalousies, la violence et — ce vieux démon — l'amour sèment le chaos. Et il ne faut guère plus de temps pour qu'ils se retrouvent unis face à une avalanche menaçant de les anéantir. Tous finissent par regagner leur point de départ, plus tristes et plus sages.",0.9029,"\u002FlscppgSiA6eDRgMB9dMQki0ZMmU.jpg","1938-07-21",2,"5b5cc527c3a368422a019209",{"adult":4,"backdrop_path":11,"genre_ids":171,"id":172,"title":173,"original_language":28,"original_title":173,"overview":108,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":157,"vote_count":10,"credit_id":177,"department":67,"job":68,"media_type":38},[],566200,"Maternité",1.1023,"\u002FqyVbyV2LlMi18b9WJLMKIbGSM8x.jpg","1930-03-03","5c040d590e0a2629ce0ae5bb",{"adult":4,"backdrop_path":11,"genre_ids":179,"id":114,"title":115,"original_language":28,"original_title":115,"overview":116,"popularity":117,"poster_path":11,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":10,"credit_id":180,"department":67,"job":68,"media_type":38},[],"5d44832e0fb39800159664f7",{"adult":4,"backdrop_path":11,"genre_ids":182,"id":71,"title":72,"original_language":28,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":78,"credit_id":183,"department":67,"job":68,"media_type":38},[24],"5d4483a92b113d00157fc079",{"adult":4,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":28,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":102,"vote_count":157,"credit_id":193,"department":67,"job":68,"media_type":38},"\u002FzH1Dnn2skLikuxD1e6ozWsvoGB6.jpg",[24,25],289320,"Six et demi, onze","Un médecin renommé et son frère vivent ensemble. Le frère tombe passionnément amoureux d'une chanteuse nommée Marie et quitte le médecin.",1.0948,"\u002FofTE5cyiDTaA3C0FPYm6MByuK6e.jpg","1927-06-03","5d4481e82b113d00137fbfa5",{"adult":4,"backdrop_path":195,"genre_ids":196,"id":197,"title":198,"original_language":28,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"credit_id":205,"department":67,"job":68,"media_type":38},"\u002Fimtlsou6PUVePNnxiQ4dxZR3QjB.jpg",[24,25],315919,"Hélène","Hélène, jeune étudiante en médecine, est amoureuse de l'aspirant musicien Pierre Regnier, dont le père, un chirurgien de renom, l'exhorte à abandonner la musique pour la médecine. Incapable de résister à son père, Pierre se tue, incitant la Madeleine en deuil à oublier la romance et à consacrer sa vie à la guérison.",0.9709,"\u002Fyo7VF4BeoWA0NAAafmmdWo1LEtQ.jpg","1936-10-17",5.5,4,"5d44842e2d1e400015bdb678",{"adult":4,"backdrop_path":11,"genre_ids":207,"id":125,"title":126,"original_language":28,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"credit_id":208,"department":67,"job":68,"media_type":38},[24,123,124],"5d4485052d1e400014bdbbde",{"adult":4,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":28,"original_title":213,"overview":108,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":78,"vote_count":168,"credit_id":217,"department":67,"job":68,"media_type":38},"\u002FrR8FtQIe7yJLrciFGdkeXwSZx4t.jpg",[24],535836,"L'Affiche",1.1842,"\u002F5hFOk2wHbqtHJXx0IZKrYCx8LAQ.jpg","1925-02-26","5de7fe9e3faba0001313c40a",{"adult":4,"backdrop_path":11,"genre_ids":219,"id":220,"title":221,"original_language":28,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":226,"vote_count":10,"credit_id":227,"department":14,"job":80,"media_type":38},[24],679239,"Âmes d'enfants","Âmes d’enfants est un film engagé traitant des conditions de vie des ouvriers et prônant une plus grande intervention de l’État en matière de logement social, notamment par la construction de cités-jardins. D’un point de vue générique, le film s’inscrit dans la lignée des fables moralisatrices empreintes de réalisme social du cinéma des premiers temps. Il s’en écarte néanmoins par son discours social complexe, qui s’appuie sur un mode de lecture comparable à celui d’une parabole. Conciliant les ambitions du monde de l’éducation populaire et les goûts récréatifs du public, il aménage un espace d’échange entre les classes intermédiaires et le monde ouvrier.",0.9929,"\u002Fpp4h1qR3neOtcJTLxhu31UthryY.jpg","1928-03-23",10,"5e5b35b6357c0000132871f2",{"adult":4,"backdrop_path":11,"genre_ids":229,"id":230,"title":231,"original_language":28,"original_title":231,"overview":108,"popularity":232,"poster_path":11,"release_date":233,"softcore":4,"video":4,"vote_average":78,"vote_count":10,"credit_id":234,"department":14,"job":80,"media_type":38},[],679235,"Il était une fois trois amis",1.0598,"1927-01-01","5e5b33e955c92600135032ba",{"adult":4,"backdrop_path":11,"genre_ids":236,"id":172,"title":173,"original_language":28,"original_title":173,"overview":108,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":157,"vote_count":10,"credit_id":237,"department":14,"job":238,"media_type":38},[],"5efc05065437f500388ec674","Assistant Director",{"adult":4,"backdrop_path":11,"genre_ids":240,"id":172,"title":173,"original_language":28,"original_title":173,"overview":108,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":157,"vote_count":10,"credit_id":241,"department":242,"job":243,"media_type":38},[],"5efc04f45437f500398ce83a","Production","Producer",{"profiles":245},[246],{"aspect_ratio":247,"height":248,"iso_3166_1":11,"iso_639_1":11,"file_path":18,"vote_average":249,"vote_count":10,"width":250},0.667,3000,3.334,2000]